{"id":83638,"date":"2016-08-08T13:28:39","date_gmt":"2016-08-08T13:28:39","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=83638"},"modified":"2016-10-21T07:44:44","modified_gmt":"2016-10-21T07:44:44","slug":"mozart-zongoraverseny-es-mahler-szimfonia","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mozart-zongoraverseny-es-mahler-szimfonia\/","title":{"rendered":"Mozart Piano Concerto and Mahler Symphony"},"content":{"rendered":"

Composers with alliterative names, Mozart and Mahler rarely come together in the same programme. The Budapest version of the Symphony No. 1 is a rarity in itself, and the guest performers guarantee a special evening. Crtistian Mandeal has been one of Romania\u2019s leading conductors for decades, and has worked with celebrated soloists including Alicia de Larrocha, Radu Lupu, Yefim Bronfman, Ivo Pogorelich, Mstislav Rostropovich and Maxim Vengerov. And few musicians are better qualified to play the piano concerto \u2013 with the otherworldly slow movement \u2013 than Dezs\u0151 R\u00e1nki. Now explosive, now brimming with Viennese nostalgia, now sarcastic \u2013 Mahler\u2019s youthfully energetic symphony is performed this time with the later rejected Andante movement.<\/p>\n","protected":false},"template":"","class_list":["post-83638","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"sajat_program":true,"alcim":"R\u00e1nki Dezs\u0151 \u00e9s Cristian Mandeal","esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87689,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}M\u00fcpa - Bart\u00f3k B\u00e9la Nemzeti Hangversenyterem{:}{:en}M\u00fcpa - B\u00e9la Bart\u00f3k National Concert Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mupa-bartok-bela-nemzeti-hangversenyterem","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/mupa-bartok-bela-nemzeti-hangversenyterem\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Magyarorsz\u00e1g{:}","cim":"

1095 Budapest, Komor Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"jegyarak":"5.200 Ft, 4.300 Ft, 3.600 Ft, 2.900 Ft, 2.100 Ft","jegyvasarlas_gomb":"http:\/\/nfz.jegy.hu\/program\/mozart-zongoraverseny-a-dur-mahler-i-szimfonia-ranki-dezso-zongora-vezenyel-christian-man-68598\/330426","esemeny_datum":"20161206","esemeny_idopontja":"19.30 - 22.00","karmester":{"ID":87450,"post_author":"1","post_date":"2016-10-18 15:33:44","post_date_gmt":"2016-10-18 15:33:44","post_content":"Cristian Mandeal ma az egyik legjelent\u0151sebb rom\u00e1n karmester, Berlinben Herbert von Karajant\u00f3l, M\u00fcnchenben pedig vil\u00e1gh\u00edr\u0171 honfit\u00e1rs\u00e1t\u00f3l, Sergiu Celibidach\u00e9t\u00f3l tanulta meg a szakma m\u0171helytitkait. Az 1946-ban sz\u00fcletett dirigens p\u00e1ly\u00e1j\u00e1nak jelent\u0151s r\u00e9sze a Bukaresti Filharmonikus Zenekarhoz k\u00f6t\u0151dik, amelynek 1987 \u00e9s 2009 k\u00f6z\u00f6tt volt els\u0151 karmestere \u00e9s zeneigazgat\u00f3ja, az \u0151 m\u0171k\u00f6d\u00e9s\u00e9nek k\u00f6sz\u00f6nhet\u0151en v\u00e1lt az egy\u00fcttesb\u0151l a nemzetk\u00f6zi zenei \u00e9let egyik magasan jegyzett szerepl\u0151je. Haz\u00e1j\u00e1ban v\u00e9gzett munk\u00e1ja mellett sz\u00e1mos m\u00e1s zenekart\u00f3l is kapott tiszts\u00e9geket; p\u00e9ld\u00e1ul a manchesteri Hall\u00e9 Zenekar els\u0151 vend\u00e9gkarmestere volt 2005 \u00e9s 2010 k\u00f6z\u00f6tt \u2013 els\u0151k\u00e9nt az egy\u00fcttes t\u00f6rt\u00e9net\u00e9ben \u2013, a Koppenh\u00e1gai Filharmonikusokat 2006-t\u00f3l 2013-ig vezette, a San Sebastian-i Baszk Nemzeti Zenekart 2001 \u00e9s 2008 k\u00f6z\u00f6tt, valamint tov\u00e1bbi harminc zenekart vez\u00e9nyelt mintegy negyven orsz\u00e1gban n\u00e9gy \u00e9vtizedes p\u00e1ly\u00e1ja sor\u00e1n. Hatvan \u0151sbemutat\u00f3 f\u0171z\u0151dik a nev\u00e9hez, reperto\u00e1rj\u00e1nak k\u00f6z\u00e9ppontj\u00e1ban egyfel\u0151l a 19\u201320. sz\u00e1zadi zene \u00e1ll, m\u00e1sfel\u0151l George Enescu \u00e9letm\u0171ve. A nagy hat\u00e1s\u00fa rom\u00e1n zeneszerz\u0151 valamennyi szimfonikus alkot\u00e1s\u00e1t lemezre vette, \u0151 vezette 1991 \u00e9s 2010 k\u00f6z\u00f6tt a George Enescu Filharmonikusokat, valamint 2008 \u00f3ta a londoni Enescu T\u00e1rsas\u00e1g eln\u00f6ke, tov\u00e1bb\u00e1 az Edinburgh-i Fesztiv\u00e1lon \u0151 vez\u00e9nyelte a rom\u00e1n szerz\u0151 Oedipe c\u00edm\u0171 oper\u00e1j\u00e1t. A produkci\u00f3t h\u00e1rom \u00e9vvel k\u00e9s\u0151bb az olaszorsz\u00e1gi Cagliari Teatro Lirico is bemutatta, \u00f6sszesen nyolc el\u0151ad\u00e1st rendezve, \u00edgy \u00f6sszesen k\u00f6r\u00fclbel\u00fcl tizenegyezer n\u00e9z\u0151 ismerhette meg Enescu monument\u00e1lis sz\u00ednpadi m\u0171v\u00e9t.","post_title":"{:hu}Cristian Mandeal{:}{:en}Christian Mandeal{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"cristian-mandeal","to_ping":"","pinged":"","post_modified":"2016-10-18 15:33:44","post_modified_gmt":"2016-10-18 15:33:44","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=87450","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91267,"post_author":"1","post_date":"2016-09-08 08:57:49","post_date_gmt":"2016-09-08 08:57:49","post_content":"{:hu}

Az A-d\u00far hangnem Mozartn\u00e1l nem t\u00fal gyakran, s ink\u00e1bb k\u00e9s\u0151i m\u0171veibenf ordul el\u0151. J\u00f3l k\u00f6r\u00fclhat\u00e1rolhat\u00f3 karaktert hordoz: der\u0171s, napsugaras hangv\u00e9tel \u00e9s l\u00edrai dallamoss\u00e1g jellemzi \u2013 a 488-as zongoraverseny nyit\u00f3t\u00e9tel\u00e9ben p\u00e9ld\u00e1ul nem csak a mell\u00e9kt\u00e9ma, de m\u00e1r a f\u0151t\u00e9ma is ezt a hangv\u00e9telt inton\u00e1lja.<\/p>\r\n

<\/p>\r\n

Wolfgang Amadeus Mozart k\u00e9t A-d\u00far zongoraversenyt kompon\u00e1lt. Az egyik, a K. 414-es sz\u00e1m\u00fa darab 1782-ben, a zeneszerz\u0151 legsikeresebb alkot\u00f3peri\u00f3dus\u00e1nak kezdet\u00e9n keletkezett, a m\u00e1sodik, a K. 488-as ugyanennek a ragyog\u00f3 korszaknak utols\u00f3 \u00e9v\u00e9ben, a Figaro h\u00e1zass\u00e1ga kompon\u00e1l\u00e1sa k\u00f6zben, 1786. m\u00e1rcius 1-\u00e9re k\u00e9sz\u00fclt el. Az A-d\u00far hangnem Mozartn\u00e1l nem t\u00fal gyakran, s ink\u00e1bb k\u00e9s\u0151i m\u0171veiben fordul el\u0151. J\u00f3l k\u00f6r\u00fclhat\u00e1rolhat\u00f3 karaktert hordoz: der\u0171s, napsugaras hangv\u00e9tel \u00e9s l\u00edrai dallamoss\u00e1g jellemzi \u2013 a 488-as zongoraverseny nyit\u00f3t\u00e9tel\u00e9ben p\u00e9ld\u00e1ul nem csak a mell\u00e9kt\u00e9ma, de m\u00e1r a f\u0151t\u00e9ma is ezt a hangv\u00e9telt inton\u00e1lja. Ennek a f\u0151t\u00e9m\u00e1nak a kezdete pedig felt\u0171n\u0151 hasonl\u00f3s\u00e1got mutat k\u00e9t k\u00e9s\u0151bbi, szint\u00e9n A-d\u00far kompoz\u00edci\u00f3: a Klarin\u00e9t-kvintett, illetve a Klarin\u00e9tverseny kezd\u0151t\u00e9m\u00e1j\u00e1val. A klarin\u00e9t jelenl\u00e9te a zenekarokban m\u00e9g az 1780-as \u00e9vekben sem volt \u00e1ltal\u00e1nos, \u00e9s az oper\u00e1kon k\u00edv\u00fcl, szimf\u00f3ni\u00e1iban \u00e9s versenym\u0171veiben Mozart is viszonylag ritk\u00e1n haszn\u00e1lja ezt a hangszert. Zongoraversenyei k\u00f6z\u00fcl p\u00e9ld\u00e1ul csak a Figaro kompon\u00e1l\u00e1sa idej\u00e9n \u00edrt h\u00e1rom darabban (Esz-d\u00far, K. 482; A-d\u00far, K. 488 \u00e9s c-moll, K. 491) szerepelteti; r\u00e1ad\u00e1sul az Esz-d\u00farban \u00e9s az A-d\u00farban az \u00e9lesebb hang\u00fa obo\u00e1k helyett. A h\u00e1rom m\u0171 k\u00f6z\u00fcl az A-d\u00far hangszer-appar\u00e1tusa a legszer\u00e9nyebb: a von\u00f3skar mellett csak egy fuvola, k\u00e9t klarin\u00e9t, k\u00e9t fagott \u00e9s k\u00e9t k\u00fcrt sz\u00f3lal meg benne.\r\nMozart az A-d\u00far zongoraverseny 1. t\u00e9tel\u00e9nek r\u00f6gt\u00f6n a kezdet\u00e9n egy\u00e9rtelm\u0171v\u00e9 teszi, hogy a m\u0171ben a von\u00f3s- \u00e9s f\u00fav\u00f3skar egyenrang\u00fa szerepet fog j\u00e1tszani. Az egym\u00e1snak felelget\u0151 hangszert\u00f6mb\u00f6k \u00e9l\u00e9nk p\u00e1rbesz\u00e9d\u00e9be harmadikk\u00e9nt a zongora kapcsol\u00f3dik be az \u00fan. sz\u00f3l\u00f3-expoz\u00edci\u00f3ban: ez\u00fattal \u0151 mutatja be, \u00e9s mindj\u00e1rt vari\u00e1lja is a t\u00e9m\u00e1kat, s gy\u00f6ngy\u00f6z\u0151 futamok zuhatagaival b\u0151v\u00edti ki a form\u00e1t. A sz\u00f3l\u00f3-expoz\u00edci\u00f3 v\u00e9g\u00e9n, v\u00e1ratlanul \u00faj t\u00e9ma jelenik meg, ez lesz a k\u00f6z\u00e9ps\u0151, kidolgoz\u00e1si r\u00e9sz alapja. A szon\u00e1taforma harmadik nagy szakasza, a repr\u00edz \u00f6sszevonja a k\u00e9t expoz\u00edci\u00f3t, s hosszabban elid\u0151z enn\u00e9l a harmadik t\u00e9m\u00e1n\u00e1l. A t\u00e9tel utols\u00f3 meglepet\u00e9se az A-d\u00far karakterhez remek\u00fcl ill\u0151, halk befejez\u00e9s. Az ut\u00e1na k\u00f6vetkez\u0151 Adagi\u00f3t egy ritka hangnemben, a s\u00f6t\u00e9t t\u00f3nus\u00fa fisz-mollban kompon\u00e1lta meg Mozart. A t\u00e9tel 6\/8-ban ringat\u00f3dz\u00f3 lejt\u00e9se \u00e9s pontozott siciliano-ritmusai a pasztor\u00e1lis, idilli zen\u00e9k jellegzetes kell\u00e9kei \u2013 \u00e1m ez\u00fattal t\u00f6bbr\u0151l van sz\u00f3: a zongora t\u00f6preng\u0151, mag\u00e1nyos monol\u00f3gj\u00e1nak egyszer\u0171s\u00e9g\u00e9ben is nagyon kifejez\u0151 dallamoss\u00e1ga m\u00e9lys\u00e9gesen komoly tartalmat k\u00f6zvet\u00edt, melynek megjelen\u00edt\u00e9s\u00e9ben fontos szerepet j\u00e1tszanak a zongorasz\u00f3lamra mindv\u00e9gig jellemz\u0151 nagy hangk\u00f6z ugr\u00e1sok. Ahangv\u00e9tel komolys\u00e1g\u00e1t csak id\u0151legesen oldja a t\u00e9tel A-d\u00far k\u00f6z\u00e9pr\u00e9sze. A fin\u00e1l\u00e9 nemcsak terjedelm\u00e9ben, de kidolgozotts\u00e1g\u00e1ban is az 1. t\u00e9tellel veteked\u0151, ellen\u00e1llhatatlan lend\u00fclet\u0171 szon\u00e1ta-rond\u00f3, melyet a t\u00e9m\u00e1k, mot\u00edvumok pazarl\u00f3 b\u0151s\u00e9ge jellemez. Itt a klarin\u00e9tok t\u00f6bbsz\u00f6r is sz\u00f3l\u00f3szerepben l\u00e9pnek fel, s \u00e1ltal\u00e1ban figyelemre m\u00e9lt\u00f3 a zongora \u00e9s a faf\u00fav\u00f3k \u201ek\u00fcl\u00f6n\u201d p\u00e1rbesz\u00e9de, egym\u00e1st ut\u00e1nz\u00f3, kieg\u00e9sz\u00edt\u0151 j\u00e1t\u00e9ka. A rond\u00f3forma m\u00e1sodik epiz\u00f3dj\u00e1ban az Adagio fisz-moll hangneme t\u00e9r vissza.<\/p>{:}{:en}

While composing The Marriage of Figaro, Mozart found the time to write three brilliant piano concertos. He finished the middle one, the K. 488 in A major, on 1 March 1786. A major seldom features in Mozart, and then only in his later works. It conveys a distinctive atmosphere of bliss and lyrical melodiousness.<\/p>\r\n

<\/p>\r\n

In the opening movement of the K. 488 piano concerto, for example, it is not only the second theme but also the main theme that takes on this character. At the start of the movement Mozart clearly indicates that the strings and the winds are about to play an equal role. Responding to one another, complementing each other, the instrumental groups enter into a vivid conversation which the piano joins in a so-called solo exposition where,presenting and instantly varying the themes, adding an effervescent stream of notes to the form. The middle Adagio movement is in \u2018dark toned\u2019<\/p>\r\n

F sharp minor. The contemplative, soliloquy of the piano conveys in an expressively melodious manner a profoundly solemn message, and only the A major middle section eases up the solemnity for a short while. The finale is an irresistibly vibrant sonata rondo characterised by an abundance of themes and motifs, a fitting match for the first movement in length and elaboration.<\/p>{:}","post_title":"{:hu}Zongoraverseny A-d\u00far, no. 23, K. 488{:}{:en}Piano Concerto No. 23 in A major, K. 488{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zongoraverseny-a-dur-no-23-k-488","to_ping":"","pinged":"","post_modified":"2017-02-01 08:34:21","post_modified_gmt":"2017-02-01 08:34:21","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/zongoraverseny-a-dur-no-23-k-488\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mozart"]},{"ID":91046,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}

Gustav Mahler els\u0151 szimf\u00f3ni\u00e1j\u00e1t Budapesten mutatt\u00e1k be, 1889. november 20-\u00e1n. Mahler ebben az id\u0151ben az Operah\u00e1z igazgat\u00f3ja volt, term\u00e9szetesnek tartotta teh\u00e1t, hogy \u00faj alkot\u00e1sa a magyar f\u0151v\u00e1rosban hangozz\u00e9k el el\u0151sz\u00f6r. A bemutat\u00f3 vegyes fogadtat\u00e1sra tal\u00e1lt. A k\u00f6z\u00f6ns\u00e9g egy r\u00e9sze lelkesedett, a kritikusok kev\u00e9sb\u00e9. M\u00e9g g\u00fanyrajz is megjelent az egyik lapban\u00a0 \"A Mal\u00e9r-Szyf\u00f3nia\" c\u00edmmel. A \"symphoniai k\u00f6ltem\u00e9ny\"-nek hirdetett darabhoz a szerz\u0151 nem adott b\u0151vebb ismertet\u00e9st, a korabeli plak\u00e1t csak annyit \u00e1rult el, hogy a m\u0171 k\u00e9t r\u00e9szb\u0151l \u00e1ll, az els\u0151be az els\u0151 h\u00e1rom t\u00e9tel (1. Bevezet\u00e9s \u00e9s Allegro commodo, 2. Andante 3. Scherzo), a m\u00e1sodikba a negyedik \u00e9s \u00f6t\u00f6dik tartozik (4. A la pompes funebres 5. Molto appassionato - NB. \u00e9rdekes ezeket a feliratokat a v\u00e9gleges temp\u00f3jelz\u00e9sekkel \u00f6sszevetni). A hangverseny ut\u00e1n Mahler bens\u0151s\u00e9ges hang\u00fa k\u00f6sz\u00f6n\u0151levelet \u00edrt a Filharm\u00f3niai T\u00e1rsas\u00e1g tagjainak, amelyben elismer\u00e9s\u00e9t fejezte ki a kiv\u00e1l\u00f3 el\u0151ad\u00e1s\u00e9rt.<\/p>\r\n

<\/p>\r\n

Egy k\u00e9s\u0151bbi, weimari koncerthez r\u00f6vid programismertet\u00e9s is k\u00e9sz\u00fclt. Ezek szerint a m\u0171 c\u00edme Jean Paul reg\u00e9ny\u00e9t id\u00e9zn\u00e9: \"Tit\u00e1n\". Az els\u0151 r\u00e9sz alc\u00edme: \"Az ifj\u00fas\u00e1g napjaib\u00f3l - Vir\u00e1g-, Gy\u00fcm\u00f6lcs- \u00e9s T\u00f6visdarabok\". A t\u00e9telek pedig a k\u00f6vetkez\u0151k: 1. A v\u00e9gtelen tavasz (ez Mahler fejteget\u00e9se szerint a term\u00e9szet \u00e9bred\u00e9s\u00e9t \u00e1br\u00e1zolja a hossz\u00fa t\u00e9li \u00e1lomb\u00f3l) 2. A vir\u00e1gok fejezete 3. \"Dagad\u00f3 vitorl\u00e1kkal\". A m\u00e1sodik r\u00e9sz pedig a Commedia humana volna, amely a \"Cs\u00fct\u00f6rt\u00f6k\u00f6t mondott\" t\u00e9tellel kezd\u0151dik \u00e9s a Dall'inferno al Paradiso t\u00e9tellel z\u00e1rul.<\/p>\r\n

Ut\u00f3bb azt\u00e1n, \u00fagy t\u0171nik, a komponista bel\u00e1tta, nem sokat \u00e9r ez a magyar\u00e1zat. Kiss\u00e9 \u00e1t is alak\u00edtotta a hatalmas kompoz\u00edci\u00f3t, s kihagyta bel\u0151le a m\u00e1sodik t\u00e9telt. A n\u00e9gyt\u00e9teles verzi\u00f3 mell\u00e9 pedig nem adott t\u00f6bb\u00e9 programot. Ma \u00e1ltal\u00e1ban ezt a n\u00e9gyr\u00e9szes v\u00e1ltozatot j\u00e1tssz\u00e1k gyakrabban - a kihagyott t\u00e9tel pedig olykor \u00f6nmag\u00e1ban, Blumine c\u00edmmel hangzik el koncerteken.<\/p>\r\n

A nyit\u00f3darab k\u00fcl\u00f6nlegesen hossz\u00fa lass\u00fa bevezet\u0151vel indul. Sok\u00e1ig sz\u00f3l egy magas, tartott \"a\" hang, ez hallatlan fesz\u00fclts\u00e9get teremt, a v\u00e1rakoz\u00e1s \u00e9rz\u00e9s\u00e9t kelti fel. Mellette csak t\u00e9mafoszl\u00e1nyok hangzanak. Egy kvart-hangk\u00f6zbe fognak bele \u00fajra \u00e9s \u00fajra a hangszerek. V\u00e9g\u00fcl ezzel a kvarttal indul az els\u0151, imm\u00e1r t\u00e9ma-rang\u00fa mel\u00f3dia, s kezd\u0151dik a gyorsabb temp\u00f3j\u00fa, nagyj\u00e1b\u00f3l szon\u00e1ta-szerkezet\u0171 f\u0151r\u00e9sz. A dallam nem m\u00e1s, mint a V\u00e1ndorleg\u00e9ny-dalok m\u00e1sodik t\u00e9tel\u00e9nek dallama.\u00a0 A csendes, egyszer\u0171, szel\u00edd Blumine ut\u00e1ni Scherzo igen energikus zene - a huszadik sz\u00e1zadot meg\u00e9lt embert nem felt\u00e9tlen\u00fcl rokonszenves korok hars\u00e1nys\u00e1g\u00e1ra eml\u00e9kezteti (az Orwell-reg\u00e9nyb\u0151l alkotott 1984 c\u00edm\u0171 film indul\u00f3zen\u00e9i juthatnak p\u00e9ld\u00e1ul esz\u00fcnkbe). A k\u00f6z\u00e9pr\u00e9sz ann\u00e1l d\u00f6bbenetesebb: nosztalgia egy let\u0171nt, meghitt, de v\u00e9g\u00e9rv\u00e9nyesen elveszett vil\u00e1g ut\u00e1n (az el\u0151bbi hasonlatn\u00e1l maradva: mintha W. Smith, az 1984 f\u0151h\u0151se az \u00f3csk\u00e1sboltba bel\u00e9pve hirtelen szembetal\u00e1ln\u00e1 mag\u00e1t a megtagadott m\u00falt ezernyi, t\u00f6nkrement-t\u00f6r\u00f6tt eml\u00e9k\u00e9vel).<\/p>\r\n

Az \u00f6tr\u00e9szes verzi\u00f3ban negyedik, a v\u00e9glegesben harmadik t\u00e9tel tal\u00e1n a legeredetibb a darabban. Kezdet\u00e9n a timpani egyenletes \u00fct\u00e9sei mellett b\u0151g\u0151 inton\u00e1lja azt a dallamot, amelyet szinte eg\u00e9sz Eur\u00f3pa ismert, k\u00fcl\u00f6nf\u00e9le sz\u00f6vegekkel (a franci\u00e1k Frere Jacques sz\u00f6veggel \u00e9nekelt\u00e9k, n\u00e1lunk J\u00e1nos b\u00e1csi, keljen fel sz\u00f6veggel terjedt el). A furcsa, vulg\u00e1ris dallam ut\u00e1n olyan t\u00e9m\u00e1k, \u00f6tletek k\u00f6vetkeznek, amelyeket ma a klezmerzenekarok el\u0151ad\u00e1sair\u00f3l ismerhet\u00fcnk. Majd katonazene sz\u00f3l. Ahogy azt Mahler egy alkalommal bevallotta, a k\u00eds\u00e9rteties zenei l\u00e1tom\u00e1st egy gyerekkor\u00e1ban l\u00e1tott, Csehorsz\u00e1gban k\u00f6zismert k\u00e9p inspir\u00e1lta: a vad\u00e1sz temet\u00e9se. A metszet form\u00e1ban sokszoros\u00edtott \u00e1br\u00e1n a vad\u00e1szt az \u00e1llatok k\u00eds\u00e9rik el utols\u00f3 \u00fatj\u00e1ra. Nyuszik h\u00fazz\u00e1k a kopors\u00f3t, \u0151zik\u00e9k zokognak m\u00f6g\u00f6tte, a menetet katonabanda k\u00f6veti... A bizarr gy\u00e1szmenet ut\u00e1n a k\u00f6z\u00e9pr\u00e9szben ism\u00e9t a V\u00e1ndorleg\u00e9ny-dalok egy r\u00e9szlete t\u0171nik fel, a z\u00e1r\u00f3dal v\u00e9g\u00e9nek hosszabb szakasza. Majd \u00fajra kezd\u0151dik a menet, f\u00e9l hanggal feljebb, mint el\u0151sz\u00f6r. A finale hallatlanul szenved\u00e9lyes. Egy pillanatra mintha a k\u00e9pzeletbeli h\u0151s teljes \u00f6sszeroppan\u00e1s\u00e1t jelen\u00edten\u00e9 meg. V\u00e9g\u00fcl m\u00e9gis diadalmas hangzatok z\u00e1rj\u00e1k a kompoz\u00edci\u00f3t.<\/p>{:}{:en}I. Langsam schleppend - Immer sehr gem\u00e4chlich\u00a0II. Andante allegretto (Blumine)\u00a0III. Kr\u00e4ftig bewegt, doch nicht zu schnell\u00a0IV. Feierlich und gemessen, ohne zu schleppen\u00a0V. St\u00fcrmisch bewegt\r\n\r\nGustav Mahler premiered his first symphony in Budapest on November 20th, 1889. At the time, he was the director of the Opera House, and he felt it entirely natural that his new composition be first performed in the Hungarian capital. The premiere met a mixed reception. The audience were enthused but the critics less so. Indeed, some were quite hostile. The symphony was advertised as a \"symphonic poem\", and we learn from contemporary posters that it consisted of two parts, the first made up of three movements (I. Introduction and Allegro Commodo, 2. Andante, 3. Scherzo), while the second half had two (4. A la pompes fun\u010dbres 5. Molto appassionato - it is interesting to compare these with the final tempo markings). After the concert, Mahler wrote a heartfelt letter of appreciation to the members of the Philharmonic Association in which he expressed his acknowledgement for the superb performance.\r\n\r\n\r\n

A brief program note was prepared for a later concert at Weimar. According to this, the title of the work is from a novel by Jean Paul: \"Titan.\" The subtitle of the first part was \"From the Days of Youth\", and the movements were: 1. Spring Without End, 2. A Chapter of Flowers, 3. Under Full Sail. Part II was the Commedia umana, which begins with \"The Hunter's Funeral Procession\" and concludes with \"Dall'inferno al Paridiso.\"<\/p>\r\n

Later it seems the composer realised that this explanation did not mean much. He slightly reconceived this immense composition and left out the second movement. He did not issue a programme for the four movement work. Today, we usually hear the four movement version, although the excluded movement is still sometimes performed separately under the title Blumine.<\/p>\r\n

The symphony opens with an unusually long slow introduction. For a long time, we hear only a long held \"a\" which creates remarkable tension and expectation. It is joined by melodic fragments. The instruments pair up again and again in the interval of a fourth. Finally, the first true thematic melody begins with a leap of a fourth and a faster roughly sonata form movement begins. This melody is none other than the theme from the second of the Wayfarer songs. After the quiet, simple, gentle Blumine, a Scherzo is heard which is highly energetic music - it is reminiscent of the harshness of the times which is not too appealing for those who have experienced the twentieth century (Dominic\u00a0 Moldowney's music for the film version of Orwell's novel 1984 is clearly inspired by it). The central section is even more astonishing: nostalgia for a vanished, homely but irrevocably lost world (to remain with the previous comparison: it is as if W. Smith, the hero of 1984, entering the curiosity shop, suddenly finds himself confronted with thousands of broken relics from the disavowed past).<\/p>\r\n

The fourth movement of the first version, or the third of the final one, is perhaps the most original. At the beginning, we hear even beats from the timpani. Over this, a double bass intones the familiar melody which is known in England by its French title Fr\u010dre Jacques. After this strange, vulgar melody, we hear themes and ideas which are now familiar to us through the resurgence of Jewish Klezmer music. Then we hear military music. On one occasion, Mahler admitted that he saw a haunting musical vision when a child, something quite familiar in the Czech area where he was born: the funeral of a hunter. There was a popular etching at the time, depicting the hunter being accompanied to his final resting place by animals. Rabbits pull the coffin, deer are sobbing behind it, and the procession is followed by a military band... After this bizarre funeral march, another extract from the Wayfarer songs appears in the central section, a longer extract from the end of the closing song. The march continues again, but a semitone higher than before. The finale of the symphony is infinitely passionate. For a moment, it seems as if we are witnessing our imaginary hero exploding asunder. Finally, a triumphant tone closes the composition.<\/p>{:}","post_title":"{:hu}I. szimf\u00f3nia D-d\u00far \"Tit\u00e1n\", (\u00d6tt\u00e9teles v\u00e1ltozat){:}{:en}Symphony No. 1 in D major \"Titan\", (5-movement version){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"i-szimfonia-d-dur-titan-otteteles-valtozat","to_ping":"","pinged":"","post_modified":"2017-02-01 08:37:38","post_modified_gmt":"2017-02-01 08:37:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/i-szimfonia-d-dur-titan-otteteles-valtozat\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mahler"]}],"kozr_szemelyek":[{"ID":85522,"post_author":"1","post_date":"2016-09-21 08:12:26","post_date_gmt":"2016-09-21 08:12:26","post_content":"{:hu}

R\u00e1nki Dezs\u0151 Budapesten v\u00e9gezte tanulm\u00e1nyait, 1973-ban szerzett diplom\u00e1t a Zeneakad\u00e9mi\u00e1n, Kadosa P\u00e1l \u00e9s Rados Ferenc n\u00f6vend\u00e9kek\u00e9nt. M\u00e9g tanul\u00f3\u00e9vei alatt, 1969-ben, 18 \u00e9vesen nyerte meg a zwickaui nemzetk\u00f6zi Schumann-verseny I. d\u00edj\u00e1t, ez id\u0151 \u00f3ta koncertezik vil\u00e1gszerte. Rendszeresen fell\u00e9pett Eur\u00f3pa legt\u00f6bb orsz\u00e1g\u00e1ban, t\u00f6bb \u00edzben \u00c9szak- \u00e9s D\u00e9l-Amerik\u00e1ban, \u00e9s 2-3 \u00e9vente Jap\u00e1nban. J\u00e1tszott t\u00f6bbek k\u00f6z\u00f6tt a Berlini Filharmonikusokkal, a Londoni Filharmonikusokkal, az amszterdami Concertgebouw zenekar\u00e1val, a p\u00e1rizsi Orchestre National-lal, a toki\u00f3i NHK zenekar\u00e1val, \u00e9s sz\u00e1mos neves karmesterrel, pl. Solti Gy\u00f6rggyel, V\u00e9gh S\u00e1ndorral, Lorin Maazellel, Zubin Meht\u00e1val. Jelent\u0151s szerepet j\u00e1tszik \u00e9let\u00e9ben a kamarazene, az ut\u00f3bbi k\u00e9t \u00e9vtizedben \u00e9vi 10-15 koncertet ad Klukon Edit t\u00e1rsas\u00e1g\u00e1ban n\u00e9gykezes \u00e9s k\u00e9tzongor\u00e1s m\u0171vekkel.<\/p>{:}{:en}

Dezs\u0151 R\u00e1nki completed his studies in 1973, when he graduated from the Budapest Music Academy as a pupil of P\u00e1l Kadosa and Ferenc Rados. While still an 18 year old student, he won first prize at the Zwickau International Schumann Competition and has given concerts ever since. He regularly performs in most European countries and has toured both North and South America on a number of occasions. He visits Japan every 2 to 3 years. He has played among others with the Berlin Philharmonic, the London Philharmonic, the Amsterdam Concertgebouw, the Orchestre National de Paris, the Tokyo NHK Orchestra and worked with a host of distinguished conductors such as Sir Georg Solti, S\u00e1ndor V\u00e9gh, Lorin Maazel and Zubin Mehta. He is an active chamber music performer and in recent years, has given 10 to 15 concerts a year with his partner and wife Edit Klukon, performing music for\u00a0 piano duet and two pianos. (photo: Zsuzsa Pet\u0151)<\/p>{:}","post_title":"{:hu}R\u00e1nki Dezs\u0151{:}{:en}Dezs\u0151 R\u00e1nki{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ranki-dezso","to_ping":"","pinged":"","post_modified":"2020-04-26 11:00:37","post_modified_gmt":"2020-04-26 11:00:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=85522","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"kozr_szemelyek_feluldefinialasa":"","helyszin_kategoria":"budapest","kiemelt_kep":{"ID":97754,"id":97754,"title":"pp-81028196-mupa-peto-zsuzsa","filename":"pp-81028196-mupa-Pet\u0151-Zsuzsa-2.jpg","filesize":377825,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mozart-zongoraverseny-es-mahler-szimfonia\/pp-81028196-mupa-peto-zsuzsa-3\/","alt":"","author":"1","description":"","caption":"","name":"pp-81028196-mupa-peto-zsuzsa-3","status":"inherit","uploaded_to":83638,"date":"2016-10-21 07:44:35","modified":"2016-10-28 11:09:15","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2-768x224.jpg","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2-1024x299.jpg","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2.jpg","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2.jpg","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2.jpg","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/08\/pp-81028196-mupa-Pet\u0151-Zsuzsa-2-1600x560.jpg","slider-size-width":1600,"slider-size-height":560}},"youtube_id":"","old_id":"","elkeltek_a_jegyek":false,"muvekrol_reszletesen":true,"muveszekrol_reszletesen":true,"kiemelt_kep_en":null,"gombtipus":"jegy"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/83638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=83638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}