LALO: LE ROI D’YS – Concert-version opera performance in three acts, with one intermission
Thursday, 11 January 2024
From 7.00 pmuntil approximately 9.20 pm
Müpa – Béla Bartók National Concert Hall,
HUF 10,900 – HUF 2,900 (Tickets for this performance are being sold based on a dynamic pricing system)
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LALO: LE ROI D’YS – Concert-version opera performance in three acts, with one intermission


György Vashegyi conductor



Rozenn Judith van Wanroij

Margared Kate Aldrich

Mylio Cyrille Dubois

Karnac Jérôme Boutillier

The King of Ys Nicolas Courjal

Saint Corentin / Jahel Christian Helmer


Hungarian National Choir (choirmaster: Csaba Somos)

Hungarian National Philharmonic Orchestra

Conductor: György Vashegyi         


Hungarian premiere as a co-production by Palazzetto Bru Zane and the Hungarian National Philharmonic

Recorded as part of the French Opera series – released by Bru Zane Label


The Hungarian National Philharmonic Opera season ticket offers plenty of opportunities. The Hungarian National Philharmonic Orchestra and the Hungarian National Choir have the chance to perform in unison, superb vocal soloists will visit us from every part of the world, the operatic works are sure to provide the audience with refreshment in terms of genre and, of course, the choir and orchestra will put their ability to the test in new situations that require a significant degree of musical adaptability. There is something more, however: the Opera season ticket also provides us with an opportunity to discover hidden gems. One genuine rarity that is well worth discovering is Édouard Lalo’s masterpiece, Le roi d’Ys.


The French Romantic, who came from a family of Spanish origin, is best known outside his homeland for his Symphonie espagnole. For French audiences, however, Le roi d’Ys is typically considered his greatest work. The three-act opera, which he completed in 1875, is adapted from a Breton legend. The mythical tale, which features a blend of the motifs of love and war, intrigue and self-sacrifice, reminds us of Wagner. The music’s harmonies and melodies and the heat of passion are also not free of the influence of Lalo’s great German contemporary, while the stylistic hallmarks also bear traces of inspiration from Gounod, and other analysts see it as a predecessor of Debussy’s Pelléas et Mélisande. The production, realised in collaboration with Palazzetto Bru Zane, features a parade of soloists including Judith van Wanroij, Kate Aldrich, Cyrille Dubois, Jérôme Boutillier, Nicolas Courjal and Christian Helmer – primarily French artists, though there are also Dutch and American singers, too. One of György Vashegyi’s goals is lead the Hungarian National Philharmonic in introducing Hungarian audiences to previously less well-known French Romantic operas, and this performance is a fine example of that ambition.



The vocation of the Palazzetto Bru Zane – Centre de musique romantique française is to favour the rediscovery of the French musical heritage of the long nineteenth century (1780-1920) and obtain international recognition for that repertory. Housed in Venice in a palazzo dating from 1695, specially restored for the purpose, the Palazzetto Bru Zane – Centre de musique romantique française is an emanation of the Fondation Bru. Combining artistic ambition with high scientific standards, the Centre reflects the humanist spirit that guides the actions of its parent foundation. The Palazzetto Bru Zane’s main activities, carried out in close collaboration with numerous partners, are research, the publication of books and scores, the production and international distribution of concerts, support for teaching projects and the production of sound recordings.


Bru Zane Classical Radio – the French Romantic music webradio:
Bru Zane Mediabase – digital data on the nineteenth-century French repertory:
Bru Zane Replay – streaming videos of concerts and staged productions:


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