{"id":96684,"date":"2016-09-30T11:50:52","date_gmt":"2016-09-30T11:50:52","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=96684"},"modified":"2017-04-26T06:23:15","modified_gmt":"2017-04-26T06:23:15","slug":"verdi-requiem-miskolcon-a-nemzeti-enekkarral","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/verdi-requiem-miskolcon-a-nemzeti-enekkarral\/","title":{"rendered":"Verdi Requiem Miskolcon a Nemzeti \u00c9nekkarral"},"content":{"rendered":"

Mint ismert, okt\u00f3ber elseje a zene vil\u00e1gnapja, ebb\u0151l az alkalomb\u00f3l orsz\u00e1gszerte t\u00f6bb koncertet, hangversenyt \u00e9s m\u00e1s zenei programot is rendeznek. A vil\u00e1gnap c\u00e9lja, hogy n\u00e9pszer\u0171s\u00edtse a zenem\u0171v\u00e9szetet mint nemzetek k\u00f6z\u00f6tti egyetemes nyelvet. Ez a nap valamennyi zenekar, muzsikus sz\u00e1m\u00e1ra kiemelked\u0151 esem\u00e9ny, hiszen egy olyan \u00e9rt\u00e9k ker\u00fcl a figyelem k\u00f6z\u00e9ppontj\u00e1ba, ami kit\u00f6lti minden zeneszeret\u0151 \u00e9let\u00e9t, amelynek k\u00f6zvet\u00edt\u00e9se a zen\u00e9szek hivat\u00e1sa. Ahogy a Miskolci Szimfonikus Zenekar szlogenje, “A zene elemi er\u0151” is mutatja, a muzsika alkalmas a lelk\u00fcnkre \u00e9s a test\u00fcnkre is hatni.<\/p>\n

A zene vil\u00e1gnapja alkalm\u00e1b\u00f3l szervezett nagykoncert \u00f6tlete k\u00e9t \u00e9vre ny\u00falik vissza. 2014-ben a Carmina Burana-t hallhatta a k\u00f6z\u00f6ns\u00e9g, 2015-ben pedig a Djabe egy\u00fcttessel k\u00f6z\u00f6sen mutattuk be a Forward c\u00edm\u0171 lemez zeneanyag\u00e1t.<\/p>\n

M\u00e1r a Carmina Burana sikere ut\u00e1n tudtuk, hogy folytatni szeretn\u00e9nk ezt a hagyom\u00e1nyt. Ez a nap a zenem\u0171v\u00e9szet legnagyobb alakjaira eml\u00e9keztet, ez\u00e9rt j\u00f6v\u0151re is egy olyan nagyszab\u00e1s\u00fa produkci\u00f3val szeretn\u00e9nk \u00fcnnepelni, mely m\u00e9lt\u00f3n mutatja be a komolyzene soksz\u00edn\u0171s\u00e9g\u00e9t \u00e9s erej\u00e9t. \u00cdgy esett a v\u00e1laszt\u00e1sunk Verdi Requiem-j\u00e9re.<\/p>\n","protected":false},"template":"","class_list":["post-96684","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":{"alcim":"A Zene Vil\u00e1gnapja","kiemelt_kep":{"ID":96688,"id":96688,"title":"Verdi Requiem","filename":"requiem-a-zene-vilagnapjan-474-279-82452.jpg","filesize":20235,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/verdi-requiem-miskolcon-a-nemzeti-enekkarral\/requiem-a-zene-vilagnapjan-474-279-82452\/","alt":"","author":"3","description":"","caption":"","name":"requiem-a-zene-vilagnapjan-474-279-82452","status":"inherit","uploaded_to":96684,"date":"2016-09-30 11:44:28","modified":"2016-10-17 14:49:08","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":474,"height":279,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452-300x177.jpg","medium-width":300,"medium-height":177,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452.jpg","medium_large-width":474,"medium_large-height":279,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452.jpg","large-width":474,"large-height":279,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452.jpg","1536x1536-width":474,"1536x1536-height":279,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452.jpg","2048x2048-width":474,"2048x2048-height":279,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452.jpg","person-size-2-width":165,"person-size-2-height":97,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452-359x279.jpg","director-index-size-width":359,"director-index-size-height":279,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452.jpg","person-lead-size-width":474,"person-lead-size-height":279,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/requiem-a-zene-vilagnapjan-474-279-82452.jpg","slider-size-width":474,"slider-size-height":279}},"megjegyzes":"","esemeny_datum":"20161001","esemeny_idopontja":"19.00 - 21.30","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":96686,"post_author":"3","post_date":"2016-09-30 11:43:11","post_date_gmt":"2016-09-30 11:43:11","post_content":"","post_title":"Egyetemi aula","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"egyetemi-aula-2","to_ping":"","pinged":"","post_modified":"2016-09-30 11:43:11","post_modified_gmt":"2016-09-30 11:43:11","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=places&p=96686","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Miskolc","orszag":"Magyarorsz\u00e1g","cim":"","megjegyzes":"","weboldal":"http:\/\/www.mso.hu\/hu"},"helyszin_kategoria":"videk","karmester":{"ID":86114,"post_author":"1","post_date":"2016-09-08 07:48:32","post_date_gmt":"0000-00-00 00:00:00","post_content":"{:hu}{:}{:en}{:}","post_title":"{:hu}G\u00e1l Tam\u00e1s{:}{:en}Tam\u00e1s G\u00e1l{:}","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2016-09-08 07:48:32","post_modified_gmt":"0000-00-00 00:00:00","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86114","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91039,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}Ahogy Hans von B\u00fclow egykor megjegyezte: a Requiem<\/em> \u201eVerdi<\/em><\/strong> \u00fajabb oper\u00e1ja, ez\u00fattal egyh\u00e1zi k\u00f6nt\u00f6sben\u201d.<\/em> Nem vitathat\u00f3 a m\u0171 sz\u00ednpadiass\u00e1ga, a kifejez\u00e9sm\u00f3d dr\u00e1mai jellege \u2013 de ez a m\u0171 er\u00e9nye is. Az id\u0151s\u00f6d\u0151 mester a liturgikus sz\u00f6veg megzen\u00e9s\u00edt\u00e9sekor sem tagadta meg \u00f6nmag\u00e1t: b\u00e1mulatosan hat\u00e1sos, dr\u00e1mai t\u00e9teleket alkotott. A m\u0171 \u00e9lvonalbeli \u00e9nekesg\u00e1rda k\u00f6zrem\u0171k\u00f6d\u00e9s\u00e9vel, a Nemzeti Filharmonikusok<\/strong> el\u0151ad\u00e1s\u00e1ban hangzik fel, a toki\u00f3i Musashino K\u00f3rus<\/strong> karigazgat\u00f3ja egyben a koncert karmestere, a magyar k\u00f6z\u00f6ns\u00e9g legend\u00e1s kedvence, Kobayashi Ken-Ichiro.<\/strong>\r\n\r\nVerdit Rossini hal\u00e1la, 1868 \u00f3ta foglalkoztatta a halotti mise megzen\u00e9s\u00edt\u00e9s\u00e9nek terve. El\u0151sz\u00f6r \u00fagy gondolta, olyan nagyszab\u00e1s\u00fa m\u0171vet kellene alkotni, amelynek minden t\u00e9tel\u00e9t m\u00e1s olasz komponista \u00edrja. A terv kudarcba fulladt \u2013 Verdi azonban megkompon\u00e1lta a maga r\u00e9sz\u00e9t, a Libera me-<\/em>t, s\u0151t amikor kider\u00fclt, hogy a Dies irae<\/em>-re sem akad id\u0151ben v\u00e1llalkoz\u00f3, annak v\u00e1zlataiba is belefogott. K\u00e9t \u00e9vvel k\u00e9s\u0151bb hozz\u00e1l\u00e1tott, hogy a t\u00f6bbi t\u00e9telt is kidolgozza. Felgyors\u00edtotta a munk\u00e1t Alessandro Manzoninak, az it\u00e1liai irodalom kiemelked\u0151 alakj\u00e1nak hal\u00e1la (1873). A zeneszerz\u0151 most m\u00e1r kifejezetten Manzoni eml\u00e9k\u00e9nek sz\u00e1nta m\u0171v\u00e9t, amely 1874. m\u00e1jus 22-\u00e9n hangzott el el\u0151sz\u00f6r: a mil\u00e1n\u00f3i San Marco sz\u00e9kesegyh\u00e1zban. Az el\u0151ad\u00e1s hatalmas sikert aratott \u2013 s a Requiem<\/em> az\u00f3ta is t\u00f6retlen\u00fcl n\u00e9pszer\u0171 az eg\u00e9sz vil\u00e1gon. A m\u0171re mindv\u00e9gig jellemz\u0151 az operai dallamoss\u00e1g, a hangszerel\u00e9s p\u00e1ratlan sz\u00edngazdags\u00e1ga, az \u00e9rzelmekben \u00e9s indulatokban b\u0151velked\u0151 kifejez\u00e9sm\u00f3d, a l\u00e1ttat\u00f3 szuggesztivit\u00e1s\u00fa \u00e1br\u00e1zol\u00e1s \u00e9s a rendk\u00edv\u00fcli erej\u0171 kontrasztok alkalmaz\u00e1sa.{:}{:en}

The plan for a requiem mass began to occupy Verdi following the death of his fellow Italian composer, Rossini in 1868. Initially, he felt a large scale work should be composed with each individual movement being written by a different Italian composer. It was to have been performed on the first anniversary of Rossini's death, and then later on at major anniversaries, but never at mundane concerts. After much dragging of heels all round, the plan finally failed. Verdi himself did compose his own allotted movement, the Libera me. When it transpired that no one would undertake to write the Dies Irae, Verdi sat down to sketch one. Two years later, a music critic friend (in the days when music critics were actually occasionally useful!) persuaded Verdi to work out the other movements. The process was accelerated by the death in 1873 of Verdi's good friend, Alessandro Manzoni, who was one of the leading figures of literature and the Italian Risorgimento. The composer decided to complete the work in Manzoni's memory and it was premiered on May 22nd 1874 at the San Marco cathedral. The performance was an immense success - and the Requiem has maintained its popularity ever since.<\/p>\r\n

As Hans von B\u00fclow rather maliciously noted that the Requiem \"is Verdi's latest opera, this time in ecclesiastical robes.\" There is no disputing the work's theatricality. The ageing master, who after completing Aida had decided to abandon the opera genre for a while, could not hide his true colours when setting the sacred text. The end result is extraordinarily powerful and dramatic.<\/p>\r\n

In the first larger unit, the Introitus that begins with the words \"Requiem aeternam\", and also in the Kyrie, it is dark textures that prevail. The composition commences with the whispering chorus and deep strings. Although the music climaxes, at the end of the Kyrie it again dies away into a hushed piano dynamic.<\/p>\r\n

The beginning of the Dies irae makes for an unbelievably powerful contrast. Verdi pulls out all the stops to create a musical evocation of the final judgement, with the opening chords sounding like nails being driven into coffins, followed by the tense chromatic melody and the powerful use of the brass instruments. As with most composers of Requiem masses, Verdi unfolds the long sequence of the 13th century verses into individual self-contained movements. The Tuba mirum is introduced by trumpets in the orchestra and by others placed some distance away. The words of the chorus who enter shortly, seem to get lost in the huge panic of the brass instruments. After the evocation of the final judgement, the movement dies away to pianissimo, and the bass soloist sings in an ever more faltering voice that on this day, Death itself was also astonished. The next movement, the Liber scriptus is a mezzo-soprano aria, which Verdi connects to a brief quotation from motifs found in the Dies irae. A trio follows, with a mood of supplication (Quid sum miser) before the entire ensemble is employed (in another dramatic contrast) with Rex tremendae. The Recordare is a duet between soprano and mezzo-soprano, Ingemisco is a tenor aria, while Confutatis is an aria for bass. At the end of this latter, Verdi again evokes the beginning of the Dies irae. This leads to the final unit of the sequentia-text, with the broad lamenting melody of the Lacrymosa.<\/p>\r\n

The Offertorium is a symmetrical structure in five parts (A-B-C-B-A), with a particularly lengthy central section, the melody of which (sung by the tenor) is slightly reminiscent of the Gregorian world.<\/p>\r\n

At the beginning of the Sanctus, the brass instruments dominate. After the trombone fanfare, the chorus launches into a double fugue. The Agnus Dei is a kind of variation movement, again with a Gregorian like basic theme, heard in major and minor variants. The mezzo, tenor and bass sing the Lux aeterna as a trio - the fourth soloist, the soprano receives the lead role of the Libera me. Although - as we have already mentioned - this was the first movement to be completed, important musical material from the Dies irae and Introitus can be found in it. There is a continuing dispute among musicologists whether Verdi added these details subsequently, or that they were originally present and gave birth and inspiration to the movements that followed.<\/p>{:}","post_title":"{:hu}Requiem{:}{:en}Requiem{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"requiem-2","to_ping":"","pinged":"","post_modified":"2019-12-11 11:00:30","post_modified_gmt":"2019-12-11 11:00:30","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/requiem-2\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"kozr_szemelyek":[],"kozr_intezmenyek":[{"ID":87528,"post_author":"1","post_date":"2016-09-08 07:58:45","post_date_gmt":"2016-09-08 07:58:45","post_content":"{:hu}\"\"A Nemzeti \u00c9nekkar 1985-ben alakult \u00c1llami \u00c9nekkar n\u00e9ven, 2016. janu\u00e1r 1-t\u0151l vezet\u0151 karnagya Somos Csaba. Az \u00e9nekkar Magyarorsz\u00e1g egyik vezet\u0151 hivat\u00e1sos k\u00f3rusa, amelynek profilja a zenekar-k\u00eds\u00e9retes kompoz\u00edci\u00f3k, orat\u00f3riumok, valamint a cappella m\u0171vek el\u0151ad\u00e1sa. Reperto\u00e1rja ennek megfelel\u0151en rendk\u00edv\u00fcl gazdag, a kora barokk Sch\u00fctz alkot\u00e1sait\u00f3l Bach, a b\u00e9csi klasszikusok \u00e9s a 19. sz\u00e1zad zeneszerz\u0151inek kompoz\u00edci\u00f3in kereszt\u00fcl a 20. sz\u00e1zad \u00e9s a kort\u00e1rs zen\u00e9ig minden ir\u00e1nyba nyitott, m\u0171faji hat\u00e1rok n\u00e9lk\u00fcl, de a ritk\u00e1n m\u0171sorra ker\u00fcl\u0151 alkot\u00e1sok megsz\u00f3laltat\u00e1s\u00e1ban is elk\u00f6telezett. A reperto\u00e1rj\u00e1n hangs\u00falyosan jelen lev\u0151 19. sz\u00e1zadi orat\u00f3riumok mellett az egy\u00fcttes kiemelt fontoss\u00e1got tulajdon\u00edt a kort\u00e1rs m\u0171vek el\u0151ad\u00e1s\u00e1nak, sz\u00e1mos m\u0171 \u0151sbemutat\u00f3ja, illetve magyarorsz\u00e1gi bemutat\u00f3ja f\u0171z\u0151dik a nev\u00e9hez.\r\n\r\nA k\u00f3rus visszat\u00e9r\u0151 k\u00f6zrem\u0171k\u00f6d\u0151je a Nemzeti Filharmonikusok martonv\u00e1s\u00e1ri ny\u00e1ri Beethoven-sorozat\u00e1nak, kiemelked\u0151 szerepl\u0151je a zenekar csal\u00e1di matin\u00e9 koncertsorozat\u00e1nak, valamint a Kocsis Zolt\u00e1n m\u0171v\u00e9szeti vezet\u00e9s\u00e9vel 2006 \u00f3ta fel\u00e9p\u00fcl\u0151 Bart\u00f3k \u00daj Sorozatnak. A Nemzeti Filharmonikusok Richard Strauss oper\u00e1it bemutat\u00f3 nagy siker\u0171 sz\u00e9ri\u00e1j\u00e1ban \u00e9s Schoenberg M\u00f3zes \u00e9s \u00c1ron c\u00edm\u0171 oper\u00e1j\u00e1ban, az \u00e9nekkar mellett t\u00f6bb tagja sz\u00f3listak\u00e9nt is fell\u00e9pett. Az \u00e9nekkar a hazai koncertek mellett nemzetk\u00f6zi felk\u00e9r\u00e9seknek is eleget tesz, rendszeresen koncertezik a magyarok \u00e1ltal is lakott hat\u00e1ront\u00fali telep\u00fcl\u00e9seken. A Nemzeti \u00c9nekkar a M\u00fcp\u00e1ban megrendezett nagyszab\u00e1s\u00fa Wagner-napok rendszeresen megh\u00edvott k\u00f6zrem\u0171k\u00f6d\u0151je.{:}{:en}\"\"\r\n\r\nThe Hungarian National Choir (originally called State Choir) was founded in 1985. Between 1990 and 2016 it was headed by M\u00e1ty\u00e1s Antal, who was succeeded by Csaba Somos on 1 January 2016. The choir is one of Hungary\u2019s leading professional choirs. It boasts a rich repertoire chiefly consisting of orchestra-accompanied and a capella choral music, as well as oratorios, ranging from works by the early-Baroque Sch\u00fctz to Bach, Viennese Classical, 19th<\/sup> and 20th<\/sup>-century composers, and contemporary music. The Hungarian National Choir is open to every genre and is dedicated to performing rarely heard works. While the backbone of the repertoire consists of 19th<\/sup>-century oratorios, the Hungarian National Choir attaches great importance to performing contemporary music. Numerous world and national premi\u00e8res are linked with its name.\r\n\r\nThey are\u00a0 returning guests at the Hungarian National Philharmonic Orchestra\u2019s summer Beethoven series in Martonv\u00e1s\u00e1r. It regularly appears in the Orchestra\u2019s family matin\u00e9e concerts, as well as the Bart\u00f3k New Series<\/em>, launched in 2006. The successful performance of Richard Strauss\u2019s operas and Schoenberg\u2019s Moses and Aron<\/em> has involved the National Choir and many of its soloists. In addition to concerts at home, the choir performs extensively abroad and regularly gives concerts in minority Hungarian areas across the border. 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B\u00e1ndi J\u00e1nos, Cser Kriszti\u00e1n, Cserna Ildik\u00f3, Wiedemann Bernadett \u00e9nek<\/em>
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