![](\"..http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/__oldsite\/uploads\/KocsisZoltan01.jpg\")
Born in Budapest in 1952, he began to play the piano at the age of five. In 1963, he entered the B\u00e9la Bart\u00f3k Music School, studying piano and composition and in 1968, entered the Franz Liszt Music Academy as a pupil of P\u00e1l Kadosa and Ferenc Rados. His international fame began at the age of eighteen when he won Hungarian Radio's International Beethoven Competition, and a scintillating solo career rapidly unfolded. He was invited to perform all over Europe, in North and South America as well as the Far East. In 1977, he was invited by Sviatoslav Richter to perform at his festival in France, and the two pianists also gave duet recitals together.\r\n\r\n \r\n\r\n![](\"..http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/__oldsite\/uploads\/KocsisZoltan02.jpg\")
He has performed with leading world orchestras such as the Berlin Philharmonic, the Royal Philharmonic, the Vienna Philharmonic, the Chicago Symphony Orchestra and the San Francisco Orchestra. He has been a regular guest at international festivals in Edinburgh, Paris, Tours, Lucerne, Salzburg, Prague and Menton, and worked with such conductors as Claudio Abbado, Christoph von Dohn\u00e1nyi, Edo de Waart, Charles Mackerras, Lovro von Matacic, Charles Dutoit, Herbert Blomstedt and Michael Tilson Thomas.\r\n\r\n \r\n\r\nIn 1983, he co-founded the Budapest Festival Orchestra with Iv\u00e1n Fischer, and since 1987 has regularly conducted. He is also a recognised composer. He is deeply committed to contemporary music and has enjoyed a fruitful relationship with, amongst others, Gy\u00f6rgy Kurt\u00e1g, giving world premieres of numerous Kurt\u00e1g compositions, some of which are dedicated to him.\r\n\r\n \r\n\r\n![](\"..http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/__oldsite\/uploads\/KocsisZoltan03.jpg\")
Zolt\u00e1n Kocsis has recorded for Denon, Hungaroton, Nippon Columbia, Phonogram and Quintana, but is now an exclusive Philips Classics artist. He received an Edison prize for his recordings with Iv\u00e1n Fischer and the Budapest Festival Orchestra of the three Bart\u00f3k concertos.\r\n\r\n \r\n\r\nHis Debussy recordings won the Gramophone prize as well as the \"Instrumental Recording of the year\" award.\r\n\r\n \r\n\r\n![](\"..http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/__oldsite\/uploads\/KocsisZoltan04.jpg\")
In Autumn 1997, he became general music director of the National Philharmonic Orchestra (formerly the Hungarian State Orchestra). As a result, the orchestra's repertoire has broadened considerably, and since his appointment, several works have been given their world premiere.\r\nIn recent years, he has toured nine European countries and Japan with the orchestra as both conductor and soloist, and enjoyed immense critical acclaim.{:}","post_title":"{:hu}Kocsis Zolt\u00e1n{:}{:en}Zolt\u00e1n Kocsis{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kocsis-zoltan-2","to_ping":"","pinged":"","post_modified":"2017-10-08 16:07:45","post_modified_gmt":"2017-10-08 16:07:45","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=85860","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91231,"post_author":"1","post_date":"2016-09-08 08:57:49","post_date_gmt":"2016-09-08 08:57:49","post_content":"{:hu}A k\u00e9kszak\u00e1ll\u00fa herceg v\u00e1ra<\/em> 1911-ben keletkezett, k\u00fcls\u0151 \u00f6szt\u00f6nz\u0151je a Lip\u00f3tv\u00e1rosi Kaszin\u00f3 operap\u00e1ly\u00e1zata volt. A Bal\u00e1zs B\u00e9la sz\u00f6vegk\u00f6nyv\u00e9re kompon\u00e1lt m\u0171vet a p\u00e1ly\u00e1zat b\u00edr\u00e1l\u00f3bizotts\u00e1ga visszautas\u00edtotta. Bart\u00f3k ut\u00f3bb (1912-ben \u00e9s 1918-ban, majd 1921-ben) m\u00f3dos\u00edtott a partit\u00far\u00e1n. A bemutat\u00f3 1918-ban zajlott le Budapesten, Egisto Tango vez\u00e9nylet\u00e9vel.\r\n\r\n\u201eEml\u00e9kek \u00e9s el\u0151\u00e9rzetek egy\u00fcttesen teszik k\u00fcl\u00f6n\u00f6sen \u00e9rz\u00e9kenny\u00e9, fog\u00e9konny\u00e1 Bart\u00f3kot Bal\u00e1zs egyfelvon\u00e1sosa, k\u00e9tszerepl\u0151s dr\u00e1m\u00e1ja ir\u00e1nt. Van azonban k\u00fcls\u0151 m\u0171faji ind\u00edt\u00e9ka is. Az egyik a sz\u00f6vegk\u00f6nyv nyilv\u00e1nval\u00f3 kapcsolata Wagner<\/em> Lohengrinj\u00e9vel,<\/em> ami Bart\u00f3kban a benne szunnyad\u00f3 m\u00e9ly \u00e9s kit\u00f6r\u00f6lhetetlen Wagner-\u00e9lm\u00e9nyeket \u00e9breszti fel. (\u2026) T\u0151le \u00f6r\u00f6k\u00f6lte Bart\u00f3k (\u00e9s Bal\u00e1zs B\u00e9la is) a megv\u00e1lt\u00f3 szerelem gondolat\u00e1t. K\u00f6zvetlen\u00fcl a<\/em> Lohengrinre<\/em> utal az egyfelvon\u00e1sos tilalom-mot\u00edvuma (\u2026) a m\u0171v\u00e9sznek, Wagner magyar\u00e1zata szerint<\/em> \u00bba szellem\u00e9let magaslatair\u00f3l\u00ab az emberek k\u00f6z\u00e9 val\u00f3 lek\u00edv\u00e1nkoz\u00e1sa \u00e9s e v\u00e1gy teljes\u00edthetetlens\u00e9ge. Bart\u00f3k oper\u00e1j\u00e1nak m\u00e1sik nagy m\u0171fajkapcsolata, inspir\u00e1ci\u00f3ja szint\u00e9n Bal\u00e1zson \u00e9s ebben az esetben Bal\u00e1zs ihlet\u0151j\u00e9n, Maeterlincken \u00e1t vezet most m\u00e1r Debussyhez,<\/em> a<\/em> Pell\u00e9as \u00e9s M\u00e9lisande-hoz (1902), vagy m\u00e9g konkr\u00e9tabban Dukas 1907-ben, P\u00e1rizsban sz\u00ednre ker\u00fclt<\/em> h\u00e1romfelvon\u00e1sos<\/em> Ariane et Barbe-<\/em>bleue oper\u00e1j\u00e1hoz. A ballada-hang, a szimbolikus nyelv \u00e9s dramaturgia, a t\u00f6megjelenetekt\u0151l val\u00f3 tart\u00f3zkod\u00e1s, a kamarasz\u00ednpad, a vizu\u00e1lis f\u00e9ny- \u00e9s sz\u00ednhat\u00e1sok, \u00e1ltal\u00e1ban zene \u00e9s k\u00e9p szoros sz\u00f6vets\u00e9ge <\/em>\u00ad\u2013 csupa olyan sz\u00e1l, amely a<\/em> K\u00e9kszak\u00e1ll\u00fat<\/em> a XX. sz\u00e1zad eleji francia sz\u00ednpadhoz k\u00f6ti.\u201d<\/em> (Kro\u00f3 Gy\u00f6rgy){:}{:en}Bluebeard's Castle was composed in 1911, prompted by a competition for new operas announced by the Lip\u00f3tv\u00e1ros Casino. The work written on a libretto by B\u00e9la Bal\u00e1zs was rejected by the competition jury. Bart\u00f3k later (in 1912 and 1918, then again in 1921) changed the score. The premiere took place in Budapest in 1918, the conductor was Egisto Tango. \"Recollections and presentiments make Bart\u00f3k specially sensitive to Bal\u00e1zs' one act drama for two characters. However, there was also another kind of external motivation. On the one hand, the text is clearly related to Wagner's Lohengrin, an association touching on Bart\u00f3k's deep and indelible Wagner experiences. In more than just the musical sense heard in dozens of motives and sounds of the opera, this experience also involves the ideas and whole ideology of Wagner's music dramas. Bart\u00f3k (and B\u00e9la Bal\u00e1zs) inherited from Wagner the idea of love as a saving force. The prohibition motive in Bal\u00e1zs' one-act piece is a direct reference to Lohengrin (Nie sollst du mich befragen - \"You are going to see, but never ask, Whatever you see, never ask!\") as well as the pair of the chosen male and fallible female stands for the Wagnerian idea of the artist's desire to descend from \"the heights of spiritual life\" to mix with ordinary people and the infeasibility of fulfilling that desire. The other great connection and inspiration in the field of genre once again takes us, through Bal\u00e1zs and in this case, Bal\u00e1zs' source of inspiration, Maeterlinck to Debussy and his Pell\u00e9as and M\u00e9lisande (1902), or even more to Ariane et Barbe-bleue, a three act opera premiered in Paris in 1907. The ballad style tone, the symbolic language and dramaturgy, the absence of crowd scenes, the chamber stage, the visual effects of light and colour and, in general, the close alliance of music and image are all ties linking Bluebeard to the French stage of the early 20th century.\" (Gy\u00f6rgy Kro\u00f3)<\/p>{:}","post_title":"{:hu}A k\u00e9kszak\u00e1ll\u00fa herceg v\u00e1ra, op. 11{:}{:en}Bluebeard's Castle, op. 11{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-kekszakallu-herceg-vara","to_ping":"","pinged":"","post_modified":"2019-06-27 10:13:36","post_modified_gmt":"2019-06-27 10:13:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/a-kekszakallu-herceg-vara\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91917,"post_author":"1","post_date":"2016-09-08 08:57:59","post_date_gmt":"2016-09-08 08:57:59","post_content":"
\u201eEgy apacstany\u00e1n h\u00e1rom apacs k\u00e9nyszer\u00edt egy fiatal le\u00e1nyt, hogy cs\u00e1b\u00edtson fel f\u00e9rfiakat mag\u00e1hoz, akiket \u0151k azt\u00e1n kirabolnak. Az els\u0151 egy szeg\u00e9ny leg\u00e9ny, a m\u00e1sodik sem k\u00fcl\u00f6nb, de a harmadik egy gazdag k\u00ednai. A fog\u00e1s j\u00f3, a le\u00e1ny t\u00e1nccal mulattatja, \u00e9s a mandarinban fel\u00e9bred a v\u00e1gy, a szerelem hevesen fellobban benne, de a le\u00e1ny irt\u00f3zik t\u0151le. Az apacsok megt\u00e1madj\u00e1k, kifosztj\u00e1k, a dunyh\u00e1ba fojtj\u00e1k, karddal sz\u00farj\u00e1k kereszt\u00fcl, majd felakasztj\u00e1k, mindhi\u00e1ba, a mandarinnal nem b\u00edrnak, szerelmes \u00e9s v\u00e1gyakoz\u00f3 szemekkel n\u00e9z a le\u00e1nyra. Az asszonyi invenci\u00f3 seg\u00edt, a le\u00e1ny eleget tesz a mandarin k\u00edv\u00e1ns\u00e1g\u00e1nak, mire az holtan, \u00e9lettelen\u00fcl ter\u00fcl el.\u201d Bart\u00f3k fogalmazza meg \u00edgy egy 1919-es besz\u00e9lget\u00e9sben a Csod\u00e1latos mandarin cselekm\u00e9ny\u00e9t.\r\nLengyel Menyh\u00e9rt r\u00e9mmes\u00e9je, mely eredetileg a Gyagilev-balett sz\u00e1m\u00e1ra k\u00e9sz\u00fclt 1912-ben, s \u00f6t \u00e9vvel k\u00e9s\u0151bb jelent meg a Nyugatban, els\u0151 olvas\u00e1sra leny\u0171g\u00f6zi Bart\u00f3kot. \u201eCsod\u00e1latosan sz\u00e9pnek\u201d tal\u00e1lja a t\u00f6rt\u00e9netet, n\u00e9h\u00e1ny h\u00f3napon bel\u00fcl a kompoz\u00edci\u00f3 egyes r\u00e9szletei k\u00e9szen \u00e1llnak, s a zenei \u00f6tletek m\u00e1r az els\u0151 v\u00e1zlatokban mozarti t\u00f6k\u00e9letess\u00e9ggel v\u00e9gleges form\u00e1jukban jelennek meg. A t\u00e9nyleges kompon\u00e1l\u00e1st csak 1918 \u0151sz\u00e9n kezdi meg Bart\u00f3k, s b\u00e1r 1919 m\u00e1jus\u00e1ra befejezi a m\u0171vet, a hangszerel\u00e9ssel csak 1924-re v\u00e9gez. A k\u00e9t \u00e9vvel k\u00e9s\u0151bbi k\u00f6lni \u0151sbemutat\u00f3n a m\u0171 megbukott, s magyarorsz\u00e1gi bemutat\u00f3j\u00e1ra csak 1945-ben, Bart\u00f3k hal\u00e1la ut\u00e1n ker\u00fclt sor. A sors ir\u00f3ni\u00e1ja, hogy a Mandarin Bart\u00f3k egyik legkedvesebb m\u0171ve volt, \u00e9s m\u00e1s m\u0171veit h\u00e1tt\u00e9rbe szor\u00edtva szorgalmazta el\u0151ad\u00e1s\u00e1t.\r\nA sikertelens\u00e9g ok\u00e1t a m\u0171 k\u00e9t alkot\u00f3elem\u00e9ben kereshetj\u00fck: a t\u00f6rt\u00e9netben \u00e9s a zen\u00e9ben. Bart\u00f3k radik\u00e1lis korszak\u00e1nak egyik legprogressz\u00edvebb m\u0171ve a Csod\u00e1latos mandarin, melynek zen\u00e9je m\u00e1r v\u00e9gtelen\u00fcl elt\u00e1volodott a klasszikus polg\u00e1ri zenekult\u00fara ton\u00e1lis nyelv\u00e9t\u0151l. A ton\u00e1lis k\u00f6t\u00f6tts\u00e9gek al\u00f3l felszabad\u00edtott disszonancia teljes m\u00e9rt\u00e9kben a kifejez\u00e9s szolg\u00e1lat\u00e1ban \u00e1ll, ahogy a hangszerel\u00e9si \u00fajdons\u00e1gok, a f\u00fav\u00f3s-glissand\u00f3k, az \u00fct\u0151hangszerek el\u0151t\u00e9rbel\u00e9p\u00e9se, vagy a von\u00f3skar vadul ritmikus, pulz\u00e1l\u00f3 kezel\u00e9se. Persze K\u00f6ln f\u0151polg\u00e1rmestere, Konrad Adenauer val\u00f3sz\u00edn\u0171leg nem a k\u00fcl\u00f6n\u00f6s harsona\u00e1ll\u00e1sok, hanem az orgazmus ny\u00edlt sz\u00edni bemutat\u00e1sa miatt tiltotta be a premiert k\u00f6vet\u0151 el\u0151ad\u00e1sokat.\r\nPedig Bart\u00f3k sz\u00e1m\u00e1ra nem a nyersen realista t\u00f6rt\u00e9net volt fontos, hanem a benne rejl\u0151 hum\u00e1num: a nagyv\u00e1rosi l\u00e9t, a mindennapi \u00e9let \u00e1ltal elnyomott emberi l\u00e9lek szenved\u00e9se, s e szenved\u00e9s megv\u00e1lt\u00e1sa, mely csak a szerelemben lehets\u00e9ges. Bart\u00f3k nem sz\u00e9peleg, \u00e9s nem besz\u00e9l mell\u00e9: ember mivoltunknak l\u00e9nyege a katarzisra val\u00f3 k\u00e9pess\u00e9g, s a megtisztul\u00e1s mindenki sz\u00e1m\u00e1ra adott leg\u0151sibb form\u00e1ja a testi szerelem beteljes\u00fcl\u00e9s\u00e9ben lehets\u00e9ges, amikor f\u00e9rfi \u00e9s n\u0151, k\u00e9t \u00f6sszeb\u00e9k\u00edthetetlen\u00fcl ellent\u00e9tes vil\u00e1g fizikailag is eggy\u00e9 v\u00e1lik. S b\u00e1r a m\u00e1sik vil\u00e1gb\u00f3l \u00e9rkezett mandarin, a szorongat\u00f3an realista vil\u00e1gba bel\u00e9p\u0151 irre\u00e1lis l\u00e9ny el\u0151sz\u00f6r elrettenti a l\u00e1nyt \u00e9s v\u00e1gy\u00e1nak v\u00e9gtelens\u00e9ge a fizika t\u00f6rv\u00e9nyeit is megc\u00e1folja, a szerelmi egyes\u00fcl\u00e9s ut\u00e1n sebeib\u0151l megindul a v\u00e9r: emberr\u00e9 tette a l\u00e1nyt, s maga is emberr\u00e9 lett. Bart\u00f3k m\u0171v\u00e9nek tragikuma nem a mandarin hal\u00e1l\u00e1ban \u00e1ll, hanem az embertelen vil\u00e1gban v\u00e9gk\u00e9pp otthontalann\u00e1 v\u00e1l\u00f3 l\u00e1ny \u00f6nmag\u00e1ra tal\u00e1l\u00e1s\u00e1ban. A m\u0171vet z\u00e1r\u00f3 gy\u00e1szindul\u00f3 nem a halottakat, hanem az \u00e9letben maradtakat siratja. (Fazekas Gergely)<\/p>","post_title":"{:hu}A csod\u00e1latos mandarin - balett Sz. 73, BB 82{:}{:en}The Miraculous Mandarin{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-csodalatos-mandarin-balett-sz-73-bb-82","to_ping":"","pinged":"","post_modified":"2016-10-18 16:07:31","post_modified_gmt":"2016-10-18 16:07:31","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/a-csodalatos-mandarin-balett-sz-73-bb-82\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Bart\u00f3k"]}],"kozr_szemelyek":[{"ID":86802,"post_author":"1","post_date":"2016-10-18 16:10:24","post_date_gmt":"2016-10-18 16:10:24","post_content":"{:hu}\r\n
Bretz G\u00e1bor Budapesten sz\u00fcletett 1974-ben.\u00a0A vil\u00e1gj\u00e1r\u00f3 \u00e9nekes a mai napig rendszeresen szerepel a Magyar \u00c1llami Operah\u00e1zban. Hangj\u00e1t Stephan Czovekkel kezdte el k\u00e9pezni Los Angelesben, majd a Bart\u00f3k B\u00e9la Zenem\u0171v\u00e9szetei Konzervat\u00f3riumban illetve annak befejez\u00e9se ut\u00e1n a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen tanult, illetve Hamari J\u00falia, Ralf Doring , Marton \u00c9va, Yevgeni Nesterenko mester kurzusain vett r\u00e9szt. 2004-ben elnyerte a Cesare Bardelli d\u00edjat a Viotti Nemzetk\u00f6zi \u00c9nekversenyen \u00e9s 2005-ben a M\u00e1ria Callas grand Prix Verseny els\u0151 d\u00edj\u00e1t Ath\u00e9nben. Opera szerepei mellett rendszeresen fell\u00e9p koncerteken, \u00e9s reperto\u00e1rj\u00e1n szerepel az \u00f6sszes nagy orat\u00f3rium, k\u00f6zt\u00fck Verdi Requiemje, melyet a Nemzeti Filharmonikusokkal adott el\u0151 Kocsis Zolt\u00e1n vez\u00e9nylet\u00e9vel.<\/p>\r\n\r\n
![\"\"](\"http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/muveszek\/Bretz.jpg\")
<\/p>\r\n
G\u00e1bor Bretz was born in Budapest in 1974 where he still regularly performs with the Hungarian State Opera. He began his vocal training with Stephan Czovek in Los Angeles, and subsequently studied at the B\u00e9la Bart\u00f3k Conservatory of Music and the Franz Liszt Academy of Music. G\u00e1bor has also attended master classes with Julia Hamari, Ralf Doring, Eva Marton and Yevgeni Nesterenko. He was awarded the Cesare Bardelli prize at the 2004 Viotti International Singing Competition, and was the winner of the 2005 Maria Callas Grand Prix Competition in Athens. In addition to his operatic appearances G\u00e1bor Bretz sings regularly in concert, and his repertoire includes the major oratorios of Bach, Haydn, Mozart (including the Coronation Mass under Helmut Rilling), Rossini, Puccini, Beethoven\u2019s Symphony No. 9, Tippett\u2019s A Child of our Time, Berlioz\u2019s L\u2019Enfance du Christ (under Sylvain Cambreling), and the Verdi Requiem in Budapest with the National Philharmonic under the baton of Zoltan Kocsis.<\/span><\/p>{:}","post_title":"{:hu}Bretz G\u00e1bor{:}{:en}G\u00e1bor Bretz{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"bretz-gabor","to_ping":"","pinged":"","post_modified":"2016-10-18 16:10:24","post_modified_gmt":"2016-10-18 16:10:24","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86802","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}basszus{:}{:en}bass{:}"}],"kozr_intezmenyek":[{"ID":87532,"post_author":"1","post_date":"2016-09-08 07:58:45","post_date_gmt":"2016-09-08 07:58:45","post_content":"{:hu} Magyarorsz\u00e1g els\u0151 modern balett egy\u00fcttese, a P\u00e9csi Balett, 2010-ben \u00fcnnepelte 50 \u00e9ves jubileum\u00e1t, mely \u00e9vben az Eur\u00f3pa Kultur\u00e1lis F\u0151v\u00e1rosa program seg\u00edts\u00e9g\u00e9vel nem t\u00falz\u00e1s azt \u00e1ll\u00edtani, hogy vil\u00e1gsz\u00ednvonalon sz\u00e1rnyaltak. K\u00e9t nemzetk\u00f6zileg elismert nagyszer\u0171 koreogr\u00e1fussal hoztak l\u00e9tre egy-egy szuperprodukci\u00f3t, mellyel megmutathatt\u00e1k, hogy val\u00f3ban m\u00e9lt\u00f3ak az EKF nagyk\u00f6veti c\u00edmre, a Megyei Prima-d\u00edjra, s arra a sz\u00e1mos rangos szakmai elismer\u00e9sre, melyben az egy\u00fcttes t\u00e1ncm\u0171v\u00e9szei r\u00e9szes\u00fcltek a k\u00f6zelm\u00faltban. <\/p>{:}{:en}{:}","post_title":"{:hu}P\u00e9csi Balett{:}{:en}Ballett P\u00e9cs{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"pecsi-balett","to_ping":"","pinged":"","post_modified":"2016-09-08 07:58:45","post_modified_gmt":"2016-09-08 07:58:45","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/pecsi-balett\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}
\r\nAz elm\u00falt \u00e9vek sor\u00e1n egy olyan er\u0151s, emberileg \u00e9s szakmailag n\u00edv\u00f3s t\u00e1rsulat j\u00f6tt l\u00e9tre, mely \u00e1ltal a P\u00e9csi Balettet ism\u00e9t haz\u00e1nk egyik legelismertebb egy\u00fcttesek\u00e9nt tartja sz\u00e1mon \u00fagy a szakma, mint a k\u00f6z\u00f6ns\u00e9g.
\r\n"Ez az egy\u00fcttes sokoldal\u00fa, kitart\u00f3, nagy munkab\u00edr\u00e1s\u00fa, szenved\u00e9lyes emberekb\u0151l \u00e1ll, akik alig v\u00e1rj\u00e1k, hogy tanulhassanak. Magas szint\u0171 technikai tud\u00e1ssal rendelkeznek stil\u00e1ris ber\u00f6gz\u0151d\u00e9sek n\u00e9lk\u00fcl, k\u00f6nnyed\u00e9n v\u00e1ltanak a klasszikus technika l\u00e9giess\u00e9g\u00e9r\u0151l a kort\u00e1rs mozg\u00e1sform\u00e1k f\u00f6ldk\u00f6zelis\u00e9g\u00e9re." nyilatkozta a t\u00e1rsulatr\u00f3l Cameron McMillan vil\u00e1gh\u00edr\u0171 t\u00e1ncm\u0171v\u00e9sz-koreogr\u00e1fus.<\/p>\r\n![\"\"](\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\")
\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"jegyarak":"2400 Ft, 3100 Ft, 3800 Ft, 4700 Ft, 5900 Ft","jegyvasarlas_gomb":"https:\/\/cafebudapestfest.jegy.hu\/program\/bartok-a-kekszakallu-herceg-vara-a-csodalatos-mandarinbemutatocafe-budapest-nyitoeloadasa-2016-70277\/337437\/?tseid=5915&_ga=1.109849221.128117956.1471245564","kozr_szemelyek_feluldefinialasa":"","youtube_id":"","old_id":"","elkeltek_a_jegyek":false,"muvekrol_reszletesen":null,"muveszekrol_reszletesen":null,"kiemelt_kep_en":null,"gombtipus":"jegy"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/96699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=96699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}