{"id":98493,"date":"2016-10-26T11:25:06","date_gmt":"2016-10-26T11:25:06","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=98493"},"modified":"2016-11-16T16:53:50","modified_gmt":"2016-11-16T16:53:50","slug":"koncert-lengyelorszagban-varso","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/koncert-lengyelorszagban-varso\/","title":{"rendered":"Koncert Lengyelorsz\u00e1gban &#8211; Vars\u00f3"},"content":{"rendered":"<p>Az 1956-os magyar forradalom \u00e9s szabads\u00e1gharc 60. \u00e9vfordul\u00f3ja alkalm\u00e1b\u00f3l, az \u201956-os Eml\u00e9kbizotts\u00e1g t\u00e1mogat\u00e1s\u00e1val hangversenysorozatra ker\u00fcl sor Eur\u00f3pa sz\u00e1mos orsz\u00e1g\u00e1ban. Az \u00fcnnepi koncertek hozz\u00e1j\u00e1rulnak a forradalom esem\u00e9nyeinek felid\u00e9z\u00e9s\u00e9hez, ily m\u00f3don ad\u00f3zva a kommunista diktat\u00far\u00e1val szembesz\u00e1ll\u00f3 h\u0151s\u00f6k eml\u00e9k\u00e9nek, helyt\u00e1ll\u00e1sukat p\u00e9ldak\u00e9nt \u00e1ll\u00edtva a ma ember\u00e9nek.<\/p>\n<p>Az idei eml\u00e9k\u00e9vhez kapcsol\u00f3d\u00f3an a Nemzeti Filharmonikus Zenekar 2016 november\u00e9ben lengyelorsz\u00e1gi turn\u00e9ra indul, melynek bevezet\u0151 \u00e1llom\u00e1sak\u00e9nt november 21-\u00e9n a szlov\u00e1kiai Kass\u00e1n ad \u00fcnnepi hangversenyt, majd november 22. \u00e9s 28. k\u00f6z\u00f6tt hat lengyel v\u00e1rosban l\u00e9p fel (Krakk\u00f3, Vars\u00f3, Wroc\u0142aw, Szczecin, Bygdoszcz, Katowice). A koncertsorozat egy\u00fattal r\u00e9sze a lengyelorsz\u00e1gi Magyar Kultur\u00e1lis \u00c9vad 2016\/17 programsorozat\u00e1nak.<\/p>\n","protected":false},"template":"","class_list":["post-98493","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":{"alcim":"","kiemelt_kep":{"ID":99492,"id":99492,"title":"fn_final","filename":"FN_final.jpg","filesize":815861,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/koncert-lengyelorszagban-wroclaw\/fn_final\/","alt":"","author":"1","description":"","caption":"","name":"fn_final","status":"inherit","uploaded_to":98499,"date":"2016-11-16 08:34:59","modified":"2016-11-16 16:54:28","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":566,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final-768x226.jpg","medium_large-width":640,"medium_large-height":188,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final-1024x302.jpg","large-width":640,"large-height":189,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final.jpg","1536x1536-width":1536,"1536x1536-height":453,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final.jpg","2048x2048-width":1920,"2048x2048-height":566,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final.jpg","person-size-2-width":165,"person-size-2-height":49,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/FN_final-1600x566.jpg","slider-size-width":1600,"slider-size-height":566}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20161123","esemeny_idopontja":"19.00 - 21.30","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":98496,"post_author":"3","post_date":"2016-10-26 11:26:05","post_date_gmt":"2016-10-26 11:26:05","post_content":"","post_title":"Filharmonia Narodowa","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"filharmonia-narodowa-2","to_ping":"","pinged":"","post_modified":"2016-10-26 11:26:05","post_modified_gmt":"2016-10-26 11:26:05","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=places&#038;p=98496","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Vars\u00f3","orszag":"Lengyelorsz\u00e1g","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"kulfold","karmester":null,"hazigazda":null,"muvek":[{"ID":91122,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}<p style=\"text-align: justify;\">\"Gal\u00e1nt\u00e1n t\u00f6lt\u00f6tte a szerz\u0151 gyermekkora legszebb h\u00e9t esztendej\u00e9t. H\u00edres volt akkor a gal\u00e1ntai banda, Mih\u00f3k pr\u00edm\u00e1s alatt. De m\u00e9g h\u00edresebb lehetett sz\u00e1z \u00e9vvel azel\u0151tt. 1800 t\u00e1j\u00e1n B\u00e9csben t\u00f6bb f\u00fczet magyar t\u00e1nc jelent meg. Egyiknek c\u00edme \u00edgy jel\u00f6li meg forr\u00e1s\u00e1t: \"von verschidenen (sic!) Zigeunern aus Galantha\". (...) Hadd folytassa ez a kis m\u0171 a r\u00e9gi gal\u00e1ntai hagyom\u00e1nyt.\" - \u00edrja a szerz\u0151 Gal\u00e1ntai t\u00e1ncok c\u00edm\u0171 darabja el\u00e9.\r\nKod\u00e1ly Zolt\u00e1n (1882-1967) 1933-ban, a Budapesti Filharm\u00f3niai T\u00e1rsas\u00e1g megalakul\u00e1s\u00e1nak 80. \u00e9vfordul\u00f3j\u00e1ra kompon\u00e1lta m\u00e1ig egyik legn\u00e9pszer\u0171bb szimfonikus m\u0171v\u00e9t. A bemutat\u00f3ra ugyanebben az \u00e9vben ker\u00fclt sor.<\/p>\r\n<p style=\"text-align: justify;\">A t\u00e9tov\u00e1z\u00f3 bevezet\u00e9sben a csell\u00f3, majd a k\u00fcrt hozza a jellegzetes, lass\u00fa verbunkos mot\u00edvumot. A dallamt\u00f6red\u00e9kek k\u00f6z\u00f6tt a t\u00f6bbi muzsikus mintha keresg\u00e9ln\u00e9, merre is fejlessze tov\u00e1bb ezt a zenei anyagot. Az els\u0151heged\u0171k mel\u00f3di\u00e1ja ut\u00e1n a klarin\u00e9t mutatja meg az utat: r\u00f6gt\u00f6nz\u00e9sszer\u0171 kadenci\u00e1ja a darab f\u0151t\u00e9m\u00e1j\u00e1ba, a szerz\u0151i utas\u00edt\u00e1s szerint \"m\u00e9lt\u00f3s\u00e1gteljesen l\u00e9pked\u0151\" verbunkosba torkollik. Az ism\u00e9tl\u00e9sn\u00e9l szenved\u00e9lyesebb\u00e9 v\u00e1l\u00f3 dallam megsz\u00f3laltat\u00e1s\u00e1ban m\u00e1r a teljes zenekar r\u00e9szt vesz.<\/p>\r\n<p style=\"text-align: justify;\">Az els\u0151 k\u00f6zj\u00e1t\u00e9kban ugr\u00f3t\u00e1ncot id\u00e9z\u0151, pizzicat\u00f3val k\u00eds\u00e9rt, csipkel\u0151d\u0151 faf\u00fav\u00f3s-, \u00e9s komoly, sodr\u00f3 erej\u0171 von\u00f3s\u00e1ll\u00e1sok v\u00e1ltj\u00e1k egym\u00e1st. Szellemes szerz\u0151i megold\u00e1s az ism\u00e9tl\u00e9sn\u00e9l a faf\u00fav\u00f3sok dallam\u00e1t kopul\u00e1zni; a fuvola \u00e9s a pikol\u00f3 kvintp\u00e1rhuzamban halad. Az ism\u00e9t megjelen\u0151 rond\u00f3t\u00e9ma szenved\u00e9lyess\u00e9g\u00e9t az \u00fcstdobtremol\u00f3k \u00e9s a dallamsorv\u00e9gi crescend\u00f3k fokozz\u00e1k.<\/p>\r\n<p style=\"text-align: justify;\">Az oboasz\u00f3l\u00f3val kezd\u0151d\u0151 szakasz dudat\u00e1ncot imit\u00e1l. Kontrasztanyaga f\u00e9nyes \u00e9s \u00e1ttetsz\u0151 a triangulum cseng\u0151-bong\u00f3 hangja, a pikol\u00f3 magas fricsk\u00e1i, a von\u00f3sok \u00fcveghangjai miatt. Azt\u00e1n a von\u00f3skar kiemelked\u00e9s\u00e9vel mintha a dudasz\u00f3l\u00f3ra kontr\u00e1zna r\u00e1 a n\u00e9pi zenekar. A visszat\u00e9r\u0151 andante maestoso t\u00e9m\u00e1t p\u00e1r \u00fctem ut\u00e1n els\u00f6pri az egyre sodr\u00f3bb \u00e9s extatikusabb harmadik k\u00f6zj\u00e1t\u00e9k. A von\u00f3sok ind\u00edtj\u00e1k, majd fokozatosan minden hangszercsoport bekapcsol\u00f3dik a hajszolt t\u00e1ncba.<\/p>\r\n<p style=\"text-align: justify;\">\"Kicsit \u00e1zottan\" - lehetne az alc\u00edme a harmadik, negyedik k\u00fcrt ind\u00edtotta r\u00e9sznek. A klarin\u00e9tsz\u00f3l\u00f3 ak\u00e1r egy r\u00e9szeg ember dudor\u00e1sz\u00e1s\u00e1t is evok\u00e1lhatja, amint der\u0171sen, de m\u00e1r szinte eszm\u00e9letlen\u00fcl pr\u00f3b\u00e1l hazat\u00e1molyogni.<\/p>\r\n<p style=\"text-align: justify;\">A mulats\u00e1g azonban n\u00e9lk\u00fcle is folytat\u00f3dik. Egyre sodr\u00f3bb lend\u00fclete csak egyetlenegyszer torpan meg, \u00e9pp a tet\u0151pontj\u00e1n. A fortissimo a-moll ter\u00fclet ut\u00e1n egy pianissimo gisz-moll akkord: h\u00e1tborzongat\u00f3 pillanat. A m\u00e9lt\u00f3s\u00e1gteljes, keser\u00e9des f\u0151t\u00e9ma v\u00e9gigvonul a fuvol\u00e1n \u00e9s az obo\u00e1n, majd vissza\u00e9rkezik oda, ahonnan elindult, a s\u00edrva vigad\u00f3 klarin\u00e9thoz. A darab v\u00e9g\u00e9re a t\u00e9ma k\u00f6zj\u00e1t\u00e9kszer\u0171 megjelen\u00e9se el\u0151ttr\u0151l ismer\u0151s, sz\u00e9d\u00edt\u0151en \u00f6rv\u00e9nyl\u0151 t\u00e1nc tesz pontot - azaz felki\u00e1lt\u00f3jelet.<\/p>{:}{:en}<p style=\"text-align: justify;\">\u201eThe composer spent the most beautiful seven years in Galanta. At that time, the Galanta band was famous when Mih\u00f3k was the first violinist. But it was even more famous a hundred years before. Around 1800, several books of Hungarian dances were published in Vienna. One of these described its sources as: \u201evon verschidenen (sic!) Zigeunern aus Galantha\u201d. (\u2026) Let this small work follow this old Galanta tradition\u201d \u2013 wrote Kod\u00e1ly on the published manuscript.\r\nZolt\u00e1n Kod\u00e1ly (1882\u20131967) composed what remains one of his most popular symphonic works in 1933 for the 80th anniversary of the Budapest Philharmonic Society and it was premiered the same year.<\/p>\r\n<p style=\"text-align: justify;\"><!--more-->\r\nIn the hesitant introduction, the cello and then the horn introduce the characteristic slow verbunk motif. It is as if the other musicians are searching among the melodic fragments how to develop this musical material. Following the melody of the first violins, the clarinet shows the way: its improvisatory cadenza leads to the work's main theme, a \"dignified stepping\" verbunk, according to Kod\u00e1ly's instructions. When it is repeated, it is more passionate still and the entire orchestra takes part.\r\nIn the first interlude, serious, powerful string and woodwind passages alternate with pizzicato strings, evoking a leaping dance. There is a witty compositional solution in the repeat, with flute and piccolo employed in parallel fifths. The recurring rondo theme is made all the more passionate by timpani tremolos and melodic crescendi.\r\nThe section commencing with an oboe solo imitates a bagpipe dances. The contrasting material is bright and transparent because of the sound of the triangle and the harmonics produced on violin, accompanied by piccolo. Then we seem to hear a folk band evoking a bagpipe solo, as a contrast to the elevation of the orchestra. After a few bars, an increasingly ecstatic third interlude sweeps away the returning andante maestoso theme. The strings launch things, then every instrumental group joins in the dance.\r\n\u201eA bit tipsy\u201d \u2013 could be the subtitle of the fourth section, introduced by the horn. The clarinet solo perhaps evokes the crooning of someone who has drunk too much, merry but not quite conscious, as they try to get home.\r\nBut the party continues without him. Its sweeping momentum is broken only once, and then at its climax. After a fortissimo A minor, we heard a pianissimo G sharp minor chord: it is a spine chilling moment. The dignified, bittersweet principal theme departs on flute and oboe, and returns to where it began, on the clarinet. The interlude like appearance of the theme placed at the end puts a full stop to the end of this dizzy dance - or rather, an exclamation mark.<\/p>\r\n<p style=\"text-align: justify;\"><\/p>{:}","post_title":"{:hu}Gal\u00e1ntai t\u00e1ncok{:}{:en}Dances from Gal\u00e1nta{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"galantai-tancok","to_ping":"","pinged":"","post_modified":"2019-04-29 13:31:03","post_modified_gmt":"2019-04-29 13:31:03","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/galantai-tancok\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91047,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}<em>I. Allegro maestoso. Tempo giusto\r\n<\/em><em>II. Quasi Adagio\r\n<\/em><em>III. Allegretto Vivace\r\n<\/em><em>IV. Allegro marziale animato\u00a0<\/em>\r\n\r\n<em>\u00a0<\/em>\r\n\r\nAz els\u0151 v\u00e1zlatokat egy Esz-d\u00far hangnem\u0171 versenym\u0171h\u00f6z Liszt m\u00e9g ifj\u00fakor\u00e1ban, 1830 t\u00e1j\u00e1n vetette pap\u00edrra. R\u00e9szletesebben azonban csak a weimari id\u0151szakban kezdte kidolgozni a kompoz\u00edci\u00f3t. Igen nagy m\u0171gonddal \u00e9s \u00f6nkritik\u00e1val dolgozott rajta, nem kevesebb, mint \u00f6t v\u00e1ltozatot k\u00e9sz\u00edtett az id\u0151k sor\u00e1n.\r\n\r\nA bemutat\u00f3ra v\u00e9g\u00fcl 1855. febru\u00e1r 17-\u00e9n ker\u00fclt sor Weimarban: Liszt maga j\u00e1tszotta a zongorasz\u00f3lamot, s a vend\u00e9gk\u00e9nt idel\u00e1togat\u00f3 Berlioz vez\u00e9nyelt. A m\u0171 n\u00e9gyt\u00e9telnyi anyagot fog \u00f6ssze egyetlen nagy egys\u00e9gg\u00e9. A nyit\u00f3r\u00e9sz energikus, h\u0151sies zenekari f\u0151t\u00e9m\u00e1val indul, amit igen hamar a zongora \u201egrandioso\u201d felirat\u00fa, roppant k\u00e9nyes cadenz\u00e1ja k\u00f6vet. A zenekari f\u0151t\u00e9ma k\u00fcl\u00f6nf\u00e9le alakv\u00e1lt\u00e1sokban, de mindig felismerhet\u0151en a tov\u00e1bbi r\u00e9szekben is visszat\u00e9r \u2013 kiv\u00e9ve a gyeng\u00e9d lass\u00fat. A H-d\u00far hangnem\u0171 <em>Quasi Adagio<\/em> olykor kamarazeneszer\u0171en finom, \u00e1ttetsz\u0151, sz\u00e1rnyal\u00f3, kant\u00e1bilis mel\u00f3di\u00e1j\u00e1t el\u0151sz\u00f6r a hangfog\u00f3s von\u00f3sok sz\u00f3laltatj\u00e1k meg a zongora akkordfelbont\u00e1sos, gyeng\u00e9d k\u00eds\u00e9rete mellett. Nagy szerepet kap a sz\u00f3l\u00f3 csell\u00f3, majd a formar\u00e9sz k\u00f6zepe fel\u00e9 a fuvola ind\u00edt j\u00e1t\u00e9kosabb, jellegzetesen anapesztikus ritmus\u00fa t\u00e9m\u00e1t. Triangulum\u00fct\u00e9sek jelzik a <em>Scherzo<\/em> kezdet\u00e9t. Az utols\u00f3 r\u00e9sz, a fin\u00e1l\u00e9 nem hoz \u00faj t\u00e9m\u00e1t. A m\u00e1r megismerteket halljuk viszont, \u00e1m olykor teljesen megv\u00e1ltoztatott alakban. A lass\u00fa r\u00e9sz \u00e1lmodoz\u00f3 dallam\u00e1t p\u00e9ld\u00e1ul Liszt hars\u00e1ny indul\u00f3t\u00e9m\u00e1v\u00e1 \u00e1talak\u00edtva id\u00e9zi vissza.{:}{:en}Liszt made his first sketches for the E flat major piano concerto around 1830 while still a teenager. He only began to refine the full details while living in Weimar in the 1850's. His work was characterised by immense care and self-criticism, and in all, he produced five versions.\r\n\r\n<!--more-->\r\n\r\nIt was premiered finally in Weimar on February 17th 1855: Liszt was the soloist while the visiting Berlioz conducted. Although the work is in four movements, they are forged together into a single immense unit. The opening section begins with the energetic, heroic theme played by the orchestra, which is then followed by the piano in a bravura cadenza, marked by Liszt \"grandioso.\" The principal orchestral theme undergoes various transformations but returns again and again in such a way as to be instantly recognisable - except in the tender slow movement. This is in B major, marked Quasi Adagio, and a beautiful cantabile melody emerges, played first by the muted strings to a chordal piano accompaniment. The solo cello receives an important role, but towards the end of this section, the flute suddenly interjects the playful anapaestic theme. Beats on the triangle indicate the Scherzo has begun. In the final movement, there is no new theme. We hear what has already been presented, but utterly transformed in character. The melody that is at the centre of the dreamy slow movement has now become an abrasive march theme.{:}","post_title":"{:hu}I. (Esz-d\u00far) zongoraverseny{:}{:en}Piano Concerto No. 1 in E-flat major{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"esz-dur-zongoraverseny","to_ping":"","pinged":"","post_modified":"2020-09-28 04:59:42","post_modified_gmt":"2020-09-28 04:59:42","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/esz-dur-zongoraverseny\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91048,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}<p style=\"text-align: justify;\">Bart\u00f3k a Bostoni Szimfonikusok sz\u00e1m\u00e1ra, Sergei Koussevitzky k\u00e9r\u00e9s\u00e9re kompon\u00e1lta a Concert\u00f3t. A bostoni bemutat\u00f3ra Bart\u00f3k ismertet\u0151t is \u00edrt: &bdquo;A m\u0171 \u00e1ltal\u00e1nos hangulata &ndash; a tr\u00e9f\u00e1s m\u00e1sodik t\u00e9telt\u0151l eltekintve &ndash; fokozatos \u00e1tmenetet k\u00e9pvisel az els\u0151 t\u00e9tel komolys\u00e1g\u00e1t\u00f3l \u00e9s a harmadik gy\u00e1szos sirat\u00f3\u00e9nek\u00e9t\u0151l a z\u00e1r\u00f3t\u00e9tel \u00e9letigenl\u00e9s\u00e9ig. E szimf\u00f3niaszer\u0171 zenekari m\u0171nek a c\u00edm\u00e9t az egyes hangszerek, hangszercsoportok koncert\u00e1l\u00f3 vagy sz\u00f3lisztikus kezel\u00e9sm\u00f3dja magyar\u00e1zza. A virtu\u00f3z hangszerkezel\u00e9s p\u00e9ld\u00e1ul az els\u0151 t\u00e9tel kidolgoz\u00e1s\u00e1nak fugato-szakaszaiban jelenik meg (r\u00e9zf\u00fav\u00f3 hangszerek), vagy a z\u00e1r\u00f3t\u00e9tel f\u0151t\u00e9m\u00e1j\u00e1nak perpetuum mobile-szer\u0171 futamaiban (von\u00f3sok), \u00e9s k\u00fcl\u00f6n\u00f6sen a m\u00e1sodik t\u00e9telben, ahol a hangszerek mindig p\u00e1ros\u00e1val jelennek meg egym\u00e1st k\u00f6vet\u0151en, brili\u00e1ns passz\u00e1zsokkal.&rdquo; Somfai L\u00e1szl\u00f3 \u00edgy \u00edrt: &bdquo;A zen\u00e9sz \u00e9pp\u00fagy, mint a hallgat\u00f3, igazi mesterm\u0171 kisug\u00e1rz\u00e1s\u00e1t \u00e9rzi: m\u00e9lyb\u0151l fakad\u00f3 \u00e9rzelmek \u00e9s \u00e1tl\u00e9nyeg\u00fclt pillanatok az els\u0151 t\u00e9tel lass\u00fa bevezet\u00e9s\u00e9ben \u00e9s az El\u00e9gi\u00e1ban; szellemess\u00e9g \u00e9s k\u00fcl\u00f6n\u00f6s szarkazmus a m\u00e1sodik \u00e9s negyedik t\u00e9telben; &bdquo;n\u00e9pek testv\u00e9rr\u00e9 v\u00e1l\u00e1sa&rdquo; k\u00f6rt\u00e1nc a fin\u00e1l\u00e9ban, nagyszab\u00e1s\u00fa ellenpontoz\u00f3 jelenetekkel \u00e9kes\u00edtve, igazi beethoveni z\u00e1r\u00f3-gesztussal.&rdquo;&nbsp;<\/p>{:}{:en}<p style=\"text-align: justify;\">Sergei Koussevitzky commissioned Bart\u00f3k to compose his Concerto for the Boston Symphony Orchestra. Bart\u00f3k contributed a small programme note for the Boston premiere: &bdquo;The general mood of the world &ndash; excepting the second movement &ndash; represents a gradual transition from the seriousness of the first movement and the funeral dirge of the third to the affirmative closing movement. The title of this symphonic style work is explained by the concerto or soloistic treatment of individual instruments or groups. Examples of virtuosic handling of instruments occur in the fugato sections of the first movement development (brass instruments), or the perpetuum mobile passages of the finale&rsquo;s principal theme (strings), and particularly in the second movement where instruments appear successively in pairs with brilliant passages.&rdquo; L\u00e1szl\u00f3 Somfai wrote the following: &bdquo;Musicians and listeners alike sense the radiance of a true masterpiece: profound inner feelings and transfigured movements in the slow introduction of the first movement and the Elegy; wit and unique sarcasm in the second and fourth movements; the &bdquo;all men will be brothers&rdquo; circle dance in the finale, ornamented with grand contrapuntal passages and a true Beethovenian closing gesture.&rdquo;&nbsp;<\/p>{:}","post_title":"{:hu}Concerto{:}{:en}Concerto for Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"concerto","to_ping":"","pinged":"","post_modified":"2016-09-08 08:57:47","post_modified_gmt":"2016-09-08 08:57:47","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/concerto\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Bart\u00f3k"]}],"muvekrol_reszletesen":null,"kozr_szemelyek":[{"ID":87160,"post_author":"1","post_date":"2016-10-26 10:05:37","post_date_gmt":"2016-10-26 10:05:37","post_content":"{:hu}<p style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-family: Arial;\">Nyolc \u00e9vesen kezdett zongor\u00e1zni, emellett \u00fct\u0151hangszereken \u00e9s heged\u0171n is tanult. 1994-ben a II. gy\u0151ri Orsz\u00e1gos \u00dct\u0151hangszeres sz\u00f3l\u00f3- \u00e9s du\u00f3-tal\u00e1lkoz\u00f3n els\u0151 d\u00edjat nyert. 12 \u00e9vesen felvett\u00e9k a Bart\u00f3k B\u00e9la Zenem\u0171v\u00e9szeti Szakk\u00f6z\u00e9piskola \u00e9s Gimn\u00e1zium el\u0151k\u00e9sz\u00edt\u0151 tagozat\u00e1ra, Benk\u0151 Zolt\u00e1n oszt\u00e1ly\u00e1ba. 2001-t\u0151l A Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen N\u00e1dor Gy\u00f6rgy \u00e9s Kemenes Andr\u00e1s n\u00f6vend\u00e9ke. 2006-t\u00f3l az Akad\u00e9mia doktori iskol\u00e1j\u00e1nak hallgat\u00f3ja, 2011-ben cum laude min\u0151s\u00edt\u00e9ssel doktorr\u00e1 avatj\u00e1k. Sz\u00e1mos verseny gy\u0151ztese, t\u00f6bbek k\u00f6z\u00f6tt 2009-ben az Osl\u00f3ban megrendezett Nemzetk\u00f6zi Grieg Zongoraverseny III. d\u00edj\u00e1t, 2010-ben Jap\u00e1nban a Sendai Nemzetk\u00f6zi Zongoraverseny k\u00f6z\u00f6ns\u00e9gd\u00edj\u00e1t, 2011-ben Budapesten a V\u00e9gh S\u00e1ndor Zenei Verseny I. d\u00edj\u00e1t nyerte el. Kocsis Zolt\u00e1nnal t\u00f6bb alkalommal fell\u00e9pett, Beethoven No. 5. Esz-d\u00far zongoraverseny\u00e9vel \u00e9s Liszt No. 2. A-d\u00far zongoraverseny\u00e9vel.\u00a0 Zongoram\u0171v\u00e9szi p\u00e1lyafut\u00e1sa mellett h\u00e1rom fels\u0151oktat\u00e1si int\u00e9zm\u00e9ny, k\u00f6z\u00f6tt\u00fck a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetem oktat\u00f3ja. <\/span><\/span><\/p>{:}{:en}<p style=\"text-align: justify;\"><img src=\"http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/muveszek\/ball_david_100.jpg\" alt=\"\" width=\"100\" height=\"120\" align=\"left\" \/>D\u00e1vid B\u00e1ll started to play the piano when he was eight and he got admitted to the B\u00e9la Bart\u00f3k Conservatory of Music in Budapest at the age of 12. He enrolled the Ferenc Liszt Academy of Music in 2001, his professors being Gy\u00f6rgy N\u00e1dor Andr\u00e1s Kemenes and Ferenc Rados, where he also completed his master studies in 2011 with great honour. He got several prizes including the third prize at the International Grieg Piano Contest in Oslo, in 2009, and the Audience Prize at the Sendai International Piano Competition in Japan. In Hungary besides other important awards, he was the proud winner of the S\u00e1ndor V\u00e9gh Competition in 2011. He appeared on stage together with Zolt\u00e1n Kocsis and the National Philharmonic: he was the soloist of Beethoven\u2019s Piano Concerto No. 5 in E flat major and Liszt\u2019s Piano Concerto No. 2 in A major. Besides his piano recitals, he teaches at the Ferenc Liszt Academy of Music as a Piano Assistant Professor.<\/p>{:}","post_title":"{:hu}B\u00e1ll D\u00e1vid{:}{:en}D\u00e1vid B\u00e1ll{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ball-david","to_ping":"","pinged":"","post_modified":"2016-10-26 10:05:37","post_modified_gmt":"2016-10-26 10:05:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=87160","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":null,"kozr_szemelyek_feluldefinialasa":"<p>&nbsp;<\/p>\n<p class=\"concertlistkm\">\n","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"","hivatkozas_gomb_szovege":"Tov\u00e1bb","hivatkozas_gomg_url-je":"http:\/\/filharmonia.pl\/koncerty-i-bilety\/repertuar\/bartok-gala","youtube_id":"","old_id":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/98493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=98493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}