1095 Budapest, Komor Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"helyszin_kategoria":"budapest","karmester":{"ID":113683,"post_author":"951582","post_date":"2020-04-22 09:12:59","post_date_gmt":"2020-04-22 09:12:59","post_content":"","post_title":"{:hu}Christoph Altstaedt{:}{:en}Christoph Altstaedt{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"christoph-altstaedt","to_ping":"","pinged":"","post_modified":"2020-04-22 09:12:59","post_modified_gmt":"2020-04-22 09:12:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=artists&p=113683","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"karmester_2":false,"hazigazda":null,"muvek":[{"ID":113841,"post_author":"951582","post_date":"2020-04-26 12:06:52","post_date_gmt":"2020-04-26 12:06:52","post_content":"","post_title":"{:hu}Straussiana{:}{:en}Straussiana{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"straussiana","to_ping":"","pinged":"","post_modified":"2020-04-26 12:06:52","post_modified_gmt":"2020-04-26 12:06:52","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=113841","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":113844,"post_author":"951582","post_date":"2020-04-26 12:08:37","post_date_gmt":"2020-04-26 12:08:37","post_content":"","post_title":"{:hu}D-d\u00far heged\u0171verseny op. 35{:}{:en}Violin Concerto in D major, op. 35{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"d-dur-hegeduverseny-op-35-2","to_ping":"","pinged":"","post_modified":"2020-04-26 12:08:37","post_modified_gmt":"2020-04-26 12:08:37","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=113844","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110080,"post_author":"951590","post_date":"2019-04-23 10:24:35","post_date_gmt":"0000-00-00 00:00:00","post_content":"","post_title":"***","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2019-04-23 10:24:35","post_modified_gmt":"2019-04-23 10:24:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110080","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91065,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}
I. Auf der Campagna (Andante)<\/em>\r\nII. In Roms Ruinen (Allegro molto con brio) <\/em>\r\nIII. Am Strande von Sorrent (Andantino) <\/em>\r\nIV. Neapolitanisches Volksleben (Allegro molto)<\/em><\/p>\r\n \r\n\r\nAz 1885 okt\u00f3bere \u00e9s 1886 \u00e1prilisa k\u00f6z\u00f6tt Meiningenben t\u00f6lt\u00f6tt b\u0151 f\u00e9l esztend\u0151 fontos fordul\u00f3pont Richard Strauss (1864\u20131949) p\u00e1ly\u00e1j\u00e1n. B\u00e1r az ottani m\u00e1sodkarmesteri \u00e1ll\u00e1s elv\u00e1llal\u00e1s\u00e1ra els\u0151sorban az els\u0151 karmester, Hans von B\u00fclow \u00e9s annak akkori b\u00e1lv\u00e1nya, Johannes Brahms szem\u00e9lyes jelenl\u00e9te inspir\u00e1lta, v\u00e9g\u00fcl egy harmadik muzsikus, a Liszt-rajong\u00f3 Alexander Ritter eszt\u00e9tikai n\u00e9zeteinek hat\u00e1sa al\u00e1 ker\u00fclt. Nem csoda, hogy a Meiningenb\u0151l val\u00f3 t\u00e1voz\u00e1s\u00e1t k\u00f6vet\u0151 ny\u00e1ron tett k\u00e9th\u00f3napos it\u00e1liai \u00fatj\u00e1nak \u00e9lm\u00e9nyeit \u2013 sz\u00fclei m\u00fcncheni h\u00e1z\u00e1ba visszat\u00e9rve \u2013 imm\u00e1r egy programzenei m\u0171, az Aus Italien<\/em> c\u00edm\u0171 szimfonikus fant\u00e1zia keretei k\u00f6z\u00f6tt \u00e9rezte kifejezhet\u0151nek. Az It\u00e1li\u00e1b\u00f3l<\/em> ugyan m\u00e9g nem szimfonikus k\u00f6ltem\u00e9ny a sz\u00f3 szoros \u00e9rtelm\u00e9ben (hisz a liszti egyt\u00e9teless\u00e9ggel szemben m\u00e9g \u0151rzi a klasszikus szimf\u00f3niamodell n\u00e9gyt\u00e9teles szerkezet\u00e9t), de vil\u00e1gos programj\u00e1val m\u00e9gis Strauss els\u0151 nagy l\u00e9p\u00e9se az \u00faj m\u0171faj fel\u00e9, melyet azt\u00e1n 1887-ben, a Hamlet<\/em>tel h\u00f3d\u00edtott meg v\u00e9gleg \u00f6nmaga sz\u00e1m\u00e1ra.\r\n\r\nAz els\u0151 t\u00e9tel (A Campagn\u00e1n)<\/em> a Villa d\u2019Est\u00e9b\u0151l a komponista el\u00e9 t\u00e1rul\u00f3 s a felkel\u0151 nap els\u0151 sugaraiban f\u00fcrd\u0151 r\u00f3mai t\u00e1j hangulat\u00e1t \u00e1br\u00e1zolja; majd a m\u00e1sodikban (R\u00f3ma romjai)<\/em> a let\u0171nt dics\u0151 korok fantasztikus, de egyszersmind f\u00e1jdalmas nosztalgi\u00e1val terhes k\u00e9pei t\u00e1rulnak el\u00e9nk. A Sorrento partj\u00e1n<\/em> c\u00edmet kapott harmadik t\u00e9telben \u2013 Strauss szavai szerint \u2013 \u201ea term\u00e9szet finom zen\u00e9j\u00e9nek, a sz\u00e9l lev\u00e9lsuhogtat\u00f3 hangz\u00e1s\u00e1nak, a mad\u00e1rdalnak \u00e9s a t\u00e1volban morg\u00f3 tenger minden kis nesz\u00e9nek zen\u00e9be \u00fcltet\u00e9s\u00e9re t\u00f6rt\u00e9nik k\u00eds\u00e9rlet, s ennek ellent\u00e9tek\u00e9nt zenei form\u00e1t nyer a mindezt befogad\u00f3 emberi \u00e9rz\u00e9s, mely a t\u00e9tel dallamanyag\u00e1ban \u00f6lt testet.\u201d<\/em> V\u00e9g\u00fcl a fin\u00e1l\u00e9 a N\u00e1polyi n\u00e9p\u00e9let<\/em>et festi a Funicul\u00ec, funicul\u00e0<\/em> \u00e9s sz\u00e1mos m\u00e1s n\u00e1polyi dal r\u00e9szleteinek felhaszn\u00e1l\u00e1s\u00e1val.\r\n\r\nJ\u00f3llehet a harmadik t\u00e9telben fontos szerepet j\u00e1tszanak bizonyos hangfest\u0151\u2013hangut\u00e1nz\u00f3 effektusok, a zeneszerz\u0151 hat\u00e1rozottan \u00f3vta hallgat\u00f3it ezek jelent\u0151s\u00e9g\u00e9nek t\u00falbecsl\u00e9s\u00e9t\u0151l: \u201eManaps\u00e1g a toll embereinek, s\u0151t a k\u00f6z\u00f6ns\u00e9g nagy r\u00e9sz\u00e9nek elk\u00e9peszt\u0151en hamis \u00edt\u00e9let\u00e9t \u00e9s \u00e9rtetlens\u00e9g\u00e9t m\u0171vem tal\u00e1n vak\u00edt\u00f3, de teljesen mell\u00e9kes k\u00fcls\u0151s\u00e9gei okozz\u00e1k, melyek elvonj\u00e1k a figyelmet a kompoz\u00edci\u00f3 val\u00f3di tartalm\u00e1t\u00f3l. A tartalom pedig nem R\u00f3ma \u00e9s N\u00e1poly term\u00e9szeti sz\u00e9ps\u00e9geinek le\u00edr\u00e1sa, hanem azok\u00e9 az \u00e9rz\u00e9sek\u00e9, melyek az embert ezek megpillant\u00e1sakor hatalmukba ker\u00edtik\u2026 Tulajdonk\u00e9ppen m\u00e9giscsak nevets\u00e9ges azt k\u00e9pzelni egy mai komponist\u00e1r\u00f3l, aki tan\u00edt\u00f3mestereinek a klasszikusokat vallja \u2013 bele\u00e9rtve a k\u00e9s\u0151i Beethovent, Wagnert \u00e9s Lisztet \u2013, hogy az\u00e9rt \u00edr egy h\u00e1romnegyed \u00f3r\u00e1s m\u0171vet, hogy n\u00e9h\u00e1ny pik\u00e1ns hangfest\u00e9st produk\u00e1ljon ragyog\u00f3 hangszerel\u00e9ssel, amire manaps\u00e1g szinte minden halad\u00f3 konzervat\u00f3riumi n\u00f6vend\u00e9k k\u00e9pes. A kifejez\u00e9s a mi m\u0171v\u00e9szet\u00fcnk, s egy zenem\u0171, mely nem k\u00f6z\u00f6l k\u00f6lt\u0151i tartalmat \u2013 term\u00e9szetesen olyat, mely csak hangokkal mondhat\u00f3 el, szavakban legjobb esetben utalni, de csak utalni lehet r\u00e1 \u2013, sz\u00e1momra \u00e9ppen hogy minden, csak nem zene.\u201d<\/em>{:}{:en} I. Auf der Campagna (Andante) II. In Roms Ruinen (Allegro molto con brio) III. Am Strande von Sorrent (Andantino) IV. Neapolitanisches Volksleben (Allegro molto)<\/p>\r\n The six months that Richard Strauss spent in Meiningen between October 1885 and April 1886 were to prove an important turning point in his career. Although he was prompted to accept the job as second-conductor because of the personality of the principal conductor Hans von B\u00fclow, and the personal presence of his then hero, Johannes Brahms, he ultimately fell under the influence of the aesthetic views of a Liszt admirer, Alexander Ritter. After leaving Meiningen, he spent two months travelling in Italy, and it is little wonder that on returning to his parent's home in Munich, he sensed he could express what he had experienced within the framework of a symphonic fantasy, Aus Italien. Although programme music, Aus Italien is still not a symphonic poem in the strict sense of the word: rather than following Liszt's example of a single movement work, the young Strauss chose a four movement symphonic structure. However, the clear programme it contains represents Strauss' first great leap in the direction of a new genre, which with his work Macbeth of 1887, would conquer him for ever.\r\nThe first movement, Auf der Campagna (In the country), depicts the atmosphere of the Italian countryside from the Villa d'Este, as the countryside is bathed in the first rays of the rising sun. In the second movement, In Roms Ruinen, (In the Roman ruins), we are presented with a portraits of glorious times past, portrayed with a pregnant nostalgia both rich in fantasy and sorrow. Strauss described the third movement, Am Strande von Sorrent (By the banks of the Sorrento) as follows: \"It is an attempt to transplant into music the subtle music of nature, the sound of the wind rustling\u00a0 the trees, the birdsong and the sea murmering in the distance.\" Strauss explained that as an antithesis to the above, he attempted to express in music the feelings that these sensations arouse in a human being. Finally, the Finale presents the peasant life of the people of Naples, which Strauss evokes through extracts from Funiculi, Funicula and other Neopolitan songs.\r\nAlthough in the third movemnet, certain imitative effects play an important role, Strauss was quite stern about the dangers of over estimating their importance:\r\n\"These days, the blinding, but entirely incidental exteriors of my works causes misunderstanding and\u00a0 extraordinarily false judgements from many\u00a0 critics and audiences alike, which take attention away from the true content of the composition. The content is not a description of the beauties of Rome and Naples, but of those feelings, which overwhelm a person who first glimpses them... Basically, it is ridiculous in the end to imagine of a contemporary composer, who admits his indebtedness to late Beethoven, Wagner and Liszt, , that the reason he composes a three quarter hour long work is to produce some piquant sound painting, of which virtually any conservatory student is capable. Our art is expression, and a piece of music, which does not express poetic content - naturally, that which can only be said with notes, and which in words can at best only allude to it - for me, that is many things, but it is not music.\"<\/p>{:}","post_title":"{:hu}It\u00e1li\u00e1b\u00f3l, op. 16{:}{:en}Aus Italien, op. 16{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"aus-italien-italiabol-op-16","to_ping":"","pinged":"","post_modified":"2020-09-28 08:46:34","post_modified_gmt":"2020-09-28 08:46:34","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/aus-italien-italiabol-op-16\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":86550,"post_author":"1","post_date":"2018-03-09 16:10:49","post_date_gmt":"2018-03-09 16:10:49","post_content":"{:hu}Koroszt\u00e1ly\u00e1nak egyik legkiemelked\u0151bb, legsokoldal\u00fabb heged\u0171m\u0171v\u00e9sze, kamarazen\u00e9sze, von\u00f3sn\u00e9gyes-prim\u00e1riusa, karmestere, k\u00e9t vil\u00e1gh\u00edr\u0171 int\u00e9zet, a Zeneakad\u00e9mia \u00e9s a K\u00f6lni Egyetem professzora \u00e9s k\u00e9t gyermek \u00e9desapja \u00e9s Pertis Pali, a 20. sz\u00e1zad egyik legkiv\u00e1l\u00f3bb cig\u00e1nypr\u00edm\u00e1s\u00e1nak unok\u00e1ja.\r\n\r\nM\u0171v\u00e9szet\u00e9t t\u00f6bbek k\u00f6z\u00f6tt Kossuth-, Prima- \u00e9s Gramophone-d\u00edjakkal t\u00fcntett\u00e9k ki, nagy vil\u00e1gversenyek gy\u0151ztese \u00e9s d\u00edjazottja Salzburgt\u00f3l Br\u00fcsszelen \u00e1t Indianapolisig.\r\n\r\n17 sz\u00f3l\u00f3lemeze k\u00e9sz\u00fclt \u00e9s h\u00e1rom von\u00f3sn\u00e9gyes lemeze, melyek k\u00f6z\u00fcl a legrangosabb angol, francia, belga, n\u00e9met \u00e9s magyar hanglemez d\u00edjakat is elhozta. Nev\u00e9hez f\u0171z\u0151dik Kurt\u00e1g, Ligeti, Schnittke, Gubajdulina, Steve Reich, Ryan Wigglesworth m\u0171veinek magyarorsz\u00e1gi ill. \u0151sbemutat\u00f3i valamint Bart\u00f3k \u00f6sszes heged\u0171re \u00edrt m\u0171v\u00e9nek lemezfelv\u00e9tele Kocsis Zolt\u00e1n gondoz\u00e1s\u00e1ban.\r\n\r\nOlyan karmesterekkel dolgozott egy\u00fctt, mint Lorin Maazel, Sir Neville Marriner, Vladimir Jurowski, Marek Janowski, Michael Stern, Krzysztof Urbanski, E\u00f6tv\u00f6s P\u00e9ter \u00e9s olyan kamarapertnerekkel l\u00e9p fel, mint pl.: Kocsis Zolt\u00e1n, Olli Mustonen, R\u00e1nki Dezs\u0151, Steven Isserlis vagy Per\u00e9nyi Mikl\u00f3s. T\u00f6bbek k\u00f6z\u00f6tt a Carnegie Hall, a Concertgebouw, a Royal Festival Hall, a Bozar, a Suntory Hall, a Berlini Filharm\u00f3nia visszat\u00e9r\u0151 zenekari sz\u00f3list\u00e1ja.\r\n\r\nLegfontosabb zenei hat\u00e1st \u00e9desanyja mellett tan\u00e1rai, Per\u00e9nyi Eszter, Isaac Stern, Rados Ferenc \u00e9s Kocsis Zolt\u00e1n gyakorolt\u00e1k.{:}{:en}An artist of \u201cinnate musicality\u201d with a technical execution that belongs \u201conly to the greatest\" -The Guardian\r\n\r\nHe has captured the interest of the music world with premiers of works by Kurt\u00e1g, Ligeti, Schnittke, Gubajdulina, Steve Reich and Ryan Wigglesworth and also with his complete recordings of works for violin by Bart\u00f3k. His 17 solo recordings won major awards in England, France, Belgium, Germany and Hungary.\r\n\r\nBarnab\u00e1s Kelemen is a returning soloist in major venues like in the Carnegie Hall, Royal Festival Hall, The Concertgebouw, Suntory Hall, Bozar, Berlin Philharmony and worked with conductors such as: L. Maazel, Sir N. Marriner, V. Jurowski, M. Janowski, M. Stern, K. Urbanski, P. E\u00f6tv\u00f6s, I. Fischer and Z. Kocsis.\r\n\r\nHe got the Kossuth Prize, the Gramophone Award, and won top prizes at competitions from Salzburg through Brussels to Indianapolis.\r\n\r\nFounding leader of the Kelemen Quartet, they won the Melbourne, the Beijing and the Paolo Borciani competitions and they play at top festivals and concert halls from Australia through the US to Europe.\r\n\r\nHis biggest musical influence apart from his mother were his teachers: Eszter Per\u00e9nyi, Isaac Stern, Ferenc Rados and Zolt\u00e1n Kocsis and his grandfather, one of the most famous gypsy \u2018pr\u00edm\u00e1s\u2019s of the 20th century, Pali Pertis.\r\n\r\nHe is a professor at universities like the F. Liszt Academy in Budapest and at the Cologne University and he plays on the 1742 \u201cEx-D\u00e9nes Kov\u00e1cs\u201d Guarneri violin on loan from the state of Hungary.\r\n\r\n \r\n\r\n \r\n\r\n \r\n <\/p>{:}","post_title":"{:hu}Kelemen Barnab\u00e1s{:}{:en}Barnab\u00e1s Kelemen{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kelemen-barnabas","to_ping":"","pinged":"","post_modified":"2020-10-05 12:24:17","post_modified_gmt":"2020-10-05 12:24:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86550","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}heged\u0171{:}{:en}violin{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}![\"\"](\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\")
\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"HUF 5,500 \/ 4,500 \/ 4,000 \/ 3,500 \/ 2,500","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/straussiana-kobayashi-iv-116148\/660115?lang=en","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"CANCELLED!","hivatkozas_gomg_url-je":"https:\/\/www.filharmonikusok.hu\/koncertek\/straussiana\/"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/114141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=114141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}