{"id":117224,"date":"2021-02-15T11:08:47","date_gmt":"2021-02-15T11:08:47","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=117224"},"modified":"2021-02-17T10:08:25","modified_gmt":"2021-02-17T10:08:25","slug":"b-moll-zongoraverseny-online-esemeny","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/b-moll-zongoraverseny-online-esemeny\/","title":{"rendered":"PIANO CONCERTO NO. 1 IN B-FLAT MINOR"},"content":{"rendered":"

The performance will be broadcasted on Liszt Academy’s website,<\/a><\/u> Facebook page<\/a> and YouTube channel<\/a><\/u>.<\/p>\n

Tchaikovsky originally intended to dedicate his work from 1874\/75 to his friend Nikolai Rubinstein. However, the pianist, composer and conductor had nothing but withering criticism for the piece, and so the dedication went instead to Hans von B\u00fclow, the first husband of Franz Liszt’s student and daughter Cosima, who premi\u00e8red it in Boston in 1875. It was in 1888 that the piano concerto took on the form that the composer considered final. Crucial to the first movement are romantic pathos and passion, while the slow movement fits a diabolical scherzo into the sensual romance of its middle section. The main theme of the finale was inspired by a Ukrainian folk melody. The Allegro con fuoco<\/em>, which requires exceptional instrumental skill from the pianist, culminates in a wild coda. G\u00e1bor Farkas, the soloist for the evening, is a globetrotting artist with awards from numerous international competitions under his belt. He serves as a professor at both the Tokyo College of Music and the Liszt Academy.<\/p>\n

Beethoven wrote his Seventh Symphony in 1811\/12 and premi\u00e8red it in 1813, in Vienna. Following on the heels of the Fifth Symphony, with its fierce struggle against fate, and the Sixth Century, serenely singing of the harmony of nature, this work is a celebration of ecstasy and intoxication, a Dionysian creation whose sweeping dactylic rhythm is a key element.\u00a0 The music, most often exaggerated, is full of gestures, full of movement, so much so that one of his enthusiastic admirers, Richard Wagner, described it as \u201cthe apotheosis of dance\u201d. With the presence of Henrik N\u00e1n\u00e1si, the orchestra will be playing under the leadership of one of the outstanding conductors of our era, who as music director of Berlin’s Komische Oper twice won his ensemble the title “Opera House of the Year”.<\/p>\n","protected":false},"template":"","class_list":["post-117224","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Online","kiemelt_kep":{"ID":115912,"id":115912,"title":"Nanasi-3-Mikel-Ponce2","filename":"Nanasi-3-Mikel-Ponce2.jpg","filesize":53058,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/b-moll-zongoraverseny\/nanasi-3-mikel-ponce2\/","alt":"","author":"951589","description":"","caption":"","name":"nanasi-3-mikel-ponce2","status":"inherit","uploaded_to":114124,"date":"2020-09-17 13:34:00","modified":"2020-09-17 13:34:00","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1600,"height":722,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-300x135.jpg","medium-width":300,"medium-height":135,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-768x347.jpg","medium_large-width":640,"medium_large-height":289,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-1024x462.jpg","large-width":640,"large-height":289,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-1536x693.jpg","1536x1536-width":1536,"1536x1536-height":693,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2.jpg","2048x2048-width":1600,"2048x2048-height":722,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-165x220.jpg","person-size-2-width":165,"person-size-2-height":220,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"kiemelt_kep_en":{"ID":115912,"id":115912,"title":"Nanasi-3-Mikel-Ponce2","filename":"Nanasi-3-Mikel-Ponce2.jpg","filesize":53058,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/b-moll-zongoraverseny\/nanasi-3-mikel-ponce2\/","alt":"","author":"951589","description":"","caption":"","name":"nanasi-3-mikel-ponce2","status":"inherit","uploaded_to":114124,"date":"2020-09-17 13:34:00","modified":"2020-09-17 13:34:00","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1600,"height":722,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-300x135.jpg","medium-width":300,"medium-height":135,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-768x347.jpg","medium_large-width":640,"medium_large-height":289,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-1024x462.jpg","large-width":640,"large-height":289,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-1536x693.jpg","1536x1536-width":1536,"1536x1536-height":693,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2.jpg","2048x2048-width":1600,"2048x2048-height":722,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-165x220.jpg","person-size-2-width":165,"person-size-2-height":220,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"megjegyzes":"","esemeny_datum":"20210304","esemeny_idopontja":"7:30 PM","esemeny_vege":"9:00 PM","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87537,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Zeneakad\u00e9mia{:}{:en}Liszt Academy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zeneakademia","to_ping":"","pinged":"","post_modified":"2021-02-17 10:09:02","post_modified_gmt":"2021-02-17 10:09:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/zeneakademia\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Hungary","cim":"VI. Liszt Ferenc t\u00e9r 8.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"online","karmester":{"ID":113699,"post_author":"951582","post_date":"2020-04-22 09:32:02","post_date_gmt":"2020-04-22 09:32:02","post_content":"","post_title":"{:hu}N\u00e1n\u00e1si Henrik{:}{:en}Henrik N\u00e1n\u00e1si{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nanasi-henrik","to_ping":"","pinged":"","post_modified":"2020-04-22 09:32:02","post_modified_gmt":"2020-04-22 09:32:02","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=artists&p=113699","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"karmester_2":false,"hazigazda":null,"muvek":[{"ID":91154,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}I. Allegro non troppo e molto maestoso\r\n<\/em>II. Andantino semplice\r\n<\/em>III. Allegro con fuoco<\/em>\r\n\r\n \r\n\r\n\u201eKi kell irtani bel\u0151le a banalit\u00e1sokat, \u00e9s j\u00e1tszhat\u00f3v\u00e1 kell tenni n\u00e9h\u00e1ny lej\u00e1tszhatatlan r\u00e9szt\u201d<\/em> \u2013 ezzel a les\u00fajt\u00f3 kritik\u00e1val adta vissza a komponist\u00e1nak a b-moll zongoraverseny<\/em> partit\u00far\u00e1j\u00e1t a h\u00edres pianista, Nyikolaj Rubinstein. Csajkovszkijt m\u00e9lyen b\u00e1ntotta muzsikust\u00e1rsa \u00e9s bar\u00e1tja v\u00e9leked\u00e9se. Nem fogadta meg a tan\u00e1csot. Ink\u00e1bb t\u00f6r\u00f6lte a Rubinsteinnek sz\u00f3l\u00f3 aj\u00e1nl\u00e1st, s Hans von B\u00fclow nev\u00e9t \u00edrta a c\u00edmlap megfelel\u0151 soraiba. B\u00fclow 1874-ben Oroszorsz\u00e1gban turn\u00e9zott, Csajkovszkij ekkor k\u00f6t\u00f6tt vele bar\u00e1ts\u00e1got. Megmutatta neki \u00faj m\u0171v\u00e9t, s B\u00fclow (b\u00e1r szint\u00e9n neh\u00e9znek tal\u00e1lta) v\u00e1llalkozott r\u00e1, hogy bemutassa. Az \u00f3ri\u00e1si sikert hoz\u00f3 bostoni premier (1875) ut\u00e1n n\u00e9metorsz\u00e1gi v\u00e1rosokban is elj\u00e1tszotta, hatalmas lelkesed\u00e9st keltve; Moszkv\u00e1ban ek\u00f6zben Tanyejev sz\u00f3listaprodukci\u00f3ja nyom\u00e1n tapsolta v\u00f6r\u00f6sre a tenyer\u00e9t a k\u00f6z\u00f6ns\u00e9g.\r\n\r\nA m\u0171 t\u00f6retlen\u00fcl n\u00e9pszer\u0171 az\u00f3ta is, s nem neh\u00e9z meg\u00e9rteni, mi\u00e9rt. Els\u0151 t\u00e9tele p\u00e1ratlanul \u00fcnnep\u00e9lyes bevezet\u0151vel indul. Csajkovszkij ravasz tr\u00fckkel \u00e9l: a zenekar n\u00e9h\u00e1ny \u00fctemnyi b-moll bevezet\u0151je ut\u00e1n, a zongora bel\u00e9p\u00e9sekor a kompoz\u00edci\u00f3 azonnal Desz-d\u00farra v\u00e1lt. Moll el\u0151zm\u00e9ny ut\u00e1n ez a d\u00far k\u00fcl\u00f6n\u00f6sen f\u00e9nyesnek t\u0171nik; a zongora h\u00e1rom regiszterben is megism\u00e9telt akkordjai mindenkinek, aki a darabot valaha is hallotta, m\u00e9lyen megragadnak az eml\u00e9kezet\u00e9ben. A folytat\u00e1s szokatlan a versenym\u0171-irodalomban. A \u201ef\u0151t\u00e9ma\u201d viszonylag hossz\u00fa kibont\u00e1sa ut\u00e1n ugyanis mintha v\u00e9get \u00e9rne egy fejezet. A muzsika elcsendesedik, csak a f\u00fav\u00f3sok sz\u00f3lnak, keltik fel a v\u00e1rakoz\u00e1s \u00e9rz\u00e9s\u00e9t. S az ezut\u00e1n k\u00f6vetkez\u0151 j\u00e1t\u00e9kos, \u00e1m furcsa m\u00f3d m\u00e9gis kiss\u00e9 izgatott t\u00e9ma m\u00e1r 4\/4-es metrum\u00fa az addigi h\u00e1rmas \u00fctemmel ellent\u00e9tben. Ett\u0151l kezdve meg is marad ez a metrum. Vallom\u00e1sszer\u0171 dallamot hallunk (tal\u00e1n ezt lehetne a szon\u00e1taforma \u201emell\u00e9kt\u00e9m\u00e1j\u00e1nak\u201d nevezni), majd egy egyszer\u0171bb, szinte gyermekdal jelleg\u0171 mel\u00f3di\u00e1t. Ar\u00e1nylag r\u00f6vid \u201ekidolgoz\u00e1s\u201d ut\u00e1n mindezeket m\u00e9g egyszer visszaid\u00e9zi a komponista, a 3\/4-es f\u0151t\u00e9ma azonban leplezetlen, azonnal felismerhet\u0151 form\u00e1ban t\u00f6bb\u00e9 nem sz\u00f3lal meg a t\u00e9tel sor\u00e1n.\r\n\r\nA lass\u00fa t\u00e9tel egyszer\u0171, h\u00e1romr\u00e9szes szerkezet. F\u0151r\u00e9sze dallamos rom\u00e1nc, k\u00f6zepe egyfajta \u201eszentiv\u00e1n\u00e9ji\u201d scherzo, Mendelssohn j\u00f3l bev\u00e1lt, m\u00falt sz\u00e1zadi mesterek \u00e1ltal sz\u00edvesen feleleven\u00edtett receptje szerint.\r\n\r\nA z\u00e1r\u00f3 Allegro con fuoco<\/em> f\u0151t\u00e9m\u00e1ja a kutat\u00f3k szerint ukr\u00e1n n\u00e9pi mel\u00f3dia (egyesek az els\u0151 t\u00e9tel egyik dallam\u00e1nak is kimutatt\u00e1k folkl\u00f3r-eredet\u00e9t). K\u00e9ts\u00e9gk\u00edv\u00fcl nem neh\u00e9z e lend\u00fcletes, 3\/4-es dallamhoz n\u00e9pi t\u00e1ncjelenet k\u00e9p\u00e9t asszoci\u00e1lnunk (akrobatikus f\u00e9rfit\u00e1ncosokkal). A m\u00e1sodik dallam szel\u00eddebb, \u00e9nekszer\u0171bb; a m\u0171 v\u00e9ge fel\u00e9 pedig szinte himnikuss\u00e1 v\u00e1lik. \u00c9let\u00f6r\u00f6m\u00f6t sug\u00e1roz ez a muzsika \u2013 s meglehet, ezt \u00e9rezte benne Rubinstein eleinte \u201eban\u00e1lisnak\u201d. R\u00f6viddel a moszkvai el\u0151ad\u00e1s ut\u00e1n azonban megt\u00f6rt\u00e9nt az, ami val\u00f3s\u00e1gos csoda a m\u0171v\u00e9szet vil\u00e1g\u00e1ban: Nyikolaj Rubinstein bel\u00e1tta, hogy t\u00e9vedett. P\u00e1rizsban m\u00e1r \u0151 j\u00e1tszotta el a zongorasz\u00f3lamot, s hajolt meg b\u00fcszk\u00e9n a lelkesed\u00e9st\u0151l tombol\u00f3 k\u00f6z\u00f6ns\u00e9g el\u0151tt.{:}{:en}\"You must weed out the banalities and make some of the unplayable passages playable\" - this was the withering reaction of Nikolai Rubinstein to the score of the B flat minor concerto, after the composer showed it to him. Tchaikovsky (1840-1893) was deeply wounded by the opinion of his fellow musician and friend.\r\n\r\n\r\n\r\nHowever, he elected not to take his advice. Instead, he removed Rubinstein's name as dedicatee and replaced it with that of Hans von B\u00fclow. Tchaikovsky had met von B\u00fclow during the pianist's Russian concert tour in 1874, and the two men formed a friendship. He showed von B\u00fclow the concerto, and although the pianist found it technically challenging, he undertook to perform it. After its hugely successful world premiere in Boston (1875), he played it in a number of German cities, where it was enthusiastically received. In Moscow, the solo part was taken by Taneyev. Rubinstein had the grace to realise he had been mistaken and did master it to the extent that he performed at a concert in Paris.\r\nThe concerto has enjoyed unbroken popularity ever since and it is not hard to understand why. Its first movement begins with an outstanding introduction, both in its musical impact and the visual spectacle of the pianist hammering out chords up and down the piano: the epitome of the Romantic concerto. Tchaikovsky craftily places a few bars of an introduction in B flat minor, before placing the work firmly in D flat major. After the minor introduction, the major sounds all the brighter. And yet what happens next is unusual, to say the least. The principal theme, after its lengthy exposition, seems to end this particular chapter. The music quietens, only the woodwind is heard, and a sense of expectation aroused. The next theme, which is now peculiar excited, is in 4\/4 metre, in contrast to the triple metre in the introduction. This square metre is retained for the rest of the movement. We hear a confessional melody (perhaps we could call this the subsidiary theme of a sonata form), then a simpler song that has the flavour of a children's song. After a relatively short development, Tchaikovsky recapitulates them once more, but we never hear the undisguised 3\/4 principal theme again in the movement. The slow movement has a simple three part form. Its principal section is melodic and romantic, while the central section takes on the character of a Mendelssohnian scherzo, a formula that was popularly borrowed by many 19th century composers. The principal theme of the closing movement \"Allegro con fuoco\" has been identified by researchers as a Ukrainian folk tune (others have hazarded similar conjectures about the famous first movement\u00a0 melody). It is certainly not hard to read folk associations into this melody which again is in 3\/4 time. By the end of the movement, it has taken on an almost hymnal character. This music does radiate the joy of life, although perhaps this is precisely what Rubinstein sensed was \"banal\". Shortly after the Moscow performance of the concerto, Nikolai Rubinstein backtracked in dramatic fashion and admitted he was wrong. In Paris, he performed the concerto, and was seen bowing proudly to the enthusiastic audience.{:}","post_title":"{:hu}I. (b-moll) zongoraverseny, op. 23{:}{:en}Piano Concerto No. 1 in B-flat minor, op. 23{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"i-b-moll-zongoraverseny-op-23","to_ping":"","pinged":"","post_modified":"2020-09-28 03:31:37","post_modified_gmt":"2020-09-28 03:31:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/i-zongoraverseny-b-moll-op-23\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":101477,"post_author":"3","post_date":"2017-05-29 19:26:03","post_date_gmt":"2017-05-29 19:26:03","post_content":"\"E szimf\u00f3nia a felfokozott, szenved\u00e9lyes \u00fcnnep\u00e9lyess\u00e9gnek, a szinte \u00e1rny\u00e9kmentesen f\u00e9nyl\u0151 ragyog\u00e1snak minden addigit fel\u00fclm\u00fal\u00f3an mer\u00e9sz zen\u00e9be \u00f6nt\u00e9se. Tematik\u00e1ja szenved\u00e9lyesebb, sodr\u00f3bb lend\u00fclet\u0171, hangszerel\u00e9se f\u00e9nyesebb, sz\u00ednesebb, harsog\u00f3bb minden addigi zenekari m\u0171v\u00e9n\u00e9l! Annak idej\u00e9n m\u00e1r Mendelssohn fenntart\u00e1s n\u00e9lk\u00fcl megcsod\u00e1lta hangszerel\u00e9s\u00e9nek csod\u00e1latos pomp\u00e1j\u00e1t. Nem hi\u00e1ba mondta egyszer Beethoven, hogy zen\u00e9j\u00e9vel megtan\u00edtja az embereket a szellem isteni \u0151rj\u00f6ng\u00e9s\u00e9re; ha valaha, \u00fagy ebben a szimf\u00f3ni\u00e1ban siker\u00fclt ezt a c\u00e9lt el\u00e9rnie.\" (Bartha D\u00e9nes)\r\n\r\n\r\n\r\nI. Poco sostenuto. Vivace II. Allegretto III. Presto IV. Allegro con brio\r\n

A kompoz\u00edci\u00f3 1811-1812-ben k\u00e9sz\u00fclt, a k\u00e9zirat tan\u00fas\u00e1ga szerint a befejez\u00e9s d\u00e1tuma m\u00e1jus 13. A darab \u00e9rzelemvil\u00e1g\u00e1t a vil\u00e1gt\u00f6rt\u00e9nelmi esem\u00e9nyek (nap\u00f3leoni h\u00e1bor\u00fak) \u00e9s a szerz\u0151 mag\u00e1n\u00e9let\u00e9nek der\u0171sebb id\u0151szak\u00e1hoz (melynek nevezetes epiz\u00f3dja a csehorsz\u00e1gi Teplitzben elt\u00f6lt\u00f6tt nyaral\u00e1s, amikor Beethoven z\u00e1rk\u00f3zott, emberker\u00fcl\u0151 term\u00e9szete ellen\u00e9re \u00e9l\u00e9nk t\u00e1rsas\u00e1gi \u00e9letet \u00e9lt) kapcsol\u00f3d\u00f3 \u00e9lm\u00e9nyek hat\u00e1rozz\u00e1k meg. A szimf\u00f3nia olyan hangot \u00fct meg, melynek eddig sem Beethovenn\u00e9l, sem m\u00e1s szerz\u0151n\u00e9l nem akadt p\u00e9ld\u00e1ja. \"E szimf\u00f3nia a felfokozott, szenved\u00e9lyes \u00fcnnep\u00e9lyess\u00e9gnek, a szinte \u00e1rny\u00e9kmentesen f\u00e9nyl\u0151 ragyog\u00e1snak minden addigit fel\u00fclm\u00fal\u00f3an mer\u00e9sz zen\u00e9be \u00f6nt\u00e9se. Tematik\u00e1ja szenved\u00e9lyesebb, sodr\u00f3bb lend\u00fclet\u0171, hangszerel\u00e9se f\u00e9nyesebb, sz\u00ednesebb, harsog\u00f3bb minden addigi zenekari m\u0171v\u00e9n\u00e9l! Annak idej\u00e9n m\u00e1r Mendelssohn fenntart\u00e1s n\u00e9lk\u00fcl megcsod\u00e1lta hangszerel\u00e9s\u00e9nek csod\u00e1latos pomp\u00e1j\u00e1t. Nem hi\u00e1ba mondta egyszer Beethoven, hogy zen\u00e9j\u00e9vel megtan\u00edtja az embereket a szellem isteni \u0151rj\u00f6ng\u00e9s\u00e9re; ha valaha, \u00fagy ebben a szimf\u00f3ni\u00e1ban siker\u00fclt ezt a c\u00e9lt el\u00e9rnie.\" (Bartha D\u00e9nes)<\/p>\r\n

Schindler (Beethoven titk\u00e1ra) eml\u00edti, hogy a zeneszerz\u0151 kedvenc olvasm\u00e1nyai k\u00f6z\u00e9 tartozott Hom\u00e9rosz Od\u00fcsszei\u00e1ja, 1812-ben egy operalibrett\u00f3r\u00f3l is t\u00e1rgyalt Theodor K\u00f6rner k\u00f6lt\u0151vel, melynek t\u00e1rgy\u00e1t az eposzb\u00f3l mer\u00edtett\u00e9k volna. Ugyanebben az id\u0151ben - v\u00e1zlatk\u00f6nyv\u00e9nek tan\u00fas\u00e1ga szerint - a g\u00f6r\u00f6g id\u0151m\u00e9rt\u00e9kes versel\u00e9s megzen\u00e9s\u00edt\u00e9s\u00e9nek probl\u00e9m\u00e1ja foglalkoztatta. A szimf\u00f3nia-v\u00e1zlatok pedig el\u00e1rulj\u00e1k, hogy a zenei anyagb\u00f3l els\u0151k\u00e9nt a metrikus l\u00fcktet\u00e9sre vonatkoz\u00f3 ide\u00e1k krist\u00e1lyosodtak ki, a dallamanyag k\u00e9s\u0151bbi fejlem\u00e9ny. S val\u00f3ban, a szimf\u00f3nia valamennyi t\u00e9tele g\u00f6r\u00f6g versl\u00e1bakon \"\u00e1ll\". A k\u00fcl\u00f6n\u00f6sen n\u00e9pszer\u0171v\u00e9 v\u00e1l\u00f3 m\u00e1sodik t\u00e9telben p\u00e9ld\u00e1ul egy daktilusb\u00f3l \u00e9s spondeusb\u00f3l \u00e1ll\u00f3 adoniszi sor k\u00e9plete vonul v\u00e9gig. A kort\u00e1rsi besz\u00e1mol\u00f3k \u00e9s a szembet\u0171n\u0151 stil\u00e1ris jegyek egy\u00fcttes\u00e9nek k\u00f6sz\u00f6nhet\u0151, hogy a m\u0171 legt\u00f6bb elemz\u00e9se az antikvit\u00e1shoz k\u00f6ti a szimf\u00f3nia eszmei programj\u00e1t. Szabolcsi Bence p\u00e9ld\u00e1ul az els\u0151 t\u00e9tel szokatlanul hossz\u00fa lass\u00fa bevezet\u00e9s\u00e9t egy antik \u00fcnnep bejelent\u00e9s\u00e9nek nevezte. Ezt k\u00f6veti maga az \u00fcnnep. A II. t\u00e9tel \"\u00e1lom a k\u00f6nnytelen \u00e9s m\u00e9lt\u00f3s\u00e1gos g\u00f6r\u00f6g hal\u00e1lr\u00f3l, a b\u00e1natr\u00f3l, mely \u00e9pp\u00fagy az \u00e9let nagy \u00fctem\u00e9re lejt, mint az \u00fcnnepi felk\u00f6sz\u00f6nt\u0151.\" A III. t\u00e9tel \"szikr\u00e1z\u00f3 k\u00f6rt\u00e1nc, elszakad\u00e1s az anyagt\u00f3l, fellend\u00fcl\u00e9s a legf\u0151bb magaslatokba\". A IV. t\u00e9tel maga a \"bacchan\u00e1l, sz\u00fcreti mulats\u00e1g \u00e9s r\u00e9szeg t\u00e1ntorg\u00e1s\". Nem v\u00e9letlen\u00fcl nevezte Wagner a darabot a \"t\u00e1nc apote\u00f3zis\u00e1nak\".<\/p>","post_title":"{:hu}VII. (A-d\u00far) szimf\u00f3nia, op. 92{:}{:en}Symphony No. 7 in A major, op. 92{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"vii-szimfonia-dur-op-92","to_ping":"","pinged":"","post_modified":"2020-03-04 12:46:02","post_modified_gmt":"2020-03-04 12:46:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101477","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":87064,"post_author":"1","post_date":"2016-09-21 07:58:15","post_date_gmt":"2016-09-21 07:58:15","post_content":"{:hu}

1981-ben sz\u00fcletett \u00d3zdon. Zenei tehets\u00e9g\u00e9vel igen kor\u00e1n felh\u00edvta mag\u00e1ra a figyelmet, \u00edgy \u00f6t\u00e9vesen m\u00e1r a helyi zeneiskola n\u00f6vend\u00e9ke volt. Tanulm\u00e1nyait k\u00e9s\u0151bb a miskolci Zenem\u0171v\u00e9szeti Szakk\u00f6z\u00e9piskol\u00e1ban, majd a budapesti Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen folytatta, ahol 2005-ben zongoram\u0171v\u00e9sz-tan\u00e1ri diplom\u00e1t szerzett.\r\nTehets\u00e9g\u00e9t itthon \u00e9s k\u00fclf\u00f6ld\u00f6n egyar\u00e1nt elismerik, \u00e9s ezt t\u00f6bbek k\u00f6z\u00f6tt olyan d\u00edjak bizony\u00edtj\u00e1k, mint a Magyar R\u00e1di\u00f3 Orsz\u00e1gos Zongoraverseny\u00e9nek els\u0151 helyez\u00e9se, a Baden bei Wien-i Bart\u00f3k B\u00e9la Zongoraverseny els\u0151 d\u00edja, a Karlstadi Greta Erikson Nemzetk\u00f6zi Zongoraverseny m\u00e1sodik helyez\u00e9se. Farkas G\u00e1bor nemcsak a szakm\u00e1t, de a k\u00f6z\u00f6ns\u00e9get is megh\u00f3d\u00edtotta, sikeres koncerteket adott m\u00e1r t\u00f6bbek k\u00f6z\u00f6tt B\u00e9csben, Berlinben, Stuttgartban, Strassbourgban, Firenz\u00e9ben, P\u00e1rizsban, valamint Toki\u00f3ban.<\/p>\r\n\r\n

<\/div>{:}{:en}

\u00a0If we only listed the names of the conductors G\u00e1bor Farkas, PhD student of the Franz Liszt Academy of Music, Budapest has worked with, that would be more than enough: \u00c1d\u00e1m Fischer, Zolt\u00e1n Kocsis and Tam\u00e1s V\u00e1s\u00e1ry. G\u00e1bor started his music studies at the age of five, and already holds an MA degree in Piano Performance and Teaching. His special talent is appreciated internationally: in 1998, he was awarded with the first prize of the \"National Piano Competition\", B\u00e9k\u00e9s-Tarhos, Hungary; in 2000 he was the winner of the \"Bart\u00f3k B\u00e9la Piano Competition\", Baden bei Wien; and in 2003 he received the first prize of the \"Hungarian National Radio's Piano Competition\".<\/p>\r\nHis uplifting performance enchanted the audience throughout Europe and the world: along the past years he performed in the concert halls of Budapest, Vienna, Baden bei Wien, Berlin, Stuttgart, Strassbourg, Florence, Paris, Calgary, Sakata, Yuza and Tokyo. He was invited to prestigious international festivals, such as the \"Budapest Spring Festival\", the \"International Piano Forum\", Berlin and the \"Franz Liszt Festival\" organized in the Castle of G\u00f6d\u00f6ll\u0151, Hungary. He extended his knowledge at the master courses of many of the most respected piano professors: Gy\u00f6rgy N\u00e1dor, Ferenc Rados, P\u00e9ter Frankl, Rolf Dieter Arens, Jan Wijn, Brigitte Engerer and William Grant Nabore. In the past years, he received the scholarships \"Pro Europe\" and \"Franz Liszt\", in Budapest, and in 2001 he won the scholarship of the \"European Cultural Foundation\", Strassbourg.\r\n

<\/div>{:}","post_title":"{:hu}Farkas G\u00e1bor{:}{:en}G\u00e1bor Farkas{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"farkas-gabor","to_ping":"","pinged":"","post_modified":"2017-02-14 07:56:21","post_modified_gmt":"2017-02-14 07:56:21","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=87064","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"Free of charge","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"ONLINE","hivatkozas_gomg_url-je":"https:\/\/www.filharmonikusok.hu\/koncertek\/b-moll-zongoraverseny-2\/"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/117224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=117224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}