{"id":96874,"date":"2016-10-10T09:01:42","date_gmt":"2016-10-10T09:01:42","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=96874"},"modified":"2016-10-27T11:15:10","modified_gmt":"2016-10-27T11:15:10","slug":"turne-japanban-tokyo-2","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/turne-japanban-tokyo-2\/","title":{"rendered":"Koncert Jap\u00e1nban – Toki\u00f3"},"content":{"rendered":"","protected":false},"template":"","class_list":["post-96874","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":false,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":{"alcim":"Kobayashi Ken-ichiro vez\u00e9nylet\u00e9vel","kiemelt_kep":{"ID":98292,"id":98292,"title":"metropolitantokyofn","filename":"metropolitantokyoFN.png","filesize":2200269,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN.png","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/turne-japanban-tokyo-2\/metropolitantokyofn\/","alt":"","author":"1","description":"","caption":"","name":"metropolitantokyofn","status":"inherit","uploaded_to":96874,"date":"2016-10-25 15:52:46","modified":"2016-10-25 15:52:55","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN-300x88.png","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN-768x224.png","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN-1024x299.png","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN.png","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN.png","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN-165x165.png","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN.png","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN-263x263.png","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN-360x203.png","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN-359x450.png","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN-555x555.png","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/10\/metropolitantokyoFN-1600x560.png","slider-size-width":1600,"slider-size-height":560}},"megjegyzes":"","esemeny_datum":"20161031","esemeny_idopontja":"19.00 - 22.00","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87882,"post_author":"1","post_date":"2016-09-08 08:02:39","post_date_gmt":"2016-09-08 08:02:39","post_content":"","post_title":"{:hu}Tokyo Metropolitan Theatre{:}{:en}Tokyo Metropolitan Theatre{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"tokyo-metropolitan-theatre","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:39","post_modified_gmt":"2016-09-08 08:02:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/tokyo-metropolitan-theatre\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Toki\u00f3{:}{:en}Tokyo{:}","orszag":"{:hu}Jap\u00e1n{:}{:en}Japan{:}","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"kulfold","karmester":{"ID":86518,"post_author":"1","post_date":"2016-10-18 16:13:17","post_date_gmt":"2016-10-18 16:13:17","post_content":"{:hu}Kobayashi Ken-Ichiro 1940-ben sz\u00fcletett Jap\u00e1nban, karmesteri tanulm\u00e1nyait Watanabe Ake\u00f3n\u00e1l \u00e9s Yamada Kazu\u00f3n\u00e1l folytatta a Toki\u00f3i M\u0171v\u00e9szeti \u00e9s Zenei Egyetemen. 1974-ben ker\u00fclt be a nemzetk\u00f6zi zenei \u00e9let k\u00f6z\u00e9ppontj\u00e1ba, amikor els\u0151 d\u00edjat nyert a Magyar Telev\u00edzi\u00f3 I. Nemzetk\u00f6zi Karmesterverseny\u00e9n. Sikere az\u00f3ta is t\u00f6retlen, a legnevesebb zenekarokat dirig\u00e1lja N\u00e9metorsz\u00e1gban, Ausztri\u00e1ban \u00e9s Angli\u00e1ban. A Magyar \u00c1llami Hangversenyzenekar (ma Nemzeti Filharmonikus Zenekar) vezet\u0151 karmestere 1987-t\u0151l, \u00f6r\u00f6k\u00f6s tiszteletbeli eln\u00f6k-karnagya 1992-t\u0151l. 1994-ben megkapta a Magyar K\u00f6zt\u00e1rsas\u00e1g egyik legmagasabb kit\u00fcntet\u00e9s\u00e9t. Jelenleg a Jap\u00e1n Filharmonikusok vezet\u0151 karmestere.{:}{:en}Born in 1940. He studied conducting under WATANABE Akeo and YAMADA Kazuo at the Tokyo National University of Fine Arts and Music. It was in 1974 when he studied gaining international attention after receiving first prize at the International Conductors Competition of the Hungarian Television. Since then he has gained a reputation by conducting major orchestras in countries such as Germany, Austria and the UK. He was appointed Principal Conductor of the Hungary State Symphony Orchestra (Hungary National Philharmonic Orchestra nowaday) in 1987, and General Director of the Orchestra in 1992. In 1994, he received \"Middle Cross with the Star of the Order of the Republic of Hungary\". The Japan Philharmonic appointed him Chief Conductor in 1998, Principal Conductor in 1990, and Chief Guest Principal Conductor in 1994.\r\nIn 1997, he returns to the Japan Philharmonic as Chief Conductor.{:}","post_title":"{:hu}Kobayashi Ken-Ichiro{:}{:en}Ken-Ichiro Kobayashi{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kobayashi-ken-ichiro","to_ping":"","pinged":"","post_modified":"2018-05-30 08:13:14","post_modified_gmt":"2018-05-30 08:13:14","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86518","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91921,"post_author":"1","post_date":"2016-09-08 08:57:59","post_date_gmt":"2016-09-08 08:57:59","post_content":"","post_title":"{:hu}Magyar T\u00e1ncok (1., 6., 5.){:}{:en}Hungarian Dances No.1, No.6. No. 5.{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"magyar-tancok-1-6-5","to_ping":"","pinged":"","post_modified":"2016-10-04 12:12:33","post_modified_gmt":"2016-10-04 12:12:33","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/magyar-tancok-1-6-5\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Brahms"]},{"ID":91090,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}Az e-moll m\u0171 Mendelssohn utols\u00f3 alkot\u00f3korszak\u00e1ban keletkezett.\r\n\r\nA Heged\u0171verseny csillog\u00f3 felsz\u00edne, a szinte t\u00fcntet\u0151en egyszer\u0171 tematika, a fin\u00e1l\u00e9 \u201eszentiv\u00e1n\u00e9ji\u201d hangulata azonban n\u00e9mileg megt\u00e9veszt\u0151: Mendelssohn sz\u00e1mos formai \u00faj\u00edt\u00e1snak is teret engedett e m\u0171v\u00e9ben, melyek a korabeli k\u00f6z\u00f6ns\u00e9g sz\u00e1m\u00e1ra igencsak meglep\u0151ek lehettek \u2013 szemben a mai hallgat\u00f3k gyan\u00fatlan t\u00f6bbs\u00e9g\u00e9vel, akik sz\u00e1m\u00e1ra r\u00e9szben \u00e9pp e m\u0171 testes\u00edti meg a mindenkori viszony\u00edt\u00e1si alapul szolg\u00e1l\u00f3 \u201eA heged\u0171verseny\u201d-t.\r\n\r\n\u00cdgy p\u00e9ld\u00e1ul a sz\u00f3lista azonnali bel\u00e9p\u00e9se akkoriban m\u00e9g sokkal v\u00e1ratlanabb hat\u00e1st kelthetett, aminthogy az egyes t\u00e9telek k\u00f6z\u00f6tti \u201e\u00e1tk\u00f6t\u00e9s\u201d is (a lass\u00fa t\u00e9tel el\u0151tt a fagott kitartott hangj\u00e1val, majd a fin\u00e1l\u00e9t megel\u0151z\u0151, tematik\u00e1j\u00e1ban egyben a nyit\u00f3t\u00e9telre is visszautal\u00f3 r\u00f6vid, szinte besz\u00e9dszer\u0171 heged\u0171sz\u00f3l\u00f3val) egy addig csak m\u00e1s m\u0171fajokb\u00f3l ismert megold\u00e1s felbukkan\u00e1s\u00e1nak meglepet\u00e9s\u00e9t v\u00e1lthatta ki. S \u00e9pp\u00edgy k\u00e1r volna \u00e1tsiklanunk afelett a kisebb forradalom felett, amelyet az els\u0151 t\u00e9tel sz\u00f3l\u00f3kadenci\u00e1j\u00e1nak ki\u00edr\u00e1sa (teh\u00e1t nem az el\u0151ad\u00f3 saj\u00e1t improviz\u00e1ci\u00f3j\u00e1ra b\u00edz\u00e1sa), s egy\u00fattal a f\u0151t\u00e9ma visszat\u00e9r\u00e9se el\u00e9 helyez\u00e9se jelentett (a megszokottabb, k\u00f6zvetlen\u00fcl a t\u00e9tel v\u00e9ge el\u0151tti megsz\u00f3lal\u00e1ssal szemben).\r\n\r\n \r\n\r\n \r\n

<\/p>{:}{:en}Mendelssohn composed his first violin concerto in D minor at the age of thirteen. Twenty-three years had to pass for him to revisit the genre. The E-minor concerto was written in his last creative period, presumably as a kind of summary of his efforts, even if he chose a lighter genre to do so in comparison with the Elijah oratorio, completed around the same period. The glittering surface of the Violin Concerto, the conspicuously simple theme, the \u201cMidsummer Night\u2019s\u201d feel of the finale, however, are somewhat misleading. Mendelssohn incorporated numerous formal innovations in his work, which would have taken the audiences of the time by surprise \u2013 as opposed to the majority of unsuspecting audiences of our day, for whom the work is The Violin Concerto, an ultimate point of reference. For example, the soloist\u2019s entry at the very beginning (with none of the \u201cobligatory\u201d orchestral introduction) would have been unexpected at the time, as were the \u201ctransitions\u201d between the movements, such as the extended note of the bassoon before the slow movement, and the short, almost speech-like, violin solo preceding the finale, whose theme refers back to the opening movement. These would have undoubtedly elicited surprise at the employment of solutions familiar from other genres. Mention must also be made of Mendelssohn\u2019s truly revolutionary solution of writing out of the solo cadence in the first movement, leaving no space for the soloist\u2019s improvisation, and placing it before the recapitulation of the main theme, as opposed to its usual place at the end of the movement.\r\n\r\n {:}","post_title":"{:hu}Heged\u0171verseny e-moll, op. 64{:}{:en}Violin Concerto in E minor, Op. 64{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hegeduverseny-e-moll-op-64","to_ping":"","pinged":"","post_modified":"2018-05-17 17:25:33","post_modified_gmt":"2018-05-17 17:25:33","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/hegeduverseny-e-moll-op-64\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mendelssohn"]},{"ID":91270,"post_author":"1","post_date":"2016-09-08 08:57:49","post_date_gmt":"2016-09-08 08:57:49","post_content":"{:hu}I. \u00c1lmok, szenved\u00e9lyek \u2013 Largo-Allegro II. A b\u00e1l \u2013 Valse. Allegro non troppo III. Jelenet a mez\u0151n \u2013 Adagio IV. Menet a veszt\u0151helyre \u2013 Allegretto non troppo V. Boszork\u00e1nyszombat \u2013 Larghetto-Allegro\r\n\r\nNem kevesebb, mint 14 v\u00e1ltozatban fogalmazta meg Berlioz Fantasztikus szimf\u00f3ni\u00e1j\u00e1nak k\u00f6lt\u0151i programj\u00e1t. A v\u00e1ltozatok k\u00f6zt persze jelent\u0151s elt\u00e9r\u00e9s nincs: a \u201em\u0171v\u00e9sz\u201d mindegyikben a m\u0171 k\u00e9pzeletbeli f\u0151h\u0151se, akit egyetlen r\u00f6geszme \u2013 a szerelem \u2013 gy\u00f6t\u00f6r. Az els\u0151 t\u00e9telben hossz\u00fa bevezet\u0151 ut\u00e1n jeleneik meg a C-d\u00far akkordfelbont\u00e1ssal kezd\u0151d\u0151 \u201eid\u00e9e fixe\u201d, azaz r\u00f6geszme-dallam. A m\u00e1sodikban h\u0151s\u00fcnk egy k\u00e9pzeletbeli b\u00e1lon t\u0171nik fel: itt l\u00e1tja viszont \u00e1lmai ide\u00e1lj\u00e1t. A jelenet a mez\u0151n egyfajta pihen\u0151. A m\u0171v\u00e9sz mintha feled\u00e9st keresne a term\u00e9szetben. P\u00e1sztorok s\u00edpj\u00e1t, a k\u00f6zelg\u0151 vihar hangjait hallja. De nincs menek\u00fcl\u00e9s a r\u00f6geszme el\u0151l. A csal\u00f3dott szerelmes \u00f6ngyilkos akar lenni, \u00e1m t\u00fal kev\u00e9s \u00f3piumot vesz be. Ez\u00e9rt csak elk\u00e1bul \u00e9s k\u00e9pzel\u0151dik. Azt k\u00e9pzeli, meg\u00f6lte szerelm\u00e9t, s most a veszt\u0151helyre viszik. V\u00e9g\u00fcl az \u00f6t\u00f6dik t\u00e9tel egy boszork\u00e1nyszombat l\u00e1tom\u00e1sa. Az egykori ide\u00e1l, a m\u0171v\u00e9sz sz\u00edv\u00e9nek h\u00f6lgye itt is felt\u0171nik \u2013 dallama bizarr m\u00f3don eltorzul. S felhangzik az utols\u00f3 \u00edt\u00e9let zen\u00e9je: a k\u00f6z\u00e9pkori, Celan\u00f3i Tam\u00e1snak tulajdon\u00edtott \u00fan. \u201esequentia\u201d f\u00e9lelmetesen \u00f3don dallama, a Dies irae\u2026\r\n\r\n1830.december 5-\u00e9n mutatt\u00e1k be P\u00e1rizsban a szimf\u00f3ni\u00e1t. Hogy a programnak \u00f6n\u00e9letrajzi vonatkoz\u00e1sai vannak, azt t\u00f6bb\u00e9-kev\u00e9sb\u00e9 mindenki sejtette. Harriet Smithson kisasszony is, akinek Berlioz n\u00e9h\u00e1ny \u00e9vvel kor\u00e1bban szerelmet vallott, hi\u00e1ba. A sz\u0151ke angol sz\u00edn\u00e9szn\u0151 v\u00e9g\u00fcl is nemes bossz\u00fat \u00e1llt a boszork\u00e1nyszombat-zen\u00e9\u00e9rt. S\u00fcrg\u0151sen f\u00e9rjhez ment --Berliozhoz.{:}{:en}I. Reveries and Passions - Largo-Allegro II. The Ball - Valse. Allegro non troppo III.\u00a0 Scene from the Meadows - Adagio IV. March to the Scaffold - Allegretto non troppo V. Dream of the Witches' Sabbath - Larghetto-Allegro\r\n\r\nBerlioz gave no less than 14 different descriptions of the poetic programme behind his Symphonie Fantastique. There are no profound variations among the different versions: in each \"The Artist\" as the principal player of the work, is tortured by a single obsession: love. In the first movement, after a lengthy introduction, we hear the \"id\u00e9e fixe\", commencing with a break down of a C major chord. This is the melody of the obsession. In the second movement, our hero appears at an imaginary ball: here he sees the ideal of his dreams (and we also hear a Waltz that has been described as the finest that Tchaikovsky did not write!). The Scene from the Meadows then offers us some breathing space. The artist seems to seek oblivion in nature. We hear the sounds of shepherd's flutes and the approaching storm. But there is no escaping the obsession. The unhappy Artist elects to commit suicide by ingesting opium, but he takes too little and experiences two narcotic induced nightmares. In the first (the Fourth movement) he thinks he has murdered his love and is marched to the scaffold to be executed. In the fifth, he sees a Witches Sabbath, and his former ideal, the woman at the centre of his heart, is here espied among the hags - her melody now bizarrely distorted. And we also hear the music of the final judgement, the Dies irae melody (beloved by many composers such as Liszt and Rachmaninov) attributed to Thomas of Celano.\r\n\r\nThe Symphony was premiered in Paris on December 5th 1830. Berlioz's inspiration for composing this remarkable work was his own romantic obsession for the Irish actress Harriet Smithson, who initially rejected his advances. Several years later, however, after Berlioz had used this symphony to exorcise her ghost, so to speak, they met again and eventually did marry in 1834.{:}","post_title":"{:hu}Fantasztikus szimf\u00f3nia{:}{:en}Symphonie Fantastique{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"fantasztikus-szimfonia-op-14","to_ping":"","pinged":"","post_modified":"2018-02-26 14:20:12","post_modified_gmt":"2018-02-26 14:20:12","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/fantasztikus-szimfonia-op-14\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Berlioz"]}],"kozr_szemelyek":[{"ID":96877,"post_author":"3","post_date":"2016-10-26 12:19:41","post_date_gmt":"2016-10-26 12:19:41","post_content":"","post_title":"Lina Matsuda","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"lina-matsuda","to_ping":"","pinged":"","post_modified":"2016-10-26 12:19:41","post_modified_gmt":"2016-10-26 12:19:41","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=96877","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}heged\u0171{:}{:en}violin{:}"}],"kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"jegyarak":"","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"kozr_szemelyek_feluldefinialasa":"","youtube_id":"","old_id":"","muvekrol_reszletesen":null,"muveszekrol_reszletesen":null,"kiemelt_kep_en":null,"gombtipus":"jegy"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/96874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=96874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}