{"id":96928,"date":"2016-10-10T11:56:55","date_gmt":"2016-10-10T11:56:55","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=96928"},"modified":"2017-03-09T08:42:16","modified_gmt":"2017-03-09T08:42:16","slug":"liszt-bartok-es-kodaly-muvei","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/liszt-bartok-es-kodaly-muvei\/","title":{"rendered":"Works by Liszt, Bart\u00f3k and Kod\u00e1ly"},"content":{"rendered":"<p>This concerts takes the audiences on a special adventure. Put the director\u2019s glass hat on your head, think up a magic spell, touch the object in front of you, and believe us, it will come to life. All you need to do is listen to the music, because the composer has set a few rules, but following his ideas through, adding to them and staging them is arguably one of the greatest challenges in the world. The story might be familiar. A bored little boy refuses to write his homework. His mother scolds him and locks him in his room till supper. (The work was written in the 1920s when parents were stricter.) The little boy goes on the rampage, not sparing walls, fireplace, furniture or books. He is very surprised, however, when his \u201cvictims\u201d come to life and plot against him. The charming story reveals how the wildling is transformed into a loving little boy.<\/p>\n","protected":false},"template":"","class_list":["post-96928","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"featuring Maxim Rysanov","kiemelt_kep":{"ID":98273,"id":98273,"title":"lisztbartokfn","filename":"lisztbartokFN.png","filesize":1743822,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN.png","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/liszt-bartok-es-kodaly-muvei\/lisztbartokfn\/","alt":"","author":"1","description":"","caption":"","name":"lisztbartokfn","status":"inherit","uploaded_to":96928,"date":"2016-10-25 15:27:48","modified":"2016-10-25 15:28:00","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN-300x88.png","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN-768x224.png","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN-1024x299.png","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN.png","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN.png","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN-165x165.png","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN.png","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN-263x263.png","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN-360x203.png","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN-359x450.png","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN-555x555.png","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/lisztbartokFN-1600x560.png","slider-size-width":1600,"slider-size-height":560}},"megjegyzes":"","esemeny_datum":"20170314","esemeny_idopontja":"19.30 - 22.00","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87537,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Zeneakad\u00e9mia{:}{:en}Liszt Academy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zeneakademia","to_ping":"","pinged":"","post_modified":"2021-02-17 10:09:02","post_modified_gmt":"2021-02-17 10:09:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/zeneakademia\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Hungary","cim":"VI. Liszt Ferenc t\u00e9r 8.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":85500,"post_author":"1","post_date":"2017-02-19 18:47:53","post_date_gmt":"2017-02-19 18:47:53","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n<em>\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette zeneigazgat\u00f3k\u00e9nt a Nemzeti Filharmonikus Zenekart.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s <em>First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt","to_ping":"","pinged":"","post_modified":"2020-08-10 08:38:54","post_modified_gmt":"2020-08-10 08:38:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=85500","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91445,"post_author":"1","post_date":"2016-09-08 08:57:52","post_date_gmt":"2016-09-08 08:57:52","post_content":"{:hu}<p style=\"text-align: justify;\">Liszt Ferenc (1811\u20131886) 6. szimfonikus k\u00f6ltem\u00e9nye, a Mazeppa a szerz\u0151 a legink\u00e1bb illusztrat\u00edv jelleg\u0171 zenekari m\u0171ve. Egy f\u00e9kevesztett, vad pusztai lovagl\u00e1s megjelen\u00edt\u00e9se, amely \u00e9vtizedeken \u00e1t foglalkoztatta, \u00e9s amelynek zenei \u00f6tlete Liszt gyermekkor\u00e1ba, az 1826-os zongoraet\u0171d\u00f6k negyedik darabj\u00e1ig vezethet\u0151 vissza.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">A sorozat 1837-9-es \u00e1tdolgoz\u00e1s\u00e1ban (Nagy et\u0171d\u00f6k) a d-moll m\u0171 m\u00e9g mindig c\u00edm n\u00e9lk\u00fcl l\u00e1tott napvil\u00e1got, majd 1840-ben Liszt ezt kiemelte a ciklusb\u00f3l \u00e9s Victor Hugo Mazeppa c\u00edm\u0171 vers\u00e9hez igaz\u00edtva a k\u00f6lt\u0151nek aj\u00e1nlotta. A darab \u00fajabb v\u00e1ltozata 1851-ben helyet kapott a Transzcendens et\u0171d\u00f6kben (no.4), \u00e9s Liszt ugyanekkor szimfonikus k\u00f6ltem\u00e9nyt is kompon\u00e1lt az et\u0171d zenei anyag\u00e1nak felhaszn\u00e1l\u00e1s\u00e1val.\r\nA k\u00f6lt\u0151i program h\u00e1tter\u00e9ben val\u00f3s szem\u00e9ly, Ivan Sztyepanovics Maz\u00e9pa t\u00f6rt\u00e9nete \u00e1ll. A 17. sz\u00e1zadi ukr\u00e1n nemest egy asszony megront\u00e1s\u00e1\u00e9rt \u00edt\u00e9lt\u00e9k el \u00e9s k\u00f6t\u00f6zt\u00e9k h\u00e1ttal egy puszt\u00e1ba \u0171z\u00f6tt, megvad\u00edtott l\u00f3 h\u00e1t\u00e1ra, majd megmenek\u00fcl\u00e9se ut\u00e1n csellel \u00e9s fondorlattal szerezte meg a vez\u00e9rs\u00e9get. Alakja azonban a fest\u00e9szetben \u00e9s az irodalomban idealiz\u00e1lt form\u00e1ban jelent meg, \u00e9s sorsa Liszt sz\u00e1m\u00e1ra is a m\u0171v\u00e9sz szenved\u00e9s\u00e9nek \u00e9s diadal\u00e1nak lett a szimb\u00f3luma.\r\nA szimfonikus k\u00f6ltem\u00e9ny a zongoradarabbal szemben a teljes t\u00f6rt\u00e9net megjelen\u00edt\u00e9s\u00e9re t\u00f6rekszik, \u00e9s a vers h\u00e1rom f\u0151 mozzanata szolg\u00e1l a formar\u00e9szek programj\u00e1ul. Az els\u0151 szakasz az et\u0171d \u00e1tdolgoz\u00e1sa \u00e9s brili\u00e1ns hangszerel\u00e9se. Az ostorcsap\u00e1s szer\u0171 ind\u00edt\u00e1s ut\u00e1n fokoz\u00e1s vezet az indul\u00f3 jelleg\u0171 f\u0151 t\u00e9m\u00e1hoz, amely t\u00f6bbf\u00e9le hangnemben \u00e9s karakterben t\u00e9r vissza, egyre gyorsabb temp\u00f3ban. A sz\u00e1guld\u00e1s k\u00f6zepette azonban a metrumv\u00e1lt\u00e1sok \u00e9reztetik a l\u00f3 kif\u00e1rad\u00e1s\u00e1t, lassul\u00e1s\u00e1t is.\r\nA k\u00f6z\u00e9ps\u0151, lass\u00fa r\u00e9szben \u00fcstdob\u00fct\u00e9sek jelzik a v\u00e1gta v\u00e9g\u00e9t, a l\u00f3 \u00f6sszees\u00e9s\u00e9t \u00e9s hal\u00e1ltus\u00e1j\u00e1t. Deklam\u00e1l\u00f3, recitativ\u00f3kra eml\u00e9keztet\u0151, t\u00f6bbnyire k\u00eds\u00e9ret n\u00e9lk\u00fcl megsz\u00f3lal\u00f3 dallam \u00e1br\u00e1zolja a megk\u00f6t\u00f6z\u00f6tt lovas mag\u00e1ny\u00e1t \u00e9s sors\u00e1nak kil\u00e1t\u00e1stalans\u00e1g\u00e1t. F\u00fav\u00f3sszign\u00e1l vezeti be a harmadik, Allegro marziale szakaszt: k\u00f6zeledik a megment\u0151 csapat, \u00e9s Mazepp\u00e1t, a sok szenved\u00e9st ki\u00e1ll\u00f3 h\u0151st v\u00e9g\u00fcl az ukr\u00e1nok vez\u00e9r\u00fckk\u00e9 v\u00e1lasztj\u00e1k. K\u00e9t \u00faj t\u00e9ma v\u00e1ltakozik ebben a r\u00e9szben. Az els\u0151, indul\u00f3 szer\u0171 zene Mazeppa diadalmas \u00fajj\u00e1sz\u00fclet\u00e9s\u00e9t jelk\u00e9pezi, ebben Liszt saj\u00e1t, 1848-ban kompon\u00e1lt \u00e9s Lamennais eszm\u00e9it hirdet\u0151 A munka himnusza c. m\u0171v\u00e9t id\u00e9zte. A m\u00e1sodik zenei anyag t\u00e1ncos, keleties jelleg\u0171 \u00e9s nyilv\u00e1nval\u00f3an az ukr\u00e1n k\u00f6rnyezetet festi, de el\u0151k\u00e9ivel, kvartmelodik\u00e1j\u00e1val nem \u00e1ll t\u00e1vol a szerz\u0151 magyarosnak sz\u00e1nt darabjait\u00f3l sem, k\u00fcl\u00f6n\u00f6sen akkor, amikor a n\u00e9p\u00fcnnep\u00e9ly cs\u00facspontj\u00e1ra utalva hars\u00e1nyabb \u00e9s vaskosabb form\u00e1ban jelenik meg. A m\u0171 legv\u00e9g\u00e9n b\u00e1r csak jelz\u00e9s szer\u0171en, m\u00e9gis az eg\u00e9sz folyamat megkoron\u00e1z\u00e1sak\u00e9nt, megdics\u0151\u00fclt form\u00e1ban t\u00e9r vissza a darab f\u0151 mot\u00edvuma.<\/p>{:}{:en}Liszt\u2019s sixth symphonic poem is a depiction of a wild ride through the steppe. The idea for the music goes back to the piano \u00e9tudes of 1826 and the fourth piece of the <em>Grand \u00c9tudes<\/em>. In 1840 Liszt took this piece from the cycle and, adapted to Victor Hugo\u2019s poem <em>Mazeppa<\/em>, he dedicated it to the poet. In 1851 Liszt had it published under <em>Transcendental \u00c9tudes <\/em>(No. 4) and arranged it in a symphonic poem for orchestra. It tells the story of Ivan Mazeppa who was tied to a wild horse, and whose idealised figure was for Liszt a symbol of the artist\u2019s sufferings and triumph.\r\n\r\n<!--more-->\r\n\r\nThe first section of the symphonic poem is a transcription and brilliant orchestration of the \u00e9tude. The march-like main theme returns in many keys and characters, faster every time. In the slow middle section strikes of the kettle drum signal the end of the gallop, the collapse and death of the horse. The third, <em>Allegro marziale<\/em> section is heralded by a wind signal. The Ukrainians rescue Mazeppa and elect him as their leader. Two new themes alternate in this section. The first, march-like music symbolises Mazeppa\u2019s triumphant rebirth; the second has an oriental dance character and depicts the Ukrainian environment, but with its appoggiaturas and fourth melodies it is not unlike Liszt\u2019s Hungarian-character works either. The main theme symbolically returns in glorified form at the end of the work.{:}","post_title":"{:hu}Mazeppa - szimfonikus k\u00f6ltem\u00e9ny{:}{:en}Mazeppa - symphonic poem{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mazeppa-szimfonikus-koltemeny","to_ping":"","pinged":"","post_modified":"2017-02-01 09:13:58","post_modified_gmt":"2017-02-01 09:13:58","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/mazeppa-szimfonikus-koltemeny\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Liszt"]},{"ID":91015,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}<p style=\"text-align: justify;\">Nincs mi\u00e9rt sz\u00e9p\u00edteni a t\u00e9nyeket: Bart\u00f3k nem \u00edrt br\u00e1csaversenyt. \u00c9lete v\u00e9gefel\u00e9, a h\u00edres br\u00e1csavirtu\u00f3z, William Primrose felk\u00e9r\u00e9s\u00e9re ugyan belekezdett egy versenym\u0171 alkot\u00e1s\u00e1ba, de ezt nem tudta befejezni. Amennyi ereje maradt, azt ink\u00e1bb a 3. zongoraverseny megalkot\u00e1s\u00e1ra ford\u00edtotta.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">14 kottalapnyit hagyott h\u00e1tra a br\u00e1csaverseny v\u00e1zlataival. Ebb\u0151l az egyik az els\u0151 t\u00e9tel elej\u00e9nek korai, ut\u00f3bb nyilv\u00e1n elvetett felv\u00e1zol\u00e1sa. A tov\u00e1bbiakb\u00f3l ar\u00e1nylag j\u00f3l k\u00f6vethet\u0151 az els\u0151 t\u00e9tel anyaga, a kihagy\u00e1sok itt anal\u00f3gi\u00e1k alapj\u00e1n p\u00f3tolhat\u00f3k, m\u00e9g a hangszerel\u00e9sre is akadnak megjegyz\u00e9sek. A tov\u00e1bbi t\u00e9telek eset\u00e9ben viszont teljes a hom\u00e1ly. Van egy felt\u00fcn\u0151en r\u00f6vid lass\u00fa, akad egy br\u00e1csasz\u00f3l\u00f3s bevezet\u0151-f\u00e9le, valamilyen 2\/4-es metrumban folytat\u00f3d\u00f3, c-tonalit\u00e1s\u00fa zen\u00e9hez (az utols\u00f3 \u00fctemn\u00e9l Bart\u00f3k jelezte, hogy 2\/4 k\u00f6vetkezik), n\u00e9h\u00e1ny lapon t\u00e1ncos finale k\u00f6rvonalai bontakoznak ki - s h\u00e1tramaradt m\u00e9g egy lapnyi anyag, rejt\u00e9lyes feljegyz\u00e9sekkel. Bart\u00f3k hal\u00e1la ut\u00e1n Serly Tibor v\u00e1llalkozott arra, hogy mentse a menthet\u0151t. \u00dagy gondolta, legjobb, ha hagyom\u00e1nyos h\u00e1rom t\u00e9teles m\u0171vet teremt, lass\u00faval a k\u00f6zep\u00e9n. Noha tapintatosan j\u00e1rt el, szinte biztos, hogy az \u00e1ltala l\u00e9trehozott kompoz\u00edci\u00f3 nem t\u00fckr\u00f6zi Bart\u00f3k eredeti sz\u00e1nd\u00e9k\u00e1t. Az pl. eg\u00e9szen bizonyos, hogy az eml\u00edtett \"bevezet\u0151f\u00e9l\u00e9t\" Bart\u00f3k nem a lass\u00fa el\u00e9 sz\u00e1nta. M\u00e9gis, a furcsa, felem\u00e1s darab bemutat\u00f3ja \u00f3ta sikeresnek mondhat\u00f3. F\u00e1radtabb r\u00e9szei ellen\u00e9re itt-ott megcsillan benne Bart\u00f3k szelleme. Az a fajta - Szabolcsi Bence kifejez\u00e9s\u00e9vel - \"melegen melodikus\" st\u00edlus jellemzi, amely m\u00e1r az amerikai \u00e9vek el\u0151tt, a Heged\u0171versenyt\u0151l felt\u0171nik Bart\u00f3k \u00e9letm\u0171v\u00e9ben. L\u00e9t \u00e9s neml\u00e9t hat\u00e1r\u00e1r\u00f3l sz\u00f3l hozz\u00e1nk ez a zene - s tal\u00e1n \u00e9pp ez teszi k\u00fcl\u00f6n\u00f6sen \u00e9rdekess\u00e9, misztikuss\u00e1.<\/p>{:}{:en}<p style=\"text-align: justify;\">The bottom line is that Bart\u00f3k did not write a viola concerto. Towards the end of his life, the British violist, William Primrose commissioned him to write a concerto, but Bart\u00f3k was unable to finish it. He channelled his remaining energy into completing the Third Piano Concerto instead.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">Only 14 pages of manuscript material remain of sketches for the concerto. One of these is an early, rejected sketch for the first movement. In the remainder, the material of the first movement can be clearly followed, and what is missing can be filled in on the basis of analogy and common sense. There are even notes on orchestration. In the case of the other movements, the situation is profoundly obscure. There survives a conspicuously short slow section, there is a type of introduction for viola solo, leading to some kind of music in C major and 2\/4 time (in the final bar, Bart\u00f3k indicates that 2\/4 is to follow). There are also some sketches for a dance-like finale - another page remains, full of obscure jottings. After Bart\u00f3k's death, Tibor Serly undertook to save what he could. He felt it was best to create a traditional three movement work, with a slow movement in the middle. Although he was extremely careful in his work, there is no arguing that the composition he finally produced did not reflect Bart\u00f3k's original intentions. For example, it now seems highly likely that the \"introductory\" viola solo was never intended to be placed before the slow section. And yet this peculiar semi-work has been quite a success since its premiere. In spite of its less convincing sections, here and there, true Bart\u00f3k is instantly recognisable. It is in what Bence Szabolcsi called the \"warmly melodic\" style that blossomed during his American years, and which began with the Violin Concerto. The music, which in a sense has been brought back from the dead, is uniquely interesting and mystical.<\/p>{:}","post_title":"{:hu}Br\u00e1csaverseny, BB 128{:}{:en}Viola Concerto, BB 128{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"bracsaverseny-bb-128","to_ping":"","pinged":"","post_modified":"2017-02-01 09:16:29","post_modified_gmt":"2017-02-01 09:16:29","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/bracsaverseny-bb-128\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Bart\u00f3k"]},{"ID":91295,"post_author":"1","post_date":"2016-09-08 08:57:50","post_date_gmt":"2016-09-08 08:57:50","post_content":"{:hu}<p style=\"text-align: justify;\">Bart\u00f3k, a n\u00e9pzenegy\u0171jt\u0151 \u00e9s n\u00e9pzenetud\u00f3s zeneszerz\u0151 \u00edgy \u00edr a n\u00e9pdalok (saj\u00e1t sz\u00f3haszn\u00e1lat\u00e1val \u00e9lve: parasztdalok) feldolgoz\u00e1si lehet\u0151s\u00e9geir\u0151l: \u201eMik\u00e9nt nyilv\u00e1nulhat meg a parasztzene hat\u00e1sa a magasabb m\u0171zen\u00e9ben? [\u2026] El\u0151sz\u00f6r is \u00fagy, hogy a parasztdallamot minden v\u00e1ltoztat\u00e1s n\u00e9lk\u00fcl, vagy csak alig vari\u00e1lva, k\u00eds\u00e9rettel l\u00e1tjuk el, esetleg m\u00e9g el\u0151- \u00e9s ut\u00f3j\u00e1t\u00e9k k\u00f6z\u00e9 foglaljuk.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">[\u2026] Az ilyen n\u00e9pdalfeldolgoz\u00e1soknak k\u00e9tf\u00e9le, egym\u00e1sba hat\u00e1rvonal n\u00e9lk\u00fcl \u00e1tmen\u0151 t\u00edpus\u00e1t figyelhetj\u00fck meg. Az egyikn\u00e9l a k\u00eds\u00e9ret \u00e9s az el\u0151-, ut\u00f3- vagy k\u00f6zj\u00e1t\u00e9k m\u00e1sodrang\u00fa dolog; nem m\u00e1s, mint keret, amibe a f\u0151dolgot: a parasztdallamot bel\u00e9illesztj\u00fck, mint a dr\u00e1gak\u00f6vet a foglalat\u00e1ba. A m\u00e1sikn\u00e1l \u00e9ppen ford\u00edtva: a parasztdallam csup\u00e1n a mott\u00f3 szerep\u00e9t j\u00e1tssza \u00e9s f\u0151dolog az, ami k\u00f6r\u00e9je \u00e9s al\u00e1ja helyez\u0151dik.\u201d\r\nM\u00edg Bart\u00f3k els\u0151 n\u00e9pdalfeldolgoz\u00e1sai ink\u00e1bb az els\u0151 kateg\u00f3ri\u00e1ba tartoznak, az 1929-ben kompon\u00e1lt 20 magyar n\u00e9pdal \u00e9s annak hangszerelt v\u00e1ltozata az ut\u00f3bbi t\u00edpushoz sorolhat\u00f3. A n\u00e9pdalokat a zeneszerz\u0151 mesteri lelem\u00e9nnyel dolgozta fel, oly m\u00f3don, hogy b\u00e1r mindv\u00e9gig \u00e9rz\u0151dik Bart\u00f3k tisztelete a n\u00e9pdal ir\u00e1nt, m\u00e9gis a k\u00eds\u00e9ret k\u00f6rbefonja, \u00faj kontextusba helyezi az egyszer\u0171 dallamokat, az eredm\u00e9ny szinte m\u00e1r nem is feldolgoz\u00e1s, hanem eredeti kompoz\u00edci\u00f3. A sokszor meglep\u0151 hangv\u00e9tel\u0171 \u201ek\u00eds\u00e9ret\u201d \u00e9s a n\u00e9pdalok feldolgoz\u00e1sm\u00f3dja azonban sosem \u00f6nc\u00e9l\u00fa. Ism\u00e9t Bart\u00f3kot id\u00e9zhetj\u00fck: \u201emindenkor nagyon fontos, hogy az a zenei k\u00f6nt\u00f6s, amelybe a dallamot \u00f6lt\u00f6ztetj\u00fck, a dallam karakter\u00e9b\u0151l, a dallamban ny\u00edltan vagy burkoltan mutatkoz\u00f3 zenei saj\u00e1toss\u00e1gokb\u00f3l legyen levezethet\u0151, illetve, hogy a dallam \u00e9s minden hozz\u00e1ad\u00e1s elv\u00e1laszthatatlan egys\u00e9g benyom\u00e1s\u00e1t keltse.\u201d\r\nBart\u00f3k a zongorak\u00eds\u00e9retes 20 magyar n\u00e9pdal \u00f6t t\u00e9tel\u00e9b\u0151l zenekari k\u00eds\u00e9retes verzi\u00f3t k\u00e9sz\u00edtett a Budapesti Filharm\u00f3niai T\u00e1rsas\u00e1g fenn\u00e1ll\u00e1s\u00e1nak 80. \u00e9vfordul\u00f3ja alkalm\u00e1b\u00f3l. Ez a verzi\u00f3 1933. okt\u00f3ber 23-\u00e1n hangzott el el\u0151sz\u00f6r Basilides M\u00e1ria \u00e9s a Filharm\u00f3niai T\u00e1rsas\u00e1g Zenekara el\u0151ad\u00e1s\u00e1ban, Dohn\u00e1nyi Ern\u0151 vez\u00e9nylet\u00e9vel. Bart\u00f3k tudom\u00e1nyos szeml\u00e9let\u00e9r\u0151l is tan\u00faskodik, hogy a 20 magyar n\u00e9pdal t\u00e9teleit n\u00e9gy r\u00f6videbb sorozatba rendezte, ez alapj\u00e1n a hangszerelt v\u00e1ltozat els\u0151 k\u00e9t t\u00e9tele (A t\u00f6ml\u00f6cben \u00e9s R\u00e9gi keserves) a Szomor\u00fa n\u00f3t\u00e1k, m\u00edg a m\u00e1sodik h\u00e1rom (S\u00e1rga csik\u00f3, cseng\u0151 rajta; Panasz; Vir\u00e1g\u00e9kn\u00e1l \u00e9g a vil\u00e1g) a Vegyes dalok k\u00f6z\u00e9 tartozik. (<em>Szab\u00f3 Ferenc J\u00e1nos<\/em>)<\/p>{:}{:en}On the occasion of the 80<sup>th<\/sup> anniversary of the Budapest Philharmonic Society, B\u00e9la Bart\u00f3k composed an orchestral version for five of the <em>Twenty Hungarian Folk Songs<\/em> (1929). The new version was first performed by M\u00e1ria Basilides, with Ern\u0151 Dohn\u00e1nyi conducting the Hungarian Philharmonic Society Orchestra on 23 October 1933.\r\n\r\n<!--more-->\r\n\r\nBart\u00f3k ingeniously arranged the folk songs. \u201cThe peasant melody only serves as a motto while that which is built round it is of real importance,\u201d he wrote. Consequently, while his respect for the original folk song is evident throughout the piece, the accompaniment entwines it and places the simple melodies in a new context altogether. The result is not an arrangement but an original composition. However, the often surprising tone of the \u201caccompaniment\u201d and the means of arrangement are never self-serving. The first two movements of the orchestrated version (In Prison, Old Lament) were part of the \u201cSad songs\u201d part of the original series, and the other three (Yellow foal, with a bell, Complaint, There is light in the Vir\u00e1g\u2019s window)were part of the \u201cMixed songs\u201d section.{:}","post_title":"{:hu}\u00d6t magyar n\u00e9pdal, BB 108{:}{:en}Five Hungarian Folk Songs, BB 108{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ot-magyar-nepdal-bb-108","to_ping":"","pinged":"","post_modified":"2017-02-01 09:18:08","post_modified_gmt":"2017-02-01 09:18:09","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/ot-magyar-nepdal-bb-108\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Bart\u00f3k"]},{"ID":91566,"post_author":"1","post_date":"2016-09-08 08:57:53","post_date_gmt":"2016-09-08 08:57:53","post_content":"{:hu}<p style=\"text-align: justify;\">Kod\u00e1ly 1937-ben megzen\u00e9s\u00edtette Ady vers\u00e9t; term\u00e9szetesen ebben a h\u00edres f\u00e9rfikari kompoz\u00edci\u00f3ban is felhaszn\u00e1lta a n\u00e9pdalt. A zeneszerz\u0151nek azonban t\u00fal sok mondanival\u00f3ja volt a \"P\u00e1va\"-t\u00e9m\u00e1r\u00f3l: a zenekari m\u0171 tulajdonk\u00e9ppen a k\u00f3rusb\u00f3l n\u0151tt ki, mint annak tov\u00e1bbfejleszt\u00e9se.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">Ady Endre 1907-ben, a V\u00e9r \u00e9s arany c\u00edm\u00fa k\u00f6tet\u00e9ben jelentette meg \"Felsz\u00e1llott a p\u00e1va\" c\u00edm\u0171 vers\u00e9t, mely m\u00e1r maga is \"v\u00e1ltozat magyar n\u00e9pdalra\" - a n\u00e9pi sz\u00f6veg d\u00f6bbenetes erej\u0171, forradalmi tov\u00e1bbgondol\u00e1sa. Az alapeszme - a p\u00e1va mint a szabads\u00e1g jelk\u00e9pe - mellett ott van m\u00e1sik szimb\u00f3lumk\u00e9nt a v\u00e1rmegyeh\u00e1z, melynek t\u00f6ml\u00f6c\u00e9ben senyvednek a szabadul\u00e1sra v\u00e1r\u00f3 rabok. Amikor Ady ezt a l\u00e1tom\u00e1sos verset \u00edrta, a n\u00e9pdalnak m\u00e9g csak a sz\u00f6vege volt hozz\u00e1f\u00e9rhet\u0151. A k\u00e9s\u0151bb felt\u00e1rt eredeti dallamban a kutat\u00e1s a r\u00e9gi magyar n\u00e9pdal iskolap\u00e9ld\u00e1j\u00e1t tal\u00e1lta meg, t\u00f6k\u00e9letes kvintv\u00e1lt\u00f3 szerkezettel, szab\u00e1lyos pentaton dallamvonallal \u00e9s parlando rubato el\u0151ad\u00e1sm\u00f3ddal. Kor\u00e1ntsem volt teh\u00e1t v\u00e9letlen, hogy Kod\u00e1ly v\u00e1laszt\u00e1sa a sok sz\u00e1z \u00e9s ezer magyar n\u00e9pdal k\u00f6z\u00fcl \u00e9ppen a \"P\u00e1v\u00e1\"-ra esett, amikor nagyszab\u00e1s\u00fa zenekari m\u0171 \u00edr\u00e1s\u00e1ra kapott megrendel\u00e9st Willem Mengelbergt\u0151l \u00e9s az amszterdami Concertgebouw zenekart\u00f3l. Tudom\u00e1nyos munk\u00e1ja sor\u00e1n Kod\u00e1ly meg\u00e1llap\u00edthatta, hogy a Felsz\u00e1llott a p\u00e1va dallamt\u00edpusa nemcsak parlando rubato, hanem giusto v\u00e1ltozatban is l\u00e9tezik; \u00edgy a vari\u00e1ci\u00f3sorozat egyik alapvet\u0151 jellemvon\u00e1sa, a rubato-giusto ellent\u00e9t, a n\u00e9pzenei anyagb\u00f3l k\u00f6zvetlen\u00fcl ad\u00f3dott.<\/p>\r\n<p style=\"text-align: justify;\">Kod\u00e1ly 1937-ben megzen\u00e9s\u00edtette Ady vers\u00e9t; term\u00e9szetesen ebben a h\u00edres f\u00e9rfikari kompoz\u00edci\u00f3ban is felhaszn\u00e1lta a n\u00e9pdalt. A zeneszerz\u0151nek azonban t\u00fal sok mondanival\u00f3ja volt a \"P\u00e1va\"-t\u00e9m\u00e1r\u00f3l: a zenekari m\u0171 tulajdonk\u00e9ppen a k\u00f3rusb\u00f3l n\u0151tt ki, mint annak tov\u00e1bbfejleszt\u00e9se.<\/p>\r\n<p style=\"text-align: justify;\">A vari\u00e1ci\u00f3sorozat elej\u00e9n a t\u00e9m\u00e1t (a m\u00e9lyvon\u00f3sok bevezet\u0151je ut\u00e1n) az oboa mutatja be eredeti form\u00e1j\u00e1ban. A vari\u00e1ci\u00f3k sz\u00e1ma nem kevesebb, mint tizenhat, melyeknek sor\u00e1n a legk\u00fcl\u00f6nb\u00f6z\u0151bb karakterek vonulnak fel - l\u00edrai, t\u00e1ncos, gy\u00e1szindul\u00f3szer\u0171, visszafogott vagy \u00e9ppen romantikus szenved\u00e9lyt\u0151l izz\u00f3 epiz\u00f3dok sor\u00e1t halljuk. A m\u0171 z\u00e1r\u00f3 szakasz\u00e1ban a n\u00e9pdalt\u00e9ma diadalmas visszat\u00e9r\u00e9se vil\u00e1gosan sugallja, hogy a \"szeg\u00e9ny rabok felszabadul\u00e1sa\" v\u00e9g\u00fcl val\u00f3s\u00e1gg\u00e1 v\u00e1lik.<\/p>{:}{:en}<p style=\"text-align: justify;\">Endre Ady published his poem \"The Peacock Flew\" in 1907, in his epoch-making collection titled Blood and Gold. This poem was in itself a \"variation on a Hungarian folksong,\" a powerful, revolutionary rhapsody on the folk poem. It operated with two important images:\u00a0 the peacock representing freedom, and the county jailhouse where the poor prisoners await their liberation.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">When Ady wrote this visionary poem, only the text of the folksong was publicly known. The melody, discovered later, became the textbook example of old-style Hungarian folksong: its second half repeats the first half a fifth lower, it adheres completely to the pentatonic scale and follows the free rhythmic style of parlando-rubato. Therefore, it was hardly a coincidence that, from hundreds and thousands of folk songs, Kod\u00e1ly chose the \"Peacock\" when Willem Mengelberg and the Concertgebouw Orchestra of Amsterdam gave him a commission for a major orchestral work. In the course of his scholarly research, Kod\u00e1ly had found that the melodic type of the \"Peacock\" exists not only as a parlando-rubato melody but also as a dance tune in giusto rhythm. In other words, one of the main characteristics of his set of variations, the contrast between rubato and giusto, was already present in the folk material itself. Kod\u00e1ly had set Ady's poem to music in 1937. In this famous chorus for men's voices, he had also made use of the folk song. The orchestral work is then, in a sense, an outgrowth of the choral composition, developing its ideas further. Following an introduction played by the low strings, the oboe introduces the theme in its original form. There are no fewer than sixteen variations, presenting the most diverse musical characters, in turn lyrical, dance-like, mournful, reserved and impassioned. The triumphant return of the theme at the end of the work clearly suggests that the \"liberation of the poor prisoners,\" of which the poem speaks, is finally at hand.<\/p>{:}","post_title":"{:hu}Felsz\u00e1llott a p\u00e1va - v\u00e1ltozatok egy magyar n\u00e9pdalra{:}{:en}The Peacock Variations{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"felszallott-a-pava-valtozatok-egy-magyar-nepdalra","to_ping":"","pinged":"","post_modified":"2017-02-01 09:19:22","post_modified_gmt":"2017-02-01 09:19:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/felszallott-a-pava-valtozatok-egy-magyar-nepdalra\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Kod\u00e1ly"]}],"kozr_szemelyek":[{"ID":96348,"post_author":"3","post_date":"2016-09-21 08:18:13","post_date_gmt":"2016-09-21 08:18:13","post_content":"Maxim Rysanov hangszer\u00e9nek egyik legjelent\u0151sebb k\u00e9pvisel\u0151je napjainkban. A ma m\u00e1r Londonban \u00e9l\u0151 m\u0171v\u00e9sz 1978-ben sz\u00fcletett Ukrajn\u00e1ban, a Moszkvai K\u00f6zponti Zeneiskola ut\u00e1n a londoni Guildhall School of Music and Drama n\u00f6vend\u00e9kek\u00e9nt diplom\u00e1zott 2000-ben, a neves int\u00e9zm\u00e9ny arany med\u00e1lj\u00e1t elnyerve. Harminc\u00e9vesen a brit zenei szaklap, a Gramophone az \u00e9v fiatal m\u0171v\u00e9sz\u00e9nek v\u00e1lasztotta, els\u0151 lemeze r\u00f6gt\u00f6n A szerkeszt\u0151 aj\u00e1nlata rovatba ker\u00fclt, 2007 \u00e9s 2009 k\u00f6z\u00f6tt pedig a BBC Radio 3 \u00e1ltal adom\u00e1nyozott \u00daj Gener\u00e1ci\u00f3 M\u0171v\u00e9sze c\u00edmet viselhette. Lemezei\u00e9rt az\u00f3ta is rangos d\u00edjakat kapott, zseni\u00e1lis \u00e1tirataival \u2013 p\u00e9ld\u00e1ul Csajkovszkij Rokok\u00f3-vari\u00e1ci\u00f3val vagy Bach heged\u0171re \u00edrt sz\u00f3l\u00f3szon\u00e1t\u00e1ival \u2013 a k\u00f6z\u00f6ns\u00e9g sz\u00e1m\u00e1ra is \u00fcd\u00edt\u0151en friss\u00edti fel a m\u00e9lyheged\u0171 hagyom\u00e1nyos, nem t\u00fal sz\u00e9les reperto\u00e1rj\u00e1t. Az \u00faj zene sem idegen t\u0151le; 2016 m\u00e1jus\u00e1ban \u0151 mutatta be a lett Peteris Vasks \u00faj br\u00e1csaverseny\u00e9t, de Penderecki Kett\u0151sverseny\u00e9nek k\u00e9t \u00e9vvel azel\u0151tti oroszorsz\u00e1gi premierje is az \u0151 nev\u00e9hez f\u0171z\u0151dik, a m\u0171vet k\u00e9s\u0151bb a zeneszerz\u0151 vez\u00e9nylet\u00e9vel is megsz\u00f3laltatta. Kiemelked\u0151 jelent\u0151s\u00e9g\u0171 eddigi p\u00e1ly\u00e1j\u00e1n a Dobrinka Tabakova bolg\u00e1r zeneszerz\u0151n\u0151 m\u0171veib\u0151l k\u00e9sz\u00edtett lemez, amelyen karmesterk\u00e9nt is k\u00f6zrem\u0171k\u00f6dik, \u00e9s amely\u00e9rt Grammy-d\u00edjra jel\u00f6lt\u00e9k. Bohuslav Martin\u016f br\u00e1csam\u0171veinek k\u00fcl\u00f6n albumot szentelt, Mozart Sinfonia concertant\u00e9j\u00e1t Vilde Frang partnerek\u00e9nt vette lemezre. Az 1780-ban k\u00e9sz\u00fclt Giuseppe Guadagnini-hangszeren j\u00e1tsz\u00f3 Maxim Rysanov jelenleg a Royal College of Music rezidens m\u0171v\u00e9sze, \u00e9s ahogy egy kritika fogalmazott: azon el\u0151ad\u00f3m\u0171v\u00e9szek k\u00f6z\u00e9 tartozik, akik ak\u00e1r telefonk\u00f6nyvet felolvasva is izgalmakat tudnak kelteni.","post_title":"Maxim Rysanov","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"maxim-rysanov","to_ping":"","pinged":"","post_modified":"2017-02-13 08:22:47","post_modified_gmt":"2017-02-13 08:22:47","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=96348","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}br\u00e1csa{:}{:en}viola{:}"},{"ID":85980,"post_author":"1","post_date":"2016-10-18 14:27:26","post_date_gmt":"2016-10-18 14:27:26","post_content":"{:hu}<p style=\"text-align: justify;\">A budapesti Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen szerzett \u00e9nekm\u0171v\u00e9szi, valamint opera\u00e9nekesi diplom\u00e1t Guly\u00e1s D\u00e9nes \u00e9s Kovalik Bal\u00e1zs n\u00f6vend\u00e9kek\u00e9nt. Ezt k\u00f6vet\u0151en Augsburgban mesterdiplom\u00e1t szerzett Prof. Dr. Edith Wiens oszt\u00e1ly\u00e1ban.<\/p>\r\n<p style=\"text-align: justify;\">T\u00f6bb hazai \u00e9s nemzetk\u00f6zi \u00e9nekverseny d\u00edjazottja. Rendszeresen l\u00e9p fel vezet\u0151 hazai zenekarok szopr\u00e1n sz\u00f3list\u00e1jak\u00e9nt valamint fesztiv\u00e1lokon \u00e9s koncerteken itthon, N\u00e9metorsz\u00e1gban, Sv\u00e1jcban \u00e9s Ausztri\u00e1ban. 2003-ban Vigh Andre\u00e1val Gramofon d\u00edjat kapott, 2004-ben a Nemzeti Filharmonikus Zenekar lemeze, melyen sz\u00f3listak\u00e9nt m\u0171k\u00f6dik k\u00f6zre, a MIDEM klasszikus zenei k\u00fcl\u00f6nd\u00edj\u00e1t nyerte el. 2008\/2009-ben a klagenfurti sz\u00ednh\u00e1z sz\u00f3list\u00e1ja, ahol el\u0151sz\u00f6r Humperdinck Jancsi \u00e9s Julisk\u00e1j\u00e1nak c\u00edmszerep\u00e9ben l\u00e9pett fel. A Magyar \u00c1llami Operah\u00e1zban Marzelline ( Fidelio) szerep\u00e9vel deb\u00fct\u00e1lt 2008 \u0151sz\u00e9n. F\u0151bb szerepei: Pamina, Sophie, Susanne, Zerlina, Juliette, Adina, Euridice, Drusilla<\/p>{:}{:en}<p style=\"text-align: justify;\"><img src=\"http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/muveszek\/Hajnoczy_Julia_100.jpg\" alt=\"\" width=\"100\" height=\"150\" align=\"left\" \/>J\u00falia Hajn\u00f3czy attended the singing and the opera faculty of the Ferenc Liszt Academy of Music as the student of D\u00e9nes Guly\u00e1s and Bal\u00e1zs Kovalik then she acquired her MA in Augsburg with leadership of Professor Dr- Edith Wiens. She is the winner of several singing competitions in Hungary and abroad. She appears as a soprano soloist of remarkable orchestras as well as in Festivals. In 2003 she received Gramofon award with Andrea Vigh and in 2004 the National Philharmonic Orchestra\u2019s recording featuring the young soprano won the MIDEM classical music special award. In 2008\/2009 she was the soloist of the theatre in Klagenfurt where she sang the main role in Humperdinck\u2019s Jack and Jill. She debuted in the Hungarian National Opera as Marzelline in 2008. Her main roles include Pamina, Sophie, Susanne, Zerlina, Juliette, Adina, Euridice and Drusilla.<\/p>{:}","post_title":"{:hu}Hajn\u00f3czy J\u00falia{:}{:en}J\u00falia Hajn\u00f3czy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hajnoczy-julia","to_ping":"","pinged":"","post_modified":"2016-10-18 14:27:26","post_modified_gmt":"2016-10-18 14:27:26","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=85980","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"},{"ID":87274,"post_author":"1","post_date":"2016-09-21 08:53:32","post_date_gmt":"2016-09-21 08:53:32","post_content":"{:hu}\u201e<strong>Horv\u00e1th Istv\u00e1n<\/strong> mind nagyobb magabiztoss\u00e1ggal van jelen a sz\u00ednpadon \u2013 ennek jele, hogy imm\u00e1r a koncertp\u00f3diumon is k\u00e9pes a sz\u00e9p \u00e9nekl\u00e9s mellett figur\u00e1t teremteni, jellemet form\u00e1lni.\u201d\r\n\r\nB\u00f3ka G\u00e1bor, Muzsika{:}{:en}<!-- [if gte mso 9]><xml>\r\n\r\nNormal\r\n0\r\n\r\n21\r\n\r\nfalse\r\nfalse\r\nfalse\r\n\r\nHU\r\nX-NONE\r\nX-NONE\r\n\r\nMicrosoftInternetExplorer4\r\n\r\n<\/xml><![endif]--><!-- [if gte mso 9]><![endif]-->\r\n\r\n<!-- [if gte mso 10]>\r\n\r\n<style>\r\n \/* Style Definitions *\/<br \/>table.MsoNormalTable<br \/>{mso-style-name:\"Norm\u00e1l t\u00e1bl\u00e1zat\";<br \/>mso-style-parent:\"\";<br \/>line-height:115%;<br \/>font-size:11.0pt;<br \/>font-family:\"Calibri\",\"sans-serif\";<br \/>mso-fareast-font-family:\"Times New Roman\";}<br \/><\/style><![endif]-->\r\n\r\n\"<strong>Istv\u00e1n Horv\u00e1th<\/strong> has an increasingly confident stage presence, something demonstrated by the fact that in addition to his beautiful singing, he is capable of creating a character and clear style on the stage.\"\r\n\r\nG\u00e1bor B\u00f3ka, Muzsika magazine{:}","post_title":"{:hu}Horv\u00e1th Istv\u00e1n{:}{:en}Istv\u00e1n Horv\u00e1th{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"horvath-istvan","to_ping":"","pinged":"","post_modified":"2020-10-01 13:54:53","post_modified_gmt":"2020-10-01 13:54:53","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=87274","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}tenor{:}{:en}tenor{:}"}],"kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"jegyarak":"6.000 HUF, 4.500 HUF, 3.000 HUF","jegyvasarlas_gomb":"http:\/\/nfz.jegy.hu\/program\/hangverseny-liszt-bartok-es-kodaly-muveibol-maxim-rysanov-bracsa-vezenyel-kocsis-zoltan-68813\/331115","elkeltek_a_jegyek":false,"kozr_szemelyek_feluldefinialasa":"","youtube_id":"","old_id":"","muvekrol_reszletesen":true,"muveszekrol_reszletesen":true,"kiemelt_kep_en":null,"gombtipus":"jegy"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/96928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=96928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}