Joseph Haydn: Symphony No. 100 in G major (\u201cMilitary\u201d), Hob. I:100
\nJoseph Haydn: Scena di Berenice \u2013 concert aria (Berenice, che fai?), Hob. XXIVa:10<\/p>\n
***<\/p>\n
Franz Schubert-Franz Liszt: Die junge Nonne
\nFranz Schubert-Franz Liszt: Gretchen am Spinnrade
\nFranz Liszt: Jeanne d\u2019Arc au b\u00fbcher \u2013 dramatic scena for soprano and orchestra (Hungarian premiere of the 1858 version)
\nFranz Liszt: Festkl\u00e4nge \u2013 symphonic poem<\/p>\n
R\u00e9ka Krist\u00f3f<\/strong> soprano<\/p>\n Hungarian National Philharmonic Orchestra<\/strong><\/p>\n Conductor: Martin Haselb\u00f6ck<\/strong><\/p>\n <\/p>\n The Austrian Martin Haselb\u00f6ck is an extraordinarily versatile individual: he is a choirmaster, organist, orchestra founder and musicologist. The early music expert will conduct the works of Haydn at the front of the Hungarian National Philharmonic Orchestra. After the interval, as a recognised interpreter of Liszt, he will lead the orchestra in, along with two transcriptions Liszt made of songs by Schubert and a rendition of a rarely played symphonic poem, the Hungarian premiere of an obscure work. Haydn\u2019s concert aria, the two song transcriptions and Liszt\u2019s dramatic scena will be interpreted by the outstanding young Hungarian talent R\u00e9ka Krist\u00f3f, a soprano who rose to prominence through her performances in the Virtu\u00f3zok television show.<\/p>\n <\/p>\n Joseph Haydn composed his Symphony No. 100 in G major on his second trip to London (1794-95). The second movement, Allegretto, is from time to time dashingly driven forward by various percussion effects (\u201cTurkish\u201d military instruments, in fact, which were fashionable at the time). This, together with the trumpet fanfare towards the end of the movement, earned the symphony its \u201cMilitary\u201d nickname. Composed at the same time as the symphony, and similarly linked to Haydn\u2019s second London trip, is the Scena di Berenice, which creates a dramatic atmosphere on the concert stage in the form of a concert aria \u2013 a popular genre of the era. The text comes from an excerpt of Antigono, an opera by Pietro Metastasio. Weeping for Demetrio, Berenice laments her bitter fate, yearning for her lover to become her companion in death. Schubert\u2019s two songs, Die junge Nonne<\/em> (\u201cThe Young Nun\u201d) and Gretchen am Spinnrade (\u201cGretchen at the Spinning Wheel\u201d), both originally accompanied by piano, offer insight into the mysteries of the female soul from different perspectives. In another scena as dramatic as Hadyn\u2019s Berenice, Liszt\u2019s Jeanne d\u2019Arc (1845\u20131874\/75) features Alexandre Dumas\u2019s poetry set to music. Although the version of this composition written for piano accompaniment has also survived, this time the audience will get to know the so-far unpublished 1858 orchestral score. The programme will conclude with Liszt\u2019s symphonic poem Festkl\u00e4nge, which made its world premiere in 1854 as preliminary piece before a performance of Schiller\u2019s dramatic poem, Die Huldigung der K\u00fcnste.<\/p>\n","protected":false},"template":"","class_list":["post-119323","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Kobayashi season ticket 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