{"id":109887,"date":"2019-04-24T07:00:42","date_gmt":"2019-04-24T07:00:42","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=109887"},"modified":"2020-03-31T08:24:40","modified_gmt":"2020-03-31T08:24:40","slug":"oroszosan","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/oroszosan\/","title":{"rendered":"Russian-style"},"content":{"rendered":"

Zolt\u00e1n Kocsis must be nodding approvingly from the celestial world to see that the subscription bearing his name starts with the music of Bart\u00f3k. After playing the composer’s Two Pictures<\/em>, the orchestra will perform his Piano Concerto No. 3<\/em> together with soloist Dezs\u0151 R\u00e1nki \u2013 possibly the finest interpreter of this piece active today. This will be followed by a performance of Bluebeard’s Castle<\/em> featuring Ildik\u00f3 Koml\u00f3si and Kriszti\u00e1n Cser. Both of them have already sung their respective roles of Judith and the Duke in many cities around the world with great success (often partnered with each other). At the second concert, the audience will get to know a work by J\u00e1nos Koessler, Bart\u00f3k’s teacher at the Franz Liszt Academy of Music. This will be followed by what may well be Dohn\u00e1nyi’s most beautiful piece, Stabat Mater<\/em>. Closing the concert will be a piece from Brahms, whom Koessler considered his role model: the Symphony No. 3<\/em>. The third concert holds a Hungarian premi\u00e8re in store: conducting the biblical oratorio by Swiss-born American jazz saxophonist and conductor Daniel Schnyder will be guest conductor Sebastian Weigle. After the interval, the orchestra will perform Brahms’s German Requiem<\/em> together with Kossuth Prize-winning soprano Andrea Rost and baritone Michele K\u00e1lm\u00e1ndy, who himself recently received the same illustrious distinction. The final concert is a programme of Russian music. After opening with Tchaikovsky’s insinuatingly melodic Romeo and Juliet<\/em> Overture-Fantasy<\/em>, the orchestra will play Prokofiev’s Violin Concerto No. 1<\/em> with Arabella Steinbacher, one of the stars of the instrument as the soloist. Closing the evening will be Stravinsky’s unflaggingly popular Petrushka<\/em>.<\/p>\n","protected":false},"template":"","class_list":["post-109887","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Kocsis season ticket 4","kiemelt_kep":{"ID":113152,"id":113152,"title":"Arabella_Steinbacher","filename":"Arabella_Steinbacher.jpg","filesize":223248,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/oroszosan\/arabella_steinbacher-2\/","alt":"","author":"951590","description":"","caption":"","name":"arabella_steinbacher-2","status":"inherit","uploaded_to":109887,"date":"2020-02-11 13:42:00","modified":"2020-02-11 13:42:00","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-768x224.jpg","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-1024x299.jpg","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-1536x448.jpg","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher.jpg","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-165x220.jpg","person-size-2-width":165,"person-size-2-height":220,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Arabella_Steinbacher-1600x560.jpg","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20200331","esemeny_idopontja":"7:30 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87689,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}M\u00fcpa - Bart\u00f3k B\u00e9la Nemzeti Hangversenyterem{:}{:en}M\u00fcpa - B\u00e9la Bart\u00f3k National Concert Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mupa-bartok-bela-nemzeti-hangversenyterem","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/mupa-bartok-bela-nemzeti-hangversenyterem\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Magyarorsz\u00e1g{:}","cim":"

1095 Budapest, Komor Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"helyszin_kategoria":"budapest","karmester":{"ID":101545,"post_author":"1","post_date":"2017-05-30 19:58:57","post_date_gmt":"2017-05-30 19:58:57","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette a Nemzeti Filharmonikusok Zenekar\u00e1t.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-3","to_ping":"","pinged":"","post_modified":"2020-08-10 08:31:17","post_modified_gmt":"2020-08-10 08:31:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=101545","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":110065,"post_author":"951590","post_date":"2019-12-11 10:23:37","post_date_gmt":"2019-12-11 10:23:37","post_content":"A m\u0171 keletkez\u00e9st\u00f6rt\u00e9nete tucatnyi esztend\u0151t fog \u00e1t (1869\u20131880), h\u00e1rom k\u00fcl\u00f6nb\u00f6z\u0151 verzi\u00f3t eredm\u00e9nyezve. K\u00f6z\u00fcl\u00fck a legkor\u00e1bbi m\u00e9g nyit\u00e1nynak k\u00e9sz\u00fclt William Shakespeare trag\u00e9di\u00e1j\u00e1hoz, majd m\u00e1r az els\u0151 \u00e1tdolgoz\u00e1s t\u00faln\u0151tt a nyit\u00e1ny szokv\u00e1nyos m\u0171faji keretein, \u00edgy kapta v\u00e9g\u00fcl nyit\u00e1nyfant\u00e1zia<\/em> megjel\u00f6l\u00e9st. A k\u00eds\u00e9rletez\u0151 hajlam\u00fa orosz komponist\u00e1t mindenekel\u0151tt a felfokozott \u00e9rzelmek \u00e1br\u00e1zol\u00e1s\u00e1nak lehet\u0151s\u00e9ge inspir\u00e1lta, a fiatalok tiltott szerelm\u00e9t \u00e1ll\u00edtva po\u00e9zis\u00e9nek k\u00f6z\u00e9ppontj\u00e1ba. A lass\u00fa bevezet\u00e9st k\u00f6vet\u0151, kirobban\u00f3 f\u0151t\u00e9ma m\u00e9g az ellens\u00e9ges indulatok, a k\u00f6ny\u00f6rtelen harc zenei foglalata, majd k\u00e9t \u00f6sszetartoz\u00f3 dallam alkotja a darab l\u00edrai magv\u00e1t \u2013 ut\u00f3bbiakat ak\u00e1r a szerelmesp\u00e1r kett\u0151s portr\u00e9j\u00e1nak is tekinthetj\u00fck. Az els\u0151 egy sz\u00e9les \u00edv\u0171, \u00e9rzelmileg t\u00faltel\u00edtett, v\u00e9gletesen kit\u00e1rulkoz\u00f3 gondolat; p\u00e1rjak\u00e9ppen egy oldottabb hang\u00fa, ringat\u00f3z\u00f3 mel\u00f3dia k\u00f6veti, mintegy a l\u00e9tnek \u00e9rtelmet ad\u00f3 \u201eboldog szigetk\u00e9nt\u201d a v\u00e9gzet tenger\u00e9ben. Mindemellett a szerkezet alapvet\u0151en hagyom\u00e1nyos, \u00edgy a klasszikus eredet\u0171 szon\u00e1taforma k\u00f6rvonalai a m\u0171 roppant \u00e9rzelmi viharai k\u00f6zepette is k\u00f6nnyen felismerhet\u0151k maradnak. A bevezet\u00e9s kezd\u0151hangneme fisz-moll, a gyors r\u00e9sz\u00e9 h-moll, a f\u00f6ldi dimenzi\u00f3kon kifejez\u0151erej\u00e9vel t\u00falemelked\u0151 befejez\u00e9s\u00e9 H-d\u00far (a h tonalit\u00e1s a k\u00e9s\u0151bbi VI. szimf\u00f3ni\u00e1<\/em>t is esz\u00fcnkbe juttathatja). E k\u00f6zkedvelt szimfonikus remekm\u0171 \u2013 \u00e1rad\u00f3 l\u00edr\u00e1j\u00e1val, \u00f6rv\u00e9nyl\u0151 m\u00e9lys\u00e9geivel, s\u00f6t\u00e9ten izz\u00f3 dr\u00e1m\u00e1j\u00e1val, majd \u201ef\u00f6ld\u00f6nt\u00fali\u201d befejez\u00e9s\u00e9vel \u2013 a v\u00e1gy k\u00f6ltem\u00e9nye \u00e9s apote\u00f3zisa.","post_title":"{:hu}R\u00f3me\u00f3 \u00e9s J\u00falia \u2013 nyit\u00e1nyfant\u00e1zia{:}{:en}Romeo and Juliet \u2013 overture-fantasy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"romeo-es-julia-nyitanyfantazia-2","to_ping":"","pinged":"","post_modified":"2019-12-11 10:23:37","post_modified_gmt":"2019-12-11 10:23:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110065","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110066,"post_author":"951590","post_date":"2019-12-11 10:29:36","post_date_gmt":"2019-12-11 10:29:36","post_content":"I. Andantino \u2013 Andante assai<\/em>\r\n\r\nII. Scherzo. Vivacissimo<\/em>\r\n\r\nIII. Moderato<\/em>\r\n\r\n \r\n\r\nA D-d\u00far heged\u0171verseny<\/em> h\u00e1romt\u00e9teles fel\u00e9p\u00edt\u00e9se k\u00f6veti a klasszikus\u2013romantikus versenym\u0171vek szerkezeti elv\u00e9t, \u00e1m a megszokott gyors\u2013lass\u00fa\u2013gyors elrendez\u00e9s helyett Prokofjevn\u00e9l k\u00e9t ar\u00e1nylag lass\u00fa t\u00e9tel fog k\u00f6zre egy gyorsat: a nyit\u00f3 Andantino<\/em> \u00e1lomszer\u0171 l\u00e9gk\u00f6r\u00e9t megt\u00f6ri a gunyoros Scherzo<\/em> \u2013 melynek groteszk hangv\u00e9tele Prokofjev eg\u00e9sz \u00e9letm\u0171v\u00e9t v\u00e9gigk\u00eds\u00e9ri \u2013, hogy azt\u00e1n a Moderato<\/em> z\u00e1r\u00f3t\u00e9tel megr\u00e1z\u00f3an expressz\u00edv dallamoss\u00e1g\u00e1val \u00e9s var\u00e1zslatos hangszerel\u00e9s\u00e9vel visszahozza a kezd\u0151t\u00e9tel nyugalm\u00e1t. A heged\u0171verseny Brahmsot id\u00e9z\u0151 nyit\u00f3t\u00e9m\u00e1ja, mely a z\u00e1r\u00f3t\u00e9tel v\u00e9g\u00e9n visszat\u00e9r, m\u00e1r 1915-ben felmer\u00fclt Prokofjevben, de a Dosztojevszkij J\u00e1t\u00e9kos<\/em>\u00e1b\u00f3l \u00edrt opera munk\u00e1ja lefoglalta, \u00e9s a heged\u0171versenyhez v\u00e9g\u00fcl csak 1917-ben tudott hozz\u00e1kezdeni.\r\n\r\nA m\u0171 bemutat\u00f3j\u00e1t eredetileg 1917 november\u00e9re t\u0171zt\u00e9k ki P\u00e9terv\u00e1ron, a t\u00f6rt\u00e9nelem azonban k\u00f6zbesz\u00f3lt, s a forradalom hat\u00e1s\u00e1ra t\u00e1voz\u00f3 Prokofjev mag\u00e1val vitte a k\u00e9ziratot k\u00fclf\u00f6ldre. V\u00e9g\u00fcl 1923-ban P\u00e1rizsban ker\u00fclt sor a premierre, \u00e1m a m\u0171 megbukott. Az eur\u00f3pai avantg\u00e1rd legfrissebb hajt\u00e1sait cs\u00f3cs\u00e1l\u00f3 k\u00f6z\u00f6ns\u00e9g nem tudott mit kezdeni egy ennyire vil\u00e1gosan \u00e1ttekinthet\u0151 m\u0171vel. Azoknak is csal\u00f3dniuk kellett, akik a virtu\u00f3z heged\u00fcl\u00e9sben kerest\u00e9k a h\u0151n \u00f3hajtott moderns\u00e9g hi\u00e1ny\u00e1nak p\u00f3tl\u00e9k\u00e1t. 1924-ben Szigeti J\u00f3zsef fedezte fel a m\u0171vet, \u00e9s sz\u00e1mos alkalommal adta el\u0151 a k\u00f6vetkez\u0151 n\u00e9h\u00e1ny \u00e9vben, amivel jelent\u0151sen hozz\u00e1j\u00e1rult ahhoz, hogy Prokofjev I. heged\u0171verseny<\/em>e elfoglalja m\u00e9lt\u00f3 hely\u00e9t a zenet\u00f6rt\u00e9neti k\u00e1nonban.","post_title":"{:hu}I. (D-d\u00far) heged\u0171verseny, op. 19{:}{:en}Violin Concerto No. 1 in D major, op. 19{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"i-d-dur-hegeduverseny-op-19-2","to_ping":"","pinged":"","post_modified":"2019-12-11 10:29:44","post_modified_gmt":"2019-12-11 10:29:44","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110066","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110080,"post_author":"951590","post_date":"2019-04-23 10:24:35","post_date_gmt":"0000-00-00 00:00:00","post_content":"","post_title":"***","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2019-04-23 10:24:35","post_modified_gmt":"2019-04-23 10:24:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110080","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91067,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}A Petruska<\/em> balett n\u00e9gy k\u00e9pb\u0151l \u00e1ll. Az els\u0151: v\u00e1s\u00e1ri forgatag. A sokf\u00e9le port\u00e9k\u00e1t versengve k\u00edn\u00e1l\u00f3 \u00e1rusok, muzsikusok k\u00f6zt felt\u0171nik egy var\u00e1zsl\u00f3f\u00e9le, aki fuvol\u00e1zva b\u00f3d\u00e9j\u00e1hoz csalogatja a n\u00e9z\u0151ket. Marionett-el\u0151ad\u00e1st k\u00edn\u00e1l, h\u00e1rom szerepl\u0151vel. Az egyik a balerina, a m\u00e1sik Petruska \u00e9s a harmadik a csempesz\u00e1j\u00fa, gonosz arc\u00fa m\u00f3r. A b\u00e1bok t\u00e1ncolni kezdenek (ez a h\u00edres Orosz t\u00e1nc<\/em>), majd \u00e1ltal\u00e1nos meglepet\u00e9sre lel\u00e9pnek a sz\u00ednpadr\u00f3l. A m\u00e1sodik jelenetben a b\u00e1nk\u00f3d\u00f3 Petrusk\u00e1t l\u00e1tjuk. Szerelmes a balerin\u00e1ba, de nem tudja megh\u00f3d\u00edtani. Ann\u00e1l sikeresebb a m\u00f3r. A k\u00f6vetkez\u0151 jelenetben a balerina a m\u00f3rral lejti t\u00e1nc\u00e1t, am\u00edg a f\u00e9lt\u00e9keny Petruska be nem t\u00f6r a szob\u00e1ba. \u00c1m kettej\u00fck k\u00f6z\u00fcl sajnos a m\u00f3r az er\u0151sebb. A z\u00e1r\u00f3k\u00e9p azonos az els\u0151vel. Ism\u00e9t a v\u00e1s\u00e1ron vagyunk. Az \u00fcnnepi hangulatot v\u00e1ratlanul a b\u00e1buk t\u00f6rik meg. A m\u00f3r \u00fcld\u00f6zi Petrusk\u00e1t, utol\u00e9ri, lesz\u00farja. \u00c1ltal\u00e1nos a megd\u00f6bben\u00e9s. A var\u00e1zsl\u00f3 azonban el\u0151l\u00e9p. Nem t\u00f6rt\u00e9nt gyilkoss\u00e1g, hisz nem h\u00fas-v\u00e9r ember ez, csak szalmab\u00e1b, mutatja. Lassan maga ut\u00e1n h\u00fazza a Petruska-b\u00e1but b\u00f3d\u00e9ja fel\u00e9. \u00c1m ekkor v\u00e1ratlan dolog t\u00f6rt\u00e9nik. Petruska szelleme jelenik meg a b\u00f3d\u00e9 tetej\u00e9n, \u00e9s kig\u00fanyolja a var\u00e1zsl\u00f3t.\r\n\r\nEnnyi a t\u00f6rt\u00e9net. Stravinsky, aki sokf\u00e9le kisv\u00e1rosi v\u00e1s\u00e1r \u00e9lm\u00e9ny\u00e9t \u0151rizte gyermekkor\u00e1b\u00f3l, pomp\u00e1s, sz\u00ednes v\u00e1s\u00e1rzen\u00e9t teremtett. Ehhez t\u00f6bb n\u00e9pdalt is felhaszn\u00e1lt. Paraszti dallam mellett felt\u0171nik jellegzetes v\u00e1rosi n\u00f3ta is (a magyar n\u00f3ta orosz p\u00e1rja).\r\n\r\nA p\u00e1rizsi hallgat\u00f3s\u00e1g tombolt az 1911-es bemutat\u00f3n. A Petruska<\/em> m\u00e9g a T\u0171zmad\u00e1r<\/em> siker\u00e9t is fel\u00fclm\u00falta.{:}{:en}Following the immensely successful Paris premiere of The Firebird in 1910, Stravinsky approached the director of the Ballet Russe, Serge Diaghilev, with a new idea for a stage work. This involved an ancient, pagan spring rite, with wild music. Diaghilev was very taken with the idea. It came as a rather unpleasant surprise when a few months later, Stravinsky returned and played him not the promised ballet, but extracts from a piece that resembled a piano concerto. What could the Ballet Company achieve with that? After a period of meditation, a new idea was born. The entertaining, but rather sad theme was evidently ideal for the musical stage realisation of a characteristic fairground clown figure. This figure was the archetypal Pierrot, or in Russian, Petrushka. Stravinsky could put aside the pagan work (the music that was to become The Rite of Spring), and work enthusiastically on the Petrushka ballet. The text was devised with the help of the company's resident colleague Alexandre Benois (incidentally, the grandfather of actor Peter Ustinov). The ballet consists of four tableaux. The first is the hubbub of the fair. Among the many figures present - the merchants and musicians etc - is a magician, who tempts audiences into his fairground booth with a flute. He offers a marionette show, with three performers. One is a Ballerina, the second Petrushka while the third is an evil faced Moor. The puppets start to dance (this is the famous Russian Dance), and then to everyone's surprise, they step down from the stage. Freeing themselves from their strings, they carry on dancing as though they were true life people. In the second scene, we see the troubled Petrushka. He is in love with the Ballerina, but does not know how to win her favour. The Moor is far more successful. In the next scene, the Ballerina sweeps into a dance with him, until the jealous Petrushka enters the room. Unfortunately, of the two, the Moor is stronger. The final tableau is identical with the first. We are again at the fair. The festive atmosphere is unexpectedly broken by the puppets. The Moor chases Petrushka, catches him and stabs him. There is general astonishment. The Magician then steps forwards. There has been no murder, since this is no flesh and blood human, but a straw puppet. He demonstrates. Slowly, he drags the Petrushka puppet after him back to his booth. Then, unexpectedly, the spirit of Petrushka appears at the top of his show-booth, and derides the Magician.\r\nThis is all there is to the story. Stravinsky, who had accumulated many experiences of small town fairs in his childhood, creates splendid, colourful fair-music. He uses many folk songs, which he acquired from the collection of his former teacher Rimsky-Korsakov. Alongside the peasant songs are characteristic urban songs, one of which is played by one of the competing organ grinders. Another melody is a French popular song, which Stravinsky heard in Nice, sung underneath his window, and which Stravinsky immediately inserted it into his work. Such impulsion backfired, when a Mr Spencer, who claimed to have written the tune, demanded a copyright payment for the use of his melody. In the Third Tableau, two further borrowed tunes can be heard, both by Joseph Lanner, one of the masters of the Viennese Waltz (Stravinsky was not sued for appropriating these, however.) It makes for a farcical moment when the Ballerina dances to one of the Lanner's waltz melodies, while the Moor clumsily cavorts beside her in a quite different rhythm. In the final section, folk melodies are again in evidence. An exception is Petrushka's motif, which appears for the last time. This binds together two tonalities: pure C major, confronted with the notes of F sharp major. Together, they result in a sarcastic dissonance.\r\nThe Parisian audiences were bowled over at the 1911 premiere. The success of Petrushka was greater even than for Firebird. It set the scene for the great failure of his next work, The Rite of Spring, although as we all know, this latter work did not suffer as a result of its adverse initial reception. As with most of his early works, Stravinsky revised Petrushka when living in the Unite States. This rewriting was principally because of the copyright problems, but essentially, the revision made no essential changes to the original music.{:}","post_title":"{:hu}Petruska (1947-es v\u00e1ltozat){:}{:en}Petrushka (1947 version){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"petruska-1947-es-valtozat","to_ping":"","pinged":"","post_modified":"2019-11-26 10:03:41","post_modified_gmt":"2019-11-26 10:03:41","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/petruska-1947-es-valtozat\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":109993,"post_author":"951590","post_date":"2019-06-27 10:41:27","post_date_gmt":"2019-06-27 10:41:27","post_content":"","post_title":"{:hu}Arabella Steinbacher{:}{:en}Arabella Steinbacher{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"arabella-steinbacher","to_ping":"","pinged":"","post_modified":"2019-11-07 09:51:08","post_modified_gmt":"2019-11-07 09:51:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=109993","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}heged\u0171{:}{:en}violin{:}"}],"muveszekrol_reszletesen":true,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"HUF 5,500 \/ 4,500 \/ 4,000 \/ 3,500 \/ 2,500","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/oroszosan-kocsis-berlet-4-103874\/551279","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","esemeny_vege":"9:25 pm","karmester_2":false,"hivatkozas_gomb_szovege":"CANCELLED! 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