Erik Satie: Deux Gymnop\u00e9dies (Satie\u2013Debussy)
\nFrancis Poulenc: Sonata (arranged by Lennox Berkeley)
\nCamille Saint-Sa\u00ebns: Romance for Flute and Orchestra, op. 37
\nC\u00e9cile Chaminade: Concertino for Flute and Orchestra, op. 107
\n***<\/p>\n
Hector Berlioz: Symphonie Fantastique<\/p>\n
Emmanuel Pahud<\/strong> flute<\/p>\n Hungarian National Philharmonic Orchestra<\/strong><\/p>\n Conductor: G\u00e1bor K\u00e1li<\/strong><\/p>\n Those familiar with the history of flute-playing know that in the late 19th century and through the 20th century, France boasted numerous marvellous flautists, the kind who exerted a key influence on the history of how the instrument is played: Paul Taffanel, Marcel Moyse and Jean-Pierre Rampal, just to name the very greatest. We could also add to this list Franco-Swiss musicians such as Aur\u00e8le Nicolet. The Swiss French-born Emmanuel Pahud is also the greatest flautist of our era. At this concert of the Hungarian National Philharmonic Orchestra, he will play works for the flute by French composers, bookended by French symphonic music.<\/p>\n Was it French flautists who inspired French composers to write music for the flute? Or was it the other way around? Could it be that French composers\u2019 fondness for the flute was what yielded such exquisite performers? Who knows? It is a fact, however, that the armies of virtuoso French flautists have had plenty of French pieces to play, and not just Debussy and Ravel\u2019s lavish works for solo flute. Pahud, for example, will be playing Poulenc\u2019s Sonata<\/em> for flute and piano as transcribed for orchestra, Saint-Sa\u00ebns\u2019s Romance<\/em>, and the sensitive C\u00e9cile Chaminade\u2019s sophisticated and elegant Concertino<\/em>. This is a programme for connoisseurs!<\/p>\n But Pahud himself is a connoisseur. Well known as the international star principal flute for the Berlin Philharmonic, he also performs both concertos and chamber music, discovering and recording even the tiniest treasures in the repertoire written for his instrument. The French pieces for flute will be framed by French symphonic music, as the conductor of the concert, the young G\u00e1bor K\u00e1li, who has already achieved international success, will conduct two of Satie\u2019s Gymnop\u00e9dies<\/em> as transcribed by Debussy to open the programme and close it in the second part with Berlioz\u2019s enormous and visionary Fantastic Symphony<\/em>. 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