Rachmaninov (1875-1945) M\u00e1sodik szimf\u00f3ni\u00e1ja 12 \u00e9vvel az els\u0151 ut\u00e1n, 1907-ben sz\u00fcletett. \u00c9ppen akkor, mikor a szerz\u0151 zongorista-, karmester- \u00e9s zeneszerz\u0151i karrierj\u00e9nek cs\u00facs\u00e1n \u00e1llt. M\u0171veit a k\u00f6z\u00f6ns\u00e9g k\u00e9s\u0151bb is sokra \u00e9rt\u00e9kelte, a kritikusok ellenben \u00e9ppen azt b\u00edr\u00e1lt\u00e1k, ami a publikumot megfogta: szentimentalizmus, t\u00falzott nosztalgia - ilyen c\u00edmk\u00e9ket ragasztottak r\u00e1, ezeket vetett\u00e9k a szem\u00e9re.<\/p>\r\n
<\/p>\r\n
Rachmaninov (1875-1945) M\u00e1sodik szimf\u00f3ni\u00e1ja 12 \u00e9vvel az els\u0151 ut\u00e1n, 1907-ben sz\u00fcletett. \u00c9ppen akkor, mikor a szerz\u0151 zongorista-, karmester- \u00e9s zeneszerz\u0151i karrierj\u00e9nek cs\u00facs\u00e1n \u00e1llt. M\u0171veit a k\u00f6z\u00f6ns\u00e9g k\u00e9s\u0151bb is sokra \u00e9rt\u00e9kelte, a kritikusok ellenben \u00e9ppen azt b\u00edr\u00e1lt\u00e1k, ami a publikumot megfogta: szentimentalizmus, t\u00falzott nosztalgia - ilyen c\u00edmk\u00e9ket ragasztottak r\u00e1, ezeket vetett\u00e9k a szem\u00e9re. Ezt tett\u00e9k m\u00e1r a M\u00e1sodik szimf\u00f3nia eset\u00e9ben is.<\/p>\r\n
Az \u00e1rad\u00f3 dallamokat, a h\u00f6mp\u00f6lyg\u0151 \u00e9rzelmeket a zenei kvalit\u00e1s hi\u00e1nyak\u00e9nt \u00e9rtelmezt\u00e9k. Pedig ebben a m\u0171ben Rachmaninov t\u00f6k\u00e9letes motivikus \u00f6sszef\u00fcgg\u00e9s-rendszert dolgozott ki. Mind a n\u00e9gy t\u00e9tel t\u00f6bb szinten kapcsol\u00f3dik egym\u00e1shoz, motivikusan els\u0151sorban az els\u0151 \u00e9s a harmadik, valamint a m\u00e1sodik \u00e9s a negyedik t\u00e9tel, amely \u00e1ltal a mott\u00f3-t\u00e9m\u00e1val megval\u00f3s\u00edtott egys\u00e9g kieg\u00e9sz\u00fcl. Az els\u0151 t\u00e9telben a mott\u00f3-t\u00e9ma a lass\u00fa bevezet\u00e9sben, az els\u0151 gyors t\u00e9m\u00e1ban \u00e9s a viharos kidolgoz\u00e1si r\u00e9szben jelenik meg. A m\u00e1sodik, dallamos t\u00e9ma a harmadik, lass\u00fa t\u00e9telben visszat\u00e9r\u0151 ritornellk\u00e9nt \u00e9l tov\u00e1bb, s itt v\u00e1lik Rachmaninov egyik legkiemelked\u0151bb pillanat\u00e1v\u00e1. Nem csup\u00e1n a sz\u00e9les nyit\u00f3dallam cs\u00facspontja, hanem a klarin\u00e9tdallam visszat\u00e9r\u00e9s\u00e9ben is csaknem minden \u00fctemben megjelenik a heged\u0171kben, mint ellenpont.<\/p>\r\n
Az energikus Scherzo els\u0151 szakasz\u00e1ban az els\u0151 t\u00e9ma a fin\u00e1l\u00e9 kezdet\u00e9n j\u00e1tszik majd fontos szerepet. Az ezt k\u00f6vet\u0151 l\u00edrai m\u00e1sodik t\u00e9ma ut\u00e1n egy, az els\u0151 t\u00e9ma anyag\u00e1b\u00f3l levezetett fugat\u00f3s r\u00e9sz vezet a visszat\u00e9r\u00e9shez. A mott\u00f3 itt szakr\u00e1lis k\u00f6nt\u00f6sben, a r\u00e9zf\u00fav\u00f3kon hangzik el, k\u00f6zvetlen\u00fcl a t\u00e9tel v\u00e9ge el\u0151tt. A fin\u00e1l\u00e9 ezt az \u00fcnnepi karaktert viszi tov\u00e1bb. Az els\u0151 szakasz k\u00e9t t\u00e9m\u00e1j\u00e1nak bemutat\u00e1sa ut\u00e1n (a m\u00e1sodik tipikus rahmanyinovi \"sz\u00e9les dallam\") a kidolgoz\u00e1si r\u00e9sz v\u00e9g\u00fcl addig fokoz\u00f3dik, am\u00edg cs\u00facspontj\u00e1n egy hatalmas harangz\u00fag\u00e1sba nem torkollik. Mikor a \"dallam\" teljes pomp\u00e1j\u00e1ban visszat\u00e9r, vele egy\u00fctt megsz\u00f3lal az els\u0151 t\u00e9ma az ellenpontban, a mott\u00f3 liturgikus v\u00e1ltozata is a Scherz\u00f3b\u00f3l.<\/p>{:}{:en}
Rachmaninov (1875-1945) composed his Second Symphony twelve years after his first in 1907. It was written when the composer was at the peak of his career as pianist, conductor and composer. Audiences also valued his works, but critics criticised him precisely because of what the public loved: sentimentality and exaggerated nostalgia - such labels were appended to his name and he was rebuked because of them. And this was certainly true of the Second Symphony as well.<\/p>\r\n
<\/p>\r\n
The flowing melodies and undulating emotions were interpreted as a lack of musical quality. And yet in this work, Rachmaninov worked out a perfect system of motific interrelations. All four movement relate to one another on a variety of levels. The first and third and second and fourth are linked motifically, through which a unity is realised with the motto theme. In the first movement the motto theme appears in the slow introduction, the first fast theme, and the stormy development section. The second, melodic theme lives on in the slow third movement as a recurring ritornello, and here turns into one of Rachmaninov's most elevated moments. It is not just the climax of the broad opening melody, but in the recapitulation of the clarinet melody too, it appears in almost every bar in the violins as a counterpoint. \u00a0In the first section of the energetic Scherzo the first theme played in the beginning of the finale later plays an important role. Following the lyrical second theme that follows this, a fugato section deriving from the material of the first theme leads to the recapitulation. The motto is here heard in a sacral guise on the brass instruments, directly before the end of the movement. After the introduction of the two themes of the first section (the second is a typical Rachmaninov \"broad melody\"), the development section builds up to an immense peal of bells. The \"melody\" returns in its full splendour, the first theme is heard with it in a counterpoint, the liturgical version of the motto from the Scherzo.<\/p>{:}","post_title":"{:hu}II. szimf\u00f3nia e-moll, op. 27{:}{:en}Symphony No. 2 in E minor, Op. 27{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ii-szimfonia-e-moll-op-27","to_ping":"","pinged":"","post_modified":"2017-02-10 13:52:12","post_modified_gmt":"2017-02-10 13:52:12","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/ii-szimfonia-e-moll-op-27\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Rachmaninov"]}],"muvekrol_reszletesen":true,"kozr_szemelyek":[{"ID":87064,"post_author":"1","post_date":"2016-09-21 07:58:15","post_date_gmt":"2016-09-21 07:58:15","post_content":"{:hu}
1981-ben sz\u00fcletett \u00d3zdon. Zenei tehets\u00e9g\u00e9vel igen kor\u00e1n felh\u00edvta mag\u00e1ra a figyelmet, \u00edgy \u00f6t\u00e9vesen m\u00e1r a helyi zeneiskola n\u00f6vend\u00e9ke volt. Tanulm\u00e1nyait k\u00e9s\u0151bb a miskolci Zenem\u0171v\u00e9szeti Szakk\u00f6z\u00e9piskol\u00e1ban, majd a budapesti Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen folytatta, ahol 2005-ben zongoram\u0171v\u00e9sz-tan\u00e1ri diplom\u00e1t szerzett.\r\nTehets\u00e9g\u00e9t itthon \u00e9s k\u00fclf\u00f6ld\u00f6n egyar\u00e1nt elismerik, \u00e9s ezt t\u00f6bbek k\u00f6z\u00f6tt olyan d\u00edjak bizony\u00edtj\u00e1k, mint a Magyar R\u00e1di\u00f3 Orsz\u00e1gos Zongoraverseny\u00e9nek els\u0151 helyez\u00e9se, a Baden bei Wien-i Bart\u00f3k B\u00e9la Zongoraverseny els\u0151 d\u00edja, a Karlstadi Greta Erikson Nemzetk\u00f6zi Zongoraverseny m\u00e1sodik helyez\u00e9se. Farkas G\u00e1bor nemcsak a szakm\u00e1t, de a k\u00f6z\u00f6ns\u00e9get is megh\u00f3d\u00edtotta, sikeres koncerteket adott m\u00e1r t\u00f6bbek k\u00f6z\u00f6tt B\u00e9csben, Berlinben, Stuttgartban, Strassbourgban, Firenz\u00e9ben, P\u00e1rizsban, valamint Toki\u00f3ban.<\/p>\r\n\r\n
\u00a0If we only listed the names of the conductors G\u00e1bor Farkas, PhD student of the Franz Liszt Academy of Music, Budapest has worked with, that would be more than enough: \u00c1d\u00e1m Fischer, Zolt\u00e1n Kocsis and Tam\u00e1s V\u00e1s\u00e1ry. G\u00e1bor started his music studies at the age of five, and already holds an MA degree in Piano Performance and Teaching. His special talent is appreciated internationally: in 1998, he was awarded with the first prize of the \"National Piano Competition\", B\u00e9k\u00e9s-Tarhos, Hungary; in 2000 he was the winner of the \"Bart\u00f3k B\u00e9la Piano Competition\", Baden bei Wien; and in 2003 he received the first prize of the \"Hungarian National Radio's Piano Competition\".<\/p>\r\nHis uplifting performance enchanted the audience throughout Europe and the world: along the past years he performed in the concert halls of Budapest, Vienna, Baden bei Wien, Berlin, Stuttgart, Strassbourg, Florence, Paris, Calgary, Sakata, Yuza and Tokyo. He was invited to prestigious international festivals, such as the \"Budapest Spring Festival\", the \"International Piano Forum\", Berlin and the \"Franz Liszt Festival\" organized in the Castle of G\u00f6d\u00f6ll\u0151, Hungary. He extended his knowledge at the master courses of many of the most respected piano professors: Gy\u00f6rgy N\u00e1dor, Ferenc Rados, P\u00e9ter Frankl, Rolf Dieter Arens, Jan Wijn, Brigitte Engerer and William Grant Nabore. In the past years, he received the scholarships \"Pro Europe\" and \"Franz Liszt\", in Budapest, and in 2001 he won the scholarship of the \"European Cultural Foundation\", Strassbourg.\r\n
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\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"5.200 HUF, 4.300 HUF, 3.600 HUF, 2.900 HUF, 2.100 HUF","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/csajkovszkij-es-rachmaninov-muvek-farkas-gabor-zongora-vezenyel-kovacs-janos-68798\/331103","elkeltek_a_jegyek":false,"youtube_id":"","old_id":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/99133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=99133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}