{"id":117858,"date":"2021-07-06T15:09:47","date_gmt":"2021-07-06T15:09:47","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=117858"},"modified":"2021-07-06T15:11:54","modified_gmt":"2021-07-06T15:11:54","slug":"taksonyfest-nemzeti-filharmonikus-zenekar","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/taksonyfest-nemzeti-filharmonikus-zenekar\/","title":{"rendered":"TaksonyFest – Hungarian National Philharmonic Orchestra"},"content":{"rendered":"
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Beethoven: Symphony No. 5 in C minor (\u201cFate\u201d), op. 67
\nBeethoven: Symphony No. 7 in A major, op. 92<\/p>\n

Conductor:\u00a0Gergely Madaras<\/strong><\/p>\n

Hungarian National Philharmonic Orchestra<\/strong><\/p>\n

Beethoven\u2019s\u00a0Symphony No.5 in C minor (\u201cFate\u201d)<\/em>, written in 1808, is one of the most played, most popular and most-cited works in the history of music. Its name did not come from the composer himself, however. Beethoven\u2019s secretary, Anton Schindler \u2013 not always a reliable source \u2013 left an anecdote for posterity claiming that in relation to the piece\u2019s famous four-voiced opening motif, the composer commented that\u00a0\u201cthis is the sound of fate knocking at the door\u201d.\u00a0<\/em>There is no doubt that Beethoven continued the focus on hero-worship already present in his\u00a0Symphony No.3<\/em>, and we can see the heroic story as a struggle with fate and a triumph over it. The thematic unity anticipates the symphonic poems of Liszt.\u00a0Symphony No. 7<\/em>\u00a0(1812) sings a tale of Dionysian intoxication, while its central musical elements are made from (mostly dactyl) rhythm, dance and movement. It is no surprise that Wagner called the piece\u00a0\u201cthe apotheosis of dance\u201d<\/em>.<\/p>\n

Gergely Madaras (1984) is the music director of the Orchestre Philharmonique Royal de Li\u00e8ge, a regular guest performer at several European and international concert halls and opera houses, and has displayed his talents as the conductor of the English National Opera, the Savaria Symphony Orchestra and the Dijon Bourgogne Orchestra.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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If seats are available, tickets can also be purchased on site between 17:00 and 18:45 on the day of the concert.<\/p>\n

Tickets purchased on the spot: 6 500 HUF<\/strong><\/p>\n

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