![\"\"](\"http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/muveszek\/Denes_Istvan_100.jpg\")
<\/p>\r\nA budapesti sz\u00fclet\u00e9s\u0171 karmester 1977-ben v\u00e9gzett a Liszt Ferenc Zenem\u0171v\u00e9szeti Akad\u00e9mi\u00e1n zeneszerz\u00e9s-, karmester- \u00e9s zongora szakon, majd Sir Georg Solti \u00f6szt\u00f6nd\u00edjasak\u00e9nt B\u00e9csben tanult.\r\n1987 \u00e9s 1995 k\u00f6z\u00f6tt a Br\u00e9mai Sz\u00ednh\u00e1z els\u0151 karmestere, 1995 \u00e9s 2008 k\u00f6z\u00f6tt a Trieri Sz\u00ednh\u00e1z zeneigazgat\u00f3ja. Mindezek mellett a Magyar \u00c1llami Operah\u00e1z \u00e9s a Magyar R\u00e1di\u00f3 Szimfonikus Zenekar\u00e1nak els\u0151 vend\u00e9gkarmestere. Karmesterk\u00e9nt rendszeres fell\u00e9p\u0151je az eur\u00f3pai koncert termeknek \u00e9s fesztiv\u00e1loknak.\r\nSz\u00e1mos r\u00e1di\u00f3s m\u0171sort \u00e9s felv\u00e9telt k\u00e9sz\u00edtett a Magyar R\u00e1di\u00f3, a Br\u00e9mai R\u00e1di\u00f3 \u00e9s a Bajor R\u00e1di\u00f3 sz\u00e1m\u00e1ra. 1996-ban Zemlinksky Opera Sarema c\u00edm\u0171 m\u0171v\u00e9t els\u0151 \u00edzben adta el\u0151.\r\nZeneszerz\u0151k\u00e9nt t\u00f6bb darabot is \u00edrt, t\u00f6bbek k\u00f6z\u00f6tt a Treveris kant\u00e1t\u00e1t, amely k\u00e9t n\u0151i hangra, k\u00f3rusra \u00e9s zenekarra \u00edr\u00f3dott \u00e9s amelyet \u0151si Ausonius and Alquinus sz\u00f6vegek inspir\u00e1ltak. \u00daj\u00edt\u00f3 sz\u00e1nd\u00e9k\u00e1t j\u00f3l reprezent\u00e1lja a 2000-ben szerzett \u201cNokia kering\u0151 zongor\u00e1ra\u201d \u00e9s a \u201cNokia- kering\u0151 zenekarra\u201d amely a komolyzene t\u00f6rt\u00e9net\u00e9ben els\u0151 \u00edzben haszn\u00e1lja fel a mobil telefont . 2016-ban Tal\u00e1lkoz\u00e1sok holdf\u00e9nyben c\u00edm\u0171 Beethoven-\u00e1tirat\u00e1t Martonv\u00e1s\u00e1ron adta el\u0151 a Nemzeti Filharmonikus Zenekar vez\u00e9nyelt\u00e9vel.<\/p>{:}{:en}
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Istv\u00e1n D\u00e9nes conductor was born in Budapest. He studied piano and conducting at the Music University Franz Liszt in Budapest until 1977. During his studies as a conductor in the Hungarian State Opera House, he was granted scholarship by Sir Georg Solti so he could study at the Music University in Wien.\r\nFrom 1987 to 1995 he was the first conductor of the Theater Bremen and from 1995 to 2008 he was the musical director of the Theater in Trier. Furthermore he is the first guest conductor of the Hungarian State Opera House and the Radio Symphony Orchestra Budapest. As a conductor he is regular guest in the great Concerthalls and festivals in Europe.\r\nIstv\u00e1n D\u00e9nes made numerous radio performance and recorded albums for the Hungarian Radio Budapest, Radio Bremen and Radio Bavaria. In 1996 he conducted the Opera Sarema by Zemlinsky that was performed for the first time.\r\nAs a composer Istv\u00e1n D\u00e9nes wrote several pieces, including the \u201cTreveris -cantate\u201d for two women opera singer and for chorus\/orchestra, inspired by an ancient text written by Ausonius and Alquinus. In 2000 he wrote an interesting piece \u201cNokia Walz for piano\u201d and \u201cNokia-Walz for Orchestra\u201d incorporating the mobile phone for the first time in history of classical music.\r\nIn the last years he called attention to himself with a lot of discoveries, debut and first performance. The center of his musical act is on the interpretation of classical-romantic music and the modern music from the early 20th century.<\/p>\r\n
<\/p>{:}","post_title":"{:hu}D\u00e9nes Istv\u00e1n{:}{:en}Istv\u00e1n D\u00e9nes{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"denes-istvan","to_ping":"","pinged":"","post_modified":"2016-10-26 15:18:37","post_modified_gmt":"2016-10-26 15:18:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=85990","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91946,"post_author":"1","post_date":"2016-09-08 08:58:00","post_date_gmt":"2016-09-08 08:58:00","post_content":"{:hu}
Anton\u00edn Dvo\u0159\u00e1k (1841\u20131904) cseh zeneszerz\u0151 Karnev\u00e1l (Carnival, op.92) c\u00edm\u0171 nyit\u00e1nya a komolyzenei koncertek egyik kedvelt kezd\u0151sz\u00e1ma, \u00fagynevezett \u201ef\u00fcgg\u00f6ny\u201d-darabja. Brahms, Dvo\u0159\u00e1k bar\u00e1tja \u00e9s p\u00e1rtfog\u00f3ja, \u00edgy nyilatkozott r\u00f3la: \u201eBoldog zene! A hangversenyrendez\u0151k h\u00e1l\u00e1sak lehetnek \u00e9rte!\u201d<\/p>\r\n
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Kompon\u00e1l\u00e1s\u00e1nak idej\u00e9re, 1891-re, szerz\u0151j\u00e9nek alkot\u00f3ereje \u00e9s ezzel egy\u00fctt a h\u00edrneve is a zenitj\u00e9re \u00e9rkezett. Ekkoriban olyan jelent\u0151s kompoz\u00edci\u00f3kkal k\u00e9sz\u00fclt el, mint a 8. szimf\u00f3nia, a Jakobinusok opera, a Requiem \u00e9s a Dumky tri\u00f3, kinevezt\u00e9k a pr\u00e1gai konzervat\u00f3rium kompoz\u00edci\u00f3tan\u00e1r\u00e1nak, nagy sikerrel szerepelt Moszkv\u00e1ban \u00e9s Szentp\u00e9terv\u00e1rott, 1889-ben osztr\u00e1k vaskereszttel, 1890-ben a pr\u00e1gai \u00e9s 1891-ben a cambridge-i egyetem tiszteletbeli doktori c\u00edm\u00e9vel t\u0171ntett\u00e9k ki. A k\u00f6vetkez\u0151 \u00e9vben pedig elindult Amerik\u00e1ba, hogy bet\u00f6ltse a New York-i Nemzeti Zenei Konzervat\u00f3rium igazgat\u00f3i \u00e1ll\u00e1s\u00e1t.\r\nAmerikai \u00fatja el\u0151tti utols\u00f3 m\u0171ve egy nyit\u00e1ny-tril\u00f3gia volt, eredetileg Term\u00e9szet, \u00c9let \u00e9s Szerelem c\u00edmmel. Mindh\u00e1rom darab koncertnyit\u00e1ny, melyeket tematikus kapcsolatok k\u00f6tnek \u00f6ssze \u00e9s egy\u00fctt egy h\u00e1rom t\u00e9teles szimfonikus k\u00f6ltem\u00e9nyt alkotnak. Csak a partit\u00fara 1894-es kiad\u00e1sa el\u0151tt nyert\u00e9k el v\u00e9gleges c\u00edm\u00fcket \u00e9s kaptak k\u00fcl\u00f6n-k\u00fcl\u00f6n opusz-sz\u00e1mot: A term\u00e9szetben (op.91), Karnev\u00e1l (op.92) \u00e9s Othello (op.93). Dvo\u0159\u00e1k b\u00facs\u00fahangverseny\u00e9n, 1892. \u00e1prilis 28-\u00e1n hangzottak el el\u0151sz\u00f6r a pr\u00e1gai Rudolfinumban a cseh Nemzeti Sz\u00ednh\u00e1z Zenekar\u00e1nak el\u0151ad\u00e1s\u00e1ban, a szerz\u0151 vez\u00e9nylet\u00e9vel. Legk\u00f6zelebb pedig m\u00e1r New Yorkban, a Carnegie Hallban sz\u00f3laltak meg, a szerz\u0151 els\u0151 amerikai koncertj\u00e9n.\r\nA Karnev\u00e1l nyit\u00e1ny fel\u00e9p\u00edt\u00e9se a szon\u00e1ta form\u00e1\u00e9t k\u00f6veti, de a kidolgoz\u00e1si r\u00e9sz el\u0151tt egy ellent\u00e9tes karakter\u0171, lass\u00fa k\u00f6zj\u00e1t\u00e9k tal\u00e1lhat\u00f3. A Szl\u00e1v t\u00e1ncok vitalit\u00e1s\u00e1t id\u00e9z\u0151 f\u0151t\u00e9ma szinte operai t\u00f6megjelenetbe vezet be, majd a sz\u00e9lesen \u00e1rad\u00f3 dallam\u00fa mell\u00e9kt\u00e9ma sz\u00f3lal meg a heged\u0171k\u00f6n \u00e9s k\u00e9s\u0151bb a faf\u00fav\u00f3sokon. A szerz\u0151i program-ismertet\u00e9s szerint egy mag\u00e1nyos v\u00e1ndor \u00e9rkezik alkonyatkor a v\u00e1rosba, ahol karnev\u00e1l zajlik. A hangszerek hangj\u00e1ba az emberek \u00f6r\u00f6mujjong\u00e1sai keverednek, a r\u00e9szt vev\u0151k dalokkal \u00e9s t\u00e1ncokkal fejezik ki vid\u00e1ms\u00e1gukat. A k\u00f6z\u00e9pr\u00e9sz (Andantino con moto) visszavezet a mereng\u0151 v\u00e1ndor perspekt\u00edv\u00e1j\u00e1ba. A nokt\u00fcrn jelleg\u0171, pasztor\u00e1lis zen\u00e9ben az angolk\u00fcrt, a fuvola, az oboa, a klarin\u00e9t \u00e9s a heged\u0171 kap sz\u00f3l\u00f3szerepet, \u00e9s a ringat\u00f3z\u00f3 dallamok k\u00f6z\u00f6tt t\u00f6bbsz\u00f6r megsz\u00f3lal A term\u00e9szetben c\u00edm\u0171 nyit\u00e1ny pentaton \u201eterm\u00e9szet\u201d t\u00e9m\u00e1ja is. Ezut\u00e1n a karnev\u00e1l alaphangulat\u00e1ban folytat\u00f3dik a kidolgoz\u00e1si szakasz, majd a visszat\u00e9r\u00e9ssel \u00e9s a kirobban\u00f3 erej\u0171 k\u00f3d\u00e1val vid\u00e1man \u00e9s zajosan z\u00e1rul a kompoz\u00edci\u00f3. (Gombos L\u00e1szl\u00f3)<\/p>{:}{:en}The Carnival Overture<\/em> (op. 92) by Czech composer Anton\u00edn Dvo\u0159\u00e1k (1841\u20131904) is often played as the first item in concert programmes. At the time it was written (1891), the composer had reached the zenith of his popularity. Before leaving for the United States to take up his job as director at the National Conservatory of Music of America in New York City, he composed Nature, Life <\/em>and Love<\/em>, a trilogy of overture. It received its world premi\u00e8re under the composer\u2019s baton at the Rudolfinum in Prague on 28 April 1892. Later, however, Dvo\u0159\u00e1k decided that they should be separate works and eventually published them as In Nature\u2019s Realm<\/em> (op. 91), Carnival Overture<\/em> (op. 93) and Othello<\/em> (op. 93).\r\n\r\n\r\n\r\nThe main theme of Carnival<\/em> is not unlike an operatic crowd scene. According to the composer\u2019s description a lonely traveller arrives at dusk in a town celebrating carnival, loud with merrymaking and revelry. In the nocturne-like middle section the English horn, the flute, the oboe, the clarinet and the violin have a solo role, and amid swinging melodies the pentatonic \u201cnature\u201d theme from In Nature\u2019s Realm<\/em> is sounded more than once. The development section and the recapitulation follow in carnival spirit, after which the work rounds off in a tour-de-force coda.{:}","post_title":"{:hu}Karnev\u00e1l-nyit\u00e1ny{:}{:en}Carnival Overture{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"karneval-nyitany","to_ping":"","pinged":"","post_modified":"2017-02-15 13:44:10","post_modified_gmt":"2017-02-15 13:44:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/karneval-nyitany\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Dvo\u0159\u00e1k"]},{"ID":91947,"post_author":"1","post_date":"2016-09-08 08:58:00","post_date_gmt":"2016-09-08 08:58:00","post_content":"{:hu}A korai jazz nagy n\u00e9pszer\u0171s\u00e9gnek \u00f6rvendett a Szovjetuni\u00f3ban. Ennek egyik jele, hogy 1934-ben zeneszerz\u0151versenyt hirdettek a jazz m\u0171faj\u00e1nak a k\u00e1v\u00e9h\u00e1zi zen\u00e9b\u0151l \u201ekomoly\u201d st\u00e1tuszba emel\u00e9se \u00e9rdek\u00e9ben.\r\n\r\n\r\n\r\nI.March, II. Lyric Waltz, III. Dance 1, IV. Waltz 1, V. Little Polka, VI. Waltz 2, VII. Dance 2, VIII. Finale.\r\n A korai jazz nagy n\u00e9pszer\u0171s\u00e9gnek \u00f6rvendett a Szovjetuni\u00f3ban. Ennek egyik jele, hogy 1934-ben zeneszerz\u0151versenyt hirdettek a jazz m\u0171faj\u00e1nak a k\u00e1v\u00e9h\u00e1zi zen\u00e9b\u0151l \u201ekomoly\u201d st\u00e1tuszba emel\u00e9se \u00e9rdek\u00e9ben. Ekkor sz\u00fcletett Sosztakovics els\u0151 val\u00f3ban jazzes hangv\u00e9tel\u0171 m\u0171ve, a h\u00e1romt\u00e9teles 1. jazz-szvit. A 2. jazz-szvit keletkez\u00e9st\u00f6rt\u00e9nete j\u00f3val bonyolultabb, ugyanis k\u00e9t Sosztakovics-m\u0171vet is ismer\u00fcnk \u201e2. jazz-szvit\u201d c\u00edmmel. Az \u201eeredeti\u201d 2. jazz-szvit az els\u0151 ut\u00e1n n\u00e9gy \u00e9vvel, 1938-ban keletkezett, Viktor Knusevickij (a neves csell\u00f3m\u0171v\u00e9sz testv\u00e9re) \u00e1llami jazz-zenekara sz\u00e1m\u00e1ra, ennek kott\u00e1ja azonban a m\u00e1sodik vil\u00e1gh\u00e1bor\u00fa alatt elveszett. (Egy 1999-ben el\u0151ker\u00fclt zongorakivonat alapj\u00e1n Gerard McBurney zenetud\u00f3s \u00e9s zeneszerz\u0151 h\u00e1rom t\u00e9tel\u00e9t rekonstru\u00e1lta, ebben a form\u00e1j\u00e1ban volt hallhat\u00f3 a londoni Promen\u00e1d koncertek sorozat\u00e1ban.) Ezzel szemben az a m\u0171, amely a 20. sz\u00e1zad m\u00e1sodik fel\u00e9ben Sosztakovics 2. jazz-szvitjek\u00e9nt sz\u00e1mos el\u0151ad\u00e1s nyom\u00e1n k\u00f6zismertt\u00e9 v\u00e1lt, val\u00f3j\u00e1ban egy, a zeneszerz\u0151 k\u00fcl\u00f6nb\u00f6z\u0151 balett-, film- \u00e9s sz\u00ednh\u00e1zi k\u00eds\u00e9r\u0151zen\u00e9ib\u0151l \u00f6ssze\u00e1ll\u00edtott nyolct\u00e9teles szvit variet\u00e9-, avagy promen\u00e1dzenekarra (Suite for Stage Variety Orchestra). Ennek els\u0151 \u201enyugati\u201d el\u0151ad\u00e1s\u00e1ra 1988-ban ker\u00fclt sor Londonban, a vil\u00e1gh\u00edr\u0171 csell\u00f3m\u0171v\u00e9sz \u00e9s karmester, Msztyiszlav Rosztropovics vez\u00e9nylet\u00e9vel. Az el\u0151ad\u00f3egy\u00fcttes k\u00fcl\u00f6nlegess\u00e9ge, hogy szaxofonokat \u00e9s tang\u00f3harm\u00f3nik\u00e1t is tartalmaz.\r\nA 2. jazz-szvitk\u00e9nt ismert m\u0171 nyolc t\u00e9tel\u00e9nek sorrendje a zeneszerz\u0151 instrukci\u00f3i szerint szabadon vari\u00e1lhat\u00f3, illetve egy-egy t\u00e9tel ak\u00e1r el is hagyhat\u00f3. A szvitet nyit\u00f3 Indul\u00f3 lend\u00fcletes menetzen\u00e9j\u00e9t L\u00edrikus kering\u0151 k\u00f6veti, melynek \u00e9des-b\u00fas hangv\u00e9tel\u00e9t a sz\u00f3l\u00f3 szaxofon adja. Az Els\u0151 t\u00e1nc A b\u00f6g\u00f6ly c\u00edm\u0171 filmzen\u00e9b\u0151l ker\u00fclt \u00e1t a szvitbe, m\u00edg az Els\u0151 kering\u0151 h\u00e1tter\u00e9ben er\u0151sen \u00e9rezhet\u0151 Csajkovszkij kering\u0151inek hangv\u00e9tele. A xilofonsz\u00f3l\u00f3val indul\u00f3 Kis polka Sosztakovics jellegzetes fanyar humor\u00fa perszifl\u00e1zsainak egyike. A M\u00e1sodik kering\u0151 a zeneszerz\u0151 egyik legismertebb dallama, Stanley Kubrick T\u00e1gra z\u00e1rt szemek c\u00edm\u0171 filmj\u00e9nek f\u0151c\u00edmzen\u00e9jek\u00e9nt v\u00e1lt vil\u00e1gh\u00edr\u0171v\u00e9. Kev\u00e9sb\u00e9 ismert, hogy eredetileg is filmzene volt, Mikhail Kalatozov 1956-ban k\u00e9sz\u00fclt Pervyy Eshelon c\u00edm\u0171 filmj\u00e9ben sz\u00f3lalt meg el\u0151sz\u00f6r. A n\u00e9pies hangv\u00e9tel\u0171 M\u00e1sodik t\u00e1nc Sosztakovics harmincas \u00e9vekben kompon\u00e1lt m\u0171veib\u0151l sz\u00e1rmazik, v\u00e9g\u00fcl a szvitet szellemes Finale z\u00e1rja.<\/p>\r\n <\/p>{:}{:en}The work that went on to become popular in the second half of the 20th<\/sup> century as Shostakovich\u2019s Jazz Suite No. 2 through many performances and arrangements, was in fact an eight-movement compilation of pieces of incidental music for ballet, film and theatre, composed for variety\/promenade orchestra (Suite for Stage Variety Orchestra<\/em>).\r\n\r\n\r\n\r\nMarch; II. Lyric Waltz; III. Dance 1; IV. Waltz 1; V. Little Polka; VI. Waltz 2; VII.\u00a0Dance\u00a02; VIII. Finale\r\n\r\nInterestingly, the orchestra features saxophones and an accordion. The order of the eight movements can be varied ad lib, and movements can be omitted altogether. The most famous of them is Waltz 2, which was made famous by the soundtrack of Stanley Kubrick\u2019s Eyes Wide Shut<\/em>. It is a little known fact that it was originally a soundtrack for Mikhail Kalatozov\u2019s 1956 film Pervvy Eshelon<\/em>.{:}","post_title":"{:hu}Variet\u00e9-szvit no. 2{:}{:en}Suite for Promenad Orchestra No. 2{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"jazz-szvit-no-2","to_ping":"","pinged":"","post_modified":"2017-02-01 08:58:10","post_modified_gmt":"2017-02-01 08:58:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/jazz-szvit-no-2\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Sosztakovics"]},{"ID":91158,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"I. Adagio - Allegro molto II. Largo III. Molto vivace IV. Allegro con fuoco\r\n\r\nHogy 300 doll\u00e1r sok-e vagy kev\u00e9s - n\u00e9z\u0151pont k\u00e9rd\u00e9se. Egy este elverni nagy felel\u0151tlens\u00e9g. Egy olyan zenekari szimf\u00f3ni\u00e1\u00e9rt azonban, amely m\u00e1r a bemutat\u00f3n tombol\u00f3 tetsz\u00e9st arat, szinte nevets\u00e9ges alamizsna. J\u00f3 sz\u00e1zt\u00edz \u00e9vvel ezel\u0151tt persze m\u00e1s volt a p\u00e9nz \u00e9rt\u00e9ke. \u00a0Anton\u00edn Dvo\u0159\u00e1k bizony\u00e1ra el\u00e9gedetten tette zsebre az adom\u00e1nyt. Az sem nyugtalan\u00edtotta k\u00fcl\u00f6n\u00f6sebben, hogy a New York-i Nemzeti Konzervat\u00f3rium p\u00e1ly\u00e1zat\u00e1n ki\u00edrt d\u00edjat v\u00e9letlen\u00fcl \u00e9pp egy Anton\u00edn Dvo\u0159\u00e1k nev\u0171 professzor javaslata alapj\u00e1n nyerte Anton\u00edn Dvo\u0159\u00e1k zeneszerz\u0151. Ma parlamenti botr\u00e1ny kerekedne ilyesmib\u0151l, az \u00e9rtelmis\u00e9g napokig g\u00fanyosan mosolyogna \u00e9s \u00f6sszef\u00e9rhetetlens\u00e9gr\u0151l besz\u00e9lne. 1893-ban senki sem r\u00f6k\u00f6ny\u00f6d\u00f6tt meg. Az igazs\u00e1got v\u00e9gt\u00e9re is el kell fogadni. S mit tegyen a b\u00edr\u00e1l\u00f3, ha meg van gy\u0151z\u0151dve r\u00f3la, a p\u00e1ly\u00e1zatra be\u00e9rkezett m\u0171vek k\u00f6z\u00fcl \u00e9pp az \u00f6v\u00e9 az, amelyik kimagaslik. Csakis ez k\u00e9pviseli m\u00e9lt\u00f3an az amerikai m\u0171v\u00e9szetet\u2026\r\n\r\nMivelhogy alapj\u00e1ban v\u00e9ve ez volt a t\u00e9t. Amerika ugyan k\u00e9ts\u00e9gk\u00edv\u00fcl a korl\u00e1tlan lehet\u0151s\u00e9gek haz\u00e1ja, \u00e1m a zenem\u0171v\u00e9szet ter\u00fclet\u00e9n egyel\u0151re kullog a v\u00e9n Eur\u00f3pa m\u00f6g\u00f6tt. Ez nem maradhat \u00edgy, gondolta a 19. sz\u00e1zad v\u00e9ge fel\u00e9 Thurber milliomos gyarmat\u00e1ru-keresked\u0151 kicsit unatkoz\u00f3, kult\u00far\u00e1ra szomjas feles\u00e9ge, Jeanette asszony. \u0150 az, akinek h\u00edv\u00e1s\u00e1ra a nagyh\u00edr\u0171 cseh mester v\u00e1llalkozott a tengerent\u00fali \u00fatra, s arra, hogy \u00faj m\u0171veivel egyfajta mint\u00e1t adjon az amerikai komponist\u00e1knak. 1892-ben foglalta el az \u00faj New York-i konzervat\u00f3rium igazgat\u00f3i \u00e1ll\u00e1s\u00e1t, s hatalmas el\u00e1nnal l\u00e1tott neki a feladatnak. 1893 els\u0151 fel\u00e9ben k\u00e9sz\u00fclt el az \u00faj szimf\u00f3nia, \u00e9v v\u00e9g\u00e9n ker\u00fclt sor a bemutat\u00f3ra.\r\n\r\nA k\u00f6zismert c\u00edmet \u2013 \u201eAz \u00dajvil\u00e1gb\u00f3l\" - a szerz\u0151 csak a kompon\u00e1l\u00e1s befejez\u00e9se ut\u00e1n adta darabj\u00e1nak. Nem k\u00e9ts\u00e9ges azonban, hogy kezdett\u0151l fogva tudatosan t\u00f6rekedett arra, hogy a kompoz\u00edci\u00f3nak saj\u00e1tos \"amerikai\" jellege legyen. A lass\u00fa bevezet\u00e9ssel indul\u00f3 nagyszab\u00e1s\u00fa, szon\u00e1ta jelleg\u0171 els\u0151 t\u00e9telben p\u00e9ld\u00e1ul a mell\u00e9kt\u00e9ma pentaton dallam. Nem \"n\u00e9pdal\", de m\u00e9gis olyan jelleg\u0171, amilyeneket Dvo\u0159\u00e1k korabeli gy\u0171jtem\u00e9nyekben l\u00e1thatott, s tal\u00e1n m\u00e9g az utc\u00e1n is hallhatott. A m\u00e1sodik t\u00e9telben ugyancsak felt\u0171nik ez a mel\u00f3diavil\u00e1g. Ezt az eredetileg Legenda c\u00edmmel is ell\u00e1tott darabot egy olvasm\u00e1ny\u00e9lm\u00e9ny ihlette: Longfellow indi\u00e1nokr\u00f3l sz\u00f3l\u00f3 k\u00f6ltem\u00e9nye, a Hiawatha \u00e9neke. A harmadik darab mintha szembe\u00e1ll\u00edtan\u00e1 a \"modern nagyv\u00e1ros\" ny\u00fczsg\u0151, hajszolt \u00e9let\u00e9t a t\u00e1voli K\u00f6z\u00e9p-Eur\u00f3pa, a nosztalgikusan felid\u00e9zett cseh falu idilli vil\u00e1g\u00e1val. Izgatott, sz\u0171kmenet\u0171 imit\u00e1ci\u00f3kban, egym\u00e1st szinte kerget\u0151 t\u00e9m\u00e1kban gazdag f\u0151r\u00e9sze ut\u00e1n nyugodt C-d\u00far t\u00e1nc sz\u00f3lal meg k\u00f6z\u00e9pr\u00e9szk\u00e9nt. A hallatlanul energikus dallammal indul\u00f3 fin\u00e1l\u00e9ban az \u00faj mel\u00f3di\u00e1k, t\u00e9m\u00e1k (k\u00f6zt\u00fck egy v\u00e9rpezsd\u00edt\u0151 polka) mellett az el\u0151z\u0151 t\u00e9teleknek minden fontosabb zenei gondolata szerepet kap.","post_title":"{:hu}IX. szimf\u00f3nia e-moll \"Az \u00dajvil\u00e1gb\u00f3l\", op. 95{:}{:en}Symphony No. 9 \u201cFrom the New World\u201d, op. 95{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ix-szimfonia-e-moll-az-ujvilagbol-op-95","to_ping":"","pinged":"","post_modified":"2018-01-23 16:11:55","post_modified_gmt":"2018-01-23 16:11:55","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/ix-szimfonia-e-moll-az-ujvilagbol-op-95\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Dvo\u0159\u00e1k"]}],"kozr_szemelyek":[],"kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}![\"\"](\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\")
\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"jegyarak":"","jegyvasarlas_gomb":"http:\/\/nfz.jegy.hu\/program\/dvorak-sosztakovics-es-orff-muvek-vezenyel-kesselyak-gergely-68796\/331100","elkeltek_a_jegyek":false,"kozr_szemelyek_feluldefinialasa":"","youtube_id":"","old_id":"","muvekrol_reszletesen":null,"muveszekrol_reszletesen":null,"kiemelt_kep_en":null,"gombtipus":"link","hivatkozas_gomb_szovege":"Tov\u00e1bb","hivatkozas_gomg_url-je":"http:\/\/filharmonia.hu\/program\/nemzeti-filharmonikus-zenekar-15\/"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/98018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=98018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}