{"id":123219,"date":"2024-04-24T09:23:00","date_gmt":"2024-04-24T09:23:00","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=123219"},"modified":"2025-02-26T09:19:20","modified_gmt":"2025-02-26T09:19:20","slug":"dohnanyi-bartok-beethoven-jean-efflam-bavouzet","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/dohnanyi-bartok-beethoven-jean-efflam-bavouzet\/","title":{"rendered":"DOHN\u00c1NYI, BART\u00d3K, BEETHOVEN \u2013 JEAN-EFFLAM BAVOUZET"},"content":{"rendered":"<p>ERNST VON DOHN\u00c1NYI: Symphonic Minutes, Op. 36<br \/>\nB\u00c9LA BART\u00d3K: Piano Concerto No. 3 in E major, Sz. 119, BB 127<br \/>\n***<br \/>\nLUDWIG VAN BEETHOVEN: Symphony No. 3 in E-flat major, \u201cEroica\u201d), Op. 55<\/p>\n<p><strong>Jean-Efflam Bavouzet<\/strong> piano<br \/>\n<strong>Hungarian National Philharmonic Orchestra<\/strong><\/p>\n<p>Conductor: <strong>Gy\u00f6rgy Vashegyi<\/strong><\/p>\n<p><strong>It was in 1933 that Ernst von Dohn\u00e1nyi composed his five-movement orchestral series of character pieces <em>Symphonic Minutes<\/em>, whose elegance, richness of colour and wit made it one of the most popular hits of his oeuvre. Listening to the interpretation of the exceptionally evocative pianist Jean-Efflam Bavouzet in the middle number of Gy\u00f6rgy Vashegyi and the HNPO\u2019s programme, we can observe how Bart\u00f3k\u2019s late style lends Classical Mozartian clarity to his <em>Third Piano Concerto<\/em>, while Beethoven\u2019s <em>\u2018Eroica\u2019<\/em> symphony does just the opposite: showing how the great musical revolutionary surpasses the limits of classical music.<\/strong><\/p>\n<p>For the third evening of the Kocsis Season Ticket, the Hungarian National Philharmonic Orchestra has devised a concert programme divided between 20th-century Hungarian music and the 19th-century Viennese Classicists. This will be recent Kossuth Prize-winner Gy\u00f6rgy Vashegyi\u2019s first time conducting Ernst von Dohn\u00e1nyi&#8217;s sparkling series of movements <em>Symphonic Minutes<\/em>: although the colorfully orchestrated and witty cycle enjoyed great popularity after it was written in 1933, today it does not receive the attention it deserves. Bart\u00f3k\u2019s <em>Third Piano Concerto<\/em>, the composer\u2019s swan song, is a true 20th-century classic, including in the sense that in this farewell piece written in America, the composer adopts a gentle Mozartian tone compared to his previous scratchy and rough style \u2013 and this is no surprise, since he intended the composition for his wife, Ditta P\u00e1sztory. Breathing life into the score this time will be the extraordinarily knowledgeable and singularly evocative French virtuoso Jean-Efflam Bavouzet. The second part of the evening will be turned over to the Viennese Classicists, or more precisely, to the moment when Beethoven begins to stretch the formal, spatial and tonal boundaries of the Classical style with his <em>\u2018Eroica\u2019 Symphony No. 3 in E-flat major<\/em>.<\/p>\n","protected":false},"template":"","class_list":["post-123219","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Kocsis season ticket 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Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"helyszin_kategoria":"budapest","karmester":{"ID":85976,"post_author":"1","post_date":"2017-05-30 19:53:04","post_date_gmt":"2017-05-30 19:53:04","post_content":"{:hu}A budapesti Zeneakad\u00e9mi\u00e1n 1993-ban szerzett karmesteri diplom\u00e1t. A historikus el\u0151ad\u00e1sm\u00f3d ir\u00e1nti \u00e9rdekl\u0151d\u00e9s\u00e9ben nagy hat\u00e1ssal volt r\u00e1 H. Rilling, J. Eliot Gardiner, J. Toll, M. Bilson \u00e9s S. Standage. Rendszeres vend\u00e9gkarmestere a legt\u00f6bb magyarorsz\u00e1gi szimfonikus zenekarnak, \u00e9s 2000 augusztusa \u00f3ta a Magyar \u00c1llami Operah\u00e1znak.\r\n\r\n1990-ben megalap\u00edtotta a Purcell K\u00f3rust, 1991-ben az Orfeo Zenekart. Ezek \u00e9l\u00e9n az elm\u00falt 28 \u00e9vben sz\u00e1mtalan jelent\u0151s opera- \u00e9s orat\u00f3riumprodukci\u00f3t, kant\u00e1ta- \u00e9s zenekari m\u0171sort hozott l\u00e9tre.\r\n\r\nNev\u00e9hez sz\u00e1mos \u00fajkori vil\u00e1gpremier \u00e9s magyarorsz\u00e1gi bemutat\u00f3 f\u0171z\u0151dik: egy\u00fcttesei \u00e9l\u00e9n eddig k\u00f6zel 30 lemezfelv\u00e9telt k\u00e9sz\u00edtett. 2014 \u00f3ta a Versailles-i Barokk Zenei K\u00f6zponttal \u00e1pol szoros kapcsolatot, amelyb\u0151l a k\u00f6vetkez\u0151 francia barokk hangfelv\u00e9telek jelentek meg a Glossa kiad\u00f3n\u00e1l: Rameau Les F\u00eates de Polymnie c. \"ballet h\u00e9roique\"-j\u00e1nak vil\u00e1gpremier-r\u00f6gz\u00edt\u00e9se; Mondonville Grands Motets c. hanglemeze, majd az Isb\u00e9 vil\u00e1gbemutat\u00f3-el\u0151ad\u00e1sa; az Un op\u00e9ra pour trois rois c. op\u00e9ra-pastiche; valamint Rameau Nais sz\u00ednpadi m\u0171ve.\r\n\r\n1992 \u00f3ta a Zeneakad\u00e9mia tan\u00e1ra, jelenleg egyetemi docens. 2008\u2013ban Liszt-d\u00edjban, 2015-ben \u201eMagyar \u00c9rdemrend Lovagkereszt Polg\u00e1ri Tagozat\u201d kit\u00fcntet\u00e9sben r\u00e9szes\u00fclt. 2013 \u00f3ta tagja, 2017 okt\u00f3bere \u00f3ta eln\u00f6ke a Magyar M\u0171v\u00e9szeti Akad\u00e9mi\u00e1nak.\r\n<p style=\"text-align: justify;\">2024. m\u00e1rcius 15-i nemzeti \u00fcnnep\u00fcnk alkalm\u00e1b\u00f3l \u00e9rt\u00e9kteremt\u0151 tev\u00e9kenys\u00e9g\u00e9nek, valamint a m\u0171v\u00e9szeti k\u00f6z\u00e9letben v\u00e9gzett munk\u00e1j\u00e1nak elismer\u00e9s\u00e9\u00e9rt j\u00e1r\u00f3 legmagasabb magyar \u00e1llami kit\u00fcntet\u00e9sben, Kossuth-d\u00edjban r\u00e9szes\u00fclt.<\/p>{:}{:en}<strong>Gy\u00f6rgy Vashegyi<\/strong> earned a degree in conducting studies at the Budapest Academy of Music in 1993. His interest in historical performance was greatly influenced by Helmuth Rilling, John Eliot Gardiner, John Toll, Malcolm Bilson and Simon Standage.\r\n\r\nVashegyi has been a regular guest conductor for several Hungarian symphony orchestras and the Hungarian State Opera since the year 2000.\r\n\r\nHe founded the Purcell Choir and the Orfeo Zenekar in 1991 and has been responsible for countless important opera and oratorio productions, as well as cantata and orchestral programmes.\r\n\r\nHis name is associated with dozens of contemporary world and Hungarian premieres, while he has also released some 30 albums with his groups. Since 2014, he has developed a close relationship with the Centre de Musique Baroque de Versailles, releasing the following French Baroque recordings through the Glossa music label: the world premier of Rameau\u2019s <em>Les F\u00eates de Polymnie \u2013 Ballet h\u00e9roique<\/em>; the album <em>Mondonville: Grands Motets<\/em>; a world premiere of <em>Isb\u00e9<\/em>; the opera pastiche <em>Un op\u00e9ra pour trois rois<\/em> and a theatrical performance of Rameau\u2019s <em>Nais<\/em>.\r\n\r\nVashegyi has taught at the Academy of Music since 1992 and is currently an associate professor. He was awarded the Liszt Award in 2008 and the Knight\u2019s Cross of the Hungarian Order of Merit in 2015, and has been a member of the Hungarian Academy of Arts since 2013 and its president since October 2017.\r\n<p style=\"font-weight: 400;\">On the occasion of Hungary\u2019s national holiday on 15 March 2024, in recognition of his valuable work as an artist and in artistic public life, he was the country\u2019s highest state decoration, he was awarded the Kossuth Prize.<\/p>\r\n&nbsp;{:}","post_title":"{:hu}Vashegyi Gy\u00f6rgy{:}{:en}Gy\u00f6rgy Vashegyi{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"vashegyi-gyorgy","to_ping":"","pinged":"","post_modified":"2024-04-08 09:49:02","post_modified_gmt":"2024-04-08 09:49:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=85976","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"karmester_2":false,"hazigazda":null,"muvek":[],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[],"gombtipus":"link","jegyarak":"HUF 9,900 \/ HUF 7,900 \/ HUF 5,900 \/ HUF 4,900 \/ HUF 3,900","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"Buy ticket","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/program\/dohnanyi-bartok-beethoven-jean-efflam-bavouzet-kocsis3-160777\/1130203"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/123219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=123219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}