{"id":117095,"date":"2021-01-26T13:21:40","date_gmt":"2021-01-26T13:21:40","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=117095"},"modified":"2021-02-09T11:09:07","modified_gmt":"2021-02-09T11:09:07","slug":"perenyi","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/perenyi\/","title":{"rendered":"Per\u00e9nyi"},"content":{"rendered":"<p>The performance will be broadcasted on the Liszt Academy&#8217;s <u><a href=\"https:\/\/zeneakademia.hu\/streaming\">website<\/a>, <a href=\"https:\/\/www.facebook.com\/zeneakademiaofficial\">Facebook page<\/a> and<\/u>\u00a0<u><a href=\"https:\/\/www.youtube.com\/channel\/UC7WSqFWbljMnGZkXjSgBcag\" target=\"blank\">YouTube channel<\/a><\/u>.<\/p>\n<p>&nbsp;<\/p>\n<p>In the 1940s, Andr\u00e1s Mih\u00e1ly and his string quartet considered their chief task to be introducing audiences to the music of Bart\u00f3k and the Viennese School. He served as the Hungarian State Opera&#8217;s principal cellist from 1946 until 1948. It was with this musical background and sure-footed understanding of the instrument that he wrote his three- movement <em>Cello Concerto<\/em>, the signature piece of his oeuvre in 1953, for which he received the Kossuth Prize in 1955. Next to the tempo markings for the movements, the composer also indicates their genre: <em>Poem<\/em>, <em>Ballad<\/em>, <em>Capriccio<\/em>. The soloist for the evening, the all-knowing master of the instrument Mikl\u00f3s Per\u00e9nyi, already recorded the work when he was 24 years old.<\/p>\n<p>Robert Schumann wrote his <em>Symphony No. 2<\/em> in 1845\/46, during a time of crisis in his life. Its contrapuntal structure can be explained by his understanding of the music of his great predecessor Bach, which he was studying around this period. The first movement is built around dotted rhythm and a rising main theme. Wedged into the playfully starting perpetuum mobile-like second movement are two trios. The movement ends with the demonic transformation of the introductory material. The third movement is one of the most shocking lyrical confessions in the Romantic symphonic literature. The work concludes with a fourth movement that is cheerful in tone.<\/p>\n","protected":false},"template":"","class_list":["post-117095","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"LIVE STREAM","kiemelt_kep":{"ID":117214,"id":117214,"title":"nfz_PERENYI MIKLOS_esemeny_1920x560px","filename":"nfz_PERENYI-MIKLOS_esemeny_1920x560px.jpg","filesize":174712,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/perenyi\/nfz_perenyi-miklos_esemeny_1920x560px\/","alt":"","author":"951590","description":"","caption":"","name":"nfz_perenyi-miklos_esemeny_1920x560px","status":"inherit","uploaded_to":117095,"date":"2021-02-09 11:08:44","modified":"2021-02-09 11:08:44","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-768x224.jpg","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-1024x299.jpg","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-1536x448.jpg","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px.jpg","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-165x220.jpg","person-size-2-width":165,"person-size-2-height":220,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2021\/01\/nfz_PERENYI-MIKLOS_esemeny_1920x560px-1600x560.jpg","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20210211","esemeny_idopontja":"7:30 pm","esemeny_vege":"9:00 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87537,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Zeneakad\u00e9mia{:}{:en}Liszt Academy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zeneakademia","to_ping":"","pinged":"","post_modified":"2021-02-17 10:09:02","post_modified_gmt":"2021-02-17 10:09:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/zeneakademia\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Hungary","cim":"VI. Liszt Ferenc t\u00e9r 8.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"online","karmester":{"ID":86550,"post_author":"1","post_date":"2018-03-09 16:10:49","post_date_gmt":"2018-03-09 16:10:49","post_content":"{:hu}Koroszt\u00e1ly\u00e1nak egyik legkiemelked\u0151bb, legsokoldal\u00fabb heged\u0171m\u0171v\u00e9sze, kamarazen\u00e9sze, von\u00f3sn\u00e9gyes-prim\u00e1riusa, karmestere, k\u00e9t vil\u00e1gh\u00edr\u0171 int\u00e9zet, a Zeneakad\u00e9mia \u00e9s a K\u00f6lni Egyetem professzora \u00e9s k\u00e9t gyermek \u00e9desapja \u00e9s Pertis Pali, a 20. sz\u00e1zad egyik legkiv\u00e1l\u00f3bb cig\u00e1nypr\u00edm\u00e1s\u00e1nak unok\u00e1ja.\r\n\r\nM\u0171v\u00e9szet\u00e9t t\u00f6bbek k\u00f6z\u00f6tt Kossuth-, Prima- \u00e9s Gramophone-d\u00edjakkal t\u00fcntett\u00e9k ki, nagy vil\u00e1gversenyek gy\u0151ztese \u00e9s d\u00edjazottja Salzburgt\u00f3l Br\u00fcsszelen \u00e1t Indianapolisig.\r\n\r\n17 sz\u00f3l\u00f3lemeze k\u00e9sz\u00fclt \u00e9s h\u00e1rom von\u00f3sn\u00e9gyes lemeze, melyek k\u00f6z\u00fcl a legrangosabb angol, francia, belga, n\u00e9met \u00e9s magyar hanglemez d\u00edjakat is elhozta. Nev\u00e9hez f\u0171z\u0151dik Kurt\u00e1g, Ligeti, Schnittke, Gubajdulina, Steve Reich, Ryan Wigglesworth m\u0171veinek magyarorsz\u00e1gi ill. \u0151sbemutat\u00f3i valamint Bart\u00f3k \u00f6sszes heged\u0171re \u00edrt m\u0171v\u00e9nek lemezfelv\u00e9tele Kocsis Zolt\u00e1n gondoz\u00e1s\u00e1ban.\r\n\r\nOlyan karmesterekkel dolgozott egy\u00fctt, mint Lorin Maazel, Sir Neville Marriner, Vladimir Jurowski, Marek Janowski, Michael Stern, Krzysztof Urbanski, E\u00f6tv\u00f6s P\u00e9ter \u00e9s olyan kamarapertnerekkel l\u00e9p fel, mint pl.: Kocsis Zolt\u00e1n, Olli Mustonen, R\u00e1nki Dezs\u0151, Steven Isserlis vagy Per\u00e9nyi Mikl\u00f3s. T\u00f6bbek k\u00f6z\u00f6tt a Carnegie Hall, a Concertgebouw, a Royal Festival Hall, a Bozar, a Suntory Hall, a Berlini Filharm\u00f3nia visszat\u00e9r\u0151 zenekari sz\u00f3list\u00e1ja.\r\n\r\nLegfontosabb zenei hat\u00e1st \u00e9desanyja mellett tan\u00e1rai, Per\u00e9nyi Eszter, Isaac Stern, Rados Ferenc \u00e9s Kocsis Zolt\u00e1n gyakorolt\u00e1k.{:}{:en}An artist of \u201cinnate musicality\u201d with a technical execution that belongs \u201conly to the greatest\" -The Guardian\r\n\r\nHe has captured the interest of the music world with premiers of works by Kurt\u00e1g, Ligeti, Schnittke, Gubajdulina, Steve Reich and Ryan Wigglesworth and also with his complete recordings of works for violin by Bart\u00f3k. His 17 solo recordings won major awards in England, France, Belgium, Germany and Hungary.\r\n\r\nBarnab\u00e1s Kelemen is a returning soloist in major venues like in the Carnegie Hall, Royal Festival Hall, The Concertgebouw, Suntory Hall, Bozar, Berlin Philharmony and worked with conductors such as: L. Maazel, Sir N. Marriner, V. Jurowski, M. Janowski, M. Stern, K. Urbanski, P. E\u00f6tv\u00f6s, I. Fischer and Z. Kocsis.\r\n\r\nHe got the Kossuth Prize, the Gramophone Award, and won top prizes at competitions from Salzburg through Brussels to Indianapolis.\r\n\r\nFounding leader of the Kelemen Quartet, they won the Melbourne, the Beijing and the Paolo Borciani competitions and they play at top festivals and concert halls from Australia through the US to Europe.\r\n\r\nHis biggest musical influence apart from his mother were his teachers: Eszter Per\u00e9nyi, Isaac Stern, Ferenc Rados and Zolt\u00e1n Kocsis and his grandfather, one of the most famous gypsy \u2018pr\u00edm\u00e1s\u2019s of the 20th century, Pali Pertis.\r\n\r\nHe is a professor at universities like the F. Liszt Academy in Budapest and at the Cologne University and he plays on the 1742 \u201cEx-D\u00e9nes Kov\u00e1cs\u201d Guarneri violin on loan from the state of Hungary.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<p style=\"text-align: justify;\"><\/p>{:}","post_title":"{:hu}Kelemen Barnab\u00e1s{:}{:en}Barnab\u00e1s Kelemen{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kelemen-barnabas","to_ping":"","pinged":"","post_modified":"2020-10-05 12:24:17","post_modified_gmt":"2020-10-05 12:24:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=86550","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"karmester_2":false,"hazigazda":null,"muvek":[{"ID":113857,"post_author":"951582","post_date":"2020-04-26 12:19:12","post_date_gmt":"2020-04-26 12:19:12","post_content":"","post_title":"{:hu}Csell\u00f3verseny{:}{:en}Cello Concerto{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"cselloverseny","to_ping":"","pinged":"","post_modified":"2020-04-26 12:19:12","post_modified_gmt":"2020-04-26 12:19:12","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=113857","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91889,"post_author":"1","post_date":"2016-09-08 08:57:58","post_date_gmt":"2016-09-08 08:57:58","post_content":"Robert Schumann (1810\u20131856) \u00e9lete egyik v\u00e1ls\u00e1gos id\u0151szak\u00e1ban, 1845-46-ban kompon\u00e1lta <em>II. szimf\u00f3ni\u00e1<\/em>j\u00e1t (C-d\u00far, op. 61). 1844-es oroszorsz\u00e1gi \u00fatj\u00e1t k\u00f6vet\u0151en egyre nyomaszt\u00f3bb t\u00fcnetekkel, idegess\u00e9g, ked\u00e9lybetegs\u00e9g, mem\u00f3riazavarok form\u00e1j\u00e1ban jelentkezett betegs\u00e9ge, f\u00fclz\u00fag\u00e1s, \u00e1lmatlans\u00e1g \u00e9s k\u00ednz\u00f3 hal\u00e1lf\u00e9lelem gy\u00f6t\u00f6rte. Okt\u00f3berben Drezd\u00e1ba k\u00f6lt\u00f6z\u00f6tt, de a k\u00f6rnyezetv\u00e1ltoz\u00e1s sem hozta meg a v\u00e1rt eredm\u00e9nyt. A k\u00f6vetkez\u0151 \u00e9v december\u00e9ben hallotta Schubert nagy <em>C-d\u00far szimf\u00f3ni\u00e1<\/em>j\u00e1t, amely nagy hat\u00e1st gyakorolt r\u00e1, \u00e9s alig k\u00e9t h\u00e9t alatt felv\u00e1zolta saj\u00e1t, azonos hangnem\u0171 szimf\u00f3ni\u00e1j\u00e1t. A hangszerel\u00e9ssel azonban lassan haladt \u00e1lland\u00f3 depresszi\u00f3ja miatt. Okt\u00f3berre k\u00e9sz\u00fclt csak el, majd november 5-\u00e9n Mendelssohn mutatta be a m\u0171vet a lipcsei Gewandhausban.\r\n\r\nSchumann azt nyilatkozta darabj\u00e1val kapcsolatban, hogy rossz \u00e1llapotban volt, amikor \u00edrni kezdte, \u00e9s mire befejezte, lett csak ism\u00e9t \u00f6nmaga. Val\u00f3ban, a szimf\u00f3nia mintha a szerz\u0151 \u00e9rzelmi-pszichikai \u00e1llapot\u00e1t \u00e1br\u00e1zoln\u00e1 \u00e9s gy\u00f3gyul\u00e1s\u00e1nak t\u00fckre lenne. Egyik alapvet\u0151 mozzanata s\u00f6t\u00e9tb\u0151l a f\u00e9ny fel\u00e9 t\u00f6rekv\u00e9s, amely jelen van a Schumann sz\u00e1m\u00e1ra olyan p\u00e9lda\u00e9rt\u00e9k\u0171 m\u0171vekben is, mint Beethoven <em>Fideli\u00f3<\/em>j\u00e1ban, valamint <em>V.<\/em> <em>\u00e9s IX. szimf\u00f3ni\u00e1<\/em>j\u00e1ban. A szerz\u0151t \u00e9rt m\u00e1sik fontos hat\u00e1s a zenei m\u00falt ir\u00e1ny\u00e1b\u00f3l \u00e9rkezett: Schumann ebben az id\u0151ben feles\u00e9g\u00e9vel, Clar\u00e1val egy\u00fctt behat\u00f3an tanulm\u00e1nyozta Bach st\u00edlus\u00e1t. Nem az ihletet v\u00e1rta, mint kor\u00e1bban, hanem tudatosan fejlesztette zeneszerz\u0151i k\u00e9szs\u00e9geit, \u00e9s ennek r\u00e9szek\u00e9nt rendszeresen \u00edrt ellenpont-gyakorlatokat.\r\n\r\nA szimf\u00f3nia els\u0151 t\u00e9tele <em>(Sostenuto assai \u2013 Allegro ma non troppo)<\/em> sejtelmesen megsz\u00f3lal\u00f3 r\u00e9zf\u00fav\u00f3s fanf\u00e1rmot\u00edvumokkal kezd\u0151dik, melyeket a von\u00f3sok ellenpontja fon k\u00f6r\u00fcl. Schumann tal\u00e1n erre a szakaszra utalt egy Mendelssohnhoz \u00edrott level\u00e9ben, k\u00f6zvetlen\u00fcl a m\u0171 kompon\u00e1l\u00e1sa el\u0151tt: \u201e<em>Egy ideje nagyon dobol \u00e9s trombit\u00e1l bennem valami (C-trombit\u00e1kon). Nem tudom, mi lesz ebb\u0151l<\/em>.\u201d Majd izgatott\u00e1 v\u00e1lik a zene, amely a lelkes, pontozott ritmus\u00fa f\u0151t\u00e9m\u00e1hoz vezet. Szinte az eg\u00e9sz t\u00e9tel ennek felfel\u00e9 t\u00f6r\u0151 mot\u00edvum\u00e1b\u00f3l \u00e9p\u00edtkezik, sokszori ism\u00e9tl\u00e9ssel \u00e9s a hanger\u0151 \u00e1lland\u00f3 fokoz\u00e1s\u00e1val.\r\n\r\nA m\u00e1sodik t\u00e9tel <em>(Scherzo, Allegro vivace)<\/em> Schumann egyik legzseni\u00e1lisabb alkot\u00e1sa, munk\u00e1ss\u00e1g\u00e1nak egyik cs\u00facspontja. \u00d6tr\u00e9szes form\u00e1ja (A-B-A-C-A) r\u00f6vid r\u00e9szek l\u00e1ncolat\u00e1b\u00f3l \u00e9p\u00fcl fel: perpetuum mobile-szer\u0171, izgatott szakasszal indul, amelyet \u00f6n\u00e1ll\u00f3 karakterdarabra eml\u00e9keztet\u0151 trio (B) k\u00f6vet faf\u00fav\u00f3s triol\u00e1kkal \u00e9s nagyobb \u00edv\u0171 dallamokkal. A m\u00e1sodik trio (C) polifon szerkeszt\u00e9se a Bach-tanulm\u00e1nyok hat\u00e1s\u00e1t mutatja.\r\n\r\nA harmadik t\u00e9telben <em>(Adagio espressivo)<\/em> a l\u00edrai hangulat uralkodik, a k\u00f6z\u00e9pszakaszban pedig szint\u00e9n fontos szerepet kap az ellenpontos szerkeszt\u00e9s. A vid\u00e1m 4. t\u00e9telben <em>(Allegro molto vivace)<\/em> Schumann a boldogs\u00e1g \u00e9s gy\u00f3gyul\u00e1s ir\u00e1nti v\u00e1gy\u00e1t fogalmazta meg, de nem annyira a beteljesed\u00e9s \u00e9rz\u00e9s\u00e9t, hanem a pozit\u00edv v\u00e9gkifejlet fel\u00e9 val\u00f3 t\u00f6rekv\u00e9s\u00e9t \u00f6nt\u00f6tte zen\u00e9be. A t\u00e9tel harmad\u00e1n\u00e1l megjelen\u0151 \u00faj, vissza-visszat\u00e9r\u0151 t\u00e9ma id\u00e9zet Beethoven <em>A t\u00e1voli kedveshez<\/em> <em>(An die ferne Geliebte)<\/em> c\u00edm\u0171 dalciklus\u00e1b\u00f3l, ahol a k\u00f6lt\u0151 e szavakkal juttatja c\u00e9lba szerelmes \u00fczenet\u00e9t: \u201e<em>Vedd h\u00e1t \u00edme e dalokat, melyeket Neked, kedvesem, \u00e9nekeltem<\/em>\u201d.","post_title":"{:hu}II. (C-d\u00far) szimf\u00f3nia, op. 61{:}{:en}Symphony No. 2 in C major, op. 61{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ii-szimfonia-c-dur-op-61","to_ping":"","pinged":"","post_modified":"2020-09-28 04:57:42","post_modified_gmt":"2020-09-28 04:57:42","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/ii-szimfonia-c-dur-op-61\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":85972,"post_author":"1","post_date":"2020-04-22 09:26:44","post_date_gmt":"2020-04-22 09:26:44","post_content":"{:hu}<p style=\"text-align: justify;\">1948-ban sz\u00fcletett Budapesten, zen\u00e9sz csal\u00e1dban. Csodagyerekk\u00e9nt kezdte p\u00e1ly\u00e1j\u00e1t: h\u00e9t\u00e9vesen m\u00e1r a Zeneakad\u00e9mi\u00e1n tanul Banda Ede n\u00f6vend\u00e9kek\u00e9nt, els\u0151 sz\u00f3l\u00f3hangverseny\u00e9t kilenc\u00e9ves kor\u00e1ban adja. Enrico Mainardi azzal seg\u00edti tov\u00e1bbfejl\u0151d\u00e9s\u00e9t, hogy t\u00f6bb mesterkurzus\u00e1ra megh\u00edvja. Per\u00e9nyi Mikl\u00f3s a r\u00f3mai Santa Cecilia Akad\u00e9mi\u00e1n folytatja tanulm\u00e1nyait 1962-ig, s a k\u00f6vetkez\u0151 \u00e9vben d\u00edjat nyer a budapesti Nemzetk\u00f6zi Pablo Casals Gordonkaversenyen. Casals is megh\u00edvja mesterkurzusaira, 1969 \u00e9s 1972 k\u00f6z\u00f6tt pedig minden \u00e9vben a Marlbor\u00f3i Fesztiv\u00e1lra. Sz\u00f3listak\u00e9nt \u00e9s kamarazen\u00e9szk\u00e9nt egyar\u00e1nt sz\u00edvesen l\u00e1tott vend\u00e9ge a vil\u00e1g zenei k\u00f6zpontjainak \u00e9s jelent\u0151s fesztiv\u00e1ljainak. Eur\u00f3pa csaknem minden orsz\u00e1g\u00e1ban hangversenyezett, de fell\u00e9pett az Egyes\u00fclt \u00c1llamokban (t\u00f6bbek k\u00f6z\u00f6tt a Carnegie Hall centen\u00e1riumi sorozat\u00e1ban), Jap\u00e1nban \u00e9s K\u00edn\u00e1ban is. 1974 \u00f3ta tan\u00edt a Zeneakad\u00e9mi\u00e1n, emellett kompon\u00e1l is: csell\u00f3ra, valamint kis \u00e9s nagy kamaraegy\u00fcttesre \u00edr darabokat. Legt\u00f6bb lemeze a Hungarotonn\u00e1l k\u00e9sz\u00fclt, de jelentek meg felv\u00e9telei az EMI Quintn\u00e9l, a Sony Classicn\u00e1l, a Decc\u00e1n\u00e1l, az Erat\u00f3n\u00e1l, a Col Legn\u00f3n\u00e1l \u00e9s a Teldecn\u00e9l is. Munkss\u00e1g\u00e1nak elismer\u00e9sek\u00e9nt 1980-ban Kossuth-d\u00edjjal majd 1987-ben Bart\u00f3k B\u00e9la\u2013P\u00e1sztory Ditta-d\u00edjjal jutalmazt\u00e1k. A 2013-14-es \u00e9vadban a M\u0171v\u00e9szetek Palot\u00e1ja az \u00e9v m\u0171v\u00e9sz\u00e9nek v\u00e1laszotta.<\/p>{:}{:en}<p style=\"text-align: justify;\">Miklos Perenyi was born in Budapest into a musical family. At the age of five he received his first cello lessons from Miklos Zsamboki, a former pupil of David Popper, and at the age of seven he was admitted to the Ferenc Liszt Music Academy Budapest where he studied with Professor Ede Banda. He made his debut in Budapest at the age of nine. He had further studies at the Accademia Santa Cecilia Roma with Professor Enrico Mainardi. In 1962 he was a prize winner at the International Casals Competition held in Budapest. In 1965 and 1966 Pablo Casals invited him to join his master classes in Zermatt and Puerto Rico and this was followed by an invitation to perform at the Marlboro Festival for four consecutive years. In 1974 he was appointed a teacher at the Ferenc Liszt Music Academy Budapest, where he is now Professor of the cello department. As an acknowledgement of his musical activites he was awarded the Kossuth Prize in 1980, and the Bartok-Pasztory Prize in 1987. As a soloist and a chamber musician he has appeared in many musical centres and festivals in Europe as well as in America, Japan and China. He has a very extensive repertoire, including pieces from the 17th and 18th centuries to the present day. Miklos Perenyi is also involved in composing and his compositions include pieces for cello and works for small and large chamber ensembles. He has made a number of radio recordings as well as discs for the Hungaraton, Quint, Sony, Teldec, Erato, Col Legno and Decca record labels, and for Metropolitan Video. The Palace of Arts has chosen him to be the Artist of the Year int he 2013-2014 season.<\/p>{:}","post_title":"{:hu}Per\u00e9nyi Mikl\u00f3s{:}{:en}Mikl\u00f3s Per\u00e9nyi{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"perenyi-miklos","to_ping":"","pinged":"","post_modified":"2020-10-05 12:16:18","post_modified_gmt":"2020-10-05 12:16:18","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=85972","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}csell\u00f3{:}{:en}cello{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"Free of charge","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"ONLINE","hivatkozas_gomg_url-je":"https:\/\/www.filharmonikusok.hu\/koncertek\/perenyi\/"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/117095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=117095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}