{"id":83439,"date":"2003-07-21T00:00:00","date_gmt":"2003-07-21T00:00:00","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/hirek\/a-keresztmetszet-keresztmetszete-a-fidelio-martonvasaron\/"},"modified":"2003-07-21T00:00:00","modified_gmt":"2003-07-21T00:00:00","slug":"a-keresztmetszet-keresztmetszete-a-fidelio-martonvasaron","status":"publish","type":"post","link":"https:\/\/www.filharmonikusok.hu\/en\/a-keresztmetszet-keresztmetszete-a-fidelio-martonvasaron\/","title":{"rendered":""},"content":{"rendered":"<p><P><STRONG>This disc is not a true SACD, the two works for piano and orchestra being licensed from Philips recordings made in the mid-1980s, so I am limiting this review to regular stereo (which I have to confess I prefer anyway, at least to most surround-sound recordings). <\/STRONG><\/P><br \/>\n<P>Zoltan Kocsis&#39; performances of the early but delightful Rhapsody and Scherzo remain the finest ever made, and having them available separately offers an excellent way for listeners to get to know them. Iv\u00e1n Fischer and his orchestra offer excellently judged, idiomatic accompaniments.<\/P><br \/>\n<P>This version of the not uniformly interesting First Violin Concerto is a new recording made in 2006. Barnab\u00e1s Kelemen is obviously a very capable soloist, and he&#39;s particularly successful in turning in a gutsy, passionate account of the long second movement. Kocsis as conductor ensures that the orchestral accompaniments are every bit as vivid as the solo playing. So while this may not be &#8220;major&#8221; Bart\u00f3k, it is colorful and still very rewarding listening, particularly the two rarities for piano and orchestra. If you&#39;re curious about the early works, then this disc certainly fills the bill.<\/P><br \/>\n<P><EM>Artistic Quality: 9\/10<BR>Sound Quality: 9\/10<\/EM><\/P><br \/>\n<P><EM>Zolt\u00e1n Kocsis (piano); Barnab\u00e1s Kelemen (violin)<BR>Budapest Festival Orchestra<BR>Hungarian National Philharmonic Orchestra<BR>Iv\u00e1n Fischer<BR>Zolt\u00e1n Kocsis<BR>Hungaroton- 32504(CD)<BR>Reference Recording &#8211; Rhapsody and Scherzo: This One<\/EM><\/P><br \/>\n<P>David Hurwitz<BR>(ClassicsToday.com, May 30, 2008)<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This disc is not a true SACD, the two works for piano and orchestra being licensed from Philips recordings made in the mid-1980s, so I am limiting this review to regular stereo (which I have to confess I prefer anyway, at least to most surround-sound recordings). Zoltan Kocsis&#39; performances of the early but delightful Rhapsody [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-83439","post","type-post","status-publish","format-standard","hentry","category-hirek"],"better_featured_image":null,"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"lead_szoveg":"This disc is not a true SACD, the two works for piano and orchestra being licensed from Philips recordings made in the mid-1980s, so I am limiting this review to regular stereo (which I have to confess I prefer anyway, at least to most surround-sound recordings)."},"publishpress_future_action":{"enabled":false,"date":"2026-04-26 17:18:05","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/posts\/83439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/comments?post=83439"}],"version-history":[{"count":0,"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/posts\/83439\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=83439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/categories?post=83439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/tags?post=83439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}