{"id":114120,"date":"2020-05-20T19:21:50","date_gmt":"2020-05-20T19:21:50","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=114120"},"modified":"2021-01-26T15:50:44","modified_gmt":"2021-01-26T15:50:44","slug":"ix-szimfonia-elmarad","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/ix-szimfonia-elmarad\/","title":{"rendered":"Ninth Symphony – CANCELLED!"},"content":{"rendered":"

This concert on the Hungarian National Philharmonic’s schedule will once again be unified in concept but still varied in content, with a world-famous Russian conductor, an outstanding young Russian cellist and a programme full of Russian composers. And as if this wasn’t enough similarities, all of the works being played \u2014 although Tchaikovsky wrote his in 1877, Prokofiev his in 1917, and Shostakovich\u2019s dates from 1945 \u2014 were created under the spell of the classical style, recreating the lightness and translucent sound that characterised the age of Mozart and Haydn.<\/p>\n

At age 77, Vladimir Spivakov is a living legend: after gaining fame as a world-class violin phenomenon as a young man, he later founded the Moscow Virtuosos ensemble, which he has conducted ever since. He is an evocative and fastidious conductor, one upon whom Leonard Bernstein once bestowed his own baton. Alexander Ramm, the soloist performing with the Hungarian National Philharmonic Orchestra, was born in Vladivostock in 1988. He studied at Moscow’s Tchaikovsky Conservatory and won a silver medal at the city’s International Tchaikovsky Competition in 2015. He has performed with conductors like Vladimir Jurowski and Valery Gergiev and partnered with such musicians as Julian Rachlin and Denis Matsuev. Tchaikovsky’s Variations on a Rococo Theme<\/em> appends eight charmingly light and elegant variations to the composer’s own classicizing melody. Prokofiev’s Classical Symphony<\/em>, an early masterpiece of the neoclassical style of the early 20th century, is marked by a degree of lightness similar to that of Shostakovich’s playful and humorous Ninth Symphony<\/em> of three decades later. One of his shortest symphonies, it stands out from the composer’s other works in the genre with its carefree mood.<\/p>\n","protected":false},"template":"","class_list":["post-114120","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Kobayashi season ticket 3","kiemelt_kep":{"ID":114121,"id":114121,"title":"nfz_2021_02_25","filename":"nfz_2021_02_25.jpg","filesize":947050,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/ix-szimfonia-elmarad\/nfz_2021_02_25\/","alt":"","author":"951590","description":"","caption":"","name":"nfz_2021_02_25","status":"inherit","uploaded_to":114120,"date":"2020-05-05 12:45:55","modified":"2020-05-05 12:45:55","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-768x224.jpg","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-1024x299.jpg","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-1536x448.jpg","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25.jpg","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-165x220.jpg","person-size-2-width":165,"person-size-2-height":220,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/05\/nfz_2021_02_25-1600x560.jpg","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20210225","esemeny_idopontja":"7:30 pm","esemeny_vege":"9:10 pm","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87689,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}M\u00fcpa - Bart\u00f3k B\u00e9la Nemzeti Hangversenyterem{:}{:en}M\u00fcpa - B\u00e9la Bart\u00f3k National Concert Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mupa-bartok-bela-nemzeti-hangversenyterem","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/mupa-bartok-bela-nemzeti-hangversenyterem\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Magyarorsz\u00e1g{:}","cim":"

1095 Budapest, Komor Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"helyszin_kategoria":"budapest","karmester":{"ID":113678,"post_author":"951582","post_date":"2020-04-22 09:05:42","post_date_gmt":"2020-04-22 09:05:42","post_content":"","post_title":"{:hu}Vlagyimir Szpivakov{:}{:en}Vladimir Spivakov{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"vlagyimir-szpivakov","to_ping":"","pinged":"","post_modified":"2020-10-14 13:00:47","post_modified_gmt":"2020-10-14 13:00:47","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=artists&p=113678","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"karmester_2":false,"hazigazda":null,"muvek":[{"ID":113838,"post_author":"951582","post_date":"2020-04-26 12:04:05","post_date_gmt":"2020-04-26 12:04:05","post_content":"","post_title":"{:hu}I. (D-d\u00far, \u201eKlasszikus\u201d) szimf\u00f3nia, op. 25{:}{:en}Symphony No. 1 in D major (\"Classical\"), op. 25{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"i-d-dur-klasszikus-szimfonia-op-25","to_ping":"","pinged":"","post_modified":"2020-04-26 12:04:05","post_modified_gmt":"2020-04-26 12:04:05","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=113838","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":114122,"post_author":"951590","post_date":"2020-05-05 12:49:59","post_date_gmt":"2020-05-05 12:49:59","post_content":"","post_title":"{:hu}V\u00e1ltozatok egy rokok\u00f3 t\u00e9m\u00e1ra, op. 33{:}{:en}Variations on a Rococo Theme, op. 33{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"valtozatok-egy-rokoko-temara-op-33","to_ping":"","pinged":"","post_modified":"2020-05-05 12:50:13","post_modified_gmt":"2020-05-05 12:50:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=114122","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91098,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}I. Allegro <\/em>\r\nII. Moderato <\/em>\r\nIII. Presto <\/em>\r\nIV. Largo <\/em>\r\nV. Allegretto<\/em>\r\n\r\n1944 v\u00e9g\u00e9n az a pletyka terjedt el orosz zenei k\u00f6r\u00f6kben, hogy Dmitrij Sosztakovics (1906\u20131975) tervbe vette egy \u00fajabb szimf\u00f3nia meg\u00edr\u00e1s\u00e1t, amely \u2013 a \u201eleningr\u00e1di\u201d Hetedik<\/em>kel megkezdett, illetve a \u201eszt\u00e1lingr\u00e1di\u201d Nyolcadik<\/em>kal folytatott sort lez\u00e1rand\u00f3 \u2013 a Szovjetuni\u00f3 v\u00e9gs\u0151 gy\u0151zelm\u00e9t \u00f6nten\u00e9 zenei form\u00e1ba. Az \u00fajs\u00e1g\u00edr\u00f3k persze megkerest\u00e9k a legillet\u00e9kesebbet is, \u00e9s a zeneszerz\u0151 meger\u0151s\u00edtett: \u201eigen, m\u00e1r a k\u00f6vetkez\u0151, a <\/em>Kilencedik szimf\u00f3ni\u00e1ra gondolok. Nem csup\u00e1n zenekarra, hanem sz\u00f3list\u00e1kra \u00e9s k\u00f3rusra is szeretn\u00e9m kompon\u00e1lni \u2013 csak tal\u00e1ln\u00e9k egy megfelel\u0151 sz\u00f6veget. Att\u00f3l tartok azonban, hogy egyesek szer\u00e9nytelen p\u00e1rhuzamokat vonhatn\u00e1nak\u201d<\/em> \u2013 tette v\u00e9g\u00fcl hozz\u00e1, alighanem Beethoven Kilencedik<\/em>j\u00e9nek k\u00f3rusfin\u00e1l\u00e9j\u00e1ra utalva. N\u00e9h\u00e1ny k\u00f6zeli ismer\u0151s \u00e9s p\u00e1lyat\u00e1rs m\u00e9g hallhatta is az \u00faj szimf\u00f3nia lass\u00fa moll bevezet\u00e9s\u00e9t \u00e9s optimista d\u00far Allegr\u00f3<\/em>j\u00e1t \u2013 e v\u00e1ltozatot azonban a zeneszerz\u0151 v\u00e9g\u00fcl f\u00e9lbehagyta. 1945 nyar\u00e1n a szovjet sajt\u00f3 m\u00e9gis kisziv\u00e1rogtatta, hogy hamarosan bemutatj\u00e1k az \u00faj szimf\u00f3ni\u00e1ta, amelyet \u201eszerz\u0151je a mi nagy gy\u0151zelm\u00fcnknek aj\u00e1nlott\u201d.<\/em> Sosztakovics \u2013 a kor\u00e1bbi pr\u00f3b\u00e1lkoz\u00e1sok t\u00f6red\u00e9keit f\u00e9lret\u00e9ve \u2013 augusztus 5. \u00e9s 30. k\u00f6z\u00f6tt val\u00f3ban meg\u00edrta a Kilencedik<\/em>et, a m\u0171 november 3-i, leningr\u00e1di bemutat\u00f3ja azonban a szovjet zene\u00e9let t\u00f6rt\u00e9net\u00e9nek tal\u00e1n legnagyobb botr\u00e1ny\u00e1ba fulladt. A v\u00e1rt monument\u00e1lis k\u00f3russzimf\u00f3nia helyett ugyanis k\u00f6nnyed hangv\u00e9tel\u0171, szinte egyetlen nagy scherz\u00f3nak t\u0171n\u0151 \u201esinfonietta\u201d sz\u00f3lalt meg a p\u00f3diumon, amely Beethoven h\u0151si p\u00e1tosz\u00e1nak felid\u00e9z\u00e9se helyett mintha Haydn tr\u00e9f\u00e1san sz\u00f3kimond\u00f3 egyszer\u0171s\u00e9g\u00e9t v\u00e1lasztotta volna p\u00e9ldak\u00e9p\u00fcl. Az egyszer\u0171 tematika, a vil\u00e1gos, viszonylag kis appar\u00e1tusra sz\u00e1nt hangszerel\u00e9s, az expoz\u00edci\u00f3 konzervat\u00edv megism\u00e9tl\u00e9se mind-mind szinte parodisztikus sz\u00e1nd\u00e9kot sejtetett \u2013 a m\u0171vet pedig m\u00e1r csak az\u00e9rt is neh\u00e9z lett volna a \u201eh\u00e1bor\u00fas szimf\u00f3nia-tri\u00e1sz\u201d betet\u0151z\u00e9s\u00e9nek tekinteni, mert \u00f6t t\u00e9tel\u00e9nek egy\u00fcttes hossza sem \u00e9rte el a Hetedik<\/em> vagy a Nyolcadik<\/em> szimf\u00f3nia nyit\u00f3t\u00e9tel\u00e9nek terjedelm\u00e9t. A szovjet kritikusok fenntart\u00e1sait azonban az id\u0151 \u00e9s az el\u0151ad\u00f3m\u0171v\u00e9szek hamarosan megc\u00e1folt\u00e1k: a h\u00e1bor\u00fa eml\u00e9k\u00e9nek elhalv\u00e1nyodt\u00e1val a Kilencedik<\/em>et imm\u00e1r sokkal t\u00f6bb karmester t\u0171zte m\u0171sor\u00e1ra, mint a Hetedik<\/em> vagy a Nyolcadik<\/em> s\u00falyos programzen\u00e9j\u00e9t.\r\n\r\n {:}{:en}I. Allegro II. Moderato III. Presto IV. Largo V. Allegretto\r\n\r\nAt the end of 1944, rumours began spreading through Russian musical circles that Shostakovich was\u00a0 planning to write a new symphony which would be the third in a tryptich of symphonies depicting the Soviet Union's ultimate victory of the Nazis. The first panel was the Seventh \"Leningrad\" Symphony, the Eighth being \"Stalingrad.\" Journalists naturally beat a path to the door of the person most qualified to confirm or deny. \"Yes, I am thinking of a Ninth symphony, but I would like to write not just for orchestra, but for soloists and choir as well. I just need to find a suitable text. Even so I am afraid certain individuals will draw immodest parallels\" said the composer, who had his tongue far more in his cheek than was realised. A few close friends and colleagues listened to the new symphony's slow minor introduction and optimistic major key allegro - but Shostakovich did not complete the movement. In the summer of 1945, the Soviet press again reported that the new symphony would soon be premiered, which \"is dedicated to our great victory.\" And indeed, Shostakovich - putting aside his earlier sketches - did compose the Ninth symphony between August 5th and 30th. Its premiere in Leningrad on November 3rd was one of the great scandals of Soviet musical life. Instead of the monumental choral symphony that everyone expected, they were served up a \"simfonietta\", that was light in tone, basically one long scherzo, which instead of evoking Beethovenian heroic pathos, seemed to have chosen as its model Haydn's jokey simplicity. Its simple thematic material, crisp orchestration for small forces, and an archaic repetition of the exposition, made some suspect a parodistic intention. Another statistic that made it hard to accept the Ninth as the final work of a tryptich was its length: its five movements combined were shorter than the opening movements of either the Seventh or the Eighth symphonies. Despite the reservations of contemporary Soviet critics, history dissolved them, and absolved Shotakovich. As memories of the war faded, it was the Ninth Symphony that became increasingly programmed by conductors in their concerts rather than the programatic, weighty Seventh and Eighth.{:}","post_title":"{:hu}IX. (Esz-d\u00far) szimf\u00f3nia, op. 70{:}{:en}Symphony No. 9 in E-flat major, op. 70{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ix-esz-dur-szimfonia-op-70","to_ping":"","pinged":"","post_modified":"2020-09-28 08:53:31","post_modified_gmt":"2020-09-28 08:53:31","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/ix-esz-dur-szimfonia-op-70\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":113676,"post_author":"951582","post_date":"2020-04-22 09:02:11","post_date_gmt":"2020-04-22 09:02:11","post_content":"","post_title":"{:hu}Alexander Ramm{:}{:en}Alexander Ramm{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"alexander-ramm","to_ping":"","pinged":"","post_modified":"2020-10-05 12:48:46","post_modified_gmt":"2020-10-05 12:48:46","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=artists&p=113676","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}csell\u00f3{:}{:en}cello{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"HUF 5,500 \/ 4,500 \/ 4,000 \/ 3,500 \/ 2,500","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/ix-szimfonia-kobayashi-iii-116147\/660113?lang=en","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"CANCELLED!","hivatkozas_gomg_url-je":"https:\/\/www.filharmonikusok.hu\/koncertek\/ix-szimfonia-elmarad\/"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/114120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=114120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}