When
Thursday, 21 June 2018
From 20.00
Where
Dohány utcai Zsinagóga,
Budapest
Tickets
2.500 Ft – helyfoglalás érkezési sorrendben
Tickets


Milhaud Ani maamin – cantata and Bernstein Symphony no. 3 (Kaddish)

Church Season Pass 4.

Milhaud Ani maamin – cantata
Bernstein Symphony no. 3 (Kaddish)

Milhaud:  Ani maamin kantáta-részletek

Szoprán/Soprano:

Bódi Zsófia, Kristófi Ágnes, Széll Cecília

próza:   Lisztes László, Szaszák Zsolt, Tassonyi Balázs, Tóth Dominik

 

Bernstein:   (“Kaddish”) szimfónia,

narrátor: Dunai Tamás

 

Sümegi Eszter szoprán

 

Hungarian National Philharmonic Orchestra
Hungarian National Choir (Chorus Master: Csaba Somos)
The Children Choir of the Zoltán Kodály Hungarian Choral School (chorus master: Ferenc Sapszon Jr.)
Zsolt Hamar Conductor

Information about entering the Synagogue

 

Dear Concert Goers,

 

Please be aware when arriving at the concert that security checks are carried out at the entrance to the Synagogue. This can take some time. There are also limited parking spaces in the area surrounding the Synagogue, so it might be a good idea to make your journey via public transport. The doors are open from 6 pm.

Please observe the following rules:

  • Men must not enter the Synagogue bareheaded. Please bring something to cover your head.
    • Please wear appropriate clothing. Sleeveless tops and short skirts are not allowed.
    • Security checks are carried out by staff before entering the Synagogue. Kindly offer your full cooperation.

Thank you for your understanding, we look forward to seeing you there!

 

 

MILHAUD: Ani Maamin – cantata

One of the final works by Darius Milhaud (1892–1974) was the Ani maamin (“I Believe”) cantata, written in 1972, the title of which refers to the writings of Maimonides that summarise the 13 principles of Jewish faith. The 12th point of this creed, the coming of the Jewish Messiah, was especially emphasised by the writer of the cantata’s text Elie Wiesel. In the piece, the short chorus and vocal solo lines alternate with texts narrated in prose which depict Abraham, Isaac and Jacob travelling around the world and bringing the immense suffering of the Holocaust before God.  The lines by the solo soprano appear near the middle of the piece, and alternate with the words of Abraham. To the questions of the patriarchs (How can God allow such atrocities?), the answers again and again convey unconditional faith: “The thoughts of God are inscrutable. God knows what He does.” The patriarchs finally run out of arguments and leave the heavens, but do not notice the tears in the eyes of God. And they receive a new confirmation, hope in the lives of their children. We first hear the complete text of the creed in the final movement in Hebrew: “I believe with perfect faith in the coming of the Messiah, and, though he may tarry, I will wait daily for his coming. Ani maamin.”

BERNSTEIN: Symphony No. 3 (“Kaddish”)

The title of Leonard Bernstein’s Symphony No. 3, Kaddish, refers to a Jewish prayer which is usually chanted for the dead but never mentions death, and rather attests to the glory of God. Through it, mourners express that they have not lost their faith in spite of their pain. The monumental performance is scored for a narrator, soprano solo, mixed choir, boy’s choir and a large symphony orchestra. The piece’s three movements are performed in sequence without intermission: I Invocation – Kaddish 1; II Din-Torah – Kaddish 2; III Scherzo – Kaddish 3 – Finale. In all three movements, the kaddish prayer is sung in its entirety in the original Aramaic/Hebrew language, and always with a different character. The narrator’s very personal, and in some places quite dramatic text was written by Bernstein himself, and conveys one of the main problems of the 20th century and of the composer, a crisis of faith, as well as his struggles, doubts and even his conflicts with God.