{"id":96771,"date":"2016-10-10T08:52:12","date_gmt":"2016-10-10T08:52:12","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=96771"},"modified":"2016-10-19T07:17:47","modified_gmt":"2016-10-19T07:17:47","slug":"liszt-grieg-es-bartok-gyorben","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/liszt-grieg-es-bartok-gyorben\/","title":{"rendered":"Liszt, Grieg \u00e9s Bart\u00f3k  &#8211; Gy\u0151r"},"content":{"rendered":"<p><em>H\u00e1rom nagyszab\u00e1s\u00fa kompoz\u00edci\u00f3, egyben h\u00e1rom \u00f6r\u00f6kz\u00f6ld \u201esl\u00e1ger\u201d csend\u00fcl fel a Nemzeti Filharmonikus Zenekar el\u0151ad\u00e1s\u00e1ban a S\u00e1ndor J\u00e1nos-b\u00e9rlet nyit\u00f3estj\u00e9n. Liszt nagy\u00edv\u0171 mel\u00f3di\u00e1kban, h\u0151sies gesztusokban \u00e9s ragyog\u00f3 hangsz\u00ednekben gazdag szimfonikus k\u00f6ltem\u00e9ny\u00e9t Grieg egyetlen versenym\u0171ve, \u00c9szak h\u0171v\u00f6s leveg\u0151j\u00e9t \u00e1raszt\u00f3 zongoraversenye k\u00f6veti a fiatal magyar zongoristagener\u00e1ci\u00f3 egyik leg\u00edg\u00e9retesebb tehets\u00e9g\u00e9nek el\u0151ad\u00e1s\u00e1ban, majd a 20. sz\u00e1zad zen\u00e9j\u00e9nek egyik mozd\u00edthatatlan alapm\u0171ve, Bart\u00f3k az amerikai \u00e9vek alatt kompon\u00e1lt Concert\u00f3ja csend\u00fcl fel napjaink legnagyobb Bart\u00f3k-interpret\u00e1tora, Kocsis Zolt\u00e1n vez\u00e9nylet\u00e9vel.<\/em><\/p>\n","protected":false},"template":"","class_list":["post-96771","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":{"alcim":"Kocsis Zolt\u00e1n \u00e9s a Nemzeti Filharmonikus Zenekar a S\u00e1ndor J\u00e1nos hangversenyb\u00e9rlet nyit\u00f3koncertj\u00e9n","kiemelt_kep":{"ID":96639,"id":96639,"title":"Nemzeti Filharmonikus Zenekar","filename":"IMG_4362k.jpg","filesize":457874,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mozart-zongoraverseny-es-mahler-szimfonia\/img_4362k\/","alt":"","author":"3","description":"fot\u00f3: W\u00e1gner Csap\u00f3 J\u00f3zsef","caption":"","name":"img_4362k","status":"inherit","uploaded_to":83638,"date":"2016-09-30 09:37:42","modified":"2016-10-18 12:08:00","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1000,"height":667,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k-768x512.jpg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k.jpg","large-width":640,"large-height":427,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k.jpg","1536x1536-width":1000,"1536x1536-height":667,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k.jpg","2048x2048-width":1000,"2048x2048-height":667,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k.jpg","person-size-2-width":165,"person-size-2-height":110,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/IMG_4362k.jpg","slider-size-width":1000,"slider-size-height":667}},"esemeny_datum":"20161013","esemeny_idopontja":"19.00 - 21.30","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87580,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Richter J\u00e1nos Terem{:}{:en}Richter J\u00e1nos Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"richter-janos-terem","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:37","post_modified_gmt":"2016-09-08 08:02:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/richter-janos-terem\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Gy\u0151r{:}{:en}Gy\u0151r{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"videk","karmester":{"ID":85860,"post_author":"1","post_date":"2016-10-25 09:23:04","post_date_gmt":"2016-10-25 09:23:04","post_content":"{:hu}Kocsis Zolt\u00e1n nemzetk\u00f6zi karrierje 18 \u00e9ves kor\u00e1ban a Magyar R\u00e1di\u00f3 Beethoven-verseny\u00e9nek megnyer\u00e9s\u00e9vel indult. N\u00e9h\u00e1ny \u00e9v alatt szinte berobbant a nemzetk\u00f6zi zenei vil\u00e1gba, megh\u00edv\u00e1s megh\u00edv\u00e1st k\u00f6vet Eur\u00f3pa, \u00c9szak- \u00e9s D\u00e9l-Amerika, valamint a T\u00e1vol-Kelet meghat\u00e1roz\u00f3 zenei k\u00f6zpontjaiba \u00e9s fesztiv\u00e1ljaira. Richtert\u0151l megh\u00edv\u00e1st kap fesztiv\u00e1lj\u00e1ra Franciaorsz\u00e1gba, amit k\u00f6z\u00f6s n\u00e9gykezes koncertek k\u00f6vetnek. Fell\u00e9pett a vil\u00e1g sz\u00e1mos vezet\u0151 zenekar\u00e1val, mint p\u00e9ld\u00e1ul a Berlini Filharmonikusok, a Royal Philharmonic Orchestra, a B\u00e9csi Filharmonikusok, a Chicag\u00f3i Szimfonikus Zenekar, a San Francisc\u00f3-i Szimfonikus Zenekar. Rendszeres szt\u00e1rvend\u00e9ge a nemzetk\u00f6zi zenei \u00e9let rangos fesztiv\u00e1ljainak: Edinburgh, P\u00e1rizs, Tours, Luzern, Salzburg, Pr\u00e1ga, Menton, stb., \u00e9s olyan kiemelked\u0151 karmesterekkel dolgozott, mint Claudio Abbado, Christoph von Dohn\u00e1nyi, Edo de Waart, Charles Mackerras, Lovro von Matacic, Charles Dutiot, Herbert Blomstedt, Michael Tilson Thomas.\r\n\r\n1983-ban Fischer Iv\u00e1nnal megalap\u00edtotta a Budapesti Fesztiv\u00e1lzenekart. 1987 \u00f3ta karmesterk\u00e9nt is fell\u00e9p \u00e9s zongoram\u0171v\u00e9szi p\u00e1ly\u00e1ja mellett kompon\u00e1l is. A kort\u00e1rs zene kiemelked\u0151 szem\u00e9lyis\u00e9geivel folytatott term\u00e9keny egy\u00fcttm\u0171k\u00f6d\u00e9s\u00e9t jelzi t\u00f6bbek k\u00f6z\u00f6tt Kurt\u00e1g Gy\u00f6rgy t\u00f6bb neki aj\u00e1nlott m\u0171v\u00e9nek vil\u00e1gbemutat\u00f3ja. A Denon, Hungaroton, Nippon Columbia, Phonogram \u00e9s Quintana lemezc\u00e9gek r\u00e9sz\u00e9re k\u00e9sz\u00edtett t\u00f6bb felv\u00e9tel ut\u00e1n Kocsis Zolt\u00e1n jelenleg a Philips Classics exkluz\u00edv m\u0171v\u00e9sze. Bart\u00f3k zongor\u00e1ra \u00e9s zenekarra \u00edrt m\u0171veinek Fischer Iv\u00e1nnal \u00e9s a Fesztiv\u00e1lzenekarral k\u00e9sz\u00fclt felv\u00e9telei\u00e9rt Edison-d\u00edjat kapott, Debussy-lemez\u00e9t Gramophone-d\u00edjjal \u00e9s az \u00c9v Hangszeres Felv\u00e9tele d\u00edjjal ismert\u00e9k el.\r\n\r\nKocsis Zolt\u00e1n 1997 \u0151sz\u00e9t\u0151l vette \u00e1t a Nemzeti Filharmonikus Zenekar - akkor m\u00e9g Magyar \u00c1llami Hangversenyzenekar - ir\u00e1ny\u00edt\u00e1s\u00e1t. M\u0171v\u00e9szi koncepci\u00f3j\u00e1nak megfelel\u0151en az\u00f3ta sz\u00e9lesedett az egy\u00fcttes reperto\u00e1rja, ir\u00e1ny\u00edt\u00e1sa alatt t\u00f6bb m\u0171 magyarorsz\u00e1gi \u0151sbemutat\u00f3j\u00e1ra sor ker\u00fclt. Az elm\u00falt \u00e9vekben a Nemzeti Filharmonikusokkal Eur\u00f3pa sz\u00e1mos orsz\u00e1g\u00e1ban, valamint Jap\u00e1nban \u00e9s az Egyes\u00fclt \u00c1llamokban vett r\u00e9szt karmesterk\u00e9nt \u00e9s sz\u00f3listak\u00e9nt kimagasl\u00f3 szakmai \u00e9s k\u00f6z\u00f6ns\u00e9gsikert arat\u00f3 k\u00f6rutakon, gyakran j\u00e1tszva a Bart\u00f3k, Debussy \u00e9s Ravel zongoram\u0171veib\u0151l k\u00e9sz\u00fclt \u00e1tiratait is. Meg\u00fajult zenekar\u00e1val adott koncertjeit mind a kritikusok, mind a k\u00f6z\u00f6ns\u00e9g vil\u00e1gszt\u00e1rokat megillet\u0151 lelkesed\u00e9ssel \u00fcnnepelte.{:}{:en}<strong>Zolt\u00e1n Kocsis<\/strong>\r\n\r\n&nbsp;\r\n\r\n<img src=\"..http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/__oldsite\/uploads\/KocsisZoltan01.jpg\" align=\"right\" \/>Born in Budapest in 1952, he began to play the piano at the age of five. In 1963, he entered the B\u00e9la Bart\u00f3k Music School, studying piano and composition and in 1968, entered the Franz Liszt Music Academy as a pupil of P\u00e1l Kadosa and Ferenc Rados. His international fame began at the age of eighteen when he won Hungarian Radio's International Beethoven Competition, and a scintillating solo career rapidly unfolded. He was invited to perform all over Europe, in North and South America as well as the Far East. In 1977, he was invited by Sviatoslav Richter to perform at his festival in France, and the two pianists also gave duet recitals together.\r\n\r\n&nbsp;\r\n\r\n<img src=\"..http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/__oldsite\/uploads\/KocsisZoltan02.jpg\" align=\"left\" \/>He has performed with leading world orchestras such as the Berlin Philharmonic, the Royal Philharmonic, the Vienna Philharmonic, the Chicago Symphony Orchestra and the San Francisco Orchestra. He has been a regular guest at international festivals in Edinburgh, Paris, Tours, Lucerne, Salzburg, Prague and Menton, and worked with such conductors as Claudio Abbado, Christoph von Dohn\u00e1nyi, Edo de Waart, Charles Mackerras, Lovro von Matacic, Charles Dutoit, Herbert Blomstedt and Michael Tilson Thomas.\r\n\r\n&nbsp;\r\n\r\nIn 1983, he co-founded the Budapest Festival Orchestra with Iv\u00e1n Fischer, and since 1987 has regularly conducted. He is also a recognised composer. He is deeply committed to contemporary music and has enjoyed a fruitful relationship with, amongst others, Gy\u00f6rgy Kurt\u00e1g, giving world premieres of numerous Kurt\u00e1g compositions, some of which are dedicated to him.\r\n\r\n&nbsp;\r\n\r\n<img src=\"..http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/__oldsite\/uploads\/KocsisZoltan03.jpg\" align=\"right\" \/>Zolt\u00e1n Kocsis has recorded for Denon, Hungaroton, Nippon Columbia, Phonogram and Quintana, but is now an exclusive Philips Classics artist. He received an Edison prize for his recordings with Iv\u00e1n Fischer and the Budapest Festival Orchestra of the three Bart\u00f3k concertos.\r\n\r\n&nbsp;\r\n\r\nHis Debussy recordings won the Gramophone prize as well as the \"Instrumental Recording of the year\" award.\r\n\r\n&nbsp;\r\n\r\n<img src=\"..http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/__oldsite\/uploads\/KocsisZoltan04.jpg\" align=\"left\" \/>In Autumn 1997, he became general music director of the National Philharmonic Orchestra (formerly the Hungarian State Orchestra). As a result, the orchestra's repertoire has broadened considerably, and since his appointment, several works have been given their world premiere.\r\nIn recent years, he has toured nine European countries and Japan with the orchestra as both conductor and soloist, and enjoyed immense critical acclaim.{:}","post_title":"{:hu}Kocsis Zolt\u00e1n{:}{:en}Zolt\u00e1n Kocsis{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kocsis-zoltan-2","to_ping":"","pinged":"","post_modified":"2017-10-08 16:07:45","post_modified_gmt":"2017-10-08 16:07:45","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=85860","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91113,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}<p style=\"text-align: justify;\">A Les Pr\u00e9ludes Liszt egyik leggyakrabban el\u0151adott szimfonikus k\u00f6ltem\u00e9nye. A kompoz\u00edci\u00f3 genezise eg\u00e9szen 1844-ig vezethet\u0151 vissza. Az els\u0151 hall\u00e1sra furcs\u00e1nak t\u0171n\u0151 c\u00edmet (El\u0151j\u00e1t\u00e9kok) Alphonse de Lamartine (1790-1869) K\u00f6lt\u0151i elm\u00e9lked\u00e9sek c\u00edm\u0171 munk\u00e1ja ihlette. A darab k\u00f6lt\u0151i programj\u00e1t a vers alapj\u00e1n \u00edgy hat\u00e1rozta meg Liszt: &quot;Mi m\u00e1s az \u00e9let\u00fcnk, mint el\u0151j\u00e1t\u00e9kok sorozata ahhoz az ismeretlen \u00e9nekhez, amelynek els\u0151 hangj\u00e1t a hal\u00e1l csend\u00edti meg?&quot; Ma m\u00e1r tudjuk, hogy ezt a programot Liszt az utols\u00f3 pillanatban, a m\u0171 elk\u00e9sz\u00fclte ut\u00e1n illesztette a zenekari darabhoz, ezzel azt a l\u00e1tszatot keltette, mintha a Lamartine-sz\u00f6veg inspir\u00e1lta volna. A partit\u00far\u00e1hoz k\u00e9sz\u00fclt el\u0151sz\u00f3 t\u00f6bb v\u00e1ltozata is ismert, nyomtat\u00e1sban v\u00e9g\u00fcl egy Hans von B\u00fclow \u00e1ltal fogalmazott sz\u00f6veg jelent meg. Az 1854-ben, Weimarban bemutatott m\u0171 - a karmester maga Liszt Ferenc volt - tartalmilag ugyan laz\u00e1n kapcsol\u00f3dik Lamartine meditat\u00edv \u00edr\u00e1s\u00e1hoz (ebben is, abban is vannak pasztor\u00e1lis \u00e9s harcias r\u00e9szletek), de e laza kapcsolat is elegend\u0151 ahhoz, hogy Liszt szimfonikus k\u00f6ltem\u00e9ny\u00e9nek \u00e9rtelmez\u00e9s\u00e9t hossz\u00fa id\u0151n \u00e1t - s\u0151t m\u00e9g napjainkban is - alapvet\u0151en meghat\u00e1rozza. S b\u00e1r a m\u0171 keletkez\u00e9st\u00f6rt\u00e9nete egy eg\u00e9szen m\u00e1s interpret\u00e1ci\u00f3ra ad lehet\u0151s\u00e9get, nem szabad megfeledkezn\u00fcnk arr\u00f3l, hogy a Lamartine-hoz kapcsolhat\u00f3 gondolatot maga Liszt helyezte az \u00e9rtelmez\u00e9s el\u0151ter\u00e9be.<\/p>\n<p style=\"text-align: justify;\">&nbsp;<\/p>\n<p style=\"text-align: justify;\">A Les Pr\u00e9ludes zen\u00e9j\u00e9t eredetileg Joseph Autran (1813-1877) k\u00f6ltem\u00e9nyei inspir\u00e1lt\u00e1k. Liszt \u00e9s Autran 1844-ben ismerkedett meg egym\u00e1ssal Marseille-ben. Autran lelkesen m\u00e9ltatta a helyi \u00fajs\u00e1gban Liszt m\u0171v\u00e9szet\u00e9t, m\u00e9g alkalmi k\u00f6ltem\u00e9nnyel is kedveskedett a zongoram\u0171v\u00e9sznek. A vers - Les Aquilons (Az \u00e9szaki sz\u00e9l) - elnyerte Liszt tetsz\u00e9s\u00e9t, \u00e9s a sz\u00e1rnyal\u00f3 szabads\u00e1ghimnusz sz\u00f6veg\u00e9re k\u00f3rusm\u0171vet kompon\u00e1lt. Egy \u00e9vvel k\u00e9s\u0151bb, spanyolorsz\u00e1gi turn\u00e9ja k\u00f6zben, Autran tov\u00e1bbi h\u00e1rom vers\u00e9t is megzen\u00e9s\u00edtette: Les Flots (A hull\u00e1mok), Les Astres (A csillagok), La Terre (A f\u00f6ld). A n\u00e9gy k\u00f3rust cikluss\u00e1 szervezve Liszt a Les Quatre \u00c9l\u00e9ments (A n\u00e9gy elem) c\u00edmet adta volna a kompoz\u00edci\u00f3nak. A k\u00f3rusokat zenekari nyit\u00e1ny (Prel\u00fadium) vezette be, melyet el\u0151sz\u00f6r Conradi hangszerelt meg. Ezt 1850 k\u00f6r\u00fcl Raff \u00e1tdolgozta, majd Liszt az eg\u00e9sz hangszerel\u00e9st megv\u00e1ltoztatta (1852-1854). Ebben az alkot\u00f3i f\u00e1zisban sz\u00fcletett meg a kompoz\u00edci\u00f3 c\u00edme \u00e9s a Lamartine-ra val\u00f3 utal\u00e1s. A zene anyaga viszont tov\u00e1bbra is a N\u00e9gy elemb\u0151l k\u00e9sz\u00fclt. Az egyt\u00e9teles m\u0171 n\u00e9gy r\u00e9szre tagolhat\u00f3, az egyes r\u00e9szek \u00f6n\u00e1ll\u00f3 karakter\u0171 t\u00e9telekk\u00e9nt is \u00e9rtelmezhet\u0151k. Az els\u0151 r\u00e9sz (Andante - Andante maestoso) a darab k\u00e9t t\u00e9m\u00e1j\u00e1t (zenei gondolat\u00e1t) expon\u00e1lja. Az els\u0151 t\u00e9m\u00e1t a von\u00f3sok hull\u00e1mz\u00f3 k\u00eds\u00e9rete felett a r\u00e9zf\u00fav\u00f3sok mutatj\u00e1k be, a l\u00edrai m\u00e1sodik t\u00e9ma k\u00fcrt\u00f6k\u00f6n \u00e9s m\u00e9lyheged\u0171k\u00f6n (dolce, espressivo ma tranquillo) csend\u00fcl fel.<\/p>\n<p style=\"text-align: justify;\">&nbsp;<\/p>\n<p style=\"text-align: justify;\">Lisztre jellemz\u0151 m\u00f3don mindk\u00e9t t\u00e9m\u00e1t egy gy\u00f6k\u00e9rb\u0151l, egy h\u00e1rom hangb\u00f3l \u00e1ll\u00f3 mot\u00edvumcs\u00edr\u00e1b\u00f3l fejlesztette ki. A tov\u00e1bbi &quot;t\u00e9telekben&quot; is e cs\u00edra fejl\u0151dik tov\u00e1bb \u00faj \u00e9s \u00faj alakot \u00f6ltve. A m\u00e1sodik r\u00e9sz (Allegro ma non troppo) viharr\u00e1 duzzad\u00f3, mozgalmas zene. A harmadik epiz\u00f3dban (Allegretto pastorale) a k\u00e9t t\u00e9ma t\u00e1voli vari\u00e1nsait halljuk viszont. A t\u00e9telt z\u00e1r\u00f3 dr\u00e1mai fokoz\u00e1s a t\u00e9m\u00e1k eredeti alakj\u00e1t hozza vissza. A fin\u00e1l\u00e9 (Allegro marziale animato) harci riad\u00f3 \u00e9s gy\u0151zelmi fanf\u00e1r, melyben az eredetileg l\u00e1gy m\u00e1sodik dallam is kem\u00e9ny indul\u00f3 karakter\u0171v\u00e9 alakul \u00e1t. E metamorf\u00f3zis egy\u00e9rtelm\u0171en vil\u00e1g\u00edt r\u00e1 a szimfonikus k\u00f6ltem\u00e9ny k\u00e9t uralkod\u00f3 t\u00e9m\u00e1j\u00e1nak k\u00f6z\u00f6s gy\u00f6ker\u00e9re.<\/p>{:}{:en}<p style=\"text-align: justify;\">\n<meta content=\"text\/html; charset=utf-8\" http-equiv=\"Content-Type\">\n<meta content=\"Word.Document\" name=\"ProgId\">\n<meta content=\"Microsoft Word 12\" name=\"Generator\">\n<meta content=\"Microsoft Word 12\" name=\"Originator\">\n<link href=\"file:\/\/\/C:%5CUsers%5CHORVAT%7E1%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml\" rel=\"File-List\">\n<link href=\"file:\/\/\/C:%5CUsers%5CHORVAT%7E1%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx\" rel=\"themeData\">\n<link href=\"file:\/\/\/C:%5CUsers%5CHORVAT%7E1%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml\" rel=\"colorSchemeMapping\"><!--[if gte mso 9]><xml>\n \n  Normal\n  0\n  \n  \n  \n  21\n  \n  \n  false\n  false\n  false\n  \n  HU\n  X-NONE\n  X-NONE\n  \n   \n   \n   \n   \n   \n   \n   \n   \n   \n   \n   \n  \n  MicrosoftInternetExplorer4\n  \n   \n   \n   \n   \n   \n   \n   \n   \n   \n   \n   \n  \n<\/xml><![endif]--><!--[if gte mso 9]><![endif]--><!--[if !mso]>\n<style>\nst1:*{behavior:url(#ieooui) }\n<\/style>\n<![endif]--><style type=\"text\/css\">\n<!--\n \/* Font Definitions *\/\n @font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;}\n@font-face\n\t{font-family:Verdana;\n\tpanose-1:2 11 6 4 3 5 4 4 2 4;}\n \/* Style Definitions *\/\n p.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{\n\tmso-style-parent:\"\";\n\tmargin:0cm;\n\tmargin-bottom:.0001pt;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\",\"serif\";\n\tmso-fareast-font-family:\"Times New Roman\";}\np\n\t{\n\tmargin-right:0cm;\n\tmargin-left:0cm;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\",\"serif\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{\n\tfont-size:10.0pt;}\n@page Section1\n\t{size:612.0pt 792.0pt;\n\tmargin:70.85pt 70.85pt 70.85pt 70.85pt;}\ndiv.Section1\n\t{page:Section1;}\n-->\n<\/style><!--[if gte mso 10]>\n<style>\n \/* Style Definitions *\/\n table.MsoNormalTable\n\t{mso-style-name:\"Norm\u00e1l t\u00e1bl\u00e1zat\";\n\tmso-style-parent:\"\";\n\tfont-size:11.0pt;\n\tfont-family:\"Calibri\",\"sans-serif\";\n\tmso-fareast-font-family:\"Times New Roman\";\n\tmso-bidi-font-family:\"Times New Roman\";}\n<\/style>\n<![endif]--><span>Les Pr\u00e9ludes is one the most frequently performed of Liszt&rsquo;s symphonic poems. We can trace the genesis of this work back to 1844. At first hearing, its title is distinctly odd: it bears no resembles to the preludes of Bach or Chopin. The explanation can be found in the work of the poet Alphone de Lamartine (1790-1869.) Liszt defined the programme of Les Pr\u00e9ludes by referring to the following Lamartine lines: &bdquo;What else is our life except a series of preludes to an unknown song, the first note of which is extinguished by death?&rdquo; We now know however, that Liszt only appended this explanation at the very last moment, once the composition was complete, creating the misleading impression that it was the Larmartine text that inspired it. We know of a number of earlier versions for the frontispiece to the score, but the final printed version used words by Hans von B\u00fclow. In 1854, the symphonic poem was premiered in Weimar, conducted by Franz Liszt himself, and although it was loosely linked to Lamartine&rsquo;s meditative writing (in the sense that there are pastoral and military sections), this loose relationship was enough to fundamentally influence the interpretation of Liszt&rsquo;s symphonic poem for many decades. Although the origin of the work offers a quite different interpretation, we should not lose sight of the fact that Liszt himself chose the Lamartine poem as the centre of interpretation.<\/span>      <\/meta>\n<\/meta>\n<\/meta>\n<\/meta>\n<\/p>\n<p>\n<meta content=\"text\/html; charset=utf-8\" http-equiv=\"Content-Type\">\n<meta content=\"Word.Document\" name=\"ProgId\">\n<meta content=\"Microsoft Word 12\" name=\"Generator\">\n<meta content=\"Microsoft Word 12\" name=\"Originator\"> <\/meta>\n<\/meta>\n<\/meta>\n<\/meta>\n<\/p>\n<p style=\"text-align: justify;\"><span>The music of Les Pr\u00e9ludes was originally inspired by the poems of Joseph Autran (1813-1877). Liszt first became acquainted with Autran in 1844 in Marseille. Autran enthusiastically praised Liszt&rsquo;s work in the local newspaper and broke into verse for the occasion. The verse &ndash; Les Aquilons (the North Wind) &ndash; won Liszt&rsquo;s approval and he composed a choral work to the text which was an expansive hymn to freedom. A year later, during a Spanish tour, Liszt set a further three Autran verses to music: Les Flots (The Waves), Les Astres (The Stars), La Terre (The Eearth). Liszt intended to create a choral cycle from these works which he called Les Quatre \u00c9l\u00e9ments (The Four Elements.) A choruses were prefaced with an orchestral introduction (Prel\u00fadium) which first Conradi orchestrated. Around 1850. Raff was asked to rework it and then Liszt himself altered the entire orchestration between 1852 and 1854. It was only in this final phase of creative work that Liszt came up with the work&rsquo;s title and the allusion to Lamartine. The musical material however, continued to be mined from the Four Elements. The finished one movement work can be subdivided into four sections, each one being interpretable as an independent movement. The first part (Andante - Andante maestoso) presents the work&rsquo;s two themes (its musical thought.) The first theme is introduced by the brass instruments above an undulating string accompaniment. The lyrical second theme (dolce, espressivo ma tranquillo) is heard on viola and the horns.<\/span><\/p>\n<p style=\"text-align: justify;\"><span>Typical of Liszt, both themes derive from an embryonic three note motif. In the subsequent &bdquo;movements&rdquo;, this embryo develops, taking on further guises. The second section (Allegro ma non troppo) is stormy music. In the third episode (Allegretto pastorale) we hear two distant variations of the themes. In the dramatic climax of the movement, these themes are brought back in their original form. The finale (Allegro marziale animato) is a triumphant military fanfare in which the originally soft second melody is transformed into a tune with a harsh march character. This metamorphosis unmistakably illuminates the mutual roots of the two prevailing themes.<\/span><\/p>\n<p>&nbsp;<\/p>{:}","post_title":"{:hu}Les Pr\u00e9ludes{:}{:en}Les Pr\u00e9ludes{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"les-preludes","to_ping":"","pinged":"","post_modified":"2016-09-08 08:57:48","post_modified_gmt":"2016-09-08 08:57:48","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/les-preludes\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Liszt"]},{"ID":96583,"post_author":"3","post_date":"2016-09-26 12:04:38","post_date_gmt":"2016-09-26 12:04:38","post_content":"Edvard Hagerup Grieg, a skandin\u00e1v nemzeti romantika legismertebb zeneszerz\u0151je mind\u00f6ssze huszon\u00f6t \u00e9ves kor\u00e1ban, 1868-ban kompon\u00e1lta zongoraverseny\u00e9t, a romantikus versenym\u0171-irodalom egyik legn\u00e9pszer\u0171bb darabj\u00e1t. A versenym\u0171vet gyakran \u00e1ll\u00edtj\u00e1k p\u00e1rba Robert Schumann szint\u00e9n h\u00e1romt\u00e9teles \u00e9s a-moll hangnem\u0171 zongoraverseny\u00e9vel. Grieg r\u00e1ad\u00e1sul ismerte is Schumann m\u0171v\u00e9t, hiszen Clara Schumann el\u0151ad\u00e1s\u00e1ban hallotta azt di\u00e1k\u00e9veiben. Schumann zen\u00e9je mellett a norv\u00e9g n\u00e9pzene is inspir\u00e1lta Grieget a versenym\u0171 kompon\u00e1l\u00e1sa folyam\u00e1n, norv\u00e9g n\u00e9pt\u00e1nc- \u00e9s n\u00e9pi hangszerimit\u00e1ci\u00f3kat is felfedezhet\u00fcnk a darabban.\r\n\r\nGrieg 1870-ben ismerkedett meg Liszt Ferenccel, s m\u00e1sodik tal\u00e1lkoz\u00e1suk alkalm\u00e1val megmutatta neki zongoraversenye k\u00e9zirat\u00e1t. Liszt els\u0151 l\u00e1t\u00e1sra lej\u00e1tszotta a m\u0171vet, \u00e9s m\u00e9g n\u00e9h\u00e1ny hangszerel\u00e9si javaslatot is adott a fiatal norv\u00e9g zeneszerz\u0151nek. A zongoraverseny m\u00e1r ekkor nagy hat\u00e1st tett a jelenl\u00e9v\u0151kre, m\u00e9g akkor is, ha Grieg szerint Liszt t\u00fal gyorsan j\u00e1tszotta az els\u0151 t\u00e9telt.","post_title":"{:hu}Zongoraverseny a-moll, op. 16{:}{:en}Piano Concerto in A minor, op. 16{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zongoraverseny-a-moll-op-16","to_ping":"","pinged":"","post_modified":"2018-02-08 16:56:19","post_modified_gmt":"2018-02-08 16:56:19","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=96583","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Grieg"]},{"ID":91048,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}<p style=\"text-align: justify;\">Bart\u00f3k a Bostoni Szimfonikusok sz\u00e1m\u00e1ra, Sergei Koussevitzky k\u00e9r\u00e9s\u00e9re kompon\u00e1lta a Concert\u00f3t. A bostoni bemutat\u00f3ra Bart\u00f3k ismertet\u0151t is \u00edrt: &bdquo;A m\u0171 \u00e1ltal\u00e1nos hangulata &ndash; a tr\u00e9f\u00e1s m\u00e1sodik t\u00e9telt\u0151l eltekintve &ndash; fokozatos \u00e1tmenetet k\u00e9pvisel az els\u0151 t\u00e9tel komolys\u00e1g\u00e1t\u00f3l \u00e9s a harmadik gy\u00e1szos sirat\u00f3\u00e9nek\u00e9t\u0151l a z\u00e1r\u00f3t\u00e9tel \u00e9letigenl\u00e9s\u00e9ig. E szimf\u00f3niaszer\u0171 zenekari m\u0171nek a c\u00edm\u00e9t az egyes hangszerek, hangszercsoportok koncert\u00e1l\u00f3 vagy sz\u00f3lisztikus kezel\u00e9sm\u00f3dja magyar\u00e1zza. A virtu\u00f3z hangszerkezel\u00e9s p\u00e9ld\u00e1ul az els\u0151 t\u00e9tel kidolgoz\u00e1s\u00e1nak fugato-szakaszaiban jelenik meg (r\u00e9zf\u00fav\u00f3 hangszerek), vagy a z\u00e1r\u00f3t\u00e9tel f\u0151t\u00e9m\u00e1j\u00e1nak perpetuum mobile-szer\u0171 futamaiban (von\u00f3sok), \u00e9s k\u00fcl\u00f6n\u00f6sen a m\u00e1sodik t\u00e9telben, ahol a hangszerek mindig p\u00e1ros\u00e1val jelennek meg egym\u00e1st k\u00f6vet\u0151en, brili\u00e1ns passz\u00e1zsokkal.&rdquo; Somfai L\u00e1szl\u00f3 \u00edgy \u00edrt: &bdquo;A zen\u00e9sz \u00e9pp\u00fagy, mint a hallgat\u00f3, igazi mesterm\u0171 kisug\u00e1rz\u00e1s\u00e1t \u00e9rzi: m\u00e9lyb\u0151l fakad\u00f3 \u00e9rzelmek \u00e9s \u00e1tl\u00e9nyeg\u00fclt pillanatok az els\u0151 t\u00e9tel lass\u00fa bevezet\u00e9s\u00e9ben \u00e9s az El\u00e9gi\u00e1ban; szellemess\u00e9g \u00e9s k\u00fcl\u00f6n\u00f6s szarkazmus a m\u00e1sodik \u00e9s negyedik t\u00e9telben; &bdquo;n\u00e9pek testv\u00e9rr\u00e9 v\u00e1l\u00e1sa&rdquo; k\u00f6rt\u00e1nc a fin\u00e1l\u00e9ban, nagyszab\u00e1s\u00fa ellenpontoz\u00f3 jelenetekkel \u00e9kes\u00edtve, igazi beethoveni z\u00e1r\u00f3-gesztussal.&rdquo;&nbsp;<\/p>{:}{:en}<p style=\"text-align: justify;\">Sergei Koussevitzky commissioned Bart\u00f3k to compose his Concerto for the Boston Symphony Orchestra. Bart\u00f3k contributed a small programme note for the Boston premiere: &bdquo;The general mood of the world &ndash; excepting the second movement &ndash; represents a gradual transition from the seriousness of the first movement and the funeral dirge of the third to the affirmative closing movement. The title of this symphonic style work is explained by the concerto or soloistic treatment of individual instruments or groups. Examples of virtuosic handling of instruments occur in the fugato sections of the first movement development (brass instruments), or the perpetuum mobile passages of the finale&rsquo;s principal theme (strings), and particularly in the second movement where instruments appear successively in pairs with brilliant passages.&rdquo; L\u00e1szl\u00f3 Somfai wrote the following: &bdquo;Musicians and listeners alike sense the radiance of a true masterpiece: profound inner feelings and transfigured movements in the slow introduction of the first movement and the Elegy; wit and unique sarcasm in the second and fourth movements; the &bdquo;all men will be brothers&rdquo; circle dance in the finale, ornamented with grand contrapuntal passages and a true Beethovenian closing gesture.&rdquo;&nbsp;<\/p>{:}","post_title":"{:hu}Concerto{:}{:en}Concerto for Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"concerto","to_ping":"","pinged":"","post_modified":"2016-09-08 08:57:47","post_modified_gmt":"2016-09-08 08:57:47","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/concerto\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Bart\u00f3k"]}],"kozr_szemelyek":[{"ID":96772,"post_author":"3","post_date":"2016-10-04 14:34:22","post_date_gmt":"0000-00-00 00:00:00","post_content":"","post_title":"V\u00e1radi L\u00e1szl\u00f3","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2016-10-04 14:34:22","post_modified_gmt":"2016-10-04 14:34:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=96772","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"jegyarak":"6.000 Ft","jegyvasarlas_gomb":"http:\/\/gyfz.hu\/hu\/koncertek\/nemzeti-filharmonikusok","kozr_szemelyek_feluldefinialasa":"","youtube_id":"","old_id":"","elkeltek_a_jegyek":false,"muvekrol_reszletesen":null,"muveszekrol_reszletesen":null,"kiemelt_kep_en":null,"gombtipus":"jegy"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/96771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=96771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}