Wolfgang Amadeus Mozart: Symphony No. 34 in C major, K. 338
\nWolfgang Amadeus Mozart \u2013 Fran\u00e7ois Leleux: Arias from the operas The Magic Flute and Don Giovanni (arrangements for oboe and orchestra)
\n***
\nRobert Schumann: Symphony No. 2 in C major, op. 61<\/p>\n
Hungarian National Philharmonic Orchestra<\/strong><\/p>\n Conductor and oboist: Fran\u00e7ois Leleux<\/strong><\/p>\n Are wind instruments capable of song? Of course they are! The world-class French oboist Fran\u00e7ois Leleux provides conclusive proof of this when he plays his own arrangements of arias from two immortal Mozart operas, The Magic Flute<\/em> and Don Giovanni<\/em>. And are wind instruments able to conduct? Not all of them, but the soloist for this evening is also an expert in this art. This will not be the first time he has guested as a conductor at the helm of the Hungarian National Choir. On this occasion, we will hear a symphony each from Mozart and Schumann.<\/p>\n Mozart was eight years old when he wrote his first symphony in 1764, and the last aged 32 in 1788, three years before his death. Depending on the method of categorisation, his works in this genre number between 41 and 68. The piece with K\u00f6chel catalogue number 388 to be heard here is one of his most mature as it is only followed by six works of a similar genre. Its inventiveness and refinement bears testament to this. The Magic Flute<\/em>, which is at once fairy tale and mystical, and Don Goivanni<\/em>, which presents the demon of seduction, are also later works that belong among the most mature in their genre. Robert Schumann was 36 years old on 19 October 1846, when he completed his Symphony No. 2<\/em>. With its many dramatic elements, the victorious energy it exudes and its rich sound, his four-movement opus was a turning point in the composer\u2019s creative method: Until then, he had composed at the piano, now he switched to relying on his internal ear and writing the music in his head.<\/p>\n As one of the world\u2019s most famous oboists, the Frenchman Fran\u00e7ois Leleux was only 19 when he became principle oboe at the Paris Opera. A celebrated artist, he is also a member of star-studded Les Vents Fran\u00e7ais wind quintet and an internationally renowned conductor.<\/p>\n","protected":false},"template":"","class_list":["post-119354","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Kobayashi season ticket 4","kiemelt_kep":{"ID":119347,"id":119347,"title":"2023.05.09 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A vil\u00e1g vezet\u0151 zenekarai \u00e9l\u00e9n, fesztiv\u00e1lokon \u00e9s koncertsorozatokban rendszeresen fell\u00e9p, mint sz\u00f3lista, karmester \u00e9s szervez\u0151. Az oboistak\u00e9nt szaktekint\u00e9lynek sz\u00e1m\u00edt\u00f3 Leleux karmesterk\u00e9nt is megalapozta a h\u00edrnev\u00e9t olyan egy\u00fcttesekkel val\u00f3 egy\u00fcttm\u0171k\u00f6d\u00e9sben, mint a Hessei R\u00e1di\u00f3 Szimfonikus Zenekara, a Camerata Salzburg, az als\u00f3-ausztriai Tonk\u00fcnstler-Zenekar, valamint a sydney-i, a sv\u00e9d r\u00e1di\u00f3 \u00e9s a WDR Szimfonikus Zenekarai.\r\n\r\nFran\u00e7ois Leleux<\/strong><\/a>{:}{:en}Fran\u00e7ois Leleux,\u00a0Principal Guest Artist of the National Philharmonic\r\n\r\nRrenowned for bringing \u201cbigger-than life personality\u201d to his performances (Chicago Classical Review), regularly appears as soloist, conductor and player\/director with the world\u2019s leading orchestras, festivals and concert series. 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