Az eur\u00f3pai zene f\u0151 \u00e1ram\u00e1ba a 19. sz\u00e1zad k\u00f6zep\u00e9t\u0151l kezdve fokozatosan bekapcsol\u00f3dott a kelet-eur\u00f3pai orsz\u00e1gok zen\u00e9je.\u00a0 B\u00e1r a csehorsz\u00e1gi zeneszerz\u0151k az el\u0151z\u0151 sz\u00e1zadban is sz\u00e9p sz\u00e1mmal r\u00e9szt vettek a klasszikus st\u00edlus kialak\u00edt\u00e1s\u00e1ban, de c\u00e9ljaik ekkor gy\u00f6keresen megv\u00e1ltoztak: egyre ink\u00e1bb egy saj\u00e1t, nemzeti st\u00edlus kialak\u00edt\u00e1s\u00e1ra t\u00f6rekedtek. Ezzel a sz\u00e1nd\u00e9kkal ind\u00edtotta p\u00e1ly\u00e1j\u00e1t e nemzed\u00e9k els\u0151 szerz\u0151je, Smetana, s ezt folytatta a h\u00fasz \u00e9vvel fiatalabb Anton\u00edn Dvo\u0159\u00e1k (1841-1904).<\/p>\r\n
<\/p>\r\n
Dvo\u0159\u00e1k munk\u00e1ss\u00e1ga igen sok m\u0171fajra kiterjed: oper\u00e1t, nyit\u00e1nyt, kamarazen\u00e9t, szimf\u00f3ni\u00e1t \u00e9s sz\u00f3l\u00f3hangszerre \u00edrt m\u0171vek sor\u00e1t alkotta. \u00dagy \u00edrt ezekben a hagyom\u00e1nyos m\u0171fajokban, hogy k\u00f6zben nemzeti saj\u00e1toss\u00e1guk r\u00e9v\u00e9n \u00f6n\u00e1ll\u00f3sodtak a form\u00e1k. Ezek k\u00f6z\u00fcl a m\u0171fajok k\u00f6z\u00fcl tal\u00e1n a szimf\u00f3ni\u00e1i kaptak kiemelked\u0151 szerepet, hiszen csaknem minden \u00e9letszakasz\u00e1ban kompon\u00e1lt ebben a m\u0171fajban. Ez a k\u00f6t\u0151d\u00e9s eml\u00e9keztet a klasszikus zeneszerz\u0151k szimf\u00f3ni\u00e1val val\u00f3 kapcsolat\u00e1ra. Val\u00f3sz\u00edn\u0171leg e p\u00e9ld\u00e1knak is r\u00e9sz\u00fck volt Dvo\u0159\u00e1k vonz\u00f3d\u00e1s\u00e1nak kialakul\u00e1s\u00e1ban, hiszen Beethovenhez hasonl\u00f3an \u0151 is kilenc m\u0171vet \u00edrt ebben a form\u00e1ban. A Dvo\u0159\u00e1k-szimf\u00f3ni\u00e1k tan\u00fas\u00e1ga szerint a komponista mind tartalmi, mind formai szempontb\u00f3l a trad\u00edci\u00f3k folytat\u00f3j\u00e1nak vallotta mag\u00e1t. A programzene helyett a brahmsi-schuberti oldalhoz csatlakozott. Ez az \u00e1ll\u00e1sfoglal\u00e1s t\u00fckr\u00f6z\u0151dik a VIII. szimf\u00f3ni\u00e1ban is: meg\u0151rizte a n\u00e9gyt\u00e9teles forma kereteit \u00e9s a t\u00e9telt\u00edpusokat.<\/p>\r\n
A szimf\u00f3nia \u00fcnnep\u00e9lyes, klarin\u00e9tokon, k\u00fcrt\u00f6k\u00f6n \u00e9s csell\u00f3kon inton\u00e1lt g-moll bevezet\u0151je is a 18. sz\u00e1zadi hagyom\u00e1nyhoz ny\u00falik vissza, azonban nem k\u00f6veti ezt teljes m\u00e9rt\u00e9kben. Visszat\u00e9r\u00e9se a kidolgoz\u00e1s el\u0151tt \u00e9s - trombit\u00e1val kieg\u00e9sz\u00edtve - a visszat\u00e9r\u00e9si szakasz el\u0151tt egy\u00e9ni megold\u00e1s, cez\u00farajel\u00f6l\u0151 szereppel ruh\u00e1zza fel az egy\u00e9bk\u00e9nt bevezet\u0151 funkci\u00f3j\u00fa anyagot. A szon\u00e1ta- \u00e9s rond\u00f3form\u00e1t \u00f6tv\u00f6z\u0151 fin\u00e1l\u00e9 trombita-fanf\u00e1rja is v\u00e1ratlanul visszat\u00e9r a t\u00e9tel k\u00e9s\u0151bbi pontj\u00e1n. A c-moll Adagio t\u00e9tel von\u00f3skari ind\u00edt\u00e1sa bens\u0151s\u00e9gesebb \u00e9rz\u00e9svil\u00e1gb\u00f3l fakad.\u00a0 Dvo\u0159\u00e1k ilyen ir\u00e1ny\u00fa \u00e9rzelmess\u00e9ge m\u00e1r t\u00e1volodik a n\u00e9met romantika mestereit\u0151l, \u00e9s sokkal k\u00f6zvetlenebb sz\u00e1lakkal k\u00f6t\u0151dik szl\u00e1v kort\u00e1rs szerz\u0151kh\u00f6z, els\u0151sorban Csajkovszkij vil\u00e1g\u00e1hoz. A scherzo t\u00e1ncos hangv\u00e9tele szint\u00e9n Csajkovszkijt, ez\u00fattal var\u00e1zslatos b\u00e1ljeleneteit id\u00e9zheti fel a hallgat\u00f3ban. A szalont\u00e1ncot Dvo\u0159\u00e1kn\u00e1l azonban \u00e1t- meg \u00e1tj\u00e1rj\u00e1k a n\u00e9pies t\u00e1nc elemei. Nem egy\u00e9rtelm\u0171en cseh n\u00e9pt\u00e1ncokr\u00f3l van itt sz\u00f3, ink\u00e1bb egy-egy jellegzetes ritmusk\u00e9pletr\u0151l, z\u00e1r\u00f3formul\u00e1r\u00f3l \u00e9s csak elv\u00e9tve bukkan fel egy eredeti n\u00e9pies dallam.<\/p>{:}{:en}
From the mid 19th century, the music of the East European countries gradually came into contact with the principal current of European music. Although an impressive number of Czech composers participated in the formation of classical style in the previous century, the objectives of their successors radically changed. New generations aimed to create a national Czech style. The first composer of note to take this path was Smetana, and his aspirations were continued by Anton\u00edn Dvo\u0159\u00e1k (1841-1904), who was twenty years his junior.<\/p>\r\n
<\/p>\r\n
Dvo\u0159\u00e1k was a highly versatile composer who wrote for an impressive diversity of genres. He utilised traditional forms such as operas, overtures, chamber forms and symphonies, through which his national characteristics could achieve independance. Perhaps the symphonies play the greatest role in this personal journey, since they represent almost every compositional period in Dvo\u0159\u00e1k's career. This highly personal relationship to the symphonic genre is reminiscent of the great classical composers, but their example probably also influenced Dvo\u0159\u00e1k's attitudes. Like Beethoven, he also wrote nine symphonies. Analysing these symphonies, it is clear that the Czech composer dedicated himself to continuing the symphonic traditions, both in terms of content and form. Instead of programme music, which attracted contemporaries such as Liszt, he turned to the examples of Brahms and Schubert. We see this reflected clearly in the Symphony no. 8 which retains a typical four movement structure.<\/p>\r\n
The symphony commences with a ceremonious G minor introduction intoned on clarinets, horns and cellos, which can be traced back to 18th century traditions. However, it does not emulate them entirely. Its reappearance before the development section and also before the recapitulation - this time augmented by trumpets - is a very individual solution, investing the introductory material with the role of effectively pencilling out the sections. The trumpet fanfare of the combined sonata and rondo form Finale also unexpected returns at a later moment in the movement. The C minor Adagio string opening derives from a more intimate world of feeling. Dvo\u0159\u00e1k's sensuousness is far removed from the German romantic masters and can be more directly linked with other contemporary Slavic composers, primarily Tchaikovsky. The dance-like atmosphere of the Scherzo again recalls the Tchaikovsky of the enchanted ball scenes. However Dvo\u0159\u00e1k imbues these salon dances with folk dance elements. These are not unambiguous Czech folk dances but rather certain characteristic rhythmic formulae and cadences with original folk melodies only cropping up sporadically.<\/p>{:}","post_title":"{:hu}VIII. szimf\u00f3nia G-d\u00far, op. 88{:}{:en}Symphony No. 8 in G major, Op. 88{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"viii-szimfonia-g-dur-op-88","to_ping":"","pinged":"","post_modified":"2017-02-01 09:12:28","post_modified_gmt":"2017-02-01 09:12:28","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/viii-szimfonia-g-dur-op-88\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Dvo\u0159\u00e1k"]}],"kozr_szemelyek":[{"ID":86108,"post_author":"1","post_date":"2016-10-18 14:46:18","post_date_gmt":"2016-10-18 14:46:18","post_content":"P\u00e9csett sz\u00fcletett, 1985-ben. A Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen Mez\u0151 L\u00e1szl\u00f3, a b\u00e9csi Zeneakad\u00e9mi\u00e1n Reinhard Latzko n\u00f6vend\u00e9ke volt. 2010 \u0151sz\u00e9t\u0151l N\u00e9metorsz\u00e1gban, a Kronberg Akad\u00e9mi\u00e1n Frans Helmerson n\u00f6vend\u00e9kek\u00e9nt folytatta tanulm\u00e1nyait, 2013-t\u00f3l a vil\u00e1gh\u00edr\u0171 int\u00e9zm\u00e9nyoktat\u00f3ja. Mesterkurzusok keret\u00e9ben olyan m\u0171v\u00e9szekt\u0151l tanulhatott, mint Natalia Gutman, Natalia Shakhovskaja, Schiff Andr\u00e1s \u00e9s Starker J\u00e1nos. T\u00f6bb nemzetk\u00f6zi verseny d\u00edjazottja-nyertese. 2008-ban 1. d\u00edjat nyert a Genfi Nemzetk\u00f6zi Zenei Versenyen, valamint \u00f6v\u00e9 lett a k\u00f6z\u00f6ns\u00e9gd\u00edj, a Coup de Coeur Breguet-d\u00edj \u00e9s a Pierre Fournier-d\u00edj is. Moszkv\u00e1ban 2007-ben 3. d\u00edjat nyert a XIII. Nemzetk\u00f6zi Csajkovszkij Versenyen. 2006-ban Berlinben az Emanuel Feuermann Gordonkaversenyen a Kronberg Akad\u00e9mia k\u00fcl\u00f6nd\u00edj\u00e1t kapta, illetve els\u0151 lett az Ausztri\u00e1ban rendezett XIII. Nemzetk\u00f6zi Brahms Versenyen. A verseny t\u00f6rt\u00e9net\u00e9ben p\u00e1ratlan m\u00f3don h\u00e1romszor nyerte meg a Popper D\u00e1vid Nemzetk\u00f6zi Zenei Versenyt. 2014-ben megnyerte az ARD Nemzetk\u00f6zi Csell\u00f3verseny\u00e9t M\u00fcnchenben.\r\nFell\u00e9pett New Yorkban, Londonban, P\u00e1rizsban, Pr\u00e1g\u00e1ban, B\u00e9csben, Frankfurtban, M\u00fcnchenben, Genfben, Berlinben, H\u00e1g\u00e1ban, Moszkv\u00e1ban, Szentp\u00e9terv\u00e1rott, Firenz\u00e9ben, Taipeiben, Toki\u00f3ban \u00e9s Pekingben. 2010-ben deb\u00fct\u00e1lt t\u00f6bbek k\u00f6z\u00f6tt a b\u00e9csi Konzerthausban \u00e9s a New York-i Carnegie Hallban. Olyan kiv\u00e1l\u00f3 muzsikusokkal \u00e9s zenekarokkal j\u00e1tszott egy\u00fctt, mint Mihail Pletnyov, Fischer \u00c1d\u00e1m, Kocsis Zolt\u00e1n, Gidon Kremer, Tabea Zimmermann, Gilbert Varga, Per\u00e9nyi Mikl\u00f3s, Nelson Goerner, Tak\u00e1cs-Nagy G\u00e1bor, Frankl P\u00e9ter, Schiff Andr\u00e1s, a Szentp\u00e9terv\u00e1ri Szimfonikus Zenekar, a Genfi Kamarazenekar, a Marinsky Sz\u00ednh\u00e1z Zenekara, az Orosz Nemzeti Zenekar, a Manchester Camerata, a Liszt Ferenc Kamarazenekar, a Bajor R\u00e1di\u00f3 Szimfonikus Zenekara, a Suisse Romande Zenekar. Fell\u00e9pett a Santanderi Fesztiv\u00e1lon, a sv\u00e1jci Bellerive \u00e9s Verbier fesztiv\u00e1lokon, a Schleswig Holsteini Fesztiv\u00e1lon, a Schwetzingeni Fesztiv\u00e1lon, a Budapesti Tavaszi Fesztiv\u00e1lon, a szentp\u00e9terv\u00e1ri Gergiev Fesztiv\u00e1lon, a spanyolorsz\u00e1gi Pablo Casals Fesztiv\u00e1lon \u00e9s a Francia R\u00e1di\u00f3 Fesztiv\u00e1lj\u00e1n Montpellierben. 2009-ben Junior Prima-d\u00edjat, 2015-ben Liszt-d\u00edjat kapott. 2012-ben elnyerte a vil\u00e1g leg\u00edg\u00e9retesebb fiatal zen\u00e9sz\u00e9nek oda\u00edt\u00e9lt Prix Montblanc-t. 2009-ben jelent meg els\u0151 lemeze az Ysa\u00ffe Records gondoz\u00e1s\u00e1ban, ezen Elgar csell\u00f3versenye, Prokofjev \u00e9s Jan\u00e1\u010dek egy-egy kompoz\u00edci\u00f3ja hallhat\u00f3.\r\n2010-ben Vanhal csell\u00f3verseny\u00e9t j\u00e1tszotta lemezre a Camerata Schweiz k\u00f6zrem\u0171k\u00f6d\u00e9s\u00e9vel. 2013- ban a Hansler kiad\u00f3n\u00e1l megjelent lemez\u00e9n Martinu, Popper, Beethoven, Paganini, Rossini \u00e9s\r\nMendelssohn vari\u00e1ci\u00f3s darabjaib\u00f3l j\u00e1tszik. 2014-ben megjelent CD-j\u00e9n a Pannon Filharmonikusok k\u00eds\u00e9ret\u00e9ben Csajkovszkij m\u0171veket sz\u00f3laltat meg. 2015-ben Singing Cello c\u00edmmel a Hungarotonn\u00e1l\r\njelent meg CD-je.\r\n2015-t\u0151l a p\u00e9csi Zsolnay K\u00f6zpont rezidens m\u0171v\u00e9sze \u00e9s \u2013 Bar\u00e1ti Krist\u00f3ffal egy\u00fctt \u2013 a Kaposfest Nemzetk\u00f6zi Kamarazenei Fesztiv\u00e1l m\u0171v\u00e9szeti vezet\u0151je. 2016 \u00f3ta egy Stradivari hangszeren j\u00e1tszik, amelyet egy n\u00e9met mec\u00e9n\u00e1s v\u00e1s\u00e1rolt meg r\u00e9sz\u00e9re az amerikai tulajdonos\u00e1t\u00f3l.","post_title":"{:hu}V\u00e1rdai Istv\u00e1n{:}{:en}Istv\u00e1n V\u00e1rdai{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"vardai-istvan","to_ping":"","pinged":"","post_modified":"2017-02-14 15:59:31","post_modified_gmt":"2017-02-14 15:59:31","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86108","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}csell\u00f3{:}{:en}cello{:}"}],"kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}![\"\"](\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\")
\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. 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