{"id":96932,"date":"2016-10-10T12:04:22","date_gmt":"2016-10-10T12:04:22","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=96932"},"modified":"2017-03-31T15:43:26","modified_gmt":"2017-03-31T15:43:26","slug":"rossini-rodrigo-es-brahms-muvek","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/rossini-rodrigo-es-brahms-muvek\/","title":{"rendered":"Works by Rossini, Rodrigo, Bramhs"},"content":{"rendered":"<p>The first half of the programme on this winter\u2019s night has a Mediterranean feel, while the three-note motto of the symphony in the second half is all about freedom and happiness, or as Brahms put it, \u201cFrei aber froh\u201d. Discovered by Zubin Mehta and well known to the Hungarian audiences, Carlo Montanaro is a much sought-after performer of the Italian repertoire. Having made his d\u00e9but in Verdi\u2019s <em>La Traviata<\/em> at the Scala in Milan in 2008, he has opened numerous seasons at festivals and theatres, and was musical director of the Grand Theatre (Teatr Wielki) in Warsaw between 2011 and 2014. He presents the exotic Aranjuez Concerto, inspired by the garden of the Spanish royal palace. Blind from the age of three, Rodrigo claimed to have captured by musical means the fragrance of magnolias and the gurgling of fountains. The work has a curious atmosphere and is played by one of Hungary\u2019s most important young guitarists.<\/p>\n","protected":false},"template":"","class_list":["post-96932","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Carlo Montanaro  vez\u00e9nylet\u00e9vel","kiemelt_kep":{"ID":97403,"id":97403,"title":"gitar-1180744_960_720","filename":"guitar-1180744_960_720.jpg","filesize":116684,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/rossini-rodrigo-es-brahms-muvek\/guitar-1180744_960_720\/","alt":"","author":"3","description":"hangszer, gitar","caption":"","name":"guitar-1180744_960_720","status":"inherit","uploaded_to":96932,"date":"2016-10-17 20:32:56","modified":"2016-10-17 20:34:10","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":960,"height":640,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-768x512.jpg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","large-width":640,"large-height":427,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","1536x1536-width":960,"1536x1536-height":640,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","2048x2048-width":960,"2048x2048-height":640,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","person-size-2-width":165,"person-size-2-height":110,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","slider-size-width":960,"slider-size-height":640}},"megjegyzes":"","esemeny_datum":"20170420","esemeny_idopontja":"19.30 - 22.00","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87537,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Zeneakad\u00e9mia{:}{:en}Liszt Academy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zeneakademia","to_ping":"","pinged":"","post_modified":"2021-02-17 10:09:02","post_modified_gmt":"2021-02-17 10:09:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/zeneakademia\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Hungary","cim":"VI. Liszt Ferenc t\u00e9r 8.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":87194,"post_author":"1","post_date":"2016-10-17 20:59:38","post_date_gmt":"2016-10-17 20:59:38","post_content":"{:hu}<p>A Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 vend\u00e9gkarmestere<\/p>\r\n<p>Nagy \u00f6r\u00f6m sz\u00e1munkra, hogy a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 vend\u00e9gkarmesterek\u00e9nt \u00fcdv\u00f6z\u00f6lhet\u00fcnk egy olyan kiemelked\u0151 tehets\u00e9g\u0171 \u00e9s tud\u00e1s\u00fa m\u0171v\u00e9szt, akivel egy\u00fctteseink hossz\u00fa \u00e9vek \u00f3ta gy\u00fcm\u00f6lcs\u00f6z\u0151 kapcsolatot \u00e1polnak.\u00a0A cecinai sz\u00fclet\u00e9s\u0171 heged\u0171m\u0171v\u00e9sz \u00e9s karmester, Carlo Montanaro p\u00e1ly\u00e1ja az 1990-es \u00e9vek elej\u00e9n a firenzei Maggio Musicale esem\u00e9nyein vette kezdet\u00e9t.<br \/>\r\nFelfedez\u0151je \u00e9s mentora korunk egyik legnagyobb dirigense, Zubin\u00a0 Mehta volt. T\u00f6bbek k\u00f6z\u00f6tt Vars\u00f3, Mil\u00e1n\u00f3, Velence, Drezda, M\u00fcnchen, Hamburg, Frankfurt, San Francisco, Toki\u00f3 operarajong\u00f3i tapsoltak az \u00e1ltala vez\u00e9nyelt produkci\u00f3knak, de Ausztr\u00e1li\u00e1ban \u00e9s D\u00e9l-Kore\u00e1ban is nagy sikerrel l\u00e9pett fel. Vend\u00e9gszerepelt Cincinnati, Atlanta, Seattle, Boston, Dallas, Fort Worth zenekarai \u00e9l\u00e9n, de vend\u00e9g\u00fcl l\u00e1tta a WDR K\u00f6ln egy\u00fcttese \u00e9s az Accademia di Santa Cecilia zenekara is.<\/p>\r\n<p>Amellett, hogy elk\u00f6telezett operakarmester, a szimfonikus m\u0171fajok vil\u00e1g\u00e1ban is teljes otthonoss\u00e1ggal t\u00e1j\u00e9koz\u00f3dik. K\u00f6z\u00f6s koncertjeinken minden alkalommal csod\u00e1ltuk pontoss\u00e1g\u00e1t \u00e9s energi\u00e1j\u00e1t, dr\u00e1mai \u00e9rz\u00e9k\u00e9t, \u00e9rzelemgazdags\u00e1g\u00e1t, szuggesztivit\u00e1s\u00e1t. Egy\u00fcttm\u0171k\u00f6d\u00e9s\u00fcnket ebben a form\u00e1ban a 2028\/2029-es \u00e9vad v\u00e9g\u00e9ig tervezz\u00fck \u2013 izgatottan tekint\u00fcnk Maestro Montanaro \u00fajabb vend\u00e9gszerepl\u00e9sei el\u00e9!<\/p>\r\n<p><a href=\"https:\/\/gmartandmusic.com\/conductors\/carlo-montanaro\/\"><strong>Carlo Montanaro<\/strong><\/a><\/p>\r\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FOQfdeAUcPE?si=L91KTWfCz_OZ7VRp\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>{:}{:en}<\/p>Principal Guest Conductor of the Hungarian National Philharmonic<\/p>\r\n\r\n<\/p>IT IS A GREAT PLEASURE FOR US at the Hungarian National Philharmonic to welcome Carlo Montanaro, an artist of outstanding talent and skill with whom our ensembles have enjoyed a fruitful relationship for many years, as our new principal guest conductor. Born in Cecina, the violinist and conductor kicked off his career in the early \u201990s at the events of the Maggio Musicale Fiorentino festival.<\/p>\r\n\r\n<p>He was soon discovered and mentored by Zubin Mehta, one of the great maestros of our time. He has since delighted opera fans with his conducting in Warsaw, Milan, Venice, Dresden, Munich, Hamburg, Frankfurt, San Francisco, Tokyo and many other cities, including in Australia and South Korea. He has also taken up the baton as a guest with ensembles in Cincinnati, Atlanta, Seattle, Boston, Dallas and Fort Worth, as well as with WDR Cologne and the Orchestra dell\u2019Accademia di Santa Cecilia.<\/p>\r\n\r\n<p>In addition to his dedication to conducting opera, he is also completely at home in the world of symphonic music. At the concerts we performed together, we admired his precision and energy, his dramatic sense, the richness of his emotionallanguage, and his evocativeness. Our collaboration in this form will run until the end of the 2028\/2029 season \u2013 and we are excitedly awaiting what Maestro Montanaro's further guest appearances have in store!<\/p>\r\n\r\n<p><a href=\"https:\/\/gmartandmusic.com\/conductors\/carlo-montanaro\/\"><strong><span style=\"color: blue;\">Carlo Montanaro<\/span><\/strong><\/a><\/p>\r\n\r\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FOQfdeAUcPE?si=2-tyqg8naENXyK6Z\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/p><\/iframe>{:}","post_title":"{:hu}Carlo Montanaro{:}{:en}Carlo Montanaro{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"carlo-montanaro","to_ping":"","pinged":"","post_modified":"2025-11-06 14:35:08","post_modified_gmt":"2025-11-06 14:35:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=87194","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91178,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}<p style=\"text-align: justify;\">1816-ban, A sevillai borb\u00e9ly \u00e9v\u00e9ben a huszonn\u00e9gy \u00e9ves Rossini operaszerz\u0151i p\u00e1lyafut\u00e1s\u00e1nak alig t\u00f6bb mit egyharmad\u00e1n\u00e1l tartott. Karrierj\u00e9t tizennyolc \u00e9ves kor\u00e1ban kezdte, s ekkora m\u00e1r t\u00f6bb mint tizennyolc sz\u00ednpadi m\u0171, v\u00edgopera, opera seria \u00e1llt m\u00f6g\u00f6tte.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">Beaumarchais Sevillai borb\u00e9lya m\u00e1r az operasz\u00ednpadon sem sz\u00e1m\u00edtott \u00fajdons\u00e1gnak Rossini idej\u00e9ben: az 1775-ben keletkezett v\u00edgj\u00e1t\u00e9kb\u00f3l legal\u00e1bb f\u00e9l tucat zeneszerz\u0151 k\u00e9sz\u00edtett oper\u00e1t.\u00a0 Rossini darabj\u00e1hoz Cesare Sterbini \u00edrta meg a sz\u00f6vegk\u00f6nyvet, amelynek, megk\u00fcl\u00f6nb\u00f6ztet\u00e9sk\u00e9ppen nem A sevillai borb\u00e9ly, hanem\u00a0 az Almaviva, avagy a hi\u00e1baval\u00f3 el\u0151vigy\u00e1zat c\u00edmet adta. 1816-ban, A sevillai borb\u00e9ly \u00e9v\u00e9ben a huszonn\u00e9gy \u00e9ves Rossini operaszerz\u0151i p\u00e1lyafut\u00e1s\u00e1nak alig t\u00f6bb mit egyharmad\u00e1n\u00e1l tartott. Karrierj\u00e9t tizennyolc \u00e9ves kor\u00e1ban kezdte, s ekkora m\u00e1r t\u00f6bb mint tizennyolc sz\u00ednpadi m\u0171, v\u00edgopera, opera seria \u00e1llt m\u00f6g\u00f6tte. Az olasz opera\u00fczem kezdett\u0151l fogva gyors iramot dikt\u00e1lt neki. A sevillai borb\u00e9ly eset\u00e9ben azonban m\u00e1s t\u00e9nyez\u0151k m\u00e9g hajszoltabb temp\u00f3t k\u00edv\u00e1ntak t\u0151le.\u00a0 A sevillai borb\u00e9ly t\u00e9m\u00e1j\u00e1val szinte a v\u00e9letlen folyt\u00e1n tal\u00e1lkozott. Rossininak szerz\u0151d\u00e9se volt 1816 farsangi szezonj\u00e1ra a r\u00f3mai Argentina Sz\u00ednh\u00e1zzal egy opera meg\u00edr\u00e1s\u00e1ra. Egy valamire azonban sem \u0151, sem az impressz\u00e1ri\u00f3 nem sz\u00e1m\u00edtott: a p\u00e1pai \u00e1llam cenz\u00far\u00e1ja miatt egym\u00e1s ut\u00e1n el kellett vetni\u00fck a kiszemelt librett\u00f3kat. \u00cdgy jutottak v\u00e9g\u00fcl arra az elhat\u00e1roz\u00e1sra, hogy felhaszn\u00e1lj\u00e1k \u00fajb\u00f3l a r\u00e9g\u00f3ta bev\u00e1lt Beaumarchais-v\u00edgj\u00e1t\u00e9kot. Ezzel magyar\u00e1zhat\u00f3 az is, hogy Rossini a szok\u00e1sosn\u00e1l is s\u00falyosabb id\u0151zavarba ker\u00fclt: \u00e1ll\u00edt\u00f3lag 21 nap, s\u0151t egyes tud\u00f3s\u00edt\u00e1sok szerint 13 nap alatt kompon\u00e1lta meg azt az oper\u00e1t, amely \u00e9lete egyik f\u0151m\u0171v\u00e9nek bizonyult.\r\nA hajszolt munkatemp\u00f3 arra is r\u00e1k\u00e9nyszer\u00edtette - amire egy\u00e9bk\u00e9nt n\u00e1la is, s a korszak m\u00e1s szerz\u0151in\u00e9l is akad p\u00e9lda -, hogy saj\u00e1t kor\u00e1bbi kompoz\u00edci\u00f3ib\u00f3l k\u00f6lcs\u00f6n\u00f6zz\u00f6n egyet s m\u00e1st. Ma m\u00e1r aligha gondolunk arra, hogy A sevillai borb\u00e9ly v\u00e9rb\u0151 nyit\u00e1nya, amely elv\u00e1laszthatatlanul \u00f6sszeforrt a v\u00edgopera zen\u00e9j\u00e9vel, m\u00e1r k\u00e9t kor\u00e1bbi Rossini-oper\u00e1ban is bet\u00f6lt\u00f6tte ugyanezt a szerepet, r\u00e1ad\u00e1sul k\u00e9t komoly oper\u00e1ban, az Aurelianus Palmira\u00a0 \u00e9s az Angliai Erzs\u00e9bet c\u00edm\u0171 opera seri\u00e1kban.<\/p>{:}{:en}<p style=\"text-align: justify;\">Rossini\u00a0 was a mere twenty four in 1816, when he composed The Barber of Seville and already had one third of his eventual career behind him. He began writing operas at the age of eighteen and by the time of The Barber, had already contributed eighteen other stage works, including comedies and opera seria.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">Beaumarchais's play The Barber of Seville was no longer a novelty on the operatic stage by Rossini's time: written in 1775 it spawned operas by half a dozen composers. Cesare Sterbini wrote the libretto for the Rossini work, but did not actually call it The Barber of Seville opting instead for Almaviva. Rossini\u00a0 was a mere twenty four in 1816, when he composed The Barber of Seville and already had one third of his eventual career behind him. He began writing operas at the age of eighteen and by the time of The Barber, had already contributed eighteen other stage works, including comedies and opera seria. Rossini was forced to work at speed, dictated by the dizzying pace of the Italian opera craze. The Barber of Seville had to be written at even greater haste than usual for other reasons. He acquired the theme of the opera almost by accident. Rossini had a contract to write an opera for the Rome based Argentina Theatre to be performed during the 1816 carnival season. However neither Rossini nor the commissioners had banked on the Papal authorities rejecting a procession of proposed libretti. In the end, they decided to fall back on the Beaumarchais comedy which could boast an unimpeachable past in this respect. These events conspired to even worse deadline problems than usual for Rossini, who nonetheless pulled the rabbit from the hat a mere 21 days later. Indeed, some scholars claim a mere 13. And despite such unpromising beginnings, the result was one of the masterpieces of Rossini's oeuvre.<\/p>\r\n<p style=\"text-align: justify;\">The rapidly approaching deadline forced Rossini to pillage his own oeuvre, although this was par for the course with composers of his era. If we didn't know otherwise, the full blooded overture which seems inseparable from the music of the opera actually plays the same role in two earlier Rossini operas: Aurelianus Palmire and Elisabetta, regina d'Inghilterra (Elizabeth, Queen of England)<\/p>{:}","post_title":"{:hu}A sevillai borb\u00e9ly - nyit\u00e1ny{:}{:en}Barber of Seville - Overture{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-sevillai-borbely-nyitany","to_ping":"","pinged":"","post_modified":"2016-10-17 21:04:01","post_modified_gmt":"2016-10-17 21:04:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/a-sevillai-borbely-nyitany\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Rossini"]},{"ID":91922,"post_author":"1","post_date":"2016-09-08 08:57:59","post_date_gmt":"2016-09-08 08:57:59","post_content":"{:hu}A versenym\u0171 c\u00edme a II. F\u00fcl\u00f6p spanyol kir\u00e1ly \u00e1ltal a 16. sz\u00e1zad m\u00e1sodik fel\u00e9ben \u00e9p\u00edtett, majd a 18. sz\u00e1zadban VI. Ferdin\u00e1nd spanyol kir\u00e1ly idej\u00e9n meg\u00faj\u00edtott Palacio Real de Aranjuez kertjeire utal. Rodrigo az aranjuezi palota kertj\u00e9nek hangulat\u00e1t pr\u00f3b\u00e1lta visszaadni, ahogy \u0151 fogalmazott: \u201ea magn\u00f3li\u00e1k illat\u00e1t, a madarak \u00e9nek\u00e9t \u00e9s a sz\u00f6k\u0151kutak csobog\u00e1s\u00e1t.\u201d\r\n\r\n<!--more-->\r\n\r\nJoaqu\u00edn Rodrigo (1901\u20131999) 1939-ben, a 2. vil\u00e1gh\u00e1bor\u00fat megel\u0151z\u0151 fesz\u00fclt h\u00f3napokban P\u00e1rizsban kompon\u00e1lta m\u00e1ig is legismertebb m\u0171v\u00e9t, a <em>Concierto de Aranjuez<\/em> c\u00edm\u0171 h\u00e1romt\u00e9teles git\u00e1rversenyt. A m\u0171vet Regino S\u00e1inz de la Maza (1896\u20131981) spanyol git\u00e1rm\u0171v\u00e9sz-zeneszerz\u0151nek aj\u00e1nlotta. \u0150 j\u00e1tszott a versenym\u0171 \u0151sbemutat\u00f3j\u00e1n (Barcelona, 1940. november 6.) \u00e9s a m\u0171 els\u0151 hangfelv\u00e9tele is az \u0151 k\u00f6zrem\u0171k\u00f6d\u00e9s\u00e9vel k\u00e9sz\u00fclt 1947-ben. A 3 \u00e9ves kor\u00e1ban egy betegs\u00e9g miatt majdnem teljesen megvakult zeneszerz\u0151 saj\u00e1t hangszere nem a git\u00e1r volt, hanem a zongora, m\u00e9gis t\u00f6k\u00e9letesen r\u00e1\u00e9rzett a git\u00e1r haszn\u00e1lat\u00e1ra \u00e9s a spanyol nemzeti zen\u00e9ben elfoglalt hely\u00e9re.\r\n\r\nA versenym\u0171 c\u00edme a II. F\u00fcl\u00f6p spanyol kir\u00e1ly \u00e1ltal a 16. sz\u00e1zad m\u00e1sodik fel\u00e9ben \u00e9p\u00edtett, majd a 18. sz\u00e1zadban VI. Ferdin\u00e1nd spanyol kir\u00e1ly idej\u00e9n meg\u00faj\u00edtott Palacio Real de Aranjuez kertjeire utal. Rodrigo az aranjuezi palota kertj\u00e9nek hangulat\u00e1t pr\u00f3b\u00e1lta visszaadni, ahogy \u0151 fogalmazott: \u201ea magn\u00f3li\u00e1k illat\u00e1t, a madarak \u00e9nek\u00e9t \u00e9s a sz\u00f6k\u0151kutak csobog\u00e1s\u00e1t.\u201d A ritmikus, szellemes els\u0151 t\u00e9tel ut\u00e1n a m\u00e1sodik t\u00e9tel a git\u00e1r \u00e9s m\u00e1s sz\u00f3l\u00f3hangszerek \u2013 angolk\u00fcrt, fagott, oboa, k\u00fcrt stb. \u2013 dial\u00f3gusa. A harmadik t\u00e9tel pedig \u2013 ism\u00e9t a zeneszerz\u0151t id\u00e9zve \u2013 egy udvari t\u00e1ncra eml\u00e9keztet, amelyben a kett\u0151s \u00e9s h\u00e1rmas \u00fctemek mindv\u00e9gig fenntartj\u00e1k a temp\u00f3 feszess\u00e9g\u00e9t.\r\n\r\nA versenym\u0171 m\u00e1sodik t\u00e9tele a 20. sz\u00e1zad egyik legismertebb, legn\u00e9pszer\u0171bb zen\u00e9je. N\u00e9pszer\u0171s\u00e9g\u00e9t jellemzi, hogy sz\u00e1mos k\u00fcl\u00f6nb\u00f6z\u0151 elm\u00e9let is l\u00e9tezik arr\u00f3l, hogy val\u00f3j\u00e1ban mir\u0151l is sz\u00f3l. A korabeli k\u00f6zhiedelem szerint a melankolikus hangv\u00e9tel\u0171 t\u00e9telt Guernica 1937-es lebomb\u00e1z\u00e1sa ihlette. A zeneszerz\u0151 feles\u00e9ge azonban egy k\u00e9s\u0151bbi nyilatkozat\u00e1ban amellett \u00e9rvelt, hogy a t\u00e9tel egy k\u00e9tszeres eml\u00e9kez\u00e9s: egyr\u00e9szt boldog spanyolorsz\u00e1gi n\u00e1szutaz\u00e1sukra, m\u00e1sr\u00e9szt els\u0151, tragikusan v\u00e9gz\u0151d\u00f6tt gyermek\u00e1ld\u00e1sukra. A t\u00e9tel n\u00e9pszer\u0171s\u00e9ge sz\u00e1mos feldolgoz\u00e1sra adott alkalmat a 20. sz\u00e1zad m\u00e1sodik fel\u00e9ben. K\u00fcl\u00f6nb\u00f6z\u0151 klasszikus hangszeres \u00e1tiratok mellett elektronikus zenei, vil\u00e1gzenei \u00e9s jazz verzi\u00f3k is napvil\u00e1got l\u00e1ttak, s\u0151t filmzenek\u00e9nt is felhaszn\u00e1lt\u00e1k. A vil\u00e1gh\u00edr\u0171 jazztrombit\u00e1s, Miles Davis \u00edgy nyilatkozott r\u00f3la: \u201eez a dallam annyira er\u0151s, hogy min\u00e9l er\u0151sebben j\u00e1tszod, ann\u00e1l gyeng\u00e9bb, viszont min\u00e9l gyeng\u00e9bben j\u00e1tszod, ann\u00e1l er\u0151teljesebb lesz.\u201d\r\n\r\nJoaqu\u00edn Rodrigo 1991-ben e versenym\u0171re utalva kapott nemesi rangot I. J\u00e1nos K\u00e1roly spanyol kir\u00e1lyt\u00f3l, mint az \u201eAranjuez kertjeinek m\u00e1rkija\u201d. S a m\u0171nek megadatott az is, amit nagyon kev\u00e9s zenem\u0171r\u0151l mondhatunk el: Aranjuez v\u00e1ros\u00e1ban eml\u00e9km\u0171vet emeltek az Aranjuezi concerto tisztelet\u00e9re. (Szab\u00f3 Ferenc J\u00e1nos){:}{:en}Joaqu\u00edn Rodrigo (1901\u20131999) composed his best-known work, <em>Concierto de Aranjuez<\/em>, a three-movement guitar concerto in Paris in 1939, during the tense months preceding the outbreak of World War Two. Rodrigo sought to evoke the atmosphere of the royal palace in Aranjuez by, as he put it, \u201ccapturing the fragrance of magnolias, the singing of birds, and the gushing of fountains\u201d.\r\n\r\n<!--more-->\r\n\r\nIn 1991 Joaqu\u00edn Rodrigo was raised to the Spanish nobility by King Juan Carlos I with the title of Marquis of the Gardens of Aranjuez. The concerto can pride itself in having a monument devoted to it in the city of Aranjuez, something that very few musical works can say for themselves. The second movement of the concerto was one of the best-known and most popular pieces of the twentieth century. In addition to various classical orchestral transcriptions, electronic, world-music and jazz versions exist, and it has also been used as a film soundtrack. World-famous jazz trumpeter Miles Davis said about the Aranjuez concerto, how the \u201cmelody was so strong that the softer you play it, the stronger it gets and the stronger you play it, the weaker it gets\u201d.{:}","post_title":"{:hu}Aranjuezi git\u00e1rverseny{:}{:en}Concierto de Aranjuez{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"aranjuezi-gitarverseny","to_ping":"","pinged":"","post_modified":"2016-10-17 21:08:25","post_modified_gmt":"2016-10-17 21:08:25","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/aranjuezi-gitarverseny\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Joaqu\u00edn Rodrigo"]},{"ID":90998,"post_author":"1","post_date":"2016-09-08 08:57:46","post_date_gmt":"2016-09-08 08:57:46","post_content":"{:hu}<p style=\"text-align: justify;\">Vajon a der\u0171sebb d\u00far-e a val\u00f3s\u00e1g, amelyet alkalmilag apr\u00f3 moll-felh\u0151k tark\u00edtanak \u2013 vagy mindez csup\u00e1n aff\u00e9le felsz\u00ednes optimizmus, s a vil\u00e1g voltak\u00e9ppen az eml\u00edtett moll-foltokban mutatja meg val\u00f3di arc\u00e1t?<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">Beethoven kilenc szimf\u00f3ni\u00e1j\u00e1nak \u00e1rnya sok k\u00e9s\u0151bbi zeneszerz\u0151re hatott b\u00e9n\u00edt\u00f3an. Mahler p\u00e9ld\u00e1ul babon\u00e1s aggodalommal szeml\u00e9lte saj\u00e1t kilencedik szimf\u00f3ni\u00e1j\u00e1nak keletkez\u00e9s\u00e9t \u2013 hiszen a Kilencedik nem csup\u00e1n Beethoven, de a Mahler sz\u00e1m\u00e1ra meghat\u00e1roz\u00f3 jelent\u0151s\u00e9g\u0171 Bruckner \u00e9letm\u0171v\u00e9ben is az utols\u00f3nak bizonyult... Brahms m\u00e1sk\u00e9ppen viaskodott a nagy el\u0151d nyomaszt\u00f3 \u00e1rny\u00e1val: k\u00f6zismert, hogy I. szimf\u00f3ni\u00e1j\u00e1nak lez\u00e1r\u00e1s\u00e1t t\u00f6bb mint k\u00e9t \u00e9vtizedes k\u00e9sz\u00fcl\u0151d\u00e9s \u00e9s gy\u00f6tr\u0151d\u00e9s el\u0151zte meg, s a z\u00e1r\u00f3t\u00e9telnek az \u201e\u00d6r\u00f6m\u00f3da\u201d dallam\u00e1val val\u00f3 sokat emlegetett hasonl\u00f3s\u00e1g\u00e1n kereszt\u00fcl mintha maga a zeneszerz\u0151 is tudtunkra akarta volna adni, mi \u00e9s ki is volt a b\u00e9n\u00edt\u00f3 t\u00f6k\u00e9letess\u00e9g\u0171 modell.\r\nMindennek f\u00e9ny\u00e9ben \u00e9rthet\u0151, hogy a zenet\u00f6rt\u00e9n\u00e9szek gyakran Brahms 1883-ban bemutatott III. szimf\u00f3ni\u00e1j\u00e1t is Beethoven majd\u2019 nyolc \u00e9vtizeddel kor\u00e1bbi Harmadikj\u00e1nak f\u00e9ny\u00e9ben pr\u00f3b\u00e1lj\u00e1k \u00e9rtelmezni \u2013 m\u00e9g ha e k\u00e9t m\u0171 \u00f6sszevet\u00e9sekor a k\u00fcl\u00f6nbs\u00e9gek sokatmond\u00f3bbnak bizonyulnak is a hasonl\u00f3s\u00e1gokn\u00e1l. M\u00edg ugyanis a Beethoven Eroic\u00e1j\u00e1ban \u201emegfestett\u201d alak (akit nagy-nagy leegyszer\u0171s\u00edt\u00e9s volna Nap\u00f3leonnal azonos\u00edtanunk) val\u00f3ban heroikus p\u00e1ly\u00e1t fut be, Brahms szimf\u00f3ni\u00e1j\u00e1nak \u201eh\u0151se\u201d mintha nem val\u00f3di k\u00fcls\u0151 ellens\u00e9ggel, hanem ink\u00e1bb saj\u00e1t d\u00e9monaival k\u00fczdene. Sokatmond\u00f3, hogy m\u00edg a klasszikus szimf\u00f3niamodell a lez\u00e1r\u00e1s el\u0151tt jellemz\u0151en feloldja a felhalmoz\u00f3dott fesz\u00fclts\u00e9get, Brahms e kompoz\u00edci\u00f3j\u00e1ban valamennyi t\u00e9tel v\u00e9ge balj\u00f3slat\u00fa \u00f6nmarcangol\u00e1sba, cs\u00fcggedt hallgat\u00e1sba torkollik. M\u00e9g az Andante felirat\u00fa 2. t\u00e9telt k\u00f6vet\u0151 Poco Allegretto sem hoz megnyugv\u00e1st, hiszen \u2013 az ezen a ponton megszokott scherzo helyett \u2013 ez\u00fattal amolyan \u201em\u00e1sodik lass\u00fat\u00e9telt\u201d hallunk, amely (a p\u00e1ratlan l\u00fcktet\u00e9s \u00e9s az egyszer\u0171 tri\u00f3s forma ellen\u00e9re) m\u00e9lys\u00e9ges melank\u00f3li\u00e1t \u00e1raszt. Alaposabb elemz\u00e9s nyom\u00e1n r\u00e1ad\u00e1sul az is kider\u00fcl, hogy az F-d\u00far alaphangnem a m\u0171 sor\u00e1n oly gyakran sz\u00ednez\u0151dik moll\u00e1, hogy az m\u00e1r a teljes kompoz\u00edci\u00f3 karakter\u00e9re is bor\u00fas \u00e1rny\u00e9kot vet: vajon a der\u0171sebb d\u00far-e a val\u00f3s\u00e1g, amelyet alkalmilag apr\u00f3 moll-felh\u0151k tark\u00edtanak \u2013 vagy mindez csup\u00e1n aff\u00e9le felsz\u00ednes optimizmus, s a vil\u00e1g voltak\u00e9ppen az eml\u00edtett moll-foltokban mutatja meg val\u00f3di arc\u00e1t? A legrezign\u00e1ltabb gesztust azonban Brahms a l\u00e1tsz\u00f3lag er\u0151t\u0151l duzzad\u00f3 fin\u00e1l\u00e9 z\u00e1r\u00f3\u00fctemeire tartogatja: amint a m\u0171 v\u00e9g\u00e9n a nyit\u00f3t\u00e9tel kezdet\u00e9nek t\u00e9tova eml\u00e9ke dereng fel el\u0151tt\u00fcnk, k\u00e9nytelen-kelletlen be kell l\u00e1tnunk, hogy n\u00e9gy t\u00e9telnyi er\u0151fesz\u00edt\u00e9s ut\u00e1n sem siker\u00fclt t\u00fals\u00e1gosan messzire jutnunk az eredeti kiindul\u00f3pontt\u00f3l. Brahms h\u0151se teh\u00e1t \u2013 ha ragaszkodunk a beethoveni p\u00e1rhuzamhoz \u2013maga is elbukik, s kudarca m\u00e9g csak nem is kelt megd\u00f6bben\u00e9st, hanem szinte term\u00e9szetesnek hat.<\/p>\r\n<p style=\"text-align: justify;\"><\/p>{:}{:en}<p style=\"text-align: justify;\">Beethoven\u2019s symphonies cast a long shadow, paralysing many composers during the course of the 19th century, because both audience and critics were wont to compare their works to the inimitable predecessor. Premiered in 1883, Brahms\u2019s Symphony No. 3, for example, is usually contrasted with Eroica, composed some eighty years before; yet the Eroica\u2019s ambitious hero is barely reminiscent of the \u2018hero\u2019 of Brahms\u2019s work, who seems to be gnawing at himself rather than the enemy. It is no accident then that every movement in the symphony ends in gloomy silence, and the third movement is not the customary scherzo but a \u2018second slow movement\u2019, and a profoundly melancholic one at that. Further analysis reveals that during the work the basic F-major key frequently transforms into the minor key, casting a gloomy shadow over the entire symphony. However, Brahms kept the most resigned gesture for the closing bars of what is a seemingly lusty finale when reminiscences of the opening movement float about and the listener is forced to concede that having made four movements\u2019 worth of effort, the \u2018hero\u2019 has barely budged from the starting point.<\/p>\r\n<p style=\"text-align: justify;\"><\/p>{:}","post_title":"{:hu}III. szimf\u00f3nia F-d\u00far, op. 90{:}{:en}Symphony No. 3 in F major, op. 90{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"iii-szimfonia-f-dur-op-90","to_ping":"","pinged":"","post_modified":"2016-10-17 21:11:39","post_modified_gmt":"2016-10-17 21:11:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/iii-szimfonia-f-dur-op-90\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Brahms"]}],"kozr_szemelyek":[{"ID":97397,"post_author":"3","post_date":"2016-10-17 20:26:34","post_date_gmt":"2016-10-17 20:26:34","post_content":"{:hu}Cs\u00e1ki Andr\u00e1s gener\u00e1ci\u00f3j\u00e1nak kiemelked\u0151 git\u00e1ros egy\u00e9nis\u00e9ge. J\u00e1t\u00e9k\u00e1nak szuggesztivit\u00e1sa \u00e9s \u00e9rz\u00e9kenys\u00e9ge a vil\u00e1g sz\u00e1mos koncertterm\u00e9nek hallgat\u00f3s\u00e1g\u00e1t mag\u00e1val ragadta Jap\u00e1nt\u00f3l \u00c9szak-Amerik\u00e1ig. Szakmai lapokban t\u00f6bb kritikus is kiemelte, hogy f\u00f6l\u00e9nyes hangszeres tud\u00e1s\u00e1val sosem \u00e9l vissza, technik\u00e1j\u00e1t mindig a zenei elk\u00e9pzel\u00e9seinek szolg\u00e1lat\u00e1ba \u00e1ll\u00edtja.\r\n\r\nTanulm\u00e1nyait Budapesten a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen, illetve Los Angelesben a University of Southern California Thornton School of Music-on folytatta. 2014-ben Budapesten a Zeneakad\u00e9mi\u00e1n szerzett DLA fokozatot. Tan\u00e1rai E\u00f6tv\u00f6s J\u00f3zsef, Scott Tennant \u00e9s William Kanengiser voltak. A Thornton School of Music di\u00e1kjak\u00e9nt sz\u00e1mos alkalommal ny\u00edlt lehet\u0151s\u00e9ge r\u00e1, hogy tud\u00e1s\u00e1t az egyetem tiszteletbeli professzor\u00e1val, Pepe Romero-val t\u00f6k\u00e9letes\u00edtse.\r\n\r\nDi\u00e1k\u00e9vei alatt olyan rangos nemzetk\u00f6zi versenyek gy\u0151ztese, mint a Toki\u00f3i Nemzetk\u00f6zi Git\u00e1rverseny (2008) az olaszorsz\u00e1gi Michele Pittaluga Nemzetk\u00f6zi Git\u00e1rverseny (2009) vagy a spanyolorsz\u00e1gi Julian Arcas Nemzetk\u00f6zi Git\u00e1rverseny (2011)\r\n\r\nSz\u00f3l\u00f3karrierje mellett kiemelt szerepet szentel a kamarazen\u00e9nek is. 2015-ben adta el\u0151 el\u0151sz\u00f6r Pierre Boulez \"Gazd\u00e1tlan kalap\u00e1cs\" c\u00edm\u0171 m\u0171v\u00e9t, amely a kamarairodalom h\u00edresen nagy kih\u00edv\u00e1st jelent\u0151, zenei tapasztalatot \u00e9s t\u00e1j\u00e9kozotts\u00e1got ig\u00e9nyl\u0151 emblematikus kompoz\u00edci\u00f3ja. Sz\u00edv\u00fcgy\u00e9nek tekinti a magyar kort\u00e1rs szerz\u0151k git\u00e1rra kompon\u00e1lt sz\u00f3l\u00f3 \u00e9s kamaram\u0171veinek bemutat\u00e1s\u00e1t, n\u00e9pszer\u0171s\u00edt\u00e9s\u00e9t.\r\n\r\nH\u00e1rom sz\u00f3l\u00f3 lemeze jelent meg. A Naxos kiad\u00f3 gondoz\u00e1s\u00e1ban 2010-ben kiadott CD m\u0171sor\u00e1b\u00f3l k\u00e9t m\u0171 is beker\u00fclt Enrique Robichaud kanadai zenetud\u00f3s Guitar's Top 100 c\u00edm\u0171 k\u00f6nyv\u00e9be, mely a git\u00e1rreperto\u00e1r 100 legn\u00e9pszer\u0171bb m\u0171v\u00e9b\u0151l v\u00e1laszt ki m\u0171venk\u00e9nt h\u00e1rom \u2013 a k\u00f6nyv szerz\u0151je \u00e1ltal \u2013 jelent\u0151snek \u00e9s figyelemre m\u00e9lt\u00f3nak tartott el\u0151ad\u00e1st.\r\n\r\nAndr\u00e1s 2009-t\u0151l a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetem tan\u00e1ra. 2004-t\u0151l rendszeresen tart mesterkurzusokat Eur\u00f3pa, \u00c1zsia \u00e9s \u00c9szak-Amerika sz\u00e1mos orsz\u00e1g\u00e1ban.\r\n\r\n2009-ben megkapta a Prima Primissima Alap\u00edtv\u00e1ny\u00a0Junior Prima zenem\u0171v\u00e9szeti d\u00edj\u00e1t, 2010-ben M\u00e1rciusi Ifjak d\u00edjban r\u00e9szes\u00fclt. 2015-ben az \u00c1gai Karola \u00e9s Szendrey-Karper L\u00e1szl\u00f3 Eml\u00e9k\u00e9rem els\u0151 git\u00e1rm\u0171v\u00e9sz kit\u00fcntetettje.{:}{:en}Andr\u00e1s Cs\u00e1ki was born in Budapest 1981, and began to play the guitar at the age of 11. He graduated at the Liszt Ferenc Academy of Music with honor in 2007, where\u00a0his professor was J\u00f3zsef E\u00f6tv\u00f6s. In\u00a02012\/2013 he pursued graduate studies in the University of Southern California as a student of Scott\u00a0Tennant. He received his Doctorate degree in 2014 at the Liszt Ferenc Academy of Music.\r\n\r\nSince 1995 Andr\u00e1s has been a regular participant of international master classes all over the world, including master classes held by Manuel Barrueco, Leo Brouwer, Abel Carlevaro, Costas Cotsiolis, David Russell, Angel and Pepe Romero.\r\n\r\nUntil the year of 2011 he received 24 prizes, among others he was awarded with the first prize in the 51st Tokyo International Guitar Competition in 2008, and in the 42nd \"Michele Pittaluga\" Guitar Competition in Alessandria, Italy 2009, Julian Arcas Guitar Competition, Spain 2011.\r\n\r\nBesides solo recitals, he is also devoted to chamber music. He has had several opportunities to play guitar concertos with symphonic orchestras in Hungary and abroad.\r\n\r\nHe has frequently been asked to give master classes in various countries, such as China, Estonia, France, Great Britain, Greece, India, Romania, Russia, USA and his native Hungary. At the moment he is appointed professor at Liszt Ferenc Academy of Music in Budapest.{:}","post_title":"{:hu}Cs\u00e1ki Andr\u00e1s{:}{:en}Andr\u00e1s Cs\u00e1ki{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"csaki-andras","to_ping":"","pinged":"","post_modified":"2016-10-17 20:28:35","post_modified_gmt":"2016-10-17 20:28:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=97397","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}git\u00e1r{:}{:en}guitar{:}"}],"kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"jegyarak":"6.000 Ft, 4.500 Ft, 3.000 Ft","jegyvasarlas_gomb":"http:\/\/nfz.jegy.hu\/program\/rossini-rodrigo-es-brahms-muvek-csaki-andras-gitar-vezenyel-carlo-montanaro-71076\/341035","elkeltek_a_jegyek":false,"kozr_szemelyek_feluldefinialasa":"","youtube_id":"","old_id":"","muvekrol_reszletesen":true,"muveszekrol_reszletesen":true,"kiemelt_kep_en":{"ID":97403,"id":97403,"title":"gitar-1180744_960_720","filename":"guitar-1180744_960_720.jpg","filesize":116684,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/rossini-rodrigo-es-brahms-muvek\/guitar-1180744_960_720\/","alt":"","author":"3","description":"hangszer, gitar","caption":"","name":"guitar-1180744_960_720","status":"inherit","uploaded_to":96932,"date":"2016-10-17 20:32:56","modified":"2016-10-17 20:34:10","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":960,"height":640,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-768x512.jpg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","large-width":640,"large-height":427,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","1536x1536-width":960,"1536x1536-height":640,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","2048x2048-width":960,"2048x2048-height":640,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","person-size-2-width":165,"person-size-2-height":110,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/guitar-1180744_960_720.jpg","slider-size-width":960,"slider-size-height":640}},"gombtipus":"jegy"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/96932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=96932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}