{"id":123400,"date":"2024-05-07T07:48:35","date_gmt":"2024-05-07T07:48:35","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=123400"},"modified":"2024-06-13T07:20:30","modified_gmt":"2024-06-13T07:20:30","slug":"beethovennel-a-szabadban-2024-3","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/beethovennel-a-szabadban-2024-3\/","title":{"rendered":"Beethoven in the Park – 2024"},"content":{"rendered":"

Rain date: Sunday, 21 July)<\/strong><\/p>\n

RAIN RULES<\/a><\/p>\n

Symphony No. 2 in D major, Op. 36
\nAh! Perfido \u2013 concert aria, Op. 65
\nSymphony No. 7 in A major, Op. 92<\/p>\n

R\u00e9ka Krist\u00f3 <\/strong>soprano
\nHungarian National Philharmonic Orchestra <\/strong><\/p>\n

Conductor: D\u00e1niel Erd\u00e9lyi<\/strong><\/p>\n

The concert aria Ah! Perfido<\/em> (1796) originates from the start of Beethoven\u2019s career. He wrote the dramatic scena for the famed soprano Josepha Duschek during his stay in Prague. The work is tied to the earlier stylistic phase of Viennese Classicism. The work\u2019s lyricist, Pietro Metastasio (1698\u20131782), was the creator of countless Baroque opera librettos, and undoubtedly represents the past in the context of young Beethoven\u2019s early attempts. The two orchestral pieces that frame the programme see two contrasting phases of Beethoven\u2019s development in the symphonic genre come face to face. Symphony No. 2<\/em> (1801\u201302) is full of a lust for life, jovial playfulness and humour \u2013 the piece\u2019s optimistic mood and revitalised energetic character provide a thrilling contrast to the fact that the symphony\u2019s composition coincided with the writing of the Heiligenstadt Testament<\/em>. In this tragically toned work that nonetheless reflects a profound humanism, the composer confronts the nightmare of irreversible deafness. A decade later, Symphony No. 7<\/em> (1811\u201312) surrenders to the beat of ancient dactylic rhythms, singing the cult of movement in a celebratory tone full of Dionysian rapture. No wonder Wagner described the piece as \u201cthe apotheosis of dance\u201d<\/em>. Just like Symphony No. 2<\/em>, this work radiates energy \u2013 just in a far more elemental manner. Born in Kom\u00e1rom, R\u00e9ka Krist\u00f3f completed her studies at the opera department of Munich\u2019s Bavarian Theatre Academy August Everding. Taking the top spot in the 2017 Virtu\u00f3zok television talent search programme earned her a trip to Carnegie Hall as one of her prizes. D\u00e1niel Erd\u00e9lyi (b. 1988) represents the younger generation and will conduct the Hungarian National Philharmonic Orchestra, which was founded in 1923. Erd\u00e9lyi was trained at the Liszt Academy and is a conductor at the Hungarian State Opera and the Budapest University of Technology and Economics Orchestra. He is an organist as well and the founding choirmaster of the Central Calvinist Choir.<\/p>\n","protected":false},"template":"","class_list":["post-123400","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"The Hungarian National Philharmonic concert series in Martonv\u00e1s\u00e1r","kiemelt_kep":{"ID":123401,"id":123401,"title":"2021.11.11_Vigad\u00f3_Krist\u00f3f R\u00e9ka\u00a9 Ede D\u00f6m\u00f6t\u00f6r 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