{"id":96940,"date":"2016-10-10T12:17:56","date_gmt":"2016-10-10T12:17:56","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=96940"},"modified":"2017-02-14T14:58:21","modified_gmt":"2017-02-14T14:58:21","slug":"a-cappella-es-egyteteles-oratorikus-muvek","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/a-cappella-es-egyteteles-oratorikus-muvek\/","title":{"rendered":"A capella and onemovement oratorios"},"content":{"rendered":"<p>Tonight\u2019s concert focuses on the choir. Led by choral conductor Csaba Somos since January 2016, the National Choir performs a capella works and one-movement oratorios which are hard to fit in traditional orchestral programmes, but which deserve a place among the most ambitious symphonies and oratorios of the repertoire. Composed to two poems by Goethe, Beethoven\u2019s cantata is one of his boldest and most effective works, while Mendelssohn\u2019s eponymous concerto overture portrays the extreme atmospheres and emotions without words. Brahm\u2019s stunning setting of H\u00f6lderlin\u2019s text is also characterised by polarity, and Schumann\u2019s four songs for two choirs pits mortal man against eternity. Dvo\u0159\u00e1k\u2019s rarely heard cantata is a monument to the memory of the tragic first battle of the Thirty Year War, which had tragic consequences for the Czechs.<\/p>\n","protected":false},"template":"","class_list":["post-96940","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"featuring the Hungarian National Choir","kiemelt_kep":{"ID":96905,"id":96905,"title":"Nemzeti \u00c9nekkar (karigazgat\u00f3: Somos Csaba)","filename":"AND2456s.jpg","filesize":8862533,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/kortars-romantikusok\/_and2456s\/","alt":"","author":"3","description":"fot\u00f3: NF, Felv\u00e9gi Andrea","caption":"","name":"_and2456s","status":"inherit","uploaded_to":96773,"date":"2016-10-10 11:09:02","modified":"2017-02-14 14:56:08","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":4724,"height":3150,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-768x512.jpg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-1024x683.jpg","large-width":640,"large-height":427,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s.jpg","2048x2048-width":2048,"2048x2048-height":1366,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s.jpg","person-size-2-width":165,"person-size-2-height":110,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"megjegyzes":"","esemeny_datum":"20170530","esemeny_idopontja":"19.30 - 21.30","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87537,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Zeneakad\u00e9mia{:}{:en}Liszt Academy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zeneakademia","to_ping":"","pinged":"","post_modified":"2021-02-17 10:09:02","post_modified_gmt":"2021-02-17 10:09:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/zeneakademia\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Hungary","cim":"VI. Liszt Ferenc t\u00e9r 8.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":87416,"post_author":"1","post_date":"2016-10-11 09:20:57","post_date_gmt":"2016-10-11 09:20:57","post_content":"{:hu}Diplom\u00e1j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen szerezte, el\u0151bb \u00e9nek-zene tan\u00e1r \u00e9s karvezet\u0151, majd karmester szakon, Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s tan\u00edtv\u00e1nyak\u00e9nt. Elv\u00e9gezte Johannes Moesus, J\u00fcrgen J\u00fcrgens \u00e9s Jurij Szimonov mesterkurzusait. 22 \u00e9ves kora \u00f3ta akt\u00edv k\u00f3rusvezet\u0151. Majdnem 17 \u00e9ven \u00e1t volt a Vasas M\u0171v\u00e9szegy\u00fcttes \u00c9nekkar\u00e1nak karnagya. 2002-ben megalap\u00edtotta a Vass Lajos Kamarak\u00f3rust, amelyet 2017-ig vezetett. Zeneigazgat\u00f3k\u00e9nt dolgozott a debreceni Csokonai Sz\u00ednh\u00e1zban, majd a P\u00e9csi Nemzeti Sz\u00ednh\u00e1zban, \u00e9s vezet\u0151 karnagya volt a Magyar R\u00e1di\u00f3 \u00c9nekkar\u00e1nak. Vend\u00e9gkarmesterk\u00e9nt \u00e9s karnagyk\u00e9nt sz\u00e1mos magyar szimfonikus zenekarral \u00e9s hivat\u00e1sos k\u00f3russal l\u00e9pett fel. K\u00fclf\u00f6ldi zenekarokn\u00e1l is vend\u00e9gszerepelt, \u00edgy a Salern\u00f3i Filharmonikus Zenekarn\u00e1l (Olaszorsz\u00e1g) \u00e9s Jap\u00e1nban a Szakatai Filharmonikus Zenekarn\u00e1l. Karnagyk\u00e9nt \u00e9s karmesterk\u00e9nt gyakran h\u00edvj\u00e1k Spanyolorsz\u00e1gba, Olaszorsz\u00e1gba, Oroszorsz\u00e1gba, Rom\u00e1ni\u00e1ba, G\u00f6r\u00f6gorsz\u00e1gba, Maced\u00f3ni\u00e1ba, Ausztri\u00e1ba, N\u00e9metorsz\u00e1gba \u00e9s K\u00edn\u00e1ba. A Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetem tan\u00e1ra, zenei versenyek \u00e9s fesztiv\u00e1lok gyakorta felk\u00e9rt zs\u0171ritagja. A Magyar K\u00f3rusok \u00e9s Zenekarok Sz\u00f6vets\u00e9g\u00e9nek (K\u00d3TA) t\u00e1rseln\u00f6ke. Szakmai munk\u00e1ss\u00e1g\u00e1t Rub\u00e1nyi-d\u00edjjal, 2014-ben pedig Liszt-d\u00edjjal ismert\u00e9k el. 2015-ben megszerezte a \u201eDoctor of Liberal Arts\u201d (DLA) tudom\u00e1nyos fokozatot \u201esumma cum laude\u201d-min\u0151s\u00edt\u00e9ssel. A kort\u00e1rs magyar szerz\u0151k m\u0171veinek bemutat\u00e1sa ter\u00e9n szerzett \u00e9rdemei, valamint a Nemzeti \u00c9nekkar \u00e9l\u00e9n v\u00e9gzett magas sz\u00ednvonal\u00fa k\u00f3rus\u00e9p\u00edt\u0151 munk\u00e1ja elismer\u00e9sek\u00e9nt a Magyar \u00c9rdemrend Lovagkeresztje polg\u00e1ri tagozat kit\u00fcntet\u00e9s\u00e9t vehette \u00e1t 2020-ban. 2023 m\u00e1rcius 15-i nemzeti \u00fcnnep\u00fcnk alkalm\u00e1b\u00f3l - a magyar nemzeti kult\u00fara, m\u0171v\u00e9szi alkot\u00f3munka ter\u00fclet\u00e9n v\u00e9gzett kiemelked\u0151 m\u0171v\u00e9szeti \u00e9rt\u00e9kteremt\u0151 munk\u00e1ja elismer\u00e9sek\u00e9nt - Magyarorsz\u00e1g \u00c9rdemes M\u0171v\u00e9sze d\u00edjban r\u00e9szes\u00fclt.{:}{:en}He earned his degree at Budapest\u2019s Ferenc Liszt Academy of Music, first studying in the voice and music pedagogy and choral conducting courses, and later in the conducting course, under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He also completed master classes with Johannes Moesus, J\u00fcrgen J\u00fcrgens and Yuri Simonov. He has been active as a choir leader since the age of 22 and served for nearly 17 years as the choirmaster of the Vasas Ensemble Chorus. In 2002, he founded the Lajos Vass Chamber Choir, which he led until 2017. He has also worked as the music director of Debrecen\u2019s Csokonai Theatre and later the National Theatre of P\u00e9cs, as well as holding the position of chief choirmaster of the Hungarian Radio Choir. He has appeared as a guest conductor and choirmaster with numerous Hungarian symphonic orchestras and professional choirs. Somos has also made guest appearances with orchestras in other countries, including the <em>Salerno<\/em> Philharmonic <em>Orchestra<\/em> in Italy and, in Japan, the Sakata Philharmonic Orchestra. He is frequently invited to Spain, Italy, Russia, Romania, Greece, Macedonia, Austria, Germany and China as both a choirmaster and conductor. A teacher at the Ferenc Liszt Academy of Music, he is regularly asked to serve as a jury member of musical competitions and festivals. He serves as the vice president of the <em>Hungarian Association<\/em> of Choirs, Orchestras and Folk Ensembles (K\u00d3TA). His professional work was recognised with a Rub\u00e1nyi Award, which was followed by a Liszt Award in 2014. In 2015, he earned his DLA, graduating summa cum laude. In recognition of his success presenting works by contemporary Hungarian composers and for his high-level choral development work at the head of the Hungarian National Choir, Somos was awarded the Knight's Cross (civilian grade) of the Hungarian Order of Merit in 2020.\r\n\r\nOn the occasion of our national holiday on 15 March 2023 \u2013 in recognition of his outstanding and valuable artistic contributions in the areas of Hungarian national culture and artistic creativity \u2013 he was named a Hungarian Artist of Merit.{:}","post_title":"{:hu}Somos Csaba{:}{:en}Csaba Somos{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"somos-csaba-2","to_ping":"","pinged":"","post_modified":"2026-04-20 11:57:17","post_modified_gmt":"2026-04-20 11:57:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=87416","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91277,"post_author":"1","post_date":"2016-09-08 08:57:50","post_date_gmt":"2016-09-08 08:57:50","post_content":"<p style=\"text-align: justify;\">A n\u00e9gysz\u00f3lam\u00fa vegyes kart \u00e9s zenekart foglalkoztat\u00f3 m\u0171 bemutat\u00f3j\u00e1ra 1915. december 25-\u00e9n ker\u00fclt sor b\u00e9csi Hofburg b\u00e1lterm\u00e9ben, egy k\u00f3rh\u00e1z jav\u00e1ra rendezett j\u00f3t\u00e9kony c\u00e9l\u00fa kar\u00e1csonyi hangversenyen. A szerz\u0151 emellett N\u00e9vnapi nyit\u00e1ny\u00e1t \u00e9s a Krisztus az olajf\u00e1k hegy\u00e9n c\u00edm\u0171 orat\u00f3rium\u00e1t is maga vez\u00e9nyelte.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">Ludwig van Beethoven (1770\u20131828) 1814 v\u00e9ge \u00e9s 1815 nyara k\u00f6z\u00f6tt, a B\u00e9csi Kongresszus idej\u00e9n kompon\u00e1lta Meeresstille und gl\u00fcckliche Fahrt (Sz\u00e9lcsend \u00e9s szerencs\u00e9s haj\u00f3z\u00e1s, op.112) c\u00edm\u0171 kant\u00e1t\u00e1j\u00e1t. A n\u00e9gysz\u00f3lam\u00fa vegyes kart \u00e9s zenekart foglalkoztat\u00f3 m\u0171 bemutat\u00f3j\u00e1ra 1915. december 25-\u00e9n ker\u00fclt sor b\u00e9csi Hofburg b\u00e1lterm\u00e9ben, egy k\u00f3rh\u00e1z jav\u00e1ra rendezett j\u00f3t\u00e9kony c\u00e9l\u00fa kar\u00e1csonyi hangversenyen. A szerz\u0151 emellett N\u00e9vnapi nyit\u00e1ny\u00e1t \u00e9s a Krisztus az olajf\u00e1k hegy\u00e9n c\u00edm\u0171 orat\u00f3rium\u00e1t is maga vez\u00e9nyelte.\r\nAz egyetlen t\u00e9telb\u0151l \u00e1ll\u00f3, k\u00e9t r\u00e9szes m\u0171 Goethe k\u00e9t k\u00f6ltem\u00e9ny\u00e9re k\u00e9sz\u00fclt (Sz\u00e9lcsend a tengeren; Szerencs\u00e9s utaz\u00e1s), amelyek 1795-ben jelentek meg, \u00e9s kezdett\u0151l p\u00e1rban szerepeltek a k\u00fcl\u00f6nf\u00e9le kiad\u00e1sokban. Beethoven fiatal kor\u00e1t\u00f3l vonz\u00f3dott a n\u00e9met k\u00f6lt\u0151 m\u0171v\u00e9szet\u00e9hez, \u00e9lete sor\u00e1n m\u00e1sf\u00e9l tucatnyi m\u0171vet \u2013 az Egmont k\u00eds\u00e9r\u0151zene mellett f\u0151k\u00e9nt dalokat \u2013 kompon\u00e1lt Goethe nyom\u00e1n. A k\u00e9t mester egyetlen alkalommal, 1812 nyar\u00e1n tal\u00e1lkozott Teplitzben \u00e9s t\u00f6lt\u00f6tt egy\u00fctt n\u00e9h\u00e1ny napot az \u00fcd\u00fcl\u0151helyen. Beethoven k\u00e9t \u00e9vvel k\u00e9s\u0151bb l\u00e1tott hozz\u00e1 a kant\u00e1t\u00e1hoz, amelyet egy 1815 elej\u00e9re tervezett szerz\u0151i hangversenyen szeretett volna el\u0151adni. A bemutat\u00f3 ut\u00e1n h\u00e9t \u00e9vvel jelentette meg a m\u0171 partit\u00far\u00e1j\u00e1t a b\u00e9csi Steiner und Comp. kiad\u00f3n\u00e1l, a c\u00edmlapon a \u201eHalhatatlan Goeth\u00e9nek\u201d sz\u00f3l\u00f3 aj\u00e1nl\u00e1ssal. Egy p\u00e9ld\u00e1nyt el is k\u00fcld\u00f6tt a k\u00f6lt\u0151nek, aki azonban \u2013 tal\u00e1n id\u0151s kora \u00e9s betegs\u00e9ge miatt \u2013 sem erre, sem a komponista k\u00e9s\u0151bbi level\u00e9re nem v\u00e1laszolt.\r\nAmint Beethoven az eml\u00edtett lev\u00e9lben is utalt r\u00e1, a k\u00f6ltem\u00e9nyek ellent\u00e9tes hangulata kiv\u00e1l\u00f3 lehet\u0151s\u00e9get k\u00edn\u00e1lt a zenei kontraszt kifejez\u00e9s\u00e9re.<\/p>\r\n<p style=\"text-align: justify;\">Az 1. r\u00e9szben (Tiefe Stille herrscht im Wasser... \/ M\u00e9ly csend uralkodik a v\u00edzben...) a nyugodt tenger portr\u00e9j\u00e1t \u00e1br\u00e1zolta a mozdulatlans\u00e1got t\u00fckr\u00f6z\u0151, visszafogott, szinte \u00e9rzelemmentes zen\u00e9vel. A csendet zen\u00e9s\u00edtette meg, de nem a b\u00e9ke, hanem a mag\u00e1ny \u2013 \u00e9s tal\u00e1n a s\u00fckets\u00e9g \u2013 csendj\u00e9t. M\u00e1r itt kider\u00fcl, hogy nem csak a vihar jelenthet vesz\u00e9lyt a tengeren, hanem a nyugalom is lehet riaszt\u00f3, s\u0151t \u00e9letvesz\u00e9lyes. Az els\u0151 figyelmeztet\u00e9s a hal\u00e1los csendhez kapcsol\u00f3d\u00f3 \u201erettenetes\u201d (f\u00fcrchterlich) sz\u00f3n\u00e1l v\u00e1ratlan sforzat\u00f3k\u00e9nt jelentkezik, majd r\u00f6gt\u00f6n ut\u00e1na a \u201et\u00e1vols\u00e1g\u201d (Weite) sz\u00f3ra es\u0151, t\u00f6bb \u00fctemen \u00e1t tart\u00f3 fortissimo akkordot a teljes egy\u00fcttes sz\u00f3laltatja meg.\r\nA kezdet visszat\u00e9r\u00e9se ut\u00e1n attacca, azaz sz\u00fcnet n\u00e9lk\u00fcl k\u00f6vetkezik az ellent\u00e9tes karakter\u0171 2. r\u00e9sz (Die Nebel zerreissen... \/ Felszakad a k\u00f6d...). A r\u00f6vid \u00e1tvezet\u00e9sben a term\u00e9szet \u00e9led\u00e9s\u00e9t, a sz\u00e9l \u00e9s a hull\u00e1mok mozg\u00e1s\u00e1t festik a felfel\u00e9 \u00e9s lefel\u00e9 halad\u00f3 sk\u00e1lamenetek, majd v\u00e9gig egyetlen hangulat uralkodik, amely \u00fcnnep\u00e9lyes zen\u00e9j\u00e9vel a haj\u00f3 tov\u00e1bbindul\u00e1s\u00e1t \u00e9s c\u00e9lhoz \u00e9r\u00e9s\u00e9t \u00e1br\u00e1zolja (... es naht sich die Ferne, schon seh\u2019 ich das Land! \/ ... k\u00f6zel\u00edt a t\u00e1vol, m\u00e1r l\u00e1tom a f\u00f6ldet!). Beethoven a vers \u00f6r\u00f6mteli mondatait t\u00f6bbsz\u00f6r is megism\u00e9telte, mik\u00f6zben felid\u00e9zte a Fidelio megszabadul\u00e1s jelenet\u00e9t, illetve el\u0151re vet\u00edtette a 9. szimf\u00f3nia befejez\u00e9s\u00e9nek hangulat\u00e1t.<\/p>","post_title":"{:hu}Sz\u00e9lcsend \u00e9s szerencs\u00e9s haj\u00f3z\u00e1s vegyeskarra \u00e9s zenekarra, op. 112{:}{:en}Calm Sea and a Prosperous Voyage for mixed choir and orchestra, Op. 112{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szelcsend-es-szerencses-hajozas-vegyeskarra-es-zenekarra-op-112","to_ping":"","pinged":"","post_modified":"2016-10-10 13:29:08","post_modified_gmt":"2016-10-10 13:29:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/szelcsend-es-szerencses-hajozas-vegyeskarra-es-zenekarra-op-112\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Beethoven"]},{"ID":91913,"post_author":"1","post_date":"2016-09-08 08:57:59","post_date_gmt":"2016-09-08 08:57:59","post_content":"<p style=\"text-align: justify;\">Felix Mendelssohn (1809\u20131847) 1828-ban, 19 \u00e9vesen kompon\u00e1lta m\u00e1sodik koncertnyit\u00e1ny\u00e1t, a Sz\u00e9lcsend \u00e9s szerencs\u00e9s haj\u00f3z\u00e1st (Meeresstille und Gl\u00fcckliche Fahrt, op.27). A szimfonikus m\u0171 programv\u00e1laszt\u00e1sa f\u0151hajt\u00e1s az id\u0151s Goethe el\u0151tt, ugyanakkor eml\u00e9kez\u00e9s az el\u0151z\u0151 \u00e9vben elhunyt Beethovenre is, aki azonos c\u00edm\u0171 kant\u00e1t\u00e1j\u00e1ban ugyanezt a k\u00e9t verset zen\u00e9s\u00edtette meg.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">Felix Mendelssohn (1809\u20131847) 1828-ban, 19 \u00e9vesen kompon\u00e1lta m\u00e1sodik koncertnyit\u00e1ny\u00e1t, a Sz\u00e9lcsend \u00e9s szerencs\u00e9s haj\u00f3z\u00e1st (Meeresstille und Gl\u00fcckliche Fahrt, op.27). Ezt a zseni\u00e1lis Szentiv\u00e1n\u00e9ji \u00e1lom nyit\u00e1ny el\u0151zte meg \u00e9s tov\u00e1bbi n\u00e9gy n\u00e9pszer\u0171, \u00f6n\u00e1ll\u00f3 zenekari darab k\u00f6vette, amelyek a szimfonikus k\u00f6ltem\u00e9ny m\u0171faji el\u0151zm\u00e9ny\u00e9nek tekinthet\u0151k (a Szentiv\u00e1n\u00e9ji \u00e1lom nyit\u00e1nyt ut\u00f3lag eg\u00e9sz\u00edtette ki Shakespeare-k\u00eds\u00e9r\u0151zen\u00e9v\u00e9). 1828 a szerz\u0151 utols\u00f3 Berlinben t\u00f6lt\u00f6tt \u00e9ve volt, csodagyerek-id\u0151szak\u00e1nak lez\u00e1r\u00e1sa, ami ut\u00e1n t\u00f6bb \u00e9ves utaz\u00e1s-sorozat k\u00f6vetkezett. Ezek sor\u00e1n nem csak \u00e9lm\u00e9nyeket szerzett, hanem zongoristak\u00e9nt, karmesterk\u00e9nt \u00e9s zeneszerz\u0151k\u00e9nt is szerepelt Eur\u00f3pa-szerte. A Sz\u00e9lcsend \u00e9s szerencs\u00e9s haj\u00f3z\u00e1s m\u00e9g 1828 szeptember\u00e9ben elhangzott Berlinben, priv\u00e1t k\u00f6rben, majd 1832-ben ugyanitt a Singakademie hangverseny\u00e9n, a szerz\u0151 vez\u00e9nylet\u00e9vel sz\u00f3lalt meg el\u0151sz\u00f6r nyilv\u00e1nosan. 1834-ben, D\u00fcsseldorfban t\u00f6lt\u00f6tt k\u00e9t \u00e9ves id\u0151szak\u00e1nak v\u00e9g\u00e9n Mendelssohn \u00e1tdolgozta \u00e9s t\u00f6bbsz\u00f6r el\u0151adatta a nyit\u00e1nyt, \u00e9s ezt a m\u0171vet v\u00e1lasztotta kezd\u0151sz\u00e1mnak els\u0151 hangverseny\u00e9hez, amelyet a lipcsei Gewandhaus \u00faj vezet\u0151jek\u00e9nt 1835. okt\u00f3ber 4-\u00e9n dirig\u00e1lt.\r\nMendelssohn a m\u0171 c\u00edm\u00e9ben k\u00e9t k\u00f6zismert Goethe-k\u00f6ltem\u00e9ny\u00e9re utalt (Sz\u00e9lcsend a tengeren; Szerencs\u00e9s utaz\u00e1s), amelyek 1795-ben jelentek meg, \u00e9s kezdett\u0151l p\u00e1rban szerepeltek a k\u00fcl\u00f6nf\u00e9le kiad\u00e1sokban. Tan\u00e1r\u00e1nak, Zelternek k\u00f6sz\u00f6nhet\u0151en m\u00e1r 12 \u00e9vesen megismerkedhetett a k\u00f6lt\u0151fejedelemmel, \u00e9s k\u00e9s\u0151bb is t\u00f6bbsz\u00f6r tal\u00e1lkoztak. A szimfonikus m\u0171 programv\u00e1laszt\u00e1sa f\u0151hajt\u00e1s az id\u0151s Goethe el\u0151tt, ugyanakkor eml\u00e9kez\u00e9s az el\u0151z\u0151 \u00e9vben elhunyt Beethovenre is, aki azonos c\u00edm\u0171 kant\u00e1t\u00e1j\u00e1ban ugyanezt a k\u00e9t verset zen\u00e9s\u00edtette meg, szint\u00e9n D-d\u00far hangnemben. Beethovennel ellent\u00e9tben azonban Mendelssohn kiz\u00e1r\u00f3lag a zenekar eszk\u00f6zeit haszn\u00e1lta mondanival\u00f3ja kifejez\u00e9s\u00e9hez, lemondva a szavak ny\u00fajtotta lehet\u0151s\u00e9gekr\u0151l.\r\nA koncertnyit\u00e1ny a versek tematik\u00e1j\u00e1nak megfelel\u0151en k\u00e9t r\u00e9szb\u0151l \u00e1ll, de a szerz\u0151 nem lass\u00fa bevezet\u00e9s \u00e9s gyors f\u0151r\u00e9sz szok\u00e1sos egym\u00e1sut\u00e1njak\u00e9nt k\u00e9pzelte el a darabot, hanem saj\u00e1t szavai szerint \u201ek\u00e9t tabl\u00f3t\u201d k\u00edv\u00e1nt egym\u00e1s mell\u00e9 \u00e1ll\u00edtani. Az 1. r\u00e9szben (Tiefe Stille herrscht im Wasser... \/ M\u00e9ly csend uralkodik a v\u00edzben...) a mozdulatlans\u00e1got t\u00fckr\u00f6z\u0151 zene nem idillikus t\u00e1jk\u00e9pet fest, ugyanis a g\u0151zhaj\u00f3z\u00e1s feltal\u00e1l\u00e1sa el\u0151tt a sz\u00e9lcsend a mozg\u00e1sk\u00e9ptelens\u00e9get, s\u0151t a biztos hal\u00e1lt jelentette a ny\u00edlt tengeren. A hosszan kitartott harm\u00f3ni\u00e1k \u00e9s a s\u00f3hajszer\u0171 mot\u00edvumok a folytonos v\u00e1rakoz\u00e1s \u00e9s a szorong\u00e1s \u00e9rzet\u00e9t keltik, majd a sz\u00f3l\u00f3fuvola ad h\u00edrt az els\u0151 szell\u0151 \u00e9rkez\u00e9s\u00e9r\u0151l. Az \u00e1tvezet\u0151 szakaszban lassan, fokozatosan meg\u00e9l\u00e9nk\u00fcl a mozg\u00e1s, \u00e9s a 2. r\u00e9sz (Die Nebel zerreissen... \/ Felszakad a k\u00f6d...) jellegzetes mendelssohni scherzo-zen\u00e9vel indul. Am\u00edg Goethe verse a part megpillant\u00e1s\u00e1val v\u00e9get \u00e9rt, addig Mendelssohn a k\u00f3d\u00e1ban a kik\u00f6t\u0151be \u00e9rkez\u00e9st is megkompon\u00e1lta \u00e9s trombita fanf\u00e1rral \u00e1br\u00e1zolta a megmenek\u00fcl\u00e9s \u00f6r\u00f6m\u00fcnnep\u00e9t. (Gombos L\u00e1szl\u00f3)<\/p>","post_title":"{:hu}Sz\u00e9lcsend \u00e9s szerencs\u00e9s haj\u00f3z\u00e1s, op. 27 - nyit\u00e1ny{:}{:en}Calm Sea and a Prosperous Voyage - Overture{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szelcsend-es-szerencses-hajozas-op-27-nyitany","to_ping":"","pinged":"","post_modified":"2016-10-10 13:38:53","post_modified_gmt":"2016-10-10 13:38:53","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/szelcsend-es-szerencses-hajozas-op-27-nyitany\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mendelssohn"]},{"ID":91914,"post_author":"1","post_date":"2016-09-08 08:57:59","post_date_gmt":"2016-09-08 08:57:59","post_content":"<p style=\"text-align: justify;\">A N\u00e9gy k\u00e9tk\u00f3rusos \u00e9nek (Vier Doppelch\u00f6rige Ges\u00e4nge, op.141) Robert Schumann (1810\u20131856) egyetlen kett\u0151s vegyes karra \u00edrott m\u0171ve. A szerz\u0151 k\u00f3rusm\u0171v\u00e9szet\u00e9nek egyik cs\u00facspontj\u00e1t jelenti, m\u00e9gis kev\u00e9ss\u00e9 ismert, tal\u00e1n kiss\u00e9 elvont, befel\u00e9 fordul\u00f3 vil\u00e1ga miatt \u00e9s m\u00e9g ink\u00e1bb az el\u0151ad\u00f3kkal szemben t\u00e1masztott magas technikai k\u00f6vetelm\u00e9nyeknek k\u00f6sz\u00f6nhet\u0151en.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">A N\u00e9gy k\u00e9tk\u00f3rusos \u00e9nek (Vier Doppelch\u00f6rige Ges\u00e4nge, op.141) Robert Schumann (1810\u20131856) egyetlen kett\u0151s vegyes karra \u00edrott m\u0171ve. A szerz\u0151 k\u00f3rusm\u0171v\u00e9szet\u00e9nek egyik cs\u00facspontj\u00e1t jelenti, m\u00e9gis kev\u00e9ss\u00e9 ismert, tal\u00e1n kiss\u00e9 elvont, befel\u00e9 fordul\u00f3 vil\u00e1ga miatt \u00e9s m\u00e9g ink\u00e1bb az el\u0151ad\u00f3kkal szemben t\u00e1masztott magas technikai k\u00f6vetelm\u00e9nyeknek k\u00f6sz\u00f6nhet\u0151en. A szerz\u0151 \u00e9let\u00e9ben nem hangzott el nyilv\u00e1nosan, \u00e9s csak a hal\u00e1la ut\u00e1n jelent meg 1858-ban a lipcsei Friedrich Kistner kiad\u00f3n\u00e1l.\r\nAmint m\u00e1s m\u0171fajok \u00e9s appar\u00e1tusok eset\u00e9ben is t\u00f6rt\u00e9nt, a k\u00f3rusm\u0171vek is egy j\u00f3l k\u00f6r\u00fclhat\u00e1rolhat\u00f3 id\u0151szakhoz kapcsol\u00f3dnak Schumann \u00e9letm\u0171v\u00e9ben. Az 1830-as \u00e9vek zongoram\u0171vei ut\u00e1n id\u0151rendben dalokkal, zenekari m\u0171vekkel \u00e9s kamarazen\u00e9vel b\u0151v\u00fclt Schumann zeneszerz\u0151i reperto\u00e1rja. Majd 1844-ben Drezd\u00e1ba k\u00f6lt\u00f6z\u00f6tt betegs\u00e9ge \u00e9s labilis lelki\u00e1llapota miatt. Itt ker\u00fclt k\u00f6zel a k\u00f3rusirodalomhoz, \u00e9s az elk\u00f6vetkez\u0151 \u00e9vekben, 1846 \u00e9s \u201949 k\u00f6z\u00f6tt kompon\u00e1lta k\u00f3rusm\u0171vei legjav\u00e1t, a capella darabjai k\u00f6z\u00fcl szinte az \u00f6sszeset. 1847-ben \u00e1tvette a drezdai f\u00e9rfikari dalegylet, a Dresdener Liedertafel vezet\u00e9s\u00e9t, majd hogy nagyobb vegyeskari m\u0171veket is el\u0151 tudjon adni, 1848 elej\u00e9n megalap\u00edtotta a t\u00f6bb mint 100 \u00e9nekest foglalkoztat\u00f3 Verein f\u00fcr Chorgesangot.\r\nVegyes, f\u00e9rfi \u00e9s n\u0151ikari m\u0171vek tucatjait kompon\u00e1lta saj\u00e1t egy\u00fcttesei sz\u00e1m\u00e1ra, k\u00f6z\u00f6tt\u00fck 1849 okt\u00f3ber\u00e9ben a N\u00e9gy k\u00e9tk\u00f3rusos \u00e9neket. Az els\u0151 darab, az An die Sterne (A csillagokhoz) Friedrich R\u00fcckert (1788\u20131866) verseire k\u00e9sz\u00fclt, \u00e9s m\u00e1r az els\u0151 pillanatban hallhat\u00f3, hogy Schumannt milyen er\u0151sen inspir\u00e1lta a r\u00e9gi korok, k\u00fcl\u00f6n\u00f6sen a Bach motett\u00e1k \u00e9s a velencei t\u00f6bbk\u00f3rusos szerkeszt\u00e9s technik\u00e1ja. Emellett gazdagon \u00e9lt a madrigalizmussal, az egyes szavak zenei megjelen\u00edt\u00e9s\u00e9vel. Ezt tapasztaljuk az \u00f6t alkalommal visszat\u00e9r\u0151 kezd\u0151sor, a Sterne, in des Himmels Ferne! (Csillagok, az \u00e9g t\u00e1vol\u00e1ban!) megzen\u00e9s\u00edt\u00e9s\u00e9ben, amint a \u201eHimmel\u201d (\u00e9g) sz\u00f3 kezdet\u00e9t magasra ugr\u00f3 hang emeli ki.\r\nA m\u00e1sodik \u00e9s harmadik m\u0171, az Ungewisses Licht (Bizonytalan f\u00e9ny) \u00e9s a Zuversicht (Bizalom) egyar\u00e1nt Joseph Christian von Zedlitz (1790\u20131862) vers\u00e9re k\u00e9sz\u00fclt. Schumann egyik b\u00e9csi \u00fatja alkalm\u00e1val szem\u00e9lyesen is megismerkedett a k\u00f6lt\u0151vel, akinek e k\u00e9t k\u00f6ltem\u00e9ny\u00e9t, melyek h\u0151se az \u00e9let viharai ut\u00e1n a szerelemben keres megnyugv\u00e1st, az 1848 m\u00e1jusi drezdai felkel\u00e9s v\u00e9rbefojt\u00e1sa inspir\u00e1lta. Schumann itt \u00e9s m\u00e9g ink\u00e1bb a Goethe vers\u00e9t megzen\u00e9s\u00edt\u0151 Talizm\u00e1nokban (no.4) minden lehet\u0151s\u00e9get kipr\u00f3b\u00e1lt, amire a nyolc sz\u00f3lam\u00fa kompon\u00e1l\u00e1s lehet\u0151s\u00e9get ad, \u00e9s a k\u00f3rusok blokk-szer\u0171 szembe\u00e1ll\u00edt\u00e1sa helyett val\u00f3s\u00e1ggal komplex sz\u00f3lamsz\u00f6vett\u00e9 fonta \u00f6ssze a k\u00e9t egy\u00fcttest. Goethe e vall\u00e1sos jelleg\u0171 alkot\u00e1s\u00e1t m\u00e1r a Mirtuszok c\u00edm\u0171 dalciklusban is felhaszn\u00e1lta. A rondo form\u00e1j\u00fa k\u00f3rusm\u0171ben a kezd\u0151 sorok (Gottes ist der Orient! Gottes ist der Okzident! \u2013 Isten\u00e9 kelet, Isten\u00e9 nyugat) t\u00e9rnek vissza h\u00e1rom alkalommal, az epiz\u00f3dok k\u00f6z\u00fcl pedig k\u00fcl\u00f6n\u00f6sen \u00e9rdekes a Mich verwirren will das Irren (T\u00e9ved\u00e9sek pr\u00f3b\u00e1lnak elt\u00e9r\u00edteni engem) kezdet\u0171 polifon szakasz kromatikus motivik\u00e1ja. (Gombos L\u00e1szl\u00f3)<\/p>","post_title":"{:hu}N\u00e9gy \u00e9nek k\u00e9t k\u00f3rusra, op. 141{:}{:en}Four Songs for Double Choirs{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"negy-enek-ket-korusra-op-141","to_ping":"","pinged":"","post_modified":"2016-10-10 13:39:26","post_modified_gmt":"2016-10-10 13:39:26","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/negy-enek-ket-korusra-op-141\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Schumann"]},{"ID":91915,"post_author":"1","post_date":"2016-09-08 08:57:59","post_date_gmt":"2016-09-08 08:57:59","post_content":"<p style=\"text-align: justify;\">Johannes Brahms (1832\u20131897) Schicksalslied (A sors dala) c\u00edm\u0171 zenekark\u00eds\u00e9retes k\u00f3rusm\u0171v\u00e9t (op.54) k\u00f6zvetlen\u00fcl a N\u00e9met requiem 1868-as br\u00e9mai bemutat\u00f3ja ut\u00e1n kompon\u00e1lta, az Altrapsz\u00f3di\u00e1t \u00e9s a Gy\u0151zelmi dalt megel\u0151z\u0151en. A negyed \u00f3r\u00e1n\u00e1l valamivel tov\u00e1bb tart\u00f3 alkot\u00e1st olykor \u201eKis requiemnek\u201d nevezik a zenei \u00e9s hangulati hasonl\u00f3s\u00e1gok miatt.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">Johannes Brahms (1832\u20131897) Schicksalslied (A sors dala) c\u00edm\u0171 zenekark\u00eds\u00e9retes k\u00f3rusm\u0171v\u00e9t (op.54) k\u00f6zvetlen\u00fcl a N\u00e9met requiem 1868-as br\u00e9mai bemutat\u00f3ja ut\u00e1n kompon\u00e1lta, az Altrapsz\u00f3di\u00e1t \u00e9s a Gy\u0151zelmi dalt megel\u0151z\u0151en. A negyed \u00f3r\u00e1n\u00e1l valamivel tov\u00e1bb tart\u00f3 alkot\u00e1st olykor \u201eKis requiemnek\u201d nevezik a zenei \u00e9s hangulati hasonl\u00f3s\u00e1gok miatt. Az \u00e9v nyar\u00e1n a zeneszerz\u0151 megl\u00e1togatta bar\u00e1tj\u00e1t, Albert Dietrichet Oldenburgban, \u00e9s itt tal\u00e1lt r\u00e1 Friedrich H\u00f6lderlin H\u00fcperion, avagy a g\u00f6r\u00f6g remete (Hyperion, oder Der Eremit aus Griechenland) c\u00edm\u0171 lev\u00e9lreg\u00e9ny\u00e9re, \u00e9s benne H\u00fcperion sorsdal\u00e1ra (Hyperions Schicksalslied), amit a G\u00f6r\u00f6gorsz\u00e1g f\u00fcggetlens\u00e9g\u00e9\u00e9rt harcol\u00f3 f\u0151h\u0151s \u00e9nekel meghalni indul\u00f3 bar\u00e1tj\u00e1nak, Alabam\u00e1nak. Wilhelmshavenben tett tengerparti kir\u00e1ndul\u00e1suk sor\u00e1n Brahms m\u00e9g aznap felv\u00e1zolta a darabot, de a befejez\u00e9sre csak h\u00e1rom \u00e9vvel k\u00e9s\u0151bb, az 1871-es karlsruhei bemutat\u00f3 el\u0151tt ker\u00fclt sor Baden-Badenben. A k\u00f6vetkez\u0151 \u00e9vben, miut\u00e1n Brahms elv\u00e1llalta a b\u00e9csi Gesellschaft der Musikfreunde vezet\u00e9s\u00e9t, a novemberi els\u0151 hangversenyen ezt is darabj\u00e1t m\u0171sorra t\u0171zte.\r\nA h\u00e1rom versszakb\u00f3l \u00e1ll\u00f3 k\u00f6ltem\u00e9ny aszimmetrikus fel\u00e9p\u00edt\u00e9s\u0171, k\u00e9t versszaka a megdics\u0151\u00fcltek (gyakori \u00e9rtelmez\u00e9s szerint az istenek) gondtalan \u00e9let\u00e9t, t\u00falvil\u00e1gi \u00f6r\u00f6k boldogs\u00e1g\u00e1t \u00e1br\u00e1zolja, majd az utols\u00f3 str\u00f3fa a haland\u00f3k szenved\u00e9seit \u00e1ll\u00edtja ezzel szembe. A gondolati ellent\u00e9tet Brahms k\u00e9t r\u00e9szes form\u00e1ban fogalmazta meg, az els\u0151ben k\u00e9t, a m\u00e1sodikban egy versszakot megzen\u00e9s\u00edtve. Az Esz-d\u00farban megsz\u00f3lal\u00f3 1. r\u00e9sz (Adagio) nyugodt, harm\u00f3ni\u00e1t sug\u00e1rz\u00f3 zenekari bevezet\u0151vel indul. A sz\u00e9p akkordok \u00e9s az orgonapont mellett azonban a N\u00e9met requiem m\u00e1sodik t\u00e9tel\u00e9t id\u00e9z\u0151 s\u00f3hajok \u00e9s sorsszer\u0171 timpani-triol\u00e1k el\u0151re jelzik, hogy a hamarosan megsz\u00f3lal\u00f3 k\u00f3rus kinek a szavait tolm\u00e1csolja (Ihr wandelt droben im Licht... F\u00f6nt j\u00e1rtok a f\u00e9nyben...). Nem a megdics\u0151\u00fcltek, hanem a v\u00e1gyakkal teli emberek \u00e9nekelnek azokr\u00f3l, akiket \u201eisteni szell\u0151 \u00e9rint\u201d \u00e9s akiknek \u201eboldog szemei a cs\u00f6ndes, tiszta \u00f6r\u00f6kl\u00e9tet\u201d l\u00e1tj\u00e1k.\r\nA c-moll 2. r\u00e9sz (Allegro) gyors unison\u00f3val indul\u00f3, viharos zen\u00e9je \u00e9les kontrasztot jelent az el\u0151zm\u00e9nyekhez k\u00e9pest (Doch uns ist gegeben, Auf keiner St\u00e4tte zu ruhn... \/ De nek\u00fcnk az adatott, hogy ne nyugodhassunk meg sehol...). Brahms itt szeml\u00e9letesen, sz\u00fcnetekkel megszak\u00edtott akkordokkal \u00e1br\u00e1zolja a szikl\u00e1kon megt\u00f6r\u0151 v\u00edz k\u00e9p\u00e9t (Wasser von Klippe zu Klippe geworfen...), ami az emberi \u00e9let h\u00e1nyadtat\u00e1sait szimboliz\u00e1lja. A nyugtalans\u00e1g mellett a m\u00e1sik kulcssz\u00f3 a vers legv\u00e9g\u00e9n megjelen\u0151 bizonytalans\u00e1g (das Ungewisse), ennek megfelel\u0151en zene hamarosan lecsendesedik, de nyugalom helyett ink\u00e1bb f\u00e9lelmet t\u00fckr\u00f6z. Brahms az imit\u00e1ci\u00f3s k\u00f6z\u00e9pszakaszban \u00fajra kezdi a 3. versszakot, majd az els\u0151 szakasz zen\u00e9j\u00e9nek visszat\u00e9r\u00e9s\u00e9vel ism\u00e9t elhangzik a teljes z\u00e1r\u00f3str\u00f3fa.\r\nA komponista elk\u00e9pzel\u00e9s\u00e9nek nem felelt meg sem a pesszimista befejez\u00e9s, sem az a megold\u00e1s, hogy megism\u00e9telje a m\u0171 els\u0151 r\u00e9sz\u00e9t. V\u00e9g\u00fcl az \u0151sbemutat\u00f3 karmestere, Hermann Levi javaslat\u00e1t fogadta el, \u00e9s csup\u00e1n a zenekari bevezet\u00e9st hozta vissza C-d\u00farba transzpon\u00e1lva. \u00cdgy b\u00e1r szavak n\u00e9lk\u00fcl, de a rem\u00e9ny hangjaival z\u00e1rul a kompoz\u00edci\u00f3. (Gombos L\u00e1szl\u00f3)<\/p>","post_title":"{:hu}A v\u00e9gzet dala, op. 54 - orat\u00f3rium{:}{:en}The Song of the Destiny - oratorio{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-vegzet-dala-op-54-oratorium","to_ping":"","pinged":"","post_modified":"2016-10-10 13:40:07","post_modified_gmt":"2016-10-10 13:40:07","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/a-vegzet-dala-op-54-oratorium\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Brahms"]},{"ID":91916,"post_author":"1","post_date":"2016-09-08 08:57:59","post_date_gmt":"2016-09-08 08:57:59","post_content":"<p style=\"text-align: justify;\">Anton\u00edn Dvo\u0159\u00e1k (1841\u20131904) cseh zeneszerz\u0151 els\u0151 siker\u00e9t a Feh\u00e9rhegy \u00f6r\u00f6k\u00f6sei (op. 30) c\u00edm\u0171, vegyes karra \u00e9s zenekarra kompon\u00e1lt kant\u00e1t\u00e1val aratta 1873. m\u00e1rcius 9-\u00e9n. A c\u00edm konkr\u00e9t t\u00f6rt\u00e9nelmi esem\u00e9nyre utal, a Pr\u00e1ga melletti Feh\u00e9rhegyen 1620-ban lezajlott csat\u00e1ra, a 30 \u00e9ves h\u00e1bor\u00fa els\u0151 jelent\u0151s \u00fctk\u00f6zet\u00e9re, amelyben a cseh protest\u00e1nsok veres\u00e9get szenvedtek a Habsburgok vezette katolikusokt\u00f3l. A gy\u0151ztesek a cseh ter\u00fcleteket \u00f6r\u00f6k\u00f6s tartom\u00e1nny\u00e1 nyilv\u00e1n\u00edtott\u00e1k, ami \u00e9vsz\u00e1zadokra megsz\u0171ntette a cseh \u00e1llamis\u00e1got.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">Anton\u00edn Dvo\u0159\u00e1k (1841\u20131904) cseh zeneszerz\u0151 els\u0151 siker\u00e9t a Feh\u00e9rhegy \u00f6r\u00f6k\u00f6sei (op. 30) c\u00edm\u0171, vegyes karra \u00e9s zenekarra kompon\u00e1lt kant\u00e1t\u00e1val aratta 1873. m\u00e1rcius 9-\u00e9n. Kor\u00e1bban a pr\u00e1gai cseh sz\u00ednh\u00e1z zenekar\u00e1ban br\u00e1cs\u00e1zott, majd 1871-ben feladta \u00e1ll\u00e1s\u00e1t, hogy t\u00f6bb ideje maradjon a kompon\u00e1l\u00e1sra. M\u00e9g 32 \u00e9ves kor\u00e1ban is szinte teljesen ismeretlen volt, n\u00e9h\u00e1ny dalon, egy nyit\u00e1nyon \u00e9s egy kamaradarabon k\u00edv\u00fcl semmit sem j\u00e1tszottak t\u0151le nyilv\u00e1nosan. Leg\u00fajabb kant\u00e1t\u00e1j\u00e1val azonban \u00f3ri\u00e1si sikert aratott \u00e9s egy csap\u00e1sra a csehek elismert nemzeti szerz\u0151je lett. A bemutat\u00f3t bar\u00e1tja \u00e9s t\u00e1mogat\u00f3ja, Karel Bendl vez\u00e9nyelte, aki kor\u00e1bban is sokat tett Dvo\u0159\u00e1k\u00e9rt. Iskolat\u00e1rsk\u00e9nt \u0151 l\u00e1tta el partit\u00far\u00e1kkal, a n\u00e9lk\u00fcl\u00f6z\u0151 zeneszerz\u0151 n\u00e1la gyakorolhatott zongor\u00e1n, most pedig, amikor Brendl m\u00e1r Pr\u00e1gai Zeneegyes\u00fclet vezet\u0151je volt, hatalmas egy\u00fcttest mozg\u00f3s\u00edtott a m\u0171 el\u0151ad\u00e1s\u00e1ra. A Hlahol K\u00f3rust\u00e1rsas\u00e1g 300 \u00e9nekese, valamint a pr\u00e1gai cseh \u00e9s n\u00e9met sz\u00ednh\u00e1z egyes\u00edtett zenekarai m\u0171k\u00f6dtek k\u00f6zre, a kritika \u00e9s k\u00f6z\u00f6ns\u00e9g pedig egy\u00f6ntet\u0171 lelkesed\u00e9ssel fogadta a kant\u00e1t\u00e1t. A m\u0171vet Dvo\u0159\u00e1k k\u00e9s\u0151bb k\u00e9t alkalommal revide\u00e1lta: 1880-ban az el\u0151ad\u00e1sok tapasztalatait vette figyelembe, 1884-ben pedig a kottakiad\u00e1s el\u0151tt v\u00e9gleges\u00edtette a darabot.\r\nA Feh\u00e9rhegy \u00f6r\u00f6k\u00f6sei siker\u00e9ben fontos szerepet j\u00e1tszott a m\u0171 nemzeti tematik\u00e1ja \u00e9s politikai k\u00f6rnyezete. Az 1867-es kiegyez\u00e9s felsz\u00edtotta a csehek hazafias mozgalmait, mivel tartottak att\u00f3l, hogy h\u00e1tt\u00e9rbe szorulnak a dualista monarchi\u00e1ban. Dvo\u0159\u00e1k V\u00edt\u011bzslav H\u00e1lek 1869-ben \u00edrott epikus k\u00f6ltem\u00e9ny\u00e9nek z\u00e1r\u00f3 himnusz\u00e1t zen\u00e9s\u00edtette meg, amely a cseh anyaf\u00f6ld szenved\u00e9seinek \u00e1br\u00e1zol\u00e1sa ut\u00e1n az orsz\u00e1g megszabad\u00edt\u00e1s\u00e1t vet\u00edtette el\u0151re. A c\u00edm konkr\u00e9t t\u00f6rt\u00e9nelmi esem\u00e9nyre utal, a Pr\u00e1ga melletti Feh\u00e9rhegyen 1620-ban lezajlott csat\u00e1ra, a 30 \u00e9ves h\u00e1bor\u00fa els\u0151 jelent\u0151s \u00fctk\u00f6zet\u00e9re, amelyben a cseh protest\u00e1nsok veres\u00e9get szenvedtek a Habsburgok vezette katolikusokt\u00f3l. A gy\u0151ztesek a cseh ter\u00fcleteket \u00f6r\u00f6k\u00f6s tartom\u00e1nny\u00e1 nyilv\u00e1n\u00edtott\u00e1k, ami \u00e9vsz\u00e1zadokra megsz\u0171ntette a cseh \u00e1llamis\u00e1got.\r\nA k\u00f6lt\u0151 a himnuszban nem sz\u00f3lt fegyveres harcr\u00f3l, m\u00e9g kev\u00e9sb\u00e9 forradalomr\u00f3l, csup\u00e1n a haza \u00e9s a n\u00e9p egym\u00e1sra tal\u00e1l\u00e1s\u00e1t \u00e9nekelte meg az Anya \u00e9s a Gyermekek jelk\u00e9peinek felhaszn\u00e1l\u00e1s\u00e1val. Ehhez Dvo\u0159\u00e1k szerkezet\u00e9ben \u00e9s st\u00edlus\u00e1ban egys\u00e9ges zen\u00e9t kompon\u00e1lt, kiv\u00e1l\u00f3 hangszerel\u0151 k\u00e9szs\u00e9ge m\u00e1r itt megmutatkozott. A h\u00e9t versszakot a zene egyetlen nagy \u00edvben fogja \u00f6ssze, a negyed \u00f3r\u00e1n\u00e1l valamivel tov\u00e1bb tart\u00f3 kant\u00e1ta a j\u00f3l ismert beethoveni t\u00f6rekv\u00e9snek megfelel\u0151en \u00e9p\u00fcl fel, \u00e9s a s\u00f6t\u00e9tb\u0151l a f\u00e9ny fel\u00e9 megtett utat \u00e1br\u00e1zolja. A zenekari bevezet\u00e9s \u00e9s az els\u0151 versszakok panaszos hangja fokozatosan adja \u00e1t a terepet a bizakod\u00e1snak. A 2. versszak v\u00e9g\u00e9nek felki\u00e1lt\u00e1s\u00e1ban az anya \u00e9s gyermekei egym\u00e1sra tal\u00e1lnak, a harmadikban a n\u00e9p a szeretet\u00e9r\u0151l biztos\u00edtja az anyaf\u00f6ldet. A 4. versszakban az Anya megv\u00e9d\u00e9s\u00e9re sz\u00f6vetkez\u0151 ifjak akt\u00edvabb\u00e1 v\u00e1lnak, \u00e9s az egyre mozgalmasabb zene az 5. str\u00f3f\u00e1ban indul\u00f3 karakter\u0171v\u00e9 v\u00e1lik. Ezut\u00e1n a 6-7. versszak polifon k\u00f3rusbel\u00e9p\u00e9sei fokozz\u00e1k az izgalmat, \u00e9s a kant\u00e1ta diadalmasan, \u00f6r\u00f6mujjong\u00e1ssal \u00e9r v\u00e9get. (Gombos L\u00e1szl\u00f3)<\/p>","post_title":"{:hu}Himnusz \"A Feh\u00e9rhegy \u00f6r\u00f6k\u00f6sei\", op. 30{:}{:en}Hymnus \"Heirs of the White Mountain\" Op. 30{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"himnusz-a-feherhegy-orokosei-op-30","to_ping":"","pinged":"","post_modified":"2016-10-10 13:41:23","post_modified_gmt":"2016-10-10 13:41:23","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/himnusz-a-feherhegy-orokosei-op-30\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Dvo\u0159\u00e1k"]}],"kozr_szemelyek":[],"kozr_intezmenyek":[{"ID":87528,"post_author":"1","post_date":"2016-09-08 07:58:45","post_date_gmt":"2016-09-08 07:58:45","post_content":"{:hu}<img class=\"alignnone size-medium wp-image-115522\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/10\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia11_555x555-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>A Nemzeti \u00c9nekkar 1985-ben alakult \u00c1llami \u00c9nekkar n\u00e9ven, 2016. janu\u00e1r 1-t\u0151l vezet\u0151 karnagya Somos Csaba. Az \u00e9nekkar Magyarorsz\u00e1g egyik vezet\u0151 hivat\u00e1sos k\u00f3rusa, amelynek profilja a zenekar-k\u00eds\u00e9retes kompoz\u00edci\u00f3k, orat\u00f3riumok, valamint a cappella m\u0171vek el\u0151ad\u00e1sa. Reperto\u00e1rja ennek megfelel\u0151en rendk\u00edv\u00fcl gazdag, a kora barokk Sch\u00fctz alkot\u00e1sait\u00f3l Bach, a b\u00e9csi klasszikusok \u00e9s a 19. sz\u00e1zad zeneszerz\u0151inek kompoz\u00edci\u00f3in kereszt\u00fcl a 20. sz\u00e1zad \u00e9s a kort\u00e1rs zen\u00e9ig minden ir\u00e1nyba nyitott, m\u0171faji hat\u00e1rok n\u00e9lk\u00fcl, de a ritk\u00e1n m\u0171sorra ker\u00fcl\u0151 alkot\u00e1sok megsz\u00f3laltat\u00e1s\u00e1ban is elk\u00f6telezett. A reperto\u00e1rj\u00e1n hangs\u00falyosan jelen lev\u0151 19. sz\u00e1zadi orat\u00f3riumok mellett az egy\u00fcttes kiemelt fontoss\u00e1got tulajdon\u00edt a kort\u00e1rs m\u0171vek el\u0151ad\u00e1s\u00e1nak, sz\u00e1mos m\u0171 \u0151sbemutat\u00f3ja, illetve magyarorsz\u00e1gi bemutat\u00f3ja f\u0171z\u0151dik a nev\u00e9hez.\r\n\r\nA k\u00f3rus visszat\u00e9r\u0151 k\u00f6zrem\u0171k\u00f6d\u0151je a Nemzeti Filharmonikusok martonv\u00e1s\u00e1ri ny\u00e1ri Beethoven-sorozat\u00e1nak, kiemelked\u0151 szerepl\u0151je a zenekar csal\u00e1di matin\u00e9 koncertsorozat\u00e1nak, valamint a Kocsis Zolt\u00e1n m\u0171v\u00e9szeti vezet\u00e9s\u00e9vel 2006 \u00f3ta fel\u00e9p\u00fcl\u0151 Bart\u00f3k \u00daj Sorozatnak. A Nemzeti Filharmonikusok Richard Strauss oper\u00e1it bemutat\u00f3 nagy siker\u0171 sz\u00e9ri\u00e1j\u00e1ban \u00e9s Schoenberg M\u00f3zes \u00e9s \u00c1ron c\u00edm\u0171 oper\u00e1j\u00e1ban, az \u00e9nekkar mellett t\u00f6bb tagja sz\u00f3listak\u00e9nt is fell\u00e9pett. Az \u00e9nekkar a hazai koncertek mellett nemzetk\u00f6zi felk\u00e9r\u00e9seknek is eleget tesz, rendszeresen koncertezik a magyarok \u00e1ltal is lakott hat\u00e1ront\u00fali telep\u00fcl\u00e9seken. A Nemzeti \u00c9nekkar a M\u00fcp\u00e1ban megrendezett nagyszab\u00e1s\u00fa Wagner-napok rendszeresen megh\u00edvott k\u00f6zrem\u0171k\u00f6d\u0151je.{:}{:en}<img class=\"alignnone size-medium wp-image-115522\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/10\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia11_555x555-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nThe Hungarian National Choir (originally called State Choir) was founded in 1985. Between 1990 and 2016 it was headed by M\u00e1ty\u00e1s Antal, who was succeeded by Csaba Somos on 1 January 2016. The choir is one of Hungary\u2019s leading professional choirs. It boasts a rich repertoire chiefly consisting of orchestra-accompanied and a capella choral music, as well as oratorios, ranging from works by the early-Baroque Sch\u00fctz to Bach, Viennese Classical, 19<sup>th<\/sup> and 20<sup>th<\/sup>-century composers, and contemporary music. The Hungarian National Choir is open to every genre and is dedicated to performing rarely heard works. While the backbone of the repertoire consists of 19<sup>th<\/sup>-century oratorios, the Hungarian National Choir attaches great importance to performing contemporary music. Numerous world and national premi\u00e8res are linked with its name.\r\n\r\nThey are\u00a0 returning guests at the Hungarian National Philharmonic Orchestra\u2019s summer Beethoven series in Martonv\u00e1s\u00e1r. It regularly appears in the Orchestra\u2019s family matin\u00e9e concerts, as well as the <em>Bart\u00f3k New Series<\/em>, launched in 2006. The successful performance of Richard Strauss\u2019s operas and Schoenberg\u2019s <em>Moses and Aron<\/em> has involved the National Choir and many of its soloists. In addition to concerts at home, the choir performs extensively abroad and regularly gives concerts in minority Hungarian areas across the border. The Hungarian National Choir is a regular participant of large-scale events at the Palace of Art, such as the Wagner Days.{:}","post_title":"{:hu}Nemzeti \u00c9nekkar (karigazgat\u00f3: Somos Csaba){:}{:en}Hungarian National Choir (choirmaster: Csaba Somos){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-enekkar-karigazgato-somos-csaba","to_ping":"","pinged":"","post_modified":"2020-07-22 10:07:10","post_modified_gmt":"2020-07-22 10:07:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-enekkar-karigazgato-somos-csaba\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"jegyarak":"6.000 HUF, 4.500 HUF, 3.000 HUF","jegyvasarlas_gomb":"http:\/\/nfz.jegy.hu\/program\/foszerepben-a-korus-a-cappella-es-oratorikus-muvek-vezenyel-somos-csaba-68818\/331140","elkeltek_a_jegyek":false,"kozr_szemelyek_feluldefinialasa":"","youtube_id":"","old_id":"","muvekrol_reszletesen":true,"muveszekrol_reszletesen":true,"kiemelt_kep_en":{"ID":96905,"id":96905,"title":"Nemzeti \u00c9nekkar (karigazgat\u00f3: Somos Csaba)","filename":"AND2456s.jpg","filesize":8862533,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/kortars-romantikusok\/_and2456s\/","alt":"","author":"3","description":"fot\u00f3: NF, Felv\u00e9gi Andrea","caption":"","name":"_and2456s","status":"inherit","uploaded_to":96773,"date":"2016-10-10 11:09:02","modified":"2017-02-14 14:56:08","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":4724,"height":3150,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-768x512.jpg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-1024x683.jpg","large-width":640,"large-height":427,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s.jpg","2048x2048-width":2048,"2048x2048-height":1366,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s.jpg","person-size-2-width":165,"person-size-2-height":110,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/AND2456s-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"gombtipus":"jegy"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/96940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=96940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}