GIUSEPPE VERDI: Aida<\/p>\n
<\/p>\n
Aida \u00a0\u00a0 <\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Roberta Mantegna\u00a0<\/strong><\/p>\n Amneris<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Vict\u00f3ria<\/span>\u00a0Pitts<\/span><\/strong><\/p>\n Radam\u00e8s<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alfred Kim<\/strong><\/p>\n Amonasro<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0 Alexandru Agache<\/strong><\/p>\n Ramfis<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Andr\u00e1s Palerdi<\/strong><\/p>\n King<\/em> \u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Istv\u00e1n Kov\u00e1cs<\/strong><\/p>\n Messenger<\/em> \u00a0\u00a0\u00a0\u00a0 Jen\u0151 D\u00e9k\u00e1n<\/strong><\/p>\n Priestess<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Gabriella Busa<\/strong><\/p>\n <\/p>\n Hungarian National Choir <\/strong>(choirmaster: Csaba Somos<\/strong>)<\/p>\n Hungarian National Philharmonic Orchestra <\/strong><\/p>\n Conductor: Riccardo Frizza<\/strong><\/p>\n <\/p>\n During his tenure, Zolt\u00e1n Kocsis felt it was important to include complete operas on the programme of the Hungarian National Philharmonic \u2013 a conviction to which we owe both the memorable Richard Strauss productions and the reconstruction (itself credited to Kocsis) of Sch\u00f6nberg\u2019s Moses und Aron<\/em>. Gy\u00f6rgy Vashegyi also considers it a matter of importance for the orchestra and choir to offer a special experience to their audience by occasionally performing a complete opera. The first performance on the schedule for the Hungarian National Philharmonic\u2019s Opera season ticket is Verdi\u2019s Aida<\/em>, one of the most popular works for the musical stage works of all time \u2013 starring an international cast.<\/p>\n <\/p>\n Giuseppe Verdi composed Aida<\/em> to a libretto by Antonio Ghislanzoni. The four-act opera was first performed at the Cairo Opera House on 24 December 1871, under the baton of the double-bass virtuoso Giovanni Bottesini. As it was primarily heads of state and other politicians who attended this event, Verdi, who did not even go to Egypt, regarded the Milan performance in February 1872 as the work\u2019s true world premiere.\u00a0 Roberta Mantegna, the Italian soprano portraying the title character in this production by the \u00a0Hungarian National Philharmonic Orchestra, won the Concorso Internazionale Toti dal Monte in Treviso in 2015 and the Concours International de Belcanto Vincenzo Bellini in Marseille the following year.\u00a0 Singing Radam\u00e8s will be the Korean tenor Alfred Kim, who won an international competition in Vienna in 1997, followed by another one in Munich the next year. Brazil mezzo-soprano Vict\u00f3ria<\/span>\u00a0Pitts<\/span> and Romanian baritone Alexandru Agache, taking the stage as Amneris and Amonasro, respectively, also add to the guarantee that this performance will be an international one. The Hungarian singers joining them \u2013 such as Andr\u00e1s Palerdi (Ramfis), Istv\u00e1n Kov\u00e1cs (King), Jen\u0151 D\u00e9k\u00e1n (Messenger) and Gabriella Busa (High Priestess) \u2013 will contribute to the high standard of the evening as well. Anyone who has watched Italian conductor Riccardo Frizza, who has grown increasingly popular in Hungary in recent years, at work on the podium knows that this performance is in good hands.<\/p>\n <\/p>\n","protected":false},"template":"","class_list":["post-121100","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Opera\/1 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