{"id":96896,"date":"2016-10-10T09:48:37","date_gmt":"2016-10-10T09:48:37","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=96896"},"modified":"2016-11-15T18:20:50","modified_gmt":"2016-11-15T18:20:50","slug":"csajkovszkij-a-diotoro-delelott-12-17","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/csajkovszkij-a-diotoro-delelott-12-17\/","title":{"rendered":"Christmas Classic – Tchaikovsky The Nutcracker"},"content":{"rendered":"

For many years now it has been traditional to perform one of Tchaikovsky\u2019s most popular ballets at Christmas for children and adults, parents and grandparents. \u201cNa\u00efve humour, refreshing playfulness, creativity and attractive imagery which never contradicts the spirit of the music,\u201d music critic Krist\u00f3f Csengery wrote about the performance. \u201cThe Nutcracker<\/em> is a stage work which, of course, has a story, and as such it portrays conflict and dramatic turns. Nevertheless, I had the feeling that at the heart of this performance was not the \u2018mythic clash\u2019 of the Nutcracker and the Mouse King (although that also happened), but the timeless harmony, joy, beauty going beyond the narrative, as well as the melodic and harmonic ingenuity and grace of the successive dances.\u201d<\/p>\n","protected":false},"template":"","class_list":["post-96896","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"A kar\u00e1csonyi klasszikus - d\u00e9lel\u0151tti el\u0151ad\u00e1s","kiemelt_kep":{"ID":98638,"id":98638,"title":"gk__0304kisebb","filename":"GK__0304kisebb.jpg","filesize":189165,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/csajkovszkij-a-diotoro-delelott-12-17\/gk__0304kisebb-3\/","alt":"","author":"1","description":"","caption":"","name":"gk__0304kisebb-3","status":"inherit","uploaded_to":96896,"date":"2016-10-26 14:18:53","modified":"2016-10-26 15:45:28","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb-768x224.jpg","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb-1024x299.jpg","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb.jpg","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb.jpg","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb.jpg","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/GK__0304kisebb-1600x560.jpg","slider-size-width":1600,"slider-size-height":560}},"megjegyzes":"

Erre az el\u0151ad\u00e1sra \u00e9rv\u00e9nyes\u00edthet\u0151k a M\u00fcpa+ h\u0171s\u00e9gprogram kedvezm\u00e9nyei \u00e9s dupla h\u0171s\u00e9gpont ker\u00fcl j\u00f3v\u00e1\u00edr\u00e1sra.<\/p>\n","esemeny_datum":"20161227","esemeny_idopontja":"11.00 - 14.00","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87689,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}M\u00fcpa - Bart\u00f3k B\u00e9la Nemzeti Hangversenyterem{:}{:en}M\u00fcpa - B\u00e9la Bart\u00f3k National Concert Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mupa-bartok-bela-nemzeti-hangversenyterem","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/mupa-bartok-bela-nemzeti-hangversenyterem\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Magyarorsz\u00e1g{:}","cim":"

1095 Budapest, Komor Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"helyszin_kategoria":"budapest","karmester":{"ID":87346,"post_author":"1","post_date":"2016-10-18 15:02:31","post_date_gmt":"2016-10-18 15:02:31","post_content":"{:hu}\u00c9vtizedek \u00f3ta nem \u00e9rt el olyan nagy sikert fiatal magyar karmester Nyugat-Eur\u00f3p\u00e1ban, mint Madaras Gergely. Nemzetk\u00f6zi karrierje nem Magyarorsz\u00e1gr\u00f3l, hanem a Besan\u00e7oni Karmesterversennyel indult, amelyen dobog\u00f3s helyen v\u00e9gzett. Az 1984-ben sz\u00fcletett, Junior Prima-d\u00edjas m\u0171v\u00e9sz 2013 \u00f3ta a Dijon Bourgogne Zenekar zeneigazgat\u00f3ja, 2014-t\u0151l pedig a Savaria Szimfonikus Zenekar vezet\u0151 karmestere. A 2015\u20132016-os \u00e9vadban a Deutsche Symphonie Orchester, az Olasz R\u00e1di\u00f3 Zenekara \u00e9s a BBC Szimfonikusok \u00e9l\u00e9n deb\u00fct\u00e1lt, m\u00edg a szint\u00e9n patin\u00e1s egy\u00fcttes, a M\u00fcncheni Kamarazenekarhoz m\u00e1r visszat\u00e9r\u0151 vend\u00e9gk\u00e9nt \u00e9rkezett. Fell\u00e9pett az Academy of Ancient Music egy\u00fcttessel, a Sk\u00f3t Kamarazenekarral, de az Egyes\u00fclt \u00c1llamokban, Ausztr\u00e1li\u00e1ban \u00e9s \u00daj-Z\u00e9landon is k\u00f6z\u00f6ns\u00e9g el\u00e9 \u00e1llt m\u00e1r. Az Angol Nemzeti Opera els\u0151 Charles Mackerras-\u00f6szt\u00f6nd\u00edjasak\u00e9nt k\u00e9t \u00e9v alatt sz\u00e1mos produkci\u00f3t vez\u00e9nyelt a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1zban. Nemcsak itt, hanem t\u00f6bb m\u00e1s v\u00e1rosban is dirig\u00e1lta A var\u00e1zsfuvol\u00e1t, emellett a budapesti operah\u00e1zban Figaro h\u00e1zass\u00e1g\u00e1t \u00e9s Verdi Otell\u00f3j\u00e1t vez\u00e9nyelte. Eur\u00f3pa sz\u00e1mos nagy hagyom\u00e1ny\u00fa zenekara \u00e9l\u00e9n \u00e1llt m\u00e1r, ahogyan a kort\u00e1rs zene ter\u00fclet\u00e9n is sz\u00edvesen nyilv\u00e1nul meg. A Lucerni Fesztiv\u00e1l akad\u00e9mi\u00e1j\u00e1n t\u00f6bb \u00e9ven kereszt\u00fcl dolgozott egy\u00fctt Pierre Boulezzel \u2013 annak asszisztensek\u00e9nt \u2013, E\u00f6tv\u00f6s P\u00e9terrel \u00e9s George Benjaminnel. Fuvolista m\u00falttal a h\u00e1ta m\u00f6g\u00f6tt B\u00e9csben v\u00e9gezte el a karmesterk\u00e9pz\u0151t, majd James Levine, Mark Elder, Herbert Blomstedt, David Zinman, Mariss Jansons \u00e9s Colin Davis ir\u00e1ny\u00edt\u00e1s\u00e1val t\u00f6k\u00e9letes\u00edtette tud\u00e1s\u00e1t olyan neves egy\u00fcttesekkel, mint az Amszterdami Concertgebouw Zenekara, a Londoni Szimfonikusok \u00e9s a Hall\u00e9 Zenekar.{:}{:en}In recent decades, few Hungarian conductors have been as successful in Western Europe as Gergely Madaras. His international career began at the Besan\u00e7on International Competition for Young Conductors where he received a prize. Born in 1984, the Junior Prima Award-winning maestro has been artistic director of the Dijon Bourgogne Orchestra since 2013 and principal conductor of the Savaria Syphony Orchestra since 2014. In the 2015\/2016 season he made his d\u00e9but at the helm of the Deutsche Symphonie Orchester, the RAI National Symphony Orchestra and the BBC Symphony Orchestra, and was a returning guest with the Munich Chamber Orchestra. He conducted the Academy of Ancient Music, the Scottish Chamber Orchestra, and appeared in the United States and New Zealand. As first recipient of the Charles Mackerras fellowship, he conducted numerous productions in the world-famous English National Opera. He has conducted many eminent European orchestras and has been involved in contemporary music projects. For many years, he worked as an assistant to Pierre Boulez at the Lucerne Festival Academy, as well as with P\u00e9ter E\u00f6tv\u00f6s and George Benjamin. Having trained as a flautist, he studied conducting in Vienna and went on to study with maestros including James Levine, Mark Elder, Herbert Blomstedt, David Zinman, Mariss Jansons and Colin Davis, with renowned orchestras such as the Amsterdam Concertgebouw Orchestra, the London Symphony Orchestra and the Hall\u00e9 Orchestra.\r\n\r\n {:}","post_title":"{:hu}Madaras Gergely{:}{:en}Gergely Madaras{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"madaras-gergely","to_ping":"","pinged":"","post_modified":"2017-02-14 13:16:43","post_modified_gmt":"2017-02-14 13:16:43","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=87346","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91791,"post_author":"1","post_date":"2016-09-08 08:57:57","post_date_gmt":"2016-09-08 08:57:57","post_content":"{:hu}

E. T. A. Hoffmann, a n\u00e9met irodalmi romantika egyik vez\u00e9ralakja (aki mellesleg zeneszerz\u0151k\u00e9nt \u00e9s zenekritikusk\u00e9nt is m\u0171k\u00f6d\u00f6tt) 1816-17-ben \u00edrta A di\u00f3t\u00f6r\u0151 \u00e9s Eg\u00e9rkir\u00e1ly c. elbesz\u00e9l\u00e9s\u00e9t, amelyet saj\u00e1t illusztr\u00e1ci\u00f3ival adott k\u00f6zre. Az elbesz\u00e9l\u00e9s sokr\u00e9t\u0171bb, mint els\u0151 pillant\u00e1sra l\u00e1tszik: gyermekek is \u00e9lvezhetik, de igaz\u00e1n csak feln\u0151ttek \u00e9rtik meg. F\u0151k\u00e9nt az elbesz\u00e9l\u00e9s ir\u00f3ni\u00e1ja az, ami a k\u00e9s\u0151bbi feldolgoz\u00e1sok sor\u00e1n elveszett.<\/p>\r\n

<\/p>\r\n

A balettsz\u00ednpadra id. Alexandre Dumas n\u00e9mileg felh\u00edg\u00edtott verzi\u00f3j\u00e1ban jutott el A di\u00f3t\u00f6r\u0151; ezt adapt\u00e1lta tov\u00e1bb Ivan Vszevolozsszkij, a szentp\u00e9terv\u00e1ri udvari sz\u00ednh\u00e1z igazgat\u00f3ja, Marius Petip\u00e1val, a sz\u00ednh\u00e1z h\u00edrneves, francia sz\u00e1rmaz\u00e1s\u00fa balettmester\u00e9vel egy\u00fcttm\u0171k\u00f6dve. Amikor Csajkovszkijt felk\u00e9rt\u00e9k, hogy \u00edrjon zen\u00e9t az \u00faj produkci\u00f3hoz, kezdetben m\u00e9rs\u00e9kelt lelkesed\u00e9st mutatott, \u00e9s csak fokozatosan kapott kedvet a projekthez. Komoly fenntart\u00e1sai voltak a librett\u00f3val kapcsolatban; ezenk\u00edv\u00fcl a k\u00fcsz\u00f6b\u00f6n \u00e1ll\u00f3, 1891 tavaszi amerikai \u00fatja sem engedte meg, hogy azonnal munk\u00e1hoz l\u00e1sson, \u00edgy a m\u0171 csak a k\u00f6vetkez\u0151 \u00e9vre k\u00e9sz\u00fclt el. A bemutat\u00f3 (1892. december 18-\u00e1n) csak k\u00f6zepes sikert aratott. A kritikusok a dr\u00e1mai cselekm\u00e9nyt hi\u00e1nyolt\u00e1k, m\u00edg a koreogr\u00e1fia sz\u00ednvonal\u00e1nak hat\u00e1rt szabott, hogy a f\u0151szerepl\u0151k gyerekek voltak. Az egyetlen feln\u0151tt balerin\u00e1t a kritikusok t\u00fal k\u00f6v\u00e9rnek \u00e9s kev\u00e9ss\u00e9 vonz\u00f3nak tartott\u00e1k, \u00e9s azt \u00edrt\u00e1k, hogy az egyetlen, ami sz\u00e9p volt rajta, eleg\u00e1ns k\u00fclf\u00f6ldi neve volt: Antonietta Dell'Era. A produkci\u00f3nak mind\u00f6ssze egy r\u00e9sze aratott osztatlan sikert: a zene, \u00e9s term\u00e9szetesen ez biztos\u00edtja a Di\u00f3t\u00f6r\u0151 hely\u00e9t a reperto\u00e1rban imm\u00e1r 115 \u00e9ve.<\/p>\r\n

Ma m\u00e1r persze k\u00f6nnyebb \u00e9rt\u00e9kelni a darab dr\u00e1mai \u00edv\u00e9t, mely egy n\u00e9met polg\u00e1ri h\u00e1z kar\u00e1csonyest\u00e9j\u00e9r\u0151l vezet egyenesen a fant\u00e1zi\u00e1k \u00e9s \u00e1lmok birodalm\u00e1ba. A re\u00e1lis vil\u00e1ghoz Csajkovszkij indul\u00f3ritmusokat t\u00e1rs\u00edtott: nyit\u00e1nyk\u00e9nt egy \"Marche miniature\"-t hallunk, \u00e9s (a mozgalmas nyit\u00f3jelenet ut\u00e1n) nemsok\u00e1ra felhangzik a h\u00edres Indul\u00f3. A fantasztikus elemek fokozatosan jelennek meg \u00e9s v\u00e1lnak egyre uralkod\u00f3bb\u00e1. K\u00f6zvetlen\u00fcl az Indul\u00f3 ut\u00e1n l\u00e9p sz\u00ednre a j\u00e1t\u00e9kk\u00e9sz\u00edt\u0151 Drosselmayer, akit a zene mint valami k\u00fcl\u00f6n\u00f6s var\u00e1zsl\u00f3figur\u00e1t \u00e1ll\u00edt el\u00e9nk. Az els\u0151nek bemutatott j\u00e1t\u00e9kok (egy baba, egy katona, k\u00e9t kis\u00f6rd\u00f6g) v\u00e1ltozatos jelleg\u0171 t\u00e1nct\u00e9telekre adnak alkalmat; a sorozatot a t\u00e1ncest\u00e9lyek z\u00e1r\u00f3 sz\u00e1mak\u00e9nt ismert Grossvatertanz kerek\u00edti le, melynek hagyom\u00e1nyos dallam\u00e1t m\u00e1r Schumann is feldolgozta a Karnev\u00e1lban.<\/p>\r\n

Az igazi csod\u00e1k azut\u00e1n k\u00f6vetkeznek, hogy Kl\u00e1r\u00e1t \u00e1gyba k\u00fcldik a sz\u00fclei. Csajkovszkij k\u00fcl\u00f6nleges hangszerel\u00e9si effektusokkal (fuvola, h\u00e1rfa, szordin\u00e1lt von\u00f3sok) jelen\u00edti meg a lesz\u00e1ll\u00f3 \u00e9jszak\u00e1t, majd - miut\u00e1n \u00e9jf\u00e9lt \u00fct\u00f6tt az \u00f3ra - kezdet\u00e9t veszi a gonosz Egerek t\u00e1mad\u00e1sa. Nagyszab\u00e1s\u00fa csatajelenet bontakozik ki az egerek \u00e9s a j\u00e1t\u00e9kbab\u00e1k k\u00f6z\u00f6tt, melynek tet\u0151pontj\u00e1n Kl\u00e1ra az Eg\u00e9rkir\u00e1ly fej\u00e9hez v\u00e1gja a cip\u0151j\u00e9t, \u00e9s ezzel eld\u00f6nti a harc kimenetel\u00e9t. A zajos csatazene azonnal elhalkul, \u00e9s egy sz\u00e9les \u00edv\u0171 romantikus heged\u0171dallam jelzi, hogy a Di\u00f3t\u00f6r\u0151 szempillant\u00e1s alatt \u00e9kes kir\u00e1lyfiv\u00e1 v\u00e1ltozik. Azonnal v\u00e1ltozik a sz\u00edn: imm\u00e1r nem Kl\u00e1ra h\u00e1l\u00f3szob\u00e1j\u00e1ban vagyunk, hanem egy t\u00e9li erd\u0151ben, ahol a h\u00f3pelyhek t\u00e1ncolnak. (\"A hull\u00f3 h\u00f3pelyheket elektromos f\u00e9ny vil\u00e1g\u00edtja meg\" - \u00edrta forgat\u00f3k\u00f6nyv\u00e9ben Marius Petipa.) A kering\u0151t er\u0151teljes sz\u00e9ll\u00f6k\u00e9s szak\u00edtja meg, melyet a k\u00e9t h\u00e1rfa ellent\u00e9tes ir\u00e1ny\u00fa glisszand\u00f3ja \u00e9rz\u00e9keltet; ezut\u00e1n p\u00e1ros \u00fctem\u0171 Presto szakasz z\u00e1rja a jelenetet \u00e9s az I. felvon\u00e1st.<\/p>\r\n

A II. felvon\u00e1sban a h\u00e1l\u00e1s Herceg a csod\u00e1latos Bababirodalomba vezeti Kl\u00e1r\u00e1t. Az eg\u00e9sz felvon\u00e1s nem \u00e1ll m\u00e1sb\u00f3l, mint a boldogs\u00e1g \u00e9s sz\u00e9ps\u00e9g \u00fcnnepl\u00e9s\u00e9b\u0151l.\r\nA csodapalot\u00e1ban a T\u00fcnd\u00e9r \u00fcdv\u00f6zli Kl\u00e1r\u00e1t \u00e9s herceg\u00e9t. A var\u00e1zslatos hangulatot a h\u00e1rf\u00e1k, a sz\u00f3l\u00f3von\u00f3sok mesters\u00e9ges \u00fcveghangjai, valamint egy vadonat\u00faj hangszer, a francia Auguste Mustel \u00e1ltal n\u00e9h\u00e1ny \u00e9vvel kor\u00e1bban (1886) feltal\u00e1lt cseleszta \u00e9rz\u00e9kelteti. Csajkovszkij a partit\u00fara egy megjegyz\u00e9s\u00e9ben megengedte, hogy a cseleszt\u00e1t esetleg zongora helyettes\u00edtse, de azt hangs\u00falyozta, hogy a sz\u00f3lamot \"kit\u0171n\u0151 zongorist\u00e1nak kell j\u00e1tszania\".<\/p>\r\n

Miut\u00e1n a Herceg elmondta, hogyan mentette meg az \u00e9let\u00e9t Kl\u00e1ra, a T\u00fcnd\u00e9r parancs\u00e1ra kezdet\u00e9t veszi a nagy t\u00e1nc\u00fcnneps\u00e9g. (Itt a fuvol\u00e1k \u00e1ltal alkalmazott k\u00fcl\u00f6nleges, \u00fan. Flatterzunge technik\u00e1ra \u00e9rdemes felfigyelni, mely szint\u00e9n \u00faj tal\u00e1lm\u00e1ny volt akkoriban.) A Bababirodalom lak\u00f3i mind t\u00e1ncra perd\u00fclnek. A csokol\u00e1d\u00e9 kasztanyetta-k\u00eds\u00e9retes spanyol t\u00e1ncot rop, mivel ez az \u00ednyencs\u00e9g d\u00e9l-amerikai eredet\u0171. A k\u00e1v\u00e9 arab st\u00edlusban t\u00e1ncol (a dallam eredetileg gr\u00faz n\u00e9pdal volt), a tea pedig k\u00ednai jelmezt \u00f6lt, magas r\u00e9gi\u00f3kban j\u00e1r\u00f3, m\u00e9ly fagottok \u00e9s pengetett von\u00f3sok \u00e1ltal k\u00eds\u00e9rt fuvolasz\u00f3l\u00f3val.<\/p>\r\n

A teljes zenekaron felcsend\u00fcl\u0151 orosz trepak dallama a Csajkovszkij-heged\u0171verseny (1878) fin\u00e1l\u00e9 t\u00e9m\u00e1j\u00e1nak k\u00f6zeli rokona; ezt k\u00f6veti a Fuvol\u00e1k T\u00e1nca, melyet eredetileg \"mirlitonok\" (j\u00e1t\u00e9ks\u00edpok) t\u00e1nc\u00e1nak h\u00edvott a zeneszerz\u0151. A nemzetk\u00f6zi \"t\u00e1ncfesztiv\u00e1lt\" k\u00e9t francia n\u00e9pdal feldolgoz\u00e1sa teszi teljess\u00e9.<\/p>\r\n

A Vir\u00e1gkering\u0151, melyben a T\u00fcnd\u00e9r alattval\u00f3i h\u00f3dolnak Kl\u00e1r\u00e1nak, Csajkovszkij egyik legn\u00e9pszer\u0171bb kompoz\u00edci\u00f3ja lett; ezt k\u00f6veti a nagy pas de deux, melyet eredetileg a T\u00fcnd\u00e9rrel t\u00e1ncolt a Herceg, mert a Kl\u00e1r\u00e1t alak\u00edt\u00f3 kisl\u00e1ny nem rendelkezett elegend\u0151 technikai tud\u00e1ssal. A n\u00e9gyr\u00e9szes t\u00e9tel els\u0151 \u00e9s utols\u00f3 szakasz\u00e1t a k\u00e9t szerepl\u0151 egy\u00fctt t\u00e1ncolta; k\u00f6z\u00f6tt\u00fck mindkett\u0151nek jutott egy-egy sz\u00f3l\u00f3szakasz.<\/p>\r\n

A z\u00e1r\u00f3jelenet egyik cs\u00facspontja a b\u00facs\u00fa kering\u0151. A m\u0171 v\u00e9g\u00e9n \u00e1ll\u00f3 Apote\u00f3zis pedig (azaz egy \"f\u00f6ld\u00f6nt\u00fali, isteni \u00e1llapot el\u00e9r\u00e9se\") visszahozza a felvon\u00e1s elej\u00e9nek var\u00e1zspalota-zen\u00e9j\u00e9t. K\u00e9pzelhet\u0151-e enn\u00e9l t\u00f6k\u00e9letesebb zenei kifejez\u00e9se a mese z\u00e1r\u00f3mondat\u00e1nak: \"boldogan \u00e9ltek, m\u00edg meg nem haltak\"?<\/p>{:}{:en}

One of the leading figures of German literary Romanticism (and also a composer and an important music critic), E. T. A. Hoffmann wrote his story \"Nutcracker and Mouse King\" in 1816-17, and published it with his own illustrations. It is a tale of some complexity, one that children may enjoy but only adults can fully appreciate. It tells its story with a subtle irony that was lost in subsequent arrangements.\r\nThe Nutcracker reached the ballet stage via a somewhat watered-down literary adaptation by Alexandre Dumas Sr., which in turn was adapted by Ivan Vsevolozhsky, Director of the Imperial Theatres in St. Petersburg, and Marius Petipa, the famous French-born ballet master of the Imperial Opera. Asked to write the music for the new production in 1890, Tchaikovsky was less than enthusiastic at first, and warmed to the project only gradually. He had some misgivings about the libretto; also, his trip to the United States in the spring of 1891 kept him from doing serious work on the ballet until later in the year. The premiere, on December 18, 1892, was far from being an unqualified success. The reviewers deplored the lack of dramatic action. The protagonists of the story, who are children, were played by student dancers whose technical limitations placed restrictions on the choreography. Worst of all, the one adult ballerina with an important role, Antonietta Dell'Era, who danced the Sugar Plum Fairy, was described as \"heavy, large, unpretty, and ungraceful,\" her only attraction being her foreign name. The only thing critics liked about the piece from the beginning was the music. And that is of course what has ensured The Nutcracker's place in the repertoire for the last 115 years.<\/p>\r\n \r\n

It may be easier today to appreciate the dramatic arc of the piece, which leads from Christmas Eve in a solid German middle-class home straight to the land of dreams. Tchaikovsky associated the real world with march rhythms: the overture is a \"Marche miniature,\" and soon thereafter, following an animated opening scene, we hear the famous March. The fantastic elements appear gradually and become more and more predominant. Immediately after the March, the toy-maker Drosselmayer enters; the music portrays him as an odd magician. His first toys (a doll, a soldier, two little devils) make for a diverse dance sequence, which concludes with the Grossvatertanz, the traditional closing number of German dance parties, well known from Schumann's Carnaval.<\/p>\r\n \r\n

The real miracles begin after Clara is sent to bed by her parents. Tchaikovsky evokes nightfall through some special effects of orchestration (flute, harp, muted strings). At the stroke of midnight, the evil Mice launch their attack. A major battle scene develops between the mice and the dolls; at the high point of the fighting, Clara throws her slipper at the Mouse King, thereby deciding the final outcome. The battle music vanishes, and a broadly romantic violin melody indicates the transformation that turns the Nutcracker into Prince Charming. The scene changes. We are no longer in Clara's bedroom but rather in a winter forest where the snowflakes are dancing. (\"The falling snowflakes are illuminated by electric light\"%u2014wrote Marius Petipa in his scenario.) The waltz is interrupted by a strong gust of wind, suggested by the glissandi of the two harps, going in opposite directions; then a Presto section in duple meter closes the scene and Act I.\r\nIn Act II, the grateful Prince takes Clara with him to \"Confiturenburg,\" the Land of Candy and Sweets and Everything Good. The whole act is a single hymn in celebration of happiness and beauty.<\/p>\r\n \r\n

It opens with an evocation of the magic palace where Clara and her Prince are greeted by the Sugar Plum Fairy. The special orchestration effects here include harps, artificial harmonics on solo violins and violas, and a brand-new instrument, the celesta, invented only a few years earlier (1886) by Auguste Mustel in France. Tchaikovsky specified in the score that a piano could be used if a celesta was not available. He also cautioned that \"the musician who plays this part must be a good pianist.\"<\/p>\r\n \r\n

In the next scene, the Prince recounts how Clara saved his life, and the Fairy orders a great dance to entertain the young couple. (The flutes use the technique known as \"fluttertonguing,\" another novelty.) All the different kinds of candy and sweets (and everything good) begin to dance. The Spanish Dance of the Chocolate comes first; chocolate being of South American origin, its melody, played by the solo trumpet, is accompanied by castanets. The dance of the Coffee is Arabian (based, actually, on a Georgian folk song), that of the Tea Chinese, with a high-pitched flute solo accompanied by plucked strings, and bassoons in their extreme low register.<\/p>\r\n \r\n

A lively Russian trepak for full orchestra follows, whose melody is reminiscent of the finale of Tchaikovsky's Violin Concerto of 1878. Then we hear a graceful Dance of the Flutes, originally called \"Dance of the Mirlitons\" (toy flutes or reed pipes). The international divertissement (entertainment) is rounded out by a section based on two well-known French folksongs.<\/p>\r\n \r\n

Now the Fairy's attendants pay tribute to Clara in the popular \"Waltz of the Flowers,\" which contains some of the most magnificent melodies Tchaikovsky ever wrote. The celebrated pas de deux follows, in which the Prince was originally joined by the Sugar Plum Fairy, since the student who danced the role of Clara was too young and inexperienced to assume this exacting task. The pas de deux is in four sections. The Prince and the Fairy dance the opening section together, then each has a brief solo and finally, the two dancers join for a brilliant coda.\r\nIt is now time for the corps de ballet to bring the celebration to its high point with the Final Waltz. The concluding Apotheosis (elevation to a state of divine bliss) is expressed by a solemn recall of the magic-palace music that opened the act. Can one hope for a more perfect musical expression of \"happily ever after\"?<\/p>{:}","post_title":"{:hu}A di\u00f3t\u00f6r\u0151 \u2013 sz\u00ednj\u00e1t\u00e9k b\u00e1bokkal{:}{:en}The Nutcracker{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-diotoro-szinjatek-babokkal","to_ping":"","pinged":"","post_modified":"2016-10-10 14:54:46","post_modified_gmt":"2016-10-10 14:54:46","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/a-diotoro-szinjatek-babokkal\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Csajkovszkij"]}],"kozr_szemelyek":[],"kozr_intezmenyek":[{"ID":87490,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"1949 \u00f3ta, \"A b\u00e1b nem koroszt\u00e1ly, hanem m\u0171faj\" mott\u00f3 jegy\u00e9ben v\u00e1rja n\u00e9z\u0151it a Budapest B\u00e1bsz\u00ednh\u00e1z, K\u00f6z\u00e9p-Eur\u00f3pa legnagyobb, Magyarorsz\u00e1g legr\u00e9gebbi professzion\u00e1lis b\u00e1bsz\u00ednh\u00e1za.\r\n\r\nB\u00e1bozni ezerf\u00e9lek\u00e9ppen lehet. Divatok j\u00f6ttek, hagyom\u00e1nyok sz\u00fclettek \u00e9s mer\u00fcltek feled\u00e9sbe, de egy dolog soha nem v\u00e1ltozott: az \u00e9lettelen \u00e9letre kelt\u00e9s\u00e9nek var\u00e1zslata gyerekek \u00e9s feln\u0151ttek sz\u00e1m\u00e1ra, mert a b\u00e1b val\u00f3ban nem koroszt\u00e1ly, hanem m\u0171faj.\r\n\r\nAz 1949. okt\u00f3ber 8-\u00e1n megny\u00edlt \u00c1llami B\u00e1bsz\u00ednh\u00e1z jogut\u00f3jak\u00e9nt 1992-ben vette fel az egy\u00fcttes a Budapest B\u00e1bsz\u00ednh\u00e1z nevet. A sz\u00ednh\u00e1z fenn\u00e1ll\u00e1sa \u00f3ta sz\u00ednvonalas gyermekm\u0171sorai mellett feln\u0151tteknek k\u00e9sz\u00fclt el\u0151ad\u00e1saival v\u00e1lt h\u00edress\u00e9 bel- \u00e9s k\u00fclf\u00f6ld\u00f6n. Klasszikus dr\u00e1m\u00e1k szuver\u00e9n b\u00e1bv\u00e1ltozataival bizony\u00edtotta a b\u00e1bj\u00e1t\u00e9k egyenrang\u00fas\u00e1g\u00e1t a sz\u00ednh\u00e1zm\u0171v\u00e9szet valamennyi \u00e1g\u00e1val, az int\u00e9zm\u00e9ny t\u00f6rt\u00e9net\u00e9nek legnagyobb sikereit a saj\u00e1tos eszk\u00f6z\u00f6kkel megfogalmazott komolyzenei m\u0171vek b\u00e1bel\u0151ad\u00e1saval aratta az \u00f6t kontinensen.\r\n\r\nA t\u00e1rsulat k\u00e9t j\u00e1tsz\u00f3helyen, a mintegy 400 f\u0151 befogad\u00e1s\u00e1ra k\u00e9pes sz\u00ednh\u00e1zteremben, illetve a mobil kialak\u00edt\u00e1s\u00fa, \u00edgy t\u00f6bbf\u00e9le elrendez\u00e9sre alkalmas, k\u00f6r\u00fclbel\u00fcl 100 f\u00e9r\u0151helyes J\u00e1tsz\u00f3-t\u00e9ren \u00e9vadonk\u00e9nt \u00f6sszesen 360-380 el\u0151ad\u00e1st j\u00e1tszik 100.000 n\u00e9z\u0151nek, ami 100% f\u00f6l\u00f6tti l\u00e1togatotts\u00e1got jelent.\r\n\r\nAz egyik legjelent\u0151sebb magyar b\u00e1btervez\u0151r\u0151l elnevezett Ko\u00f3s Iv\u00e1n Gal\u00e9ri\u00e1ban id\u0151szakos tematikus ki\u00e1ll\u00edt\u00e1sainkkal nagy hangs\u00falyt fektet\u00fcnk a b\u00e1bm\u0171v\u00e9szet m\u00faltj\u00e1nak \u00e9s jelen\u00e9nek, emblematikus tervez\u0151k \u00e9s b\u00e1bsz\u00ednh\u00e1zak bemutat\u00e1s\u00e1ra.\r\n\r\n2010-ben indult B\u00c1BU Fesztiv\u00e1l. 2014 \u00f3ta m\u00e1rcius 21-\u00e9n a Budapest B\u00e1bsz\u00ednh\u00e1z kezdem\u00e9nyez\u00e9s\u00e9re a magyar nyelv\u0171 b\u00e1bosok\u00a0hat\u00e1ron innen \u00e9s t\u00fal \u00fcnneplik k\u00f6z\u00f6sen a B\u00e1bsz\u00ednh\u00e1zi vil\u00e1gnapot.","post_title":"{:hu}Budapest B\u00e1bsz\u00ednh\u00e1z{:}{:en}Budapest Puppet Theatre{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"budapest-babszinhaz","to_ping":"","pinged":"","post_modified":"2016-10-25 09:43:49","post_modified_gmt":"2016-10-25 09:43:49","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/budapest-babszinhaz\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87531,"post_author":"1","post_date":"2016-09-08 07:58:45","post_date_gmt":"2016-09-08 07:58:45","post_content":"1988-ban a Budapest F\u0151v\u00e1rosi Tan\u00e1cs VB., a M\u0171vel\u0151d\u00e9si Miniszt\u00e9rium \u00e9s a Budapest F\u0151v\u00e1ros XV. Ker\u00fcleti Tan\u00e1cs VB. ifj. Sapszon Ferenc Liszt-d\u00edjas karnagy tanulm\u00e1nyterve alapj\u00e1n megalap\u00edtotta a Kod\u00e1ly Zolt\u00e1n Magyar K\u00f3rusiskol\u00e1t (KZMK). A Magyarorsz\u00e1gon m\u00e1ig egyed\u00fcl\u00e1ll\u00f3 int\u00e9zm\u00e9ny Kod\u00e1ly nemzetnevel\u0151 elveit szeretn\u00e9 megval\u00f3s\u00edtani, ez\u00e9rt nevel\u00e9s\u00e9nek eg\u00e9sz\u00e9ben fontos szerepet t\u00f6lt be a zenei nevel\u00e9s. A tizenk\u00e9t \u00e9vfolyamos, f\u0151v\u00e1rosi \u00e9s pest megyei beiskol\u00e1z\u00e1s\u00fa int\u00e9zm\u00e9nyben egy nevel\u00e9si egys\u00e9gben \u00e9l \u00e1ltal\u00e1nos iskola, gimn\u00e1zium, zeneiskola \u00e9s zenem\u0171v\u00e9szeti szakk\u00e9pz\u00e9s.\r\n\r\nIgaz\u00e1n hat\u00e9kony zenei nevel\u00e9s a teljes embert harmonikusan fejleszt\u0151, emberk\u00f6zpont\u00fa nevel\u0151iskol\u00e1ban val\u00f3sulhat meg. Ahol az iskola eg\u00e9sz\u00e9t \u00e1tj\u00e1rja, \u00e1thatja a kod\u00e1lyi gondolat; ahol az iskola folyos\u00f3j\u00e1n, kir\u00e1ndul\u00e1sain \u00e9s minden mozzanat\u00e1ban ugyanaz az \u00e9rt\u00e9krend hat; ahol nem \u00f6nt\u00f6rv\u00e9ny\u0171 szakt\u00e1rgyak hadakoznak egym\u00e1ssal, hanem egy \u00e1tfog\u00f3 gondolkod\u00e1sm\u00f3d \u00e9rv\u00e9nyes\u00fcl. A m\u0171velts\u00e9gi ter\u00fcletek m\u00e1s-m\u00e1s m\u00f3don, de egym\u00e1st tisztelve, kieg\u00e9sz\u00edtve, er\u0151s\u00edtve, harm\u00f3ni\u00e1ban \u00f6sszefogva szolg\u00e1lj\u00e1k a n\u00f6veked\u00e9st. (Pl. a nyelv, amely a fogalmi gondolkod\u00e1sba bevezet, vagy a zene, amely legk\u00f6zvetlenebb\u00fcl hat, ami az ar\u00e1nyok vil\u00e1g\u00e1t, a rendet hordozza, \u00e9s az \u00e9let s\u0171r\u00edtett tapasztalatait, a mor\u00e1lis \u00e9rt\u00e9keket \u00e9rzelmi er\u0151vel gazdagon sug\u00e1rozza.)","post_title":"{:hu}Kod\u00e1ly Zolt\u00e1n Magyar K\u00f3rusiskola Gyermekkara (karigazgat\u00f3: Sapszon Borb\u00e1la, Sapszon Ferenc){:}{:en}The Children Choir of the Zolt\u00e1n Kod\u00e1ly Hungarian Choral School (chorus master: Ferenc Sapszon Jr.){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-kodaly-zoltan-magyar-korusiskola-gyermekkara-karigazgato-ifj-sapszon-ferenc","to_ping":"","pinged":"","post_modified":"2018-03-06 12:37:15","post_modified_gmt":"2018-03-06 12:37:15","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/a-kodaly-zoltan-magyar-korusiskola-gyermekkara-karigazgato-ifj-sapszon-ferenc\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"jegyarak":"","jegyvasarlas_gomb":"https:\/\/www.mupa.hu\/program\/csajkovszkij-a-diotoro-2016-12-27_11-00-bbnh","kozr_szemelyek_feluldefinialasa":"

Sz\u00f6vegk\u00f6nyv\u00e9t E. T. A. HOFFMANN mes\u00e9je nyom\u00e1n \u00edrta: Szil\u00e1gyi Dezs\u0151<\/strong><\/p>\n

Tesz\u00e1rek Csaba Stahlbaum tan\u00e1csos<\/em>
\nBlasek Gy\u00f6ngyi Stahlbaum tan\u00e1csosn\u00e9<\/em>
\nSz. Nagy M\u00e1ria Marika<\/em>
\nEllinger Edina Frici<\/em>
\nPapp Orsolya Nagymama<\/em>
\nKem\u00e9ny Istv\u00e1n Drosselmeyer nagyb\u00e1csi<\/em>
\nTatai Zsolt Unoka\u00f6cs, Di\u00f3t\u00f6r\u0151 herceg<\/em>
\n\u00c1cs Norbert Eg\u00e9rkir\u00e1ly<\/em>
\nB\u00e1nky Eszter, Bercs\u00e9nyi P\u00e9ter, Juh\u00e1sz Ibolya, Radics Rita \u00e1rny- \u00e9s t\u00e1rgyj\u00e1t\u00e9kok<\/em><\/p>\n

Ko\u00f3s Iv\u00e1n d\u00edszlettervez\u0151<\/em>
\nBr\u00f3dy Vera b\u00e1b- \u00e9s maszktervez\u0151<\/em>
\nMikl\u00f3si Gabriella zenei munkat\u00e1rs<\/em><\/p>\n

Sz\u0151nyi Kat\u00f3 rendez\u00e9s\u00e9t felhaszn\u00e1lva sz\u00ednpadra \u00e1ll\u00edtotta: Meczner J\u00e1nos<\/strong><\/p>\n","youtube_id":"Dln6Frnkg2I","old_id":"","elkeltek_a_jegyek":false,"muvekrol_reszletesen":null,"muveszekrol_reszletesen":null,"kiemelt_kep_en":null,"gombtipus":"link","hivatkozas_gomb_szovege":"Tov\u00e1bb","hivatkozas_gomg_url-je":"https:\/\/www.mupa.hu\/program\/csajkovszkij-a-diotoro-2016-12-27_11-00-bbnh"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/96896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=96896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}