{"id":124446,"date":"2025-04-29T11:15:33","date_gmt":"2025-04-29T11:15:33","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=124446"},"modified":"2025-05-05T08:22:39","modified_gmt":"2025-05-05T08:22:39","slug":"beethovennel-a-szabadban-2025-2","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/beethovennel-a-szabadban-2025-2\/","title":{"rendered":"Beethoven in the Park \u2013 2025"},"content":{"rendered":"

Rain date: Sunday, July 20<\/u><\/strong><\/p>\n

RAIN RULES<\/a><\/p>\n

Symphony No. 6 in F major (“Pastoral\u201d), Op. 68
\nSymphony No. 8 in F major, Op. 93<\/p>\n

Hungarian National Philharmonic Orchestra<\/strong><\/p>\n

Conductor: R\u00f3bert Farkas<\/strong><\/a><\/p>\n

The closing evening of Beethoven in the Park<\/em> pairs two symphonies. Symphony No 6<\/em> (1808) is rare in that it was Beethoven himself who gave it the distinguishing title of \u201cPastoral\u201d<\/em>, alluding to the harmony between Man and Nature. The composition is gentle and cheerful in tone, while its attempt to depict certain scenes is a revolutionary innovation that foreshadows programme music, according to which every movement has its own theme: the first evokes the joy of the man arriving in the countryside, the second is a scene by a stream with singing birds, the third envisions a lively peasant dance, the fourth paints a frighteningly authentic audible image of the sudden outbreak of a storm, while the closing fifth movement (because the symphony breaks the mould by comprising five movements) is a song of gratitude that the storm has passed. The untitled Symphony No. 8<\/em> (1812) is, like the Sixth<\/em>, in F major and \u2013 akin to the Second<\/em> and Fourth Symphonies<\/em> \u2013 celebrated for its cheerfulness, lively momentum, rich contrasts, energy and rhythmic vitality. Taking to the podium for the concert, R\u00f3bert Farkas is the outstanding representative of the middle generation of Hungarian conductors. Following his studies in Hungary and Berlin, he achieved many years of success primarily abroad \u2013 above all in Germany \u2013 and has been the chief conductor M\u00c1V Symphony Orchestra since September 2021.<\/p>\n

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Az egyetem utols\u00f3 \u00e9v\u00e9ben a Lovro von Matacic karmester versenyen 3. helyez\u00e9st \u00e9rt el \u00e9s megkapta a Horv\u00e1t Zeneszerz\u0151k T\u00e1rsas\u00e1g\u00e1nak k\u00fcl\u00f6nd\u00edj\u00e1t valamint a Horv\u00e1t R\u00e1di\u00f3- \u00e9s Telev\u00edzi\u00f3 zenekar\u00e1nak d\u00edj\u00e1t.\r\n\r\nAz egyetem ut\u00e1n a Staatsoper Unter den Linden Berlin korrepet\u00edtora \u00e9s zenei asszisztense volt olyan produkci\u00f3kban, mint Sosztakovics: Moszka, Cserjomuski, Hindemith-Brecht: Lehrst\u00fcck valamint John Cage: Europeras 3&4. K\u00e9s\u00f6bb a Theater und Orchester Heidelberg zenei asszisztense \u00e9s korrepet\u00edtorak\u00e9nt Wolfgang Rihm: Dionysos c\u00edm\u00fc oper\u00e1j\u00e1nak 2. n\u00e9met bemutat\u00f3j\u00e1t el\u0151k\u00e9sz\u00edt\u00e9s\u00e9n \u00e9s betan\u00edt\u00e1s\u00e1n dolgozott. 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Nev\u00e9hez f\u0171z\u0151dik Peter Maxwell Davis: The Turn oft he Tide cim\u00fc m\u0171v\u00e9nek n\u00e9metorsz\u00e1gi bemutat\u00e1sa. 2016-ban dolgozott David Robertsonnal \u00e9s az Echo Klassik g\u00e1lakoncert betan\u00edt\u00f3 karmesterek\u00e9nt Pablo Heras Casadoval is. 2013-ban Berlinben kapcsolatba ker\u00fclt Fischer Iv\u00e1nnal, akivel az\u00f3ta a Konzerthausorchestern\u00e9l, 2015 \u00f3ta pedig a Budapest Fesztiv\u00e1lzenekarn\u00e1l dolgoznak egy\u00fctt \u00e9s asszisztensk\u00e9nt seg\u00edti a zenekarok koncertjeinek illetve turn\u00e9inak el\u0151k\u00e9sz\u00fcleteit.\r\n\r\nFarkas R\u00f3bert a fent eml\u00edtett zenekarok mellett olyan egy\u00fcttesekkel dolgozott egy\u00fctt, mint p\u00e9ld\u00e1ul a Berliner Symphoniker, a Luzern Festivalstrings, a Philharmonisches Kammerorchester Wernigerode, Collegium Musicum Pommersfelden Iifj\u00fas\u00e1gi Zenekar vagy a Szombathelyi Szimfonikus Zenekar. 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