{"id":114027,"date":"2020-04-30T05:46:57","date_gmt":"2020-04-30T05:46:57","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=114027"},"modified":"2020-09-23T15:26:46","modified_gmt":"2020-09-23T15:26:46","slug":"evadnyito-hangverseny","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/evadnyito-hangverseny\/","title":{"rendered":"Season-opening concert"},"content":{"rendered":"

B\u00e9la Bart\u00f3k died on 26 September 1945, in New York City. The night before the anniversary of this date is when the Hungarian National Philharmonic Orchestra opens the Budapest concert season. This special evening always features the music of Bart\u00f3k, but can also include pieces by other composers. As an additional draw to the concert this time around, the Hungarian National Philharmonic’s management has succeeded in enticing home, for a single appearance, a young Hungarian conductor who is rarely seen here in his native country as he wins ever greater accolades abroad. <\/strong><\/p>\n

Bart\u00f3k’s 1943 five-movement symphony-like Concerto for Orchestra<\/em>, commissioned and later premi\u00e8red with the Boston Symphony Orchestra by conductor Serge Koussevitzky, is a monumental artistic achievement from the conductor’s years in America. Although its classification as a concerto refers to the many representative instrumental solos it contains, its emotional message conveys the homesickness of an artist torn from his native land.\u00a0 Ern\u0151 von Dohn\u00e1nyi was also an \u00e9migr\u00e9 when, eleven years later, he wrote his rarely heard American Rhapsody<\/em>, the first piece in the concert. Commissioned by Ohio University, the piece treats popular American melodies in the format of a fantasy. Between these two orchestral compositions, we will hear the only concerto that Beethoven ever wrote in a minor key. The weighty and serious sound of the Piano Concerto No. 3 in C minor<\/em>, which dates from 1800, reveals the influence of the piano concerto that Mozart composed in the same key. Dezs\u0151 R\u00e1nki is one of the leading figures in the international community of pianists and a world-famous member of the revolutionary new generation that took over in the 1970s. From the Met to Covent Garden and Zurich, Henrik N\u00e1n\u00e1si is at home in many of the world’s major opera houses and concert halls. While serving as principal music director of Berlin’s Komische Oper between 2012 and 2018, he conducted numerous highly successful performances there.<\/p>\n

 <\/p>\n","protected":false},"template":"","class_list":["post-114027","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Non-season ticket concert","kiemelt_kep":{"ID":115896,"id":115896,"title":"Nanasi-Mikel-Ponce","filename":"Nanasi-Mikel-Ponce.jpg","filesize":87052,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/evadnyito-hangverseny\/nanasi-mikel-ponce\/","alt":"","author":"951589","description":"","caption":"","name":"nanasi-mikel-ponce","status":"inherit","uploaded_to":114027,"date":"2020-09-16 09:03:40","modified":"2020-09-16 09:03:40","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1800,"height":1200,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-768x512.jpg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-1024x683.jpg","large-width":640,"large-height":427,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce.jpg","2048x2048-width":1800,"2048x2048-height":1200,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-165x220.jpg","person-size-2-width":165,"person-size-2-height":220,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/04\/Nanasi-Mikel-Ponce-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20200925","esemeny_idopontja":"7:30 pm","esemeny_vege":"9:30 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87689,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}M\u00fcpa - Bart\u00f3k B\u00e9la Nemzeti Hangversenyterem{:}{:en}M\u00fcpa - B\u00e9la Bart\u00f3k National Concert Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mupa-bartok-bela-nemzeti-hangversenyterem","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/mupa-bartok-bela-nemzeti-hangversenyterem\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Magyarorsz\u00e1g{:}","cim":"

1095 Budapest, Komor Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"helyszin_kategoria":"budapest","karmester":{"ID":113699,"post_author":"951582","post_date":"2020-04-22 09:32:02","post_date_gmt":"2020-04-22 09:32:02","post_content":"","post_title":"{:hu}N\u00e1n\u00e1si Henrik{:}{:en}Henrik N\u00e1n\u00e1si{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nanasi-henrik","to_ping":"","pinged":"","post_modified":"2020-04-22 09:32:02","post_modified_gmt":"2020-04-22 09:32:02","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=artists&p=113699","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"karmester_2":false,"hazigazda":null,"muvek":[{"ID":113941,"post_author":"951582","post_date":"2020-04-26 13:43:48","post_date_gmt":"2020-04-26 13:43:48","post_content":"","post_title":"{:hu}Amerikai rapsz\u00f3dia, op. 47{:}{:en}American Rhapsody, op. 47{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"amerikai-rapszodia-op-47","to_ping":"","pinged":"","post_modified":"2020-04-26 13:43:48","post_modified_gmt":"2020-04-26 13:43:48","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=113941","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91546,"post_author":"1","post_date":"2016-09-08 08:57:53","post_date_gmt":"2016-09-08 08:57:53","post_content":"{:hu}I. Allegro con brio\r\n<\/em>II. Largo\r\n<\/em>III. Rondo. Allegro<\/em>\r\n\r\nAz \u00fajabb kutat\u00e1sok szerint Beethoven 1802-ben v\u00e1zolta fel c-moll zongoraverseny<\/em>\u00e9t, \u00e9s 1803 elej\u00e9n fejezte be, h\u00e1rom \u00e9vvel k\u00e9s\u0151bb, mint r\u00e9gebben v\u00e9lt\u00e9k. Mint az \u00f6t zongoraverseny k\u00f6z\u00f6tt k\u00f6z\u00e9ps\u0151 helyen \u00e1ll\u00f3 m\u0171, egyszerre tekint vissza \u00e9s el\u0151re: vissza Mozart c-moll zongoraverseny<\/em>\u00e9re (K. 491), melynek hat\u00e1sa l\u00e9pten-nyomon \u00e9rezhet\u0151, \u00e9s ugyanakkor el\u0151re a radik\u00e1lisan \u00faj\u00edt\u00f3 IV.<\/em> \u00e9s V. zongoraverseny<\/em> ir\u00e1ny\u00e1ba. A c-moll hangnem Beethoven p\u00e1lyakezd\u00e9se \u00f3ta a zeneszerz\u0151 \u201etragikus\u201d hangnem\u00e9nek sz\u00e1m\u00edtott. A nagy c-moll m\u0171vek sorozata, amely m\u00e1r a zongoraverseny el\u0151tt olyan remekm\u0171veket foglalt mag\u00e1ba, mint a Path\u00e9tique<\/em> szon\u00e1ta vagy az op. 18 no. 4-es von\u00f3sn\u00e9gyes, innen halad tov\u00e1bb az V. szimf\u00f3nia<\/em> \u00e9s az utols\u00f3 zongoraszon\u00e1ta (op. 111) cs\u00facsai fel\u00e9.\r\n\r\nA zongoraverseny Allegro con brio<\/em> nyit\u00f3t\u00e9tele a von\u00f3sok \u00e1ltal j\u00e1tszott katon\u00e1s mot\u00edvummal kezd\u0151dik. Ebb\u0151l a szinte ban\u00e1lis alapanyagb\u00f3l \u00e9s a vele kontraszt\u00e1l\u00f3 l\u00edrai mell\u00e9kt\u00e9m\u00e1b\u00f3l igen komplex t\u00e9telt form\u00e1lt Beethoven, melyben a t\u00e9m\u00e1k minden egyes alkot\u00f3elem\u00e9t \u00e1talak\u00edt\u00e1sok \u00e9s fejleszt\u00e9sek sor\u00e1nak vetette al\u00e1. Az egyik legeml\u00e9kezetesebb pillanat a t\u00e9tel v\u00e9g\u00e9n k\u00f6vetkezik be, amikor a cadenz\u00e1t k\u00f6vet\u0151en a zongora nem hallgat el, hanem \u00e9l\u00e9nk tizenhatod-figur\u00e1ci\u00f3kkal festi al\u00e1 a f\u0151t\u00e9ma alapritmus\u00e1t, melyet szinte sz\u00f3lisztikusan jelen\u00edt meg az \u00fcstdob.\r\n\r\nAz E-d\u00far k\u00f6z\u00e9pt\u00e9tel (Largo<\/em>) dallama \u00f6nmag\u00e1ban v\u00e9ve meglehet\u0151sen egyszer\u0171, \u00e1m a gazdag d\u00edsz\u00edt\u00e9sek k\u00fcl\u00f6nleges sz\u00ednekben ragyogtatj\u00e1k fel. Sz\u00edvhez sz\u00f3l\u00f3 tercp\u00e1rhuzamok fokozz\u00e1k tov\u00e1bb a var\u00e1zslatos hangulatot, a hirtelen hangnemv\u00e1lt\u00e1sok pedig dr\u00e1mai fesz\u00fclts\u00e9gr\u0151l gondoskodnak. A t\u00e9tel v\u00e9g\u00e9n l\u00edrai k\u00f3da \u00e1ll, melyet egy hirtelen fortissimo z\u00e1r\u00f3akkord szak\u00edt meg. (\u00c9rdemes megjegyezni, hogy a meglehet\u0151sen ritka \u00e9s t\u00e1voli c-moll\/E-d\u00far hangnemkapcsolatot Brahms \u00e1tvette az I. szimf\u00f3ni\u00e1<\/em>ban.)\r\n\r\nMivel a c-moll \u00e9s az E-d\u00far igen t\u00e1vol \u00e1ll egym\u00e1st\u00f3l, Beethoven sz\u00fcks\u00e9g\u00e9t \u00e9rezte, hogy \u201ehidat\u201d \u00e9p\u00edtsen a k\u00e9t hangnem k\u00f6z\u00f6tt, kihaszn\u00e1lva, hogy a c-mollban el\u0151fordul\u00f3 \u201easz\u201d \u00e9s az E-d\u00farhoz tartoz\u00f3 \u201egisz\u201d egy \u00e9s ugyanazon hangmagass\u00e1g. Ez a hang domin\u00e1l mind a m\u00e1sodik t\u00e9tel z\u00e1r\u00e1s\u00e1ban, mind a harmadik t\u00e9tel kezdet\u00e9n, szinte \u00e9szrev\u00e9tlenn\u00e9 t\u00e9ve a v\u00e1lt\u00e1st. A fin\u00e1l\u00e9 j\u00e1t\u00e9kos ritmik\u00e1j\u00e1hoz Beethoven olyan dallamot t\u00e1rs\u00edt, amely a dr\u00e1mais\u00e1got sugall\u00f3 sz\u0171k\u00edtett szeptimet hangs\u00falyozza (ugyanezt tette Mozart is a K. 491-ben). Egy r\u00f6vid fugato-szakasz ut\u00e1n Beethoven \u00fajabb meglepet\u00e9ssel szolg\u00e1l: ez\u00fattal a m\u00e1sik ir\u00e1nyban megy \u00e1t a \u201egisz-asz\u201d h\u00eddon, \u00e9s \u00fajra megl\u00e1togatja a lass\u00fa t\u00e9tel E-d\u00far hangnem\u00e9t. Vissza\u00e9rkezve c-mollba, elkezd\u0151dik a visszat\u00e9r\u00e9s, melyet (a r\u00f6vid cadenza ut\u00e1n) Presto<\/em> temp\u00f3j\u00fa k\u00f3da k\u00f6vet, \u00faj hangnemben (C-d\u00far) \u00e9s \u00faj metrumban (2\/4 helyett 6\/8), a dr\u00e1mai fesz\u00fclts\u00e9get gondtalan vid\u00e1ms\u00e1gban oldva fel.{:}{:en}I. Allegro con brio II. Largo III. Rondo. Allegro\r\n\r\n \r\n\r\nNew research suggests that the Third Piano Concerto was sketched in 1802 and completed early in 1803, three years later than previously believed. The middle work among Beethoven's five piano concertos, it looks both backward and forward: backward to Mozart, whose own C-minor concerto (K. 491) was a very noticeable influence; and forward to the radical innovations of the last two concertos. Also, the key of C minor held a very deep personal meaning for Beethoven as his \"tragic\" tonality. The line of great C-minor works, which already included the earlier \"Path\u00e9tique\" Sonata and the String Quartet op. 18,\u00a0 No. 4, leads through the C-minor concerto to such later masterpieces as the Fifth Symphony and the last piano sonata (op. 111).\r\n\r\nThe opening Allegro con brio movement of the concerto starts with a military motif played by the strings in unison. Out of this almost banal material and a contrasting, lyrical second theme, Beethoven created an elaborate movement in which each thematic component is subjected to extensive thematic development. One of the most remarkable moments comes at the end when, after the cadenza, the pianist doesn't drop out but instead continues with sixteenth-note passages against the timpani playing part of the main theme.\r\n\r\nThe melody of the second-movement Largo is simple in itself, but the lavish ornamentation it receives makes it shine with special splendor. The enchanting parallel thirds of the pianist's second solo entrance further add to the magic, and the repeated sudden modulations into remote keys increase the dramatic tension. The movement ends with a soft, lyrical coda, cut short by a single fortissimo chord. The tonality of this slow movement, E major, is very distant from the original key of C minor. It is a most unusual key relationship - and Brahms duplicated it exactly in his First Symphony.\r\n\r\nGiven the distance between the two keys, Beethoven felt the need to build a \"bridge\" between the two, making use of the fact that the notes G-sharp (which occurs in E major) and A flat (which belongs to C minor), are one and the same. He emphasises this pitch both at the end of the second movement and at the beginning of the third, making the transition almost imperceptible. The Rondo itself combines a playful rhythmic scheme with a melody built around the diminished seventh, an interval with traditionally tragic connotations (the same combination of effects is also found in the last movement of Mozart's C-minor concerto). One of the more remarkable features in Beethoven's finale is the brief development of the main theme as a fugue, immediately followed by a typical Beethovenian jolt: he crosses the G-sharp\/A-flat bridge again, this time in the opposite direction, revisiting the E-major tonality of the slow movement. After re-establishing the home key, Beethoven proceeds with the recapitulation, culminating in a short cadenza. The movement ends with a Presto coda, set apart by a change of meter (from 2\/4 to 6\/8) and another change of key (from C minor to C major), to resolve the dramatic tensions by a cheerful and carefree conclusion.{:}","post_title":"{:hu}III. (c-moll) zongoraverseny, op. 37{:}{:en}Piano Concerto no. 3 in C minor, op. 37{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"iii-c-moll-zongoraverseny-op-37","to_ping":"","pinged":"","post_modified":"2020-09-23 15:23:51","post_modified_gmt":"2020-09-23 15:23:51","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/iii-c-moll-zongoraverseny-op-37\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110080,"post_author":"951590","post_date":"2019-04-23 10:24:35","post_date_gmt":"0000-00-00 00:00:00","post_content":"","post_title":"***","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2019-04-23 10:24:35","post_modified_gmt":"2019-04-23 10:24:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110080","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":113985,"post_author":"951582","post_date":"2020-04-26 14:20:10","post_date_gmt":"2020-04-26 14:20:10","post_content":"I. Introduzione. Andante non troppo\r\n<\/em>II. Giuoco delle coppie. Allegretto scherzando\r\n<\/em>III. Elegia. Andante, non troppo\r\n<\/em>IV. Intermezzo interrotto. Allegretto\r\n<\/em>V. Finale. Pesante \u2013 Presto<\/em>\r\n\r\n \r\n\r\nA Concerto <\/em>Bart\u00f3k leghosszabb szimfonikus kompoz\u00edci\u00f3ja, s nemcsak az \u00e9letm\u0171, de az eg\u00e9sz 20. sz\u00e1zadi zenekari reperto\u00e1r egyik legn\u00e9pszer\u0171bb, legt\u00f6bbet megsz\u00f3laltatott m\u0171ve. K\u00f6zismert, hogy a darab Serge Koussevitzky megrendel\u00e9s\u00e9re k\u00e9sz\u00fclt, \u0151 is mutatta be a Bostoni Szimfonikusok \u00e9l\u00e9n. Egy nagyszab\u00e1s\u00fa zenekari m\u0171 azonban m\u00e1r kor\u00e1bban is foglalkoztatta a zeneszerz\u0151t (1939-ben felmer\u00fclt egy Ballet <\/em>\u00a0Symphonique<\/em> terve, 1942-ben pedig, Ralph Hawkes biztat\u00e1s\u00e1ra, egy Bach Brandenburgi verseny<\/em>eihez hasonl\u00f3 concerto-sorozat \u00f6tlete), de s\u00falyosbod\u00f3 betegs\u00e9ge, az amerikai \u00e9veket jellemz\u0151 leverts\u00e9g \u00e9s a kompoz\u00edci\u00f3s b\u00e9nults\u00e1g (\u201ezeneszerz\u0151i p\u00e1lyafut\u00e1som \u00fagysz\u00f3lv\u00e1n befejez\u0151d\u00f6tt\u201d) megakad\u00e1lyozta a munk\u00e1ban. Koussevitzky megrendel\u00e9se nemcsak a csal\u00e1d anyagi probl\u00e9m\u00e1in enyh\u00edtett, de visszaadta Bart\u00f3k \u00e9let- \u00e9s munkakedv\u00e9t is: \u201eNagy \u00f6r\u00f6m sz\u00e1momra, hogy B\u00e9l\u00e1ban mozognak tervek, zene-v\u00e1gyak, kompoz\u00edci\u00f3k \u2013 \u00faj rem\u00e9ny, amit \u00edgy v\u00e9letlen\u00fcl, l\u00e1tsz\u00f3lag mell\u00e9kesen meg lehet tudni. Egy biztos: megsz\u0171nt B\u00e9l\u00e1ban ez a be\u00e1ll\u00edtotts\u00e1g: \u00bbsemmi k\u00f6r\u00fclm\u00e9nyek k\u00f6zt nem \u00edrok \u00faj m\u0171vet soha\u2026\u00ab Ennek t\u00f6bb mint h\u00e1rom \u00e9ve\u2026\u201d<\/em> \u2013 \u00edrta P\u00e1sztory Ditta Szigeti J\u00f3zsefnek.\r\n\r\nBart\u00f3k\u00e9k a Saranac Lake-hez utaztak \u00fcd\u00fclni, a zeneszerz\u0151 eg\u00e9szs\u00e9ge rohamosan javult, \u00e9s 1943 augusztus\u00e1ban hozz\u00e1fogott a Concerto<\/em> kompon\u00e1l\u00e1shoz. Rendk\u00edv\u00fcli sebess\u00e9ggel dolgozott, a partit\u00far\u00e1t okt\u00f3ber 8-\u00e1n fejezte be. Az \u0151sbemutat\u00f3 a Boston Symphony Hallban volt, 1944. december 1-j\u00e9n (megism\u00e9telve 2-\u00e1n). Bart\u00f3k r\u00f6vid ismertet\u0151t \u00edrt a kompoz\u00edci\u00f3r\u00f3l: \u201eA m\u0171 \u00e1ltal\u00e1nos hangulata \u2013 a tr\u00e9f\u00e1s m\u00e1sodik t\u00e9telt\u0151l eltekintve \u2013 fokozatos \u00e1tmenetet k\u00e9pvisel az els\u0151 t\u00e9tel komolys\u00e1g\u00e1t\u00f3l \u00e9s a harmadik gy\u00e1szos sirat\u00f3-\u00e9nek\u00e9t\u0151l a z\u00e1r\u00f3t\u00e9tel \u00e9letigenl\u00e9s\u00e9ig. E szimf\u00f3nia-szer\u0171 zenekari m\u0171nek a c\u00edm\u00e9t az egyes hangszerek, hangszercsoportok koncert\u00e1l\u00f3 vagy sz\u00f3lisztikus kezel\u00e9sm\u00f3dja magyar\u00e1zza. A virtu\u00f3z hangszerkezel\u00e9s p\u00e9ld\u00e1ul az els\u0151 t\u00e9tel kidolgoz\u00e1s\u00e1nak fugato-szakaszaiban jelenik meg (r\u00e9zf\u00fav\u00f3 hangszerek), vagy a z\u00e1r\u00f3t\u00e9tel f\u0151t\u00e9m\u00e1j\u00e1nak perpetuum mobile-szer\u0171 futamaiban (von\u00f3sok), \u00e9s k\u00fcl\u00f6n\u00f6sen a m\u00e1sodik t\u00e9telben, ahol a hangszerek mindig p\u00e1ros\u00e1val jelennek meg egym\u00e1st k\u00f6vet\u0151en, brili\u00e1ns passz\u00e1zsokkal.\u201d<\/em>\r\n\r\nAz \u00f6tt\u00e9teles szerkezet k\u00f6z\u00e9ppontj\u00e1ban az Elegia<\/em> \u00e1ll (\u201eez a m\u0171 sz\u00edve, ez a K\u00e9kszak\u00e1ll\u00fa<\/em> v\u00e1r\u00e1nak k\u00f6nnyes tava\u201d \u2013 \u00edrja Kro\u00f3 Gy\u00f6rgy), melyet k\u00e9t scherzo jelleg\u0171 t\u00e9tel keretez. A m\u0171 k\u00fcls\u0151 burka, a sarokt\u00e9telek, szon\u00e1ta-szerkezetet mutatnak. Az Elegia<\/em> karakter\u00e9r\u0151l Bart\u00f3k azt mondja: gy\u00e1szos sirat\u00f3\u00e9nek. \u201eSzerkezete l\u00e1ncszer\u0171, itt h\u00e1rom t\u00e9ma k\u00f6veti egym\u00e1st. Ez alkotja a t\u00e9tel magv\u00e1t, amelyet kialakulatlan mot\u00edvumok k\u00f6d\u00f6s sz\u00f6vete keretez.\u201d Ism\u00e9t Kro\u00f3 Gy\u00f6rgy szavait id\u00e9zz\u00fck: \u201eA hallgat\u00f3 a h\u00e1rfa-glissand\u00f3kban \u00e9s faf\u00fav\u00f3s futamokban r\u00e1 fog ismerni a K\u00e9kszak\u00e1ll\u00fa<\/em>-reminiszcenci\u00e1ra, a K\u00f6nnyek Tav\u00e1nak hangulat\u00e1ra. Ez vezeti be \u00e9s csend\u00edti ki Bart\u00f3k egyik legszebb l\u00edrai t\u00e9tel\u00e9t. \u00c9rezni itt is az \u00e9jszakai hangulatot, de a Notturno-atmoszf\u00e9ra most megmarad sz\u00edn-elemnek; ez a zene nem az \u00e9jszaka \u00e9s az ember p\u00e1rbesz\u00e9de, ez monol\u00f3g. A Kossuth<\/em>, az I. szvit<\/em>, a N\u00e9gy zenekari darab<\/em> \u00f3ta k\u00eds\u00e9ri Bart\u00f3kot ez a temet\u00e9shangulat. Most levetk\u0151zte minden k\u00fcls\u0151, indul\u00f3szer\u0171 jelleg\u00e9t, bels\u0151 gy\u00e1sz-zen\u00e9v\u00e9 szublim\u00e1l\u00f3dott. Vannak tragikusan komor, szinte \u00fcnnep\u00e9lyes pillanatai, m\u00e1r-m\u00e1r egy V\u00f6r\u00f6smarty-vers pomp\u00e1j\u00e1ra eml\u00e9keztet\u0151 timpani \u00fct\u00e9sekkel \u00e9s hang-drap\u00e9ri\u00e1kkal. M\u00e9g ennek is el kell azonban t\u0171nnie, amint a t\u00e9tel k\u00f6zepe fel\u00e9 haladunk, a sz\u00e9kely sirat\u00f3-hang el\u0151tt. Nagyon f\u00e1j \u2013 mondja a muzsika, \u00e9s Bart\u00f3k elsiratja itt mindazt, amit\u0151l a VI. von\u00f3sn\u00e9gyes<\/em> Mesto<\/em> fin\u00e1l\u00e9j\u00e1ban oly felemel\u0151 b\u00facs\u00fat vett. S egyre ink\u00e1bb belej\u00e1tszik a hangulatba a honv\u00e1gy: a kisfuvola a h\u00eddszer\u0171en form\u00e1lt t\u00e9tel v\u00e9g\u00e9n mintha a r\u00e9g let\u0171nt, soha vissza nem t\u00e9r\u0151 ifj\u00fas\u00e1gt\u00f3l, az otthont\u00f3l b\u00facs\u00fazna.\u201d\r\n\r\nA legny\u00edltabban programzenei t\u00e9tel a negyedik (Intermezzo interrotto. Allegretto)<\/em>. S\u00e1ndor Gy\u00f6rgy \u00e9s Fricsay Ferenc nyom\u00e1n a t\u00e9telt gyakran magyar\u00e1zz\u00e1k \u201emegszak\u00edtott szeren\u00e1dk\u00e9nt\u201d (Debussy egyik prel\u0171dje \u2013 La s\u00e9r\u00e9nade interrompue<\/em> \u2013 viseli ezt a c\u00edmet, melyet maga Bart\u00f3k is t\u00f6bbsz\u00f6r j\u00e1tszott), \u201ea k\u00f6lt\u0151 szerelmet vall haz\u00e1j\u00e1nak, de a nyers er\u0151szak hirtelen f\u00e9lbeszak\u00edtja a szeren\u00e1dot, durva, csizm\u00e1s emberek r\u00e1rontanak, m\u00e9g a hangszer\u00e9t is \u00f6sszet\u00f6rik\u201d.\u00a0 A k\u00e9t \u00f6ssze\u00fctk\u00f6z\u0151 zenei anyag egyike sem \u201etiszta forr\u00e1sb\u00f3l\u201d sz\u00e1rmazik, mindkett\u0151 operett-dal (a Sz\u00e9p vagy, gy\u00f6ny\u00f6r\u0171 vagy Magyarorsz\u00e1g<\/em> a Hamburgi menyasszony<\/em>b\u00f3l \u00e9s egy kupl\u00e9 A v\u00edg \u00f6zvegy<\/em>b\u0151l), ut\u00f3bbit tal\u00e1n Bart\u00f3k nem ismerte. Hasonl\u00f3 anyagot dolgozott fel viszont Sosztakovics a VII. (Leningr\u00e1di) szimf\u00f3ni\u00e1<\/em>ban, ezt az Egyes\u00fclt \u00c1llamokban rendk\u00edv\u00fcl n\u00e9pszer\u0171 darabot Bart\u00f3k ismerte. Ott a n\u00e1ci katon\u00e1k mas\u00edroz\u00e1s\u00e1t jelen\u00edtette meg.\r\n\r\nA kompoz\u00edci\u00f3 eg\u00e9sz\u00e9r\u0151l, erej\u00e9r\u0151l, n\u00e9pszer\u0171 hangj\u00e1r\u00f3l \u00edgy \u00edr Somfai L\u00e1szl\u00f3: \u201eStil\u00e1ris kompromisszum? N\u00e9pszer\u0171bb hangv\u00e9tel az amerikai k\u00f6z\u00f6ns\u00e9g kedv\u00e9\u00e9rt? \u2013 Biztosan nem. A zen\u00e9sz \u00e9pp\u00fagy, mint a hallgat\u00f3, igazi mesterm\u0171 kisug\u00e1rz\u00e1s\u00e1t \u00e9rzi: m\u00e9lyb\u0151l fakad\u00f3 \u00e9rzelmek \u00e9s \u00e1tl\u00e9nyeg\u00fclt pillanatok az els\u0151 t\u00e9tel lass\u00fa bevezet\u00e9s\u00e9ben \u00e9s az Elegi\u00e1ban; szellemess\u00e9g \u00e9s k\u00fcl\u00f6n\u00f6s szarkazmus a m\u00e1sodik \u00e9s negyedik t\u00e9telben; \u00bbn\u00e9pek testv\u00e9rr\u00e9 v\u00e1l\u00e1sa\u00ab k\u00f6rt\u00e1nc a fin\u00e1l\u00e9ban, nagyszab\u00e1s\u00fa ellenpontoz\u00f3 jelenetekkel \u00e9kes\u00edtve, igazi beethoveni z\u00e1r\u00f3-gesztussal.\u201d<\/em>\r\n\r\nAz \u0151sbemutat\u00f3 nagy siker volt. Bart\u00f3k egy level\u00e9ben \u00edgy eml\u00e9kezett meg r\u00f3la: \u201eOdament\u00fcnk a pr\u00f3b\u00e1kra \u00e9s el\u0151ad\u00e1sokra, miut\u00e1n ehhez az \u00fathoz megkaptuk az orvosok nem sz\u00edvesen adott enged\u00e9ly\u00e9t. \u00c9rdemes volt, az el\u0151ad\u00e1s kit\u0171n\u0151en siker\u00fclt. Koussevitzky nagyon el volt ragadtatva a m\u0171t\u0151l, \u00e9s azt mondja, hogy ez az utols\u00f3 25 \u00e9v legjobb zenekari m\u0171ve (m\u00e9g b\u00e1lv\u00e1ny\u00e1nak, Sosztakovicsnak a m\u0171veit is bele\u00e9rtve!). Legal\u00e1bbis ez az \u0151 egy\u00e9ni v\u00e9lem\u00e9nye.\u201d<\/em>","post_title":"{:hu}Concerto{:}{:en}Concerto{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"concerto-2","to_ping":"","pinged":"","post_modified":"2020-09-23 15:21:14","post_modified_gmt":"2020-09-23 15:21:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=113985","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":85522,"post_author":"1","post_date":"2016-09-21 08:12:26","post_date_gmt":"2016-09-21 08:12:26","post_content":"{:hu}

R\u00e1nki Dezs\u0151 Budapesten v\u00e9gezte tanulm\u00e1nyait, 1973-ban szerzett diplom\u00e1t a Zeneakad\u00e9mi\u00e1n, Kadosa P\u00e1l \u00e9s Rados Ferenc n\u00f6vend\u00e9kek\u00e9nt. M\u00e9g tanul\u00f3\u00e9vei alatt, 1969-ben, 18 \u00e9vesen nyerte meg a zwickaui nemzetk\u00f6zi Schumann-verseny I. d\u00edj\u00e1t, ez id\u0151 \u00f3ta koncertezik vil\u00e1gszerte. Rendszeresen fell\u00e9pett Eur\u00f3pa legt\u00f6bb orsz\u00e1g\u00e1ban, t\u00f6bb \u00edzben \u00c9szak- \u00e9s D\u00e9l-Amerik\u00e1ban, \u00e9s 2-3 \u00e9vente Jap\u00e1nban. J\u00e1tszott t\u00f6bbek k\u00f6z\u00f6tt a Berlini Filharmonikusokkal, a Londoni Filharmonikusokkal, az amszterdami Concertgebouw zenekar\u00e1val, a p\u00e1rizsi Orchestre National-lal, a toki\u00f3i NHK zenekar\u00e1val, \u00e9s sz\u00e1mos neves karmesterrel, pl. Solti Gy\u00f6rggyel, V\u00e9gh S\u00e1ndorral, Lorin Maazellel, Zubin Meht\u00e1val. Jelent\u0151s szerepet j\u00e1tszik \u00e9let\u00e9ben a kamarazene, az ut\u00f3bbi k\u00e9t \u00e9vtizedben \u00e9vi 10-15 koncertet ad Klukon Edit t\u00e1rsas\u00e1g\u00e1ban n\u00e9gykezes \u00e9s k\u00e9tzongor\u00e1s m\u0171vekkel.<\/p>{:}{:en}

Dezs\u0151 R\u00e1nki completed his studies in 1973, when he graduated from the Budapest Music Academy as a pupil of P\u00e1l Kadosa and Ferenc Rados. While still an 18 year old student, he won first prize at the Zwickau International Schumann Competition and has given concerts ever since. He regularly performs in most European countries and has toured both North and South America on a number of occasions. He visits Japan every 2 to 3 years. He has played among others with the Berlin Philharmonic, the London Philharmonic, the Amsterdam Concertgebouw, the Orchestre National de Paris, the Tokyo NHK Orchestra and worked with a host of distinguished conductors such as Sir Georg Solti, S\u00e1ndor V\u00e9gh, Lorin Maazel and Zubin Mehta. He is an active chamber music performer and in recent years, has given 10 to 15 concerts a year with his partner and wife Edit Klukon, performing music for\u00a0 piano duet and two pianos. (photo: Zsuzsa Pet\u0151)<\/p>{:}","post_title":"{:hu}R\u00e1nki Dezs\u0151{:}{:en}Dezs\u0151 R\u00e1nki{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ranki-dezso","to_ping":"","pinged":"","post_modified":"2020-04-26 11:00:37","post_modified_gmt":"2020-04-26 11:00:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=85522","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"HUF 5,500 \/ 4,500 \/ 4,000 \/ 3,500 \/ 2,500","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/evadnyito-hangverseny-116174\/660684?lang=en","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"CANCELLED!","hivatkozas_gomg_url-je":"https:\/\/www.filharmonikusok.hu\/elmarado-koncertek\/"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/114027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=114027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}