{"id":114938,"date":"2020-06-11T12:18:05","date_gmt":"2020-06-11T12:18:05","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?page_id=114938"},"modified":"2020-08-06T18:26:28","modified_gmt":"2020-08-06T18:26:28","slug":"probatermi-e-vendegseg-sorozat","status":"publish","type":"page","link":"https:\/\/www.filharmonikusok.hu\/en\/probatermi-e-vendegseg-sorozat\/","title":{"rendered":"e-Open Rehearsal Room series"},"content":{"rendered":"<h1>362 minutes of 100% Music<\/h1>\n<h2>Chamber music concerts online<\/h2>\n<p>&nbsp;<\/p>\n<p>Late last week, after a long wait, we artists of the Hungarian National Philharmonic Orchestra and the Hungarian National Choir were finally able to make it back to the beloved rehearsal room on the sixth floor of the M\u00fcpa Budapest building that is so full of memories for us. And we even held an open rehearsal \u2013 however this time without you, the audience.<\/p>\n<p>Fortunately, we had an outstanding team of audio\/video media professionals to capture the music the way we wanted you to hear it. Our music was full of joy. It resembled, in some ways, the experiences our grandparents might have undergone when, after times of warfare, everyone could happily join together again in the shared experience of playing in a string quartet, chamber ensemble, orchestra or choir.<\/p>\n<p>Over the course of the three days we spent there, our ensembles comprising 110 artists have recorded for you a total of 362 minutes of 100% music, <strong>and from 18 June we will be offering them to you as eight videos of about 45 minutes on our Facebook page and website, starting at 7.30 pm each Thursday evening.<\/strong><\/p>\n<p>PLEASE JOIN US AS OUR e-OPEN REHEARSAL ROOM GUESTS!<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>No. 8<br \/>\n<\/strong><strong>Thursday, 6 August 2020, 7:30 pm<br \/>\n<\/strong><strong>Martonv\u00e1s\u00e1r <\/strong><\/p>\n<h3><strong>Ludwig van Beethoven: L\u00e4ndler Dances, WoO 15<\/strong><\/h3>\n<p><strong>Zsuzsanna Moln\u00e1r, P\u00e9ter S\u00e1rosi<\/strong> violin \/ <strong>Zsuzsanna Bajner<\/strong> cello \/ <strong>Tibor Zs\u00e1kai<\/strong> double bass<\/p>\n<h3><strong><br \/>\nLudwig van Beethoven: Twelve Scottish Folk Songs, WoO 156 \u2013 excerpts (Lochnagar, Auld lang Syne)<\/strong><\/h3>\n<p><strong>Eszter Zita D\u00f3ri, S\u00e1ndor Boros, \u00c1kos Borka<\/strong> voice \/ <strong>Krisztina Szab\u00f3<\/strong> violin \/ <strong>Szilvia Lantos<\/strong> cello \/ <strong>D\u00f3ra Bizj\u00e1k<\/strong> piano<\/p>\n<h3><strong><br \/>\nLudwig van Beethoven: String Quartet No. 1 in F major, op. 18 \u2013 first movement<\/strong><\/h3>\n<p><strong>D\u00e1niel Papp, \u00c9va D\u00falfalvy <\/strong>violin \/<strong> S\u00e1ndor Kert\u00e9sz <\/strong>viola \/<strong> Gy\u00f6rgy De\u00e1k <\/strong>cello<\/p>\n<h3><strong><br \/>\nLudwig van Beethoven: Duo for Two Flutes in G major, WoO 26 <\/strong><\/h3>\n<p><strong>Anita Szab\u00f3, Ir\u00e9n M\u00f3r\u00e9<\/strong> flute<\/p>\n<h3><strong><br \/>\nLudwig van Beethoven: Three Equals for Four Trombones, WoO 30<\/strong><\/h3>\n<p><strong>Ferenc K\u00f3czi\u00e1s, R\u00f3bert St\u00fcrzenbaum, Jen\u0151 K\u00e1csik, \u00c1kos Galla<\/strong> trombone<\/p>\n<h3><strong><br \/>\nLudwig van Beethoven: Fidelio \u2013 excerpts (arrangements from Beethoven&#8217;s time by Wenzel Sedlak) <\/strong><\/h3>\n<p><strong>B\u00e9la Horv\u00e1th, Edit Budai<\/strong> oboe \/ <strong>J\u00f3zsef T\u00f6nk\u00f6ly, Gy\u00f6rgy Salamon<\/strong> clarinet \/ <strong>L\u00e1szl\u00f3 G\u00e1l, Ferenc Farkas<\/strong> horn \/ <strong>Edina Szalai, Zsolt Szab\u00f3<\/strong> bassoon \/ <strong>Tibor Zs\u00e1kai<\/strong> double bass<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>362 minutes of 100% Music Chamber music concerts online &nbsp; Late last week, after a long wait, we artists of the Hungarian National Philharmonic Orchestra and the Hungarian National Choir were finally able to make it back to the beloved rehearsal room on the sixth floor of the M\u00fcpa Budapest building that is so full [&hellip;]<\/p>\n","protected":false},"author":951590,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-114938","page","type-page","status-publish","hentry"],"better_featured_image":null,"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-09-30 21:29:29","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/pages\/114938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/users\/951590"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/comments?post=114938"}],"version-history":[{"count":0,"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/pages\/114938\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=114938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}