{"id":114124,"date":"2020-05-20T19:50:19","date_gmt":"2020-05-20T19:50:19","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=114124"},"modified":"2021-01-27T12:15:37","modified_gmt":"2021-01-27T12:15:37","slug":"b-moll-zongoraverseny","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/b-moll-zongoraverseny\/","title":{"rendered":"Piano Concerto No. 1 in B-flat minor – CANCELLED !"},"content":{"rendered":"

Tchaikovsky originally intended to dedicate his work from 1874\/75 to his friend Nikolai Rubinstein. However, the pianist, composer and conductor sharply criticized the piece, and so the dedication went to the student of Franz Liszt and the first husband of his daughter Cosima, Hans von B\u00fclow who premi\u00e8red it in Boston in 1875. The piano concerto took on the form that the composer considered final in 1888. Key to the first movement are Romantic pathos and passion, while the slow movement fits a diabolical scherzo into the sensual romance of its middle section. The main theme of the finale was inspired by a Ukrainian folk melody. The Allegro con fuoco<\/em>, which requires exceptional instrumental skill from the pianist, culminates in a wild coda. The soloist for the evening, the Hungarian-American pianist Peter Klimo, took third place at the 2019 Bart\u00f3k World Competition and a special prize from the Hungarian National Philharmonic.<\/p>\n

Thanks to his enthusiastic admirer, baron Axel Carpelan, the spiritual godfather of Finlandia<\/em>, Sibelius started to compose his Symphony No. 2<\/em> in 1901 during an Italian sojourn in Rapallo, finishing it after he returned home. Its world premi\u00e8re took place on 8 March the following year. In light of its great success, it had to be repeated three more times: on the 10th, 14th and 16th of March. After many changes, it was played in its final form for the first time in 1903 in Stockholm, again to resounding acclaim. To this day, it remains Sibelius’s most popular symphony, with a hymn-like coda that, for Finns, symbolises their liberation from Russian oppression. With the presence of Henrik N\u00e1n\u00e1si, the orchestra will be playing under the leadership of one of the outstanding conductors of our era, who as music director of Berlin’s Komische Oper twice won his ensemble the title “Opera House of the Year”.<\/p>\n","protected":false},"template":"","class_list":["post-114124","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Ferencsik season ticket 3","kiemelt_kep":{"ID":115912,"id":115912,"title":"Nanasi-3-Mikel-Ponce2","filename":"Nanasi-3-Mikel-Ponce2.jpg","filesize":53058,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/b-moll-zongoraverseny\/nanasi-3-mikel-ponce2\/","alt":"","author":"951589","description":"","caption":"","name":"nanasi-3-mikel-ponce2","status":"inherit","uploaded_to":114124,"date":"2020-09-17 13:34:00","modified":"2020-09-17 13:34:00","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1600,"height":722,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-300x135.jpg","medium-width":300,"medium-height":135,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-768x347.jpg","medium_large-width":640,"medium_large-height":289,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-1024x462.jpg","large-width":640,"large-height":289,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-1536x693.jpg","1536x1536-width":1536,"1536x1536-height":693,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2.jpg","2048x2048-width":1600,"2048x2048-height":722,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-165x220.jpg","person-size-2-width":165,"person-size-2-height":220,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/Nanasi-3-Mikel-Ponce2-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20210304","esemeny_idopontja":"7:30 pm","esemeny_vege":"9:20 pm","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87537,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Zeneakad\u00e9mia{:}{:en}Liszt Academy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zeneakademia","to_ping":"","pinged":"","post_modified":"2021-02-17 10:09:02","post_modified_gmt":"2021-02-17 10:09:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/zeneakademia\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Hungary","cim":"VI. Liszt Ferenc t\u00e9r 8.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":113699,"post_author":"951582","post_date":"2020-04-22 09:32:02","post_date_gmt":"2020-04-22 09:32:02","post_content":"","post_title":"{:hu}N\u00e1n\u00e1si Henrik{:}{:en}Henrik N\u00e1n\u00e1si{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nanasi-henrik","to_ping":"","pinged":"","post_modified":"2020-04-22 09:32:02","post_modified_gmt":"2020-04-22 09:32:02","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=artists&p=113699","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"karmester_2":false,"hazigazda":null,"muvek":[{"ID":91154,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}I. Allegro non troppo e molto maestoso\r\n<\/em>II. Andantino semplice\r\n<\/em>III. Allegro con fuoco<\/em>\r\n\r\n \r\n\r\n\u201eKi kell irtani bel\u0151le a banalit\u00e1sokat, \u00e9s j\u00e1tszhat\u00f3v\u00e1 kell tenni n\u00e9h\u00e1ny lej\u00e1tszhatatlan r\u00e9szt\u201d<\/em> \u2013 ezzel a les\u00fajt\u00f3 kritik\u00e1val adta vissza a komponist\u00e1nak a b-moll zongoraverseny<\/em> partit\u00far\u00e1j\u00e1t a h\u00edres pianista, Nyikolaj Rubinstein. Csajkovszkijt m\u00e9lyen b\u00e1ntotta muzsikust\u00e1rsa \u00e9s bar\u00e1tja v\u00e9leked\u00e9se. Nem fogadta meg a tan\u00e1csot. Ink\u00e1bb t\u00f6r\u00f6lte a Rubinsteinnek sz\u00f3l\u00f3 aj\u00e1nl\u00e1st, s Hans von B\u00fclow nev\u00e9t \u00edrta a c\u00edmlap megfelel\u0151 soraiba. B\u00fclow 1874-ben Oroszorsz\u00e1gban turn\u00e9zott, Csajkovszkij ekkor k\u00f6t\u00f6tt vele bar\u00e1ts\u00e1got. Megmutatta neki \u00faj m\u0171v\u00e9t, s B\u00fclow (b\u00e1r szint\u00e9n neh\u00e9znek tal\u00e1lta) v\u00e1llalkozott r\u00e1, hogy bemutassa. Az \u00f3ri\u00e1si sikert hoz\u00f3 bostoni premier (1875) ut\u00e1n n\u00e9metorsz\u00e1gi v\u00e1rosokban is elj\u00e1tszotta, hatalmas lelkesed\u00e9st keltve; Moszkv\u00e1ban ek\u00f6zben Tanyejev sz\u00f3listaprodukci\u00f3ja nyom\u00e1n tapsolta v\u00f6r\u00f6sre a tenyer\u00e9t a k\u00f6z\u00f6ns\u00e9g.\r\n\r\nA m\u0171 t\u00f6retlen\u00fcl n\u00e9pszer\u0171 az\u00f3ta is, s nem neh\u00e9z meg\u00e9rteni, mi\u00e9rt. Els\u0151 t\u00e9tele p\u00e1ratlanul \u00fcnnep\u00e9lyes bevezet\u0151vel indul. Csajkovszkij ravasz tr\u00fckkel \u00e9l: a zenekar n\u00e9h\u00e1ny \u00fctemnyi b-moll bevezet\u0151je ut\u00e1n, a zongora bel\u00e9p\u00e9sekor a kompoz\u00edci\u00f3 azonnal Desz-d\u00farra v\u00e1lt. Moll el\u0151zm\u00e9ny ut\u00e1n ez a d\u00far k\u00fcl\u00f6n\u00f6sen f\u00e9nyesnek t\u0171nik; a zongora h\u00e1rom regiszterben is megism\u00e9telt akkordjai mindenkinek, aki a darabot valaha is hallotta, m\u00e9lyen megragadnak az eml\u00e9kezet\u00e9ben. A folytat\u00e1s szokatlan a versenym\u0171-irodalomban. A \u201ef\u0151t\u00e9ma\u201d viszonylag hossz\u00fa kibont\u00e1sa ut\u00e1n ugyanis mintha v\u00e9get \u00e9rne egy fejezet. A muzsika elcsendesedik, csak a f\u00fav\u00f3sok sz\u00f3lnak, keltik fel a v\u00e1rakoz\u00e1s \u00e9rz\u00e9s\u00e9t. S az ezut\u00e1n k\u00f6vetkez\u0151 j\u00e1t\u00e9kos, \u00e1m furcsa m\u00f3d m\u00e9gis kiss\u00e9 izgatott t\u00e9ma m\u00e1r 4\/4-es metrum\u00fa az addigi h\u00e1rmas \u00fctemmel ellent\u00e9tben. Ett\u0151l kezdve meg is marad ez a metrum. Vallom\u00e1sszer\u0171 dallamot hallunk (tal\u00e1n ezt lehetne a szon\u00e1taforma \u201emell\u00e9kt\u00e9m\u00e1j\u00e1nak\u201d nevezni), majd egy egyszer\u0171bb, szinte gyermekdal jelleg\u0171 mel\u00f3di\u00e1t. Ar\u00e1nylag r\u00f6vid \u201ekidolgoz\u00e1s\u201d ut\u00e1n mindezeket m\u00e9g egyszer visszaid\u00e9zi a komponista, a 3\/4-es f\u0151t\u00e9ma azonban leplezetlen, azonnal felismerhet\u0151 form\u00e1ban t\u00f6bb\u00e9 nem sz\u00f3lal meg a t\u00e9tel sor\u00e1n.\r\n\r\nA lass\u00fa t\u00e9tel egyszer\u0171, h\u00e1romr\u00e9szes szerkezet. F\u0151r\u00e9sze dallamos rom\u00e1nc, k\u00f6zepe egyfajta \u201eszentiv\u00e1n\u00e9ji\u201d scherzo, Mendelssohn j\u00f3l bev\u00e1lt, m\u00falt sz\u00e1zadi mesterek \u00e1ltal sz\u00edvesen feleleven\u00edtett receptje szerint.\r\n\r\nA z\u00e1r\u00f3 Allegro con fuoco<\/em> f\u0151t\u00e9m\u00e1ja a kutat\u00f3k szerint ukr\u00e1n n\u00e9pi mel\u00f3dia (egyesek az els\u0151 t\u00e9tel egyik dallam\u00e1nak is kimutatt\u00e1k folkl\u00f3r-eredet\u00e9t). K\u00e9ts\u00e9gk\u00edv\u00fcl nem neh\u00e9z e lend\u00fcletes, 3\/4-es dallamhoz n\u00e9pi t\u00e1ncjelenet k\u00e9p\u00e9t asszoci\u00e1lnunk (akrobatikus f\u00e9rfit\u00e1ncosokkal). A m\u00e1sodik dallam szel\u00eddebb, \u00e9nekszer\u0171bb; a m\u0171 v\u00e9ge fel\u00e9 pedig szinte himnikuss\u00e1 v\u00e1lik. \u00c9let\u00f6r\u00f6m\u00f6t sug\u00e1roz ez a muzsika \u2013 s meglehet, ezt \u00e9rezte benne Rubinstein eleinte \u201eban\u00e1lisnak\u201d. R\u00f6viddel a moszkvai el\u0151ad\u00e1s ut\u00e1n azonban megt\u00f6rt\u00e9nt az, ami val\u00f3s\u00e1gos csoda a m\u0171v\u00e9szet vil\u00e1g\u00e1ban: Nyikolaj Rubinstein bel\u00e1tta, hogy t\u00e9vedett. P\u00e1rizsban m\u00e1r \u0151 j\u00e1tszotta el a zongorasz\u00f3lamot, s hajolt meg b\u00fcszk\u00e9n a lelkesed\u00e9st\u0151l tombol\u00f3 k\u00f6z\u00f6ns\u00e9g el\u0151tt.{:}{:en}\"You must weed out the banalities and make some of the unplayable passages playable\" - this was the withering reaction of Nikolai Rubinstein to the score of the B flat minor concerto, after the composer showed it to him. Tchaikovsky (1840-1893) was deeply wounded by the opinion of his fellow musician and friend.\r\n\r\n\r\n\r\nHowever, he elected not to take his advice. Instead, he removed Rubinstein's name as dedicatee and replaced it with that of Hans von B\u00fclow. Tchaikovsky had met von B\u00fclow during the pianist's Russian concert tour in 1874, and the two men formed a friendship. He showed von B\u00fclow the concerto, and although the pianist found it technically challenging, he undertook to perform it. After its hugely successful world premiere in Boston (1875), he played it in a number of German cities, where it was enthusiastically received. In Moscow, the solo part was taken by Taneyev. Rubinstein had the grace to realise he had been mistaken and did master it to the extent that he performed at a concert in Paris.\r\nThe concerto has enjoyed unbroken popularity ever since and it is not hard to understand why. Its first movement begins with an outstanding introduction, both in its musical impact and the visual spectacle of the pianist hammering out chords up and down the piano: the epitome of the Romantic concerto. Tchaikovsky craftily places a few bars of an introduction in B flat minor, before placing the work firmly in D flat major. After the minor introduction, the major sounds all the brighter. And yet what happens next is unusual, to say the least. The principal theme, after its lengthy exposition, seems to end this particular chapter. The music quietens, only the woodwind is heard, and a sense of expectation aroused. The next theme, which is now peculiar excited, is in 4\/4 metre, in contrast to the triple metre in the introduction. This square metre is retained for the rest of the movement. We hear a confessional melody (perhaps we could call this the subsidiary theme of a sonata form), then a simpler song that has the flavour of a children's song. After a relatively short development, Tchaikovsky recapitulates them once more, but we never hear the undisguised 3\/4 principal theme again in the movement. The slow movement has a simple three part form. Its principal section is melodic and romantic, while the central section takes on the character of a Mendelssohnian scherzo, a formula that was popularly borrowed by many 19th century composers. The principal theme of the closing movement \"Allegro con fuoco\" has been identified by researchers as a Ukrainian folk tune (others have hazarded similar conjectures about the famous first movement\u00a0 melody). It is certainly not hard to read folk associations into this melody which again is in 3\/4 time. By the end of the movement, it has taken on an almost hymnal character. This music does radiate the joy of life, although perhaps this is precisely what Rubinstein sensed was \"banal\". Shortly after the Moscow performance of the concerto, Nikolai Rubinstein backtracked in dramatic fashion and admitted he was wrong. In Paris, he performed the concerto, and was seen bowing proudly to the enthusiastic audience.{:}","post_title":"{:hu}I. 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(D-d\u00far) szimf\u00f3nia, op. 43{:}{:en}Symphony No. 2 in D major, op. 43{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ii-d-dur-szimfonia-op-43","to_ping":"","pinged":"","post_modified":"2020-04-26 12:43:14","post_modified_gmt":"2020-04-26 12:43:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=113866","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":113697,"post_author":"951582","post_date":"2020-04-22 09:30:08","post_date_gmt":"2020-04-22 09:30:08","post_content":"","post_title":"{:hu}Peter Klimo{:}{:en}Peter Klimo{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"peter-klimo","to_ping":"","pinged":"","post_modified":"2020-04-22 09:30:08","post_modified_gmt":"2020-04-22 09:30:08","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=artists&p=113697","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"HUF 5,500 \/ 4,500 \/ 4,000 \/ 3,50","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/b-moll-zongoraverseny-ferencsik-iii-116151\/660118?lang=en","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"CANCELLED !","hivatkozas_gomg_url-je":"https:\/\/www.filharmonikusok.hu\/jegyek\/vasarlasi-informacio\/"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/114124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=114124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}