{"id":113371,"date":"2020-03-10T09:18:34","date_gmt":"2020-03-10T09:18:34","guid":{"rendered":"https:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=113371"},"modified":"2022-04-26T09:46:11","modified_gmt":"2022-04-26T09:46:11","slug":"beethovennel-a-szabadban-2","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/beethovennel-a-szabadban-2\/","title":{"rendered":"Beethoven in the park"},"content":{"rendered":"<p><strong>Rain date: Monday, 29 June<\/strong><\/p>\n<p><a href=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2020\/03\/RAIN-DAY-RULES-and-INFORMATION-2020.pdf\">RAIN DAY RULES AND INFORMATION<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>250th anniversary of the birth of the composer For more than 60 years in the town of Martonv\u00e1s\u00e1r, the Hungarian National Philharmonic Orchestra&#8217;s concert series Beethoven in the Park has provided an unrivalled classical music experience for the summer season.<\/p>\n<p>This year&#8217;s event \u2013 the 62nd \u2013 promises to be a truly special occasion. We will pay tribute to the 250th birthday of the Viennese maestro as part of Martonv\u00e1s\u00e1r&#8217;s Beethoven Anniversary Year programmes. On this celebratory occasion, the audience will enjoy the composer&#8217;s remarkable works across five nights, instead of the usual three.<\/p>\n<p>And with the help of some prestigious Hungarian solo performers, all nine of Beethoven&#8217;s symphonies will be performed in Brunswick Castle&#8217;s beautiful park. The conductor for the concerts will be Zsolt Hamar, the musical director of the Hungarian National Philharmonic Orchestra.<\/p>\n<p>&nbsp;<\/p>\n<p>Although today it is perhaps heard less frequently than any of its fellows, the Symphony No. 8 from 1812 was Beethoven\u2019s own favourite among the nine that he wrote. The work is surprising in many respects: it is as if Beethoven followed up on his three preceding symphonies by returning to the framework that Haydn had developed for the genre with a four-movement, but still shorter.<\/p>\n<p>&nbsp;<\/p>\n<p>The Rondo for Piano and Orchestra in B major was originally intended as the closing movement of the Piano Concerto No. 2. However, it was only completed after Beethoven\u2019s death, by the composer\u2019s student Carl Czerny. \u00c1d\u00e1m Szokolay, the soloist performing the piece, is only a few months older than Beethoven was at the time of composing this piece.<\/p>\n<p>&nbsp;<\/p>\n<p>Composed between 1802 and 1808, the \u201cPastoral\u201d sixth symphony stands out from Beethoven\u2019s other works in the genre. It is the only one to comprise five movements, and he also gave each moment a title suggesting a programme to the music. The first two moments depict encounters between humans and nature, while the scherzo conveys the merry coexistence of village people, followed by two movements illustrating a storm and the feelings of gratitude that it leaves in its wake.<\/p>\n","protected":false},"template":"","class_list":["post-113371","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"","kiemelt_kep":{"ID":113372,"id":113372,"title":"Martonv\u00e1s\u00e1r2018@MNF_foto2_M\u00e1t\u00e9 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08:02:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/brunszvik-kastely-parkja\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Martonv\u00e1s\u00e1r{:}{:en}Martonv\u00e1s\u00e1r{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"videk","karmester":{"ID":101545,"post_author":"1","post_date":"2017-05-30 19:58:57","post_date_gmt":"2017-05-30 19:58:57","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n<em>\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette a Nemzeti Filharmonikusok Zenekar\u00e1t.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s <em>First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-3","to_ping":"","pinged":"","post_modified":"2020-08-10 08:31:17","post_modified_gmt":"2020-08-10 08:31:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=101545","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"karmester_2":false,"hazigazda":null,"muvek":[{"ID":91146,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}<p style=\"text-align: justify;\">I. Allegro vivace e con brio II. Allegretto scherzando III. Tempo di Menuetto IV. Allegro vivace<\/p>\r\n<p style=\"text-align: justify;\">A VIII. szimf\u00f3nia k\u00f6zvetlen\u00fcl a VII. ut\u00e1n, Beethoven munkatemp\u00f3j\u00e1hoz k\u00e9pest rendk\u00edv\u00fcl r\u00f6vid id\u0151 alatt keletkezett. A kompoz\u00edci\u00f3 1812 okt\u00f3ber\u00e9re k\u00e9sz\u00fclt el, az 1814-es bemutat\u00f3n a VII. szimf\u00f3ni\u00e1val egy\u00fctt hangzott el. Ut\u00f3bbi darab n\u00e9pszer\u0171s\u00e9ge \u00e1rny\u00e9kba bor\u00edtotta az \u00faj m\u0171vet, Beethoven bossz\u00fasan jegyezte meg, hogy a VIII. szimf\u00f3nia \"az\u00e9rt nem tetszett (a k\u00f6z\u00f6ns\u00e9gnek) mert annyival jobb a m\u00e1sikn\u00e1l. Valamikor majd tetszeni fog.\" Robert Schumann meg\u00e9rezte a \"kis szimf\u00f3nia\" rendk\u00edv\u00fcli \u00e9rt\u00e9k\u00e9t. 1840-ben, egy lipcsei koncert ut\u00e1n \u00edgy fogalmazott: \"Beethoven szimf\u00f3ni\u00e1i k\u00f6z\u00fcl ezt az F-d\u00far szimf\u00f3ni\u00e1t a legkev\u00e9sb\u00e9 j\u00e1tssz\u00e1k, m\u00e9g Lipcs\u00e9ben is, ahol pedig valamennyi Beethoven-szimf\u00f3nia szinte n\u00e9pszer\u0171 zenesz\u00e1mba megy, m\u00e9g Lipcs\u00e9ben is el\u0151\u00edt\u00e9lettel vannak ir\u00e1nta, pedig humor\u00e1nak m\u00e9lys\u00e9ge tekintet\u00e9ben Beethoven egyetlen m\u00e1s szimf\u00f3ni\u00e1ja sem \u00e9r fel vele. A fin\u00e1l\u00e9 v\u00e9ge fel\u00e9 tal\u00e1lhat\u00f3 hatalmas fokoz\u00e1snak Beethoven m\u0171v\u00e9szet\u00e9ben is alig akad p\u00e1rja \u00e9s a B-d\u00far Allegretto hallat\u00e1ra az ember nem tehet m\u00e1st, mint hogy elhallgat \u00e9s elmer\u00fcl a boldogs\u00e1gban. A zenekar val\u00f3s\u00e1ggal remekelt: m\u00e9g a k\u00e9nyes tri\u00f3 is, vigaszteli melankolikus k\u00fcrtdallam\u00e1val, t\u00f6k\u00e9letesen sz\u00e9pen siker\u00fclt.\"<\/p>\r\n<p style=\"text-align: justify;\">A Schumann \u00e1ltal eml\u00edtett scherz\u00f3szer\u0171 Allegrett\u00f3ban (ennek a szimf\u00f3ni\u00e1nak nincs igazi lass\u00fa t\u00e9tele) Beethoven ugyanazt a dallamot dolgozta fel, melyet M\u00e4lzel, a metron\u00f3m megalkot\u00f3j\u00e1nak tisztelet\u00e9re szerzett tr\u00e9f\u00e1s k\u00e1nonhoz kompon\u00e1lt. Felt\u0171n\u0151 a harmadik t\u00e9tel archaiz\u00e1l\u00f3 hang\u00fct\u00e9se. A t\u00e9tel tri\u00f3j\u00e1ban pedig egy r\u00e9gebbi kompoz\u00edci\u00f3j\u00e1nak eml\u00e9ke dereng fel, egy 1792-ben keletkezett k\u00e9tfuvol\u00e1s men\u00fcett dallama. Nem tudjuk, hogy tudatos vagy v\u00e9letlen, de a t\u00e9telr\u00e9sz ked\u00e9lyes hangulata j\u00f3l illeszkedik a r\u00e9gies fogalmaz\u00e1s\u00fa quasi-men\u00fcetthez, a hangszerel\u00e9s (k\u00fcrt, klarin\u00e9t \u00e9s gordonka) pedig a XVIII. sz\u00e1zadi h\u00e1zi-muzsik\u00e1l\u00e1s vil\u00e1g\u00e1t id\u00e9zi meg.<\/p>\r\n<p style=\"text-align: justify;\">A szimf\u00f3nia ar\u00e1nyaihoz k\u00e9pest hatalmas fin\u00e1l\u00e9t kompon\u00e1lt Beethoven. \"A VII. szimf\u00f3nia ugyancsak p\u00e1ratlanul sodr\u00f3 lend\u00fclet\u0171 fin\u00e1l\u00e9j\u00e1t\u00f3l eltekintve, nincs Beethovennek m\u00e9g egy szimf\u00f3niat\u00e9tele, amelyben ennyire v\u00e9gletesen szabadj\u00e1ra engedn\u00e9 f\u00e9ktelen, szilaj temperamentum\u00e1t.\" (Bartha D\u00e9nes)<\/p>{:}{:en}<p style=\"text-align: justify;\">I. Allegro vivace e con brio II. Allegretto scherzando III. Tempo di Menuetto IV. Allegro vivace<\/p>\r\n<p style=\"text-align: justify;\"><\/p>\r\n<p style=\"text-align: justify;\">The Eighth Symphony followed directly after the Seventh, and by Beethoven's own standards was written at remarkable speed. It was completed by October 1812 and premiered in 1814 together with the Seventh Symphony. The popularity of the latter work overshadowed the new one and Beethoven angrily noted the Eighth symphony did not please the audience because it was so much better than the other work. \"Some day they will like it,\" he growled. Robert Schumann sensed the exceptional value of the \"small symphony.\" In 1840, following a Leipzig concert, he express it thus: \"Of Beethoven's symphonies, the F major is the least played, even in Leipzig, where all Beethoven's symphonies are hugely popular, there are prejudices against it, but for the profundity of its humour, it has no competition from any of his other symphonies. Towards the end of the finale we find a tremendous climax which has few parallels in Beethoven's oeuvre and hearing the B flat major Allegretto, one can do nothing except listen and submerge oneself in happiness. The orchestra was truly splendid: even the delicate trio with its melancholic horn melody succeeded perfectly.\"<\/p>\r\n<p style=\"text-align: justify;\"><\/p>\r\n<p style=\"text-align: justify;\">In the scherzo like Allegretto mentioned by Schumann (the symphony has no true slow movement) Beethoven employs the same melody which he used in the jokey canon he wrote for M\u00e4lzel the creator of the metronome. The archaic tone of the third movement is also notable. In the trio, we hear the relic of a much earlier composition, the melody of a minuet Beethoven wrote for two flutes in 1792. We do not know if this is conscious or accidental, but the charming mood of this episode fits well with the slightly ancient quasi-minuet, the orchestration (horn, clarinet and cello) evoking the works of 18th century household music making.<\/p>\r\n<p style=\"text-align: justify;\"><\/p>\r\n<p style=\"text-align: justify;\">Beethoven composed an immense finale considering the work's proportions. \"With the exception of the similarly dynamic finale to the Seventh Symphony, Beethoven wrote no other symphonic movement in which he let go to such an extent with his unstoppable\u00a0 boisterous temperament.\" (D\u00e9nes Bartha)<\/p>{:}","post_title":"{:hu}VIII. (F-d\u00far) szimf\u00f3nia, op. 93{:}{:en}Symphony No. 8 in F major, op. 93{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"viii-szimfonia-f-dur-op-93","to_ping":"","pinged":"","post_modified":"2020-03-04 12:32:00","post_modified_gmt":"2020-03-04 12:32:00","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/viii-szimfonia-f-dur-op-93\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":113319,"post_author":"951582","post_date":"2020-03-04 12:33:33","post_date_gmt":"2020-03-04 12:33:33","post_content":"","post_title":"{:hu}B-d\u00far rond\u00f3 zongor\u00e1ra \u00e9s zenekarra, WoO 6{:}{:en}Rondo for Piano and Orchestra in B flat major, WoO 6{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"b-dur-rondo-zongorara-es-zenekarra-woo-6","to_ping":"","pinged":"","post_modified":"2020-03-10 09:14:28","post_modified_gmt":"2020-03-10 09:14:28","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=113319","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110078,"post_author":"951590","post_date":"2020-01-09 14:21:28","post_date_gmt":"2020-01-09 14:21:28","post_content":"<em>I. Allegro ma non troppo\r\n<\/em><em>II. Andante molto mosso\r\n<\/em><em>III. Allegro\r\n<\/em><em>IV. Allegro\r\n<\/em><em>V. Allegretto<\/em>\r\n\r\nA <em>Hatodik<\/em> k\u00fcl\u00f6nleges helyet foglal el Beethoven kilenc szimf\u00f3ni\u00e1ja k\u00f6z\u00f6tt. B\u00e1r hiteles, a zeneszerz\u0151t\u0151l ered\u0151 alc\u00edme a <em>Harmadik<\/em>nak is van <em>(Eroica),<\/em> ez az egyetlen, amely r\u00e9szletes le\u00edr\u00e1ssal, az egyes t\u00e9telek el\u00e9 \u00edrt n\u00e9h\u00e1ny szavas eligaz\u00edt\u00e1ssal seg\u00edti hallgat\u00f3j\u00e1t a program k\u00f6vet\u00e9s\u00e9ben. A nyit\u00f3t\u00e9tel t\u00e9m\u00e1ja <em>Vid\u00e1m \u00e9rz\u00e9sek \u00e9bred\u00e9se falura \u00e9rkez\u00e9skor,<\/em> \u00e9s a f\u0151t\u00e9ma mot\u00edvumainak ism\u00e9telget\u00e9se val\u00f3ban olyan megb\u00e9k\u00e9lt hangulatot \u00e1raszt, amely egy\u00e9bk\u00e9nt p\u00e9lda n\u00e9lk\u00fcli Beethoven szimfonikus m\u0171v\u00e9szet\u00e9ben. F\u00e9lre\u00e9rthetetlen a m\u00e1sodik t\u00e9tel <em>Patakparti jelenet<\/em>\u00e9nek nyugodtan csobog\u00f3 k\u00eds\u00e9rete is, melyet \u201emad\u00e1rkoncert\u201d szak\u00edt meg. A kezdeti arisztokratikus men\u00fcettekt\u0151l a \u201en\u00e9pies\u201d karakter fel\u00e9 k\u00f6zel\u00edt\u0151 t\u00e1nct\u00e9tel ez\u00fattal <em>Falusiak vid\u00e1m egy\u00fcttl\u00e9t\u00e9<\/em>v\u00e9 n\u0151, majd a k\u00f6lt\u0151i program v\u00e9gleg sz\u00e9tfesz\u00edti a hagyom\u00e1nyos szimf\u00f3niakereteket: negyedik t\u00e9telk\u00e9nt v\u00e1ratlanul, de f\u00e9lre\u00e9rthetetlen\u00fcl <em>Zivatar, vihar<\/em> t\u00f6r ki. Ahogy a nyit\u00f3t\u00e9tel n\u00e9lk\u00fcl\u00f6zte a dr\u00e1mai kontrasztokat, \u00e9pp\u00fagy a <em>P\u00e1sztor\u00e9nek. Boldog, h\u00e1l\u00e1s \u00e9rz\u00e9sek a vihar ut\u00e1n<\/em> felirat\u00fa z\u00e1r\u00f3t\u00e9telnek sem kell ez\u00fattal harccal kik\u00e9nyszer\u00edtenie a feloldoz\u00e1st: a m\u0171 az ind\u00edt\u00e1shoz hasonl\u00f3 gondtalan \u00e9s id\u0151tlen, b\u00e1r n\u00e9mileg emelkedettebb hangulatban \u00e9r v\u00e9get. J\u00f3llehet, a fenti program sz\u00e1mos konkr\u00e9t, natur\u00e1lis elemet tartalmaz, \u00e9s Beethoven nem is mondott le ezek zenei imit\u00e1ci\u00f3j\u00e1r\u00f3l, sz\u00e1nd\u00e9ka szerint a m\u0171 val\u00f3di tartalma nem a puszta esem\u00e9nyek, hanem az azok kiv\u00e1ltotta \u00e9rzelmek bemutat\u00e1sa volt: <em>\u201eInk\u00e1bb \u00e9rzelmek kifejez\u00e9se, mintsem fest\u00e9s\u201d<\/em> \u2013 fogalmazta meg a szimf\u00f3nia alc\u00edm\u00e9ben.","post_title":"{:hu}VI. (F-d\u00far, \u201ePastorale\u201d) szimf\u00f3nia, op. 68{:}{:en}Symphony No. 6 in F major (\"Pastorale\u201d), op. 68{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"vi-f-dur-pastorale-szimfonia-op-68","to_ping":"","pinged":"","post_modified":"2020-03-04 12:34:18","post_modified_gmt":"2020-03-04 12:34:18","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=110078","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":113356,"post_author":"951582","post_date":"2020-03-05 14:50:18","post_date_gmt":"2020-03-05 14:50:18","post_content":"{:hu}<strong>Szokolay \u00c1d\u00e1m<\/strong> nyolc\u00e9vesen felv\u00e9telt nyert a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetem kiv\u00e9teles tehets\u00e9gek sz\u00e1m\u00e1ra l\u00e9trehozott tagozat\u00e1ra. Egyetemi tanulm\u00e1nyait a New York-i Bard College Konzervat\u00f3rium\u00e1ban Peter Serkin n\u00f6vend\u00e9kek\u00e9nt, 2018 \u00f3ta pedig a weimari Franz Liszt Hochschule f\u00fcr Musik falai k\u00f6zt, Grigory Gruzman oszt\u00e1ly\u00e1ban folytatja. A fiatal zongorista sz\u00e1mos hazai \u00e9s nemzetk\u00f6zi verseny gy\u0151ztese \u00e9s d\u00edjazottja, t\u00f6bbek k\u00f6z\u00f6tt 2019-ben a Bart\u00f3k Vil\u00e1gverseny I. d\u00edj\u00e1t nyerte el, \u00e9s Junior Prima D\u00edjjal is kit\u00fcntett\u00e9k.{:}{:en}<strong>\u00c1d\u00e1m Szokolay<\/strong> was accepted into the Liszt Academy's School for Exceptional Young Talents at the age of eight. After graduation, he continued his university studies at the Bard College Conservatory of Music in New York, studying under Peter Serkin. Since 2018 he has been studying in Grigory Gruzman's class at the Franz Liszt Hochschule f\u00fcr Musik in Weimar. The young pianist has won numerous domestic and international competitions and awards, including first prize in the Bart\u00f3k World Competition in 2019 and the Junior Prima Award.{:}","post_title":"{:hu}Szokolay \u00c1d\u00e1m{:}{:en}\u00c1d\u00e1m Szokolay{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szokolay-adam","to_ping":"","pinged":"","post_modified":"2020-03-05 15:39:57","post_modified_gmt":"2020-03-05 15:39:57","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=113356","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":true,"is_muveszekrol_reszletesen_en":true,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[],"gombtipus":"link","jegyarak":"HUF 4,500 \/ 3,500 \/ 2,500","jegyvasarlas_gomb":" https:\/\/nfz.jegy.hu\/program\/beethovennel-a-szabadban-115147\/650664","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"CANCELLED!","hivatkozas_gomg_url-je":"https:\/\/www.filharmonikusok.hu\/elmarado-koncertek\/"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/113371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=113371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}