{"id":126469,"date":"2026-04-21T06:21:25","date_gmt":"2026-04-21T06:21:25","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=126469"},"modified":"2026-05-15T14:50:48","modified_gmt":"2026-05-15T14:50:48","slug":"saint-saens-lauridsen-faure-csillag-beni","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/saint-saens-lauridsen-faure-csillag-beni\/","title":{"rendered":"SAINT-SA\u00cbNS, LAURIDSEN, FAUR\u00c9 \u2013 B\u00c9NI CSILLAG"},"content":{"rendered":"

Camille SAINT-SA\u00cbNS: Calme des nuits (Calm of the Nights), Op. 68\/1
\nCamille SAINT-SA\u00cbNS: Les fleurs et les arbres (The Flowers and the Trees), Op. 68\/2
\nMorten LAURIDSEN: Les chansons des roses (The Songs of the Roses)
\nGabriel FAUR\u00c9: Cantique de Jean Racine (The Canticle of Jean Racine), Op. 11
\nGabriel FAUR\u00c9: Les Djinns (The Djinns), Op. 12
\n***
\nGabriel FAUR\u00c9: Requiem, Op. 48<\/p>\n

D\u00f3ra Bizj\u00e1k<\/strong><\/a> piano
\nD\u00e1vid L\u00e1szl\u00f3 \u00c1cs <\/strong>organ
\nHungarian National Choir <\/strong>(choirmaster: Csaba Somos<\/a>)<\/strong><\/p>\n

Conductor: B\u00e9ni Csillag<\/strong><\/a><\/p>\n

Camille Saint-Sa\u00ebns (1835\u20131921) produced a highly varied body of work, yet his choral compositions remain almost entirely unknown in Hungary. Beautiful and poetic examples of this output are the two pieces of Op. 68, composed in 1882: Calme des nuits<\/em> (Calm of the Nights) and Les fleurs et les arbres<\/em> (The Flowers and the Trees). Similarly refined techniques are employed in the lyrical music of the cycle Les chansons des roses<\/em> (The Songs of the Roses, 1993) by the contemporary composer Morten Lauridsen (b. 1943), who, despite his Scandinavian-sounding name, is American. This five-movement cycle is a testament to the composer\u2019s love of Rainer Maria Rilke\u2019s poetry and was set to poems that Rilke composed in French (!). Two shorter works by Gabriel Faur\u00e9 (1845\u20131924), to be performed at the end of the first half, are the Cantique de Jean Racine<\/em> (The Canticle of Jean Racine, 1865), which sets a French paraphrase of a Latin hymn text by Racine to music, and Les Djinns<\/em> (The Djinns, 1875). These pieces serve as a form of prelude to the most significant and substantial work on the programme: the Requiem<\/em>, which follows the interval and was composed in 1877 and revised between 1887 and 1893. This is perhaps the most distinctive work in the genre as it eschews drama (omitting the entire Dies irae<\/em> text) and places the emphasis on eternal rest and consolation. D\u00f3ra Bizj\u00e1k is the r\u00e9p\u00e9titeur and alto section leader of the Hungarian National Choir (choirmaster: Csaba Somos), while D\u00e1vid L\u00e1szl\u00f3 \u00c1cs is a distinguished representative of the young generation of organists, having given his diploma recital at the Liszt Academy in 2019. The conductor, B\u00e9ni Csillag, is a Hungarian musician living abroad and a respected figure on the Dutch music scene.<\/p>\n","protected":false},"template":"","class_list":["post-126469","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"slides":false,"alcim":"P\u00e1szti season ticket 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