{"id":109885,"date":"2019-04-24T06:57:01","date_gmt":"2019-04-24T06:57:01","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=109885"},"modified":"2020-03-12T11:25:48","modified_gmt":"2020-03-12T11:25:48","slug":"olasz-est","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/olasz-est\/","title":{"rendered":"Italian Evening"},"content":{"rendered":"<p>It started with an unusual musical scale. An otherwise not particularly significant musician named Adolfo Crescentini published a scale of seven notes in the magazine of the renowned Ricordi music publishers along with a challenge to composers to write a piece based on it, if they could. The first thing to do would be to find suitable harmonies for it. The ageing Verdi \u2013 who entertained himself by composing fugues \u2013 took an interest in the impossible task. He wrote an <em>Ave Maria<\/em> that starts with the seven memorable notes (C, D\u266d, E, F\u266f, G\u266f, A\u266f, B, followed by C again, with one change on the way back down) sung by the bass part before the other parts take it up at various points. All of this took place in 1889. Later on, independently of the problem of the scale, Verdi took up writing a <em>Stabat mater<\/em> and a <em>Te Deum<\/em>, both for chorus and orchestra. To these he added his somewhat earlier piece for a cappella chorus <em>Laudi alla Vergine Maria<\/em>, written to text from Dante&#8217;s <em>Paradiso<\/em>. These four pieces would eventually come together to become <em>Quattro pezzi sacri.<\/em> Although they are only linked to each other by their religious content, the elderly maestro approved their being published as a set. After hearing Verdi&#8217;s <em>Stabat mater<\/em> and its evocation of the Mother of Sorrows, it will be a unique experience to hear Rossini&#8217;s version of the same medieval Latin so-called &#8220;sequence&#8221; text.<\/p>\n","protected":false},"template":"","class_list":["post-109885","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"P\u00e1szti season ticket 3","kiemelt_kep":{"ID":110265,"id":110265,"title":"2020_03_26_carlo_montanaro","filename":"2020_03_26_carlo_montanaro.jpg","filesize":477365,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/olasz-est\/2020_03_26_carlo_montanaro\/","alt":"","author":"951590","description":"","caption":"","name":"2020_03_26_carlo_montanaro","status":"inherit","uploaded_to":109885,"date":"2019-04-26 04:22:36","modified":"2019-04-26 04:22:36","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro-768x224.jpg","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro-1024x299.jpg","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro.jpg","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro.jpg","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro.jpg","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2020_03_26_carlo_montanaro-1600x560.jpg","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20200326","esemeny_idopontja":"7:30 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87546,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Olasz Kult\u00farint\u00e9zet{:}{:en}Italian Cultural Institute{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"olasz-kulturintezet","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:37","post_modified_gmt":"2016-09-08 08:02:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/olasz-kulturintezet\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"1088. Br\u00f3dy S. u. 8.","megjegyzes":"Olasz Kultur\u00e1lis Int\u00e9zet <br>Tel.: +(36 1) 483-2040, 317-6653","weboldal":"http:\/\/www.iicbudapest.esteri.it\/IIC_Budapest\/"},"helyszin_kategoria":"budapest","karmester":{"ID":87194,"post_author":"1","post_date":"2016-10-17 20:59:38","post_date_gmt":"2016-10-17 20:59:38","post_content":"{:hu}<p>A Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 vend\u00e9gkarmestere<\/p>\r\n<p>Nagy \u00f6r\u00f6m sz\u00e1munkra, hogy a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 vend\u00e9gkarmesterek\u00e9nt \u00fcdv\u00f6z\u00f6lhet\u00fcnk egy olyan kiemelked\u0151 tehets\u00e9g\u0171 \u00e9s tud\u00e1s\u00fa m\u0171v\u00e9szt, akivel egy\u00fctteseink hossz\u00fa \u00e9vek \u00f3ta gy\u00fcm\u00f6lcs\u00f6z\u0151 kapcsolatot \u00e1polnak.\u00a0A cecinai sz\u00fclet\u00e9s\u0171 heged\u0171m\u0171v\u00e9sz \u00e9s karmester, Carlo Montanaro p\u00e1ly\u00e1ja az 1990-es \u00e9vek elej\u00e9n a firenzei Maggio Musicale esem\u00e9nyein vette kezdet\u00e9t.<br \/>\r\nFelfedez\u0151je \u00e9s mentora korunk egyik legnagyobb dirigense, Zubin\u00a0 Mehta volt. T\u00f6bbek k\u00f6z\u00f6tt Vars\u00f3, Mil\u00e1n\u00f3, Velence, Drezda, M\u00fcnchen, Hamburg, Frankfurt, San Francisco, Toki\u00f3 operarajong\u00f3i tapsoltak az \u00e1ltala vez\u00e9nyelt produkci\u00f3knak, de Ausztr\u00e1li\u00e1ban \u00e9s D\u00e9l-Kore\u00e1ban is nagy sikerrel l\u00e9pett fel. Vend\u00e9gszerepelt Cincinnati, Atlanta, Seattle, Boston, Dallas, Fort Worth zenekarai \u00e9l\u00e9n, de vend\u00e9g\u00fcl l\u00e1tta a WDR K\u00f6ln egy\u00fcttese \u00e9s az Accademia di Santa Cecilia zenekara is.<\/p>\r\n<p>Amellett, hogy elk\u00f6telezett operakarmester, a szimfonikus m\u0171fajok vil\u00e1g\u00e1ban is teljes otthonoss\u00e1ggal t\u00e1j\u00e9koz\u00f3dik. K\u00f6z\u00f6s koncertjeinken minden alkalommal csod\u00e1ltuk pontoss\u00e1g\u00e1t \u00e9s energi\u00e1j\u00e1t, dr\u00e1mai \u00e9rz\u00e9k\u00e9t, \u00e9rzelemgazdags\u00e1g\u00e1t, szuggesztivit\u00e1s\u00e1t. Egy\u00fcttm\u0171k\u00f6d\u00e9s\u00fcnket ebben a form\u00e1ban a 2028\/2029-es \u00e9vad v\u00e9g\u00e9ig tervezz\u00fck \u2013 izgatottan tekint\u00fcnk Maestro Montanaro \u00fajabb vend\u00e9gszerepl\u00e9sei el\u00e9!<\/p>\r\n<p><a href=\"https:\/\/gmartandmusic.com\/conductors\/carlo-montanaro\/\"><strong>Carlo Montanaro<\/strong><\/a><\/p>\r\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FOQfdeAUcPE?si=L91KTWfCz_OZ7VRp\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>{:}{:en}<\/p>Principal Guest Conductor of the Hungarian National Philharmonic<\/p>\r\n\r\n<\/p>IT IS A GREAT PLEASURE FOR US at the Hungarian National Philharmonic to welcome Carlo Montanaro, an artist of outstanding talent and skill with whom our ensembles have enjoyed a fruitful relationship for many years, as our new principal guest conductor. Born in Cecina, the violinist and conductor kicked off his career in the early \u201990s at the events of the Maggio Musicale Fiorentino festival.<\/p>\r\n\r\n<p>He was soon discovered and mentored by Zubin Mehta, one of the great maestros of our time. He has since delighted opera fans with his conducting in Warsaw, Milan, Venice, Dresden, Munich, Hamburg, Frankfurt, San Francisco, Tokyo and many other cities, including in Australia and South Korea. He has also taken up the baton as a guest with ensembles in Cincinnati, Atlanta, Seattle, Boston, Dallas and Fort Worth, as well as with WDR Cologne and the Orchestra dell\u2019Accademia di Santa Cecilia.<\/p>\r\n\r\n<p>In addition to his dedication to conducting opera, he is also completely at home in the world of symphonic music. At the concerts we performed together, we admired his precision and energy, his dramatic sense, the richness of his emotionallanguage, and his evocativeness. Our collaboration in this form will run until the end of the 2028\/2029 season \u2013 and we are excitedly awaiting what Maestro Montanaro's further guest appearances have in store!<\/p>\r\n\r\n<p><a href=\"https:\/\/gmartandmusic.com\/conductors\/carlo-montanaro\/\"><strong><span style=\"color: blue;\">Carlo Montanaro<\/span><\/strong><\/a><\/p>\r\n\r\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FOQfdeAUcPE?si=2-tyqg8naENXyK6Z\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/p><\/iframe>{:}","post_title":"{:hu}Carlo Montanaro{:}{:en}Carlo Montanaro{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"carlo-montanaro","to_ping":"","pinged":"","post_modified":"2025-11-06 14:35:08","post_modified_gmt":"2025-11-06 14:35:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=87194","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":110063,"post_author":"951590","post_date":"2019-11-26 10:00:50","post_date_gmt":"2019-11-26 10:00:50","post_content":"A nyolcvan\u00f6t \u00e9ves Giuseppe Verdi egy vall\u00e1sos m\u0171vekb\u0151l \u00e1ll\u00f3 sorozattal, az 1898-ban megjelentetett <em>N\u00e9gy szent \u00e9nek<\/em>kel <em>(Quattro pezzi sacri)<\/em> z\u00e1rta m\u0171vei sor\u00e1t. A bemutat\u00f3ra (a szerz\u0151 k\u00edv\u00e1ns\u00e1ga szerint az <em>Ave Maria<\/em> n\u00e9lk\u00fcl) 1898. \u00e1prilis 7-\u00e9n, a p\u00e1rizsi Oper\u00e1ban ker\u00fclt sor. Az <em>Ave Maria<\/em> (no. 1) 1889-ben k\u00e9sz\u00fclt n\u00e9gy sz\u00f3l\u00f3hangra (vagy vegyes karra) egy zenei lap felh\u00edv\u00e1sa nyom\u00e1n: egy rejt\u00e9lyes sk\u00e1l\u00e1t jelentettek meg azzal a c\u00e9llal, hogy azt az olvas\u00f3k harmoniz\u00e1lj\u00e1k meg. A sk\u00e1la a n\u00e9gy szakaszban m\u00e1s \u00e9s m\u00e1s sz\u00f3lamban sz\u00f3l hossz\u00fa hangokon, el\u0151sz\u00f6r a basszusban, majd az altban, a tenorban \u00e9s a szopr\u00e1nban. A <em>Stabat Mater<\/em>t (no. 2) a mester vegyes karra \u00e9s nagy zenekarra kompon\u00e1lta 1896-97-ben. A Sz\u0171z M\u00e1ria f\u00e1jdalm\u00e1t \u00e1br\u00e1zol\u00f3 szakaszokat dr\u00e1mai kit\u00f6r\u00e9sek szak\u00edtj\u00e1k meg, a l\u00e1ngok \u00e9s az utols\u00f3 \u00edt\u00e9let eml\u00edt\u00e9sekor szinte a <em>Requiem<\/em> <em>Dies irae<\/em>j\u00e9t halljuk. A <em>Laudi alla Vergine Maria<\/em> (no. 3) tal\u00e1n m\u00e1r 1888-ban elk\u00e9sz\u00fclt n\u00e9gy n\u0151i sz\u00f3l\u00f3\u00e9nekesre vagy n\u0151i karra. Az olasz sz\u00f6veg a <em>Paradicsom<\/em> utols\u00f3, 33. \u00e9nek\u00e9nek im\u00e1ja Sz\u0171z M\u00e1ri\u00e1hoz Dante <em>Isteni sz\u00ednj\u00e1t\u00e9k<\/em>\u00e1b\u00f3l. A <em>Te Deum<\/em>ot (no. 4) Verdi 1895-96-ban kompon\u00e1lta kett\u0151s vegyes kara \u00e9s nagy zenekarra. Az id\u0151s mester ezt a legjobb m\u0171v\u00e9nek nevezte, \u00e9s az volt a k\u00edv\u00e1ns\u00e1ga, hogy a partit\u00far\u00e1t vele egy\u00fctt temess\u00e9k el.","post_title":"{:hu}Quattro pezzi sacri{:}{:en}Quattro pezzi sacri{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"quattro-pezzi-sacri-2","to_ping":"","pinged":"","post_modified":"2019-11-26 10:00:50","post_modified_gmt":"2019-11-26 10:00:50","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=110063","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110080,"post_author":"951590","post_date":"2019-04-23 10:24:35","post_date_gmt":"0000-00-00 00:00:00","post_content":"","post_title":"***","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2019-04-23 10:24:35","post_modified_gmt":"2019-04-23 10:24:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=110080","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91443,"post_author":"1","post_date":"2016-09-08 08:57:51","post_date_gmt":"2016-09-08 08:57:51","post_content":"{:hu}Mikor Gioachino Rossini (1792\u20131868) <em>Tell Vilmos<\/em> c\u00edm\u0171 harmincnyolcadik oper\u00e1j\u00e1t 1829 augusztus\u00e1ban bemutatt\u00e1k P\u00e1rizsban, senki sem sejtette, hogy ez a harminch\u00e9t \u00e9ves, hihetetlen karriert befutott szerz\u0151 utols\u00f3 sz\u00ednpadi m\u0171ve. De Rossini nem hagyott fel a kompon\u00e1l\u00e1ssal: ekkor sz\u00fcletett t\u00f6bbek k\u00f6z\u00f6tt sz\u00e1mos zongor\u00e1ra, illetve \u00e9nekhangra \u00edrt darab \u00e9s a <em>Stabat mater<\/em>.\r\n\r\nAz els\u0151 nyilv\u00e1nos el\u0151ad\u00e1sra 1842. janu\u00e1r 7-\u00e9n ker\u00fclt sor P\u00e1rizsban. A n\u00e9z\u0151k k\u00f6z\u00f6tt ott \u00fclt Heinrich Heine is, aki elragadtat\u00e1s\u00e1nak adott hangot.\r\n\r\nRossini <em>Stabat mater<\/em>\u00e9t \u00e9s Verdi <em>Requiem<\/em>j\u00e9t gyakran \u00e1ll\u00edtj\u00e1k egym\u00e1s mell\u00e9, gyakran t\u00e1madj\u00e1k ugyanazokkal a v\u00e1dakkal. Hiszen mindk\u00e9t m\u0171 olyan szerz\u0151t\u0151l sz\u00e1rmazik, aki sokkal ink\u00e1bb a sz\u00ednh\u00e1zi, mintsem a templomi zen\u00e9vel k\u00f6thet\u0151 \u00f6ssze. V\u00e9g\u00fcl pedig mindk\u00e9t m\u0171 eset\u00e9ben gyakran k\u00e9ts\u00e9gbe vonj\u00e1k a vall\u00e1sos karakter jelenl\u00e9t\u00e9t. K\u00fcl\u00f6n\u00f6sen igaz ez a <em>Stabat mater<\/em>re, amelyben nemcsak Rossini operast\u00edlusa mutathat\u00f3 ki, hanem sokan a gy\u00e1szos sz\u00f6veg \u00e9s a hedonista zene ellent\u00e9t\u00e9t is a szerz\u0151 szem\u00e9re vetik. Hogyan lehet \u00f6sszekapcsolni a megfesz\u00edtett Krisztust n\u00e9z\u0151 M\u00e1ria k\u00e9p\u00e9t azzal a der\u0171s zen\u00e9vel, amelyet Rossini a <em>\u201ecujus animam gementem\u201d<\/em> szavakhoz illeszt?\r\n\r\nRossini nem tartotta \u00e9szszer\u0171nek azt az elj\u00e1r\u00e1st, amikor a zeneszerz\u0151 a sz\u00f6veg minden egyes szav\u00e1t zen\u00e9v\u00e9 pr\u00f3b\u00e1lja alak\u00edtani. A kompoz\u00edci\u00f3nak szerinte a sz\u00f6veg <em>\u201emor\u00e1lis atmoszf\u00e9r\u00e1j\u00e1t\u201d<\/em> kell kifejezni. Ha Rossini <em>Stabat mater<\/em>\u00e9t \u00edgy hallgatjuk, akkor ez a m\u0171 \u2012 Heinrich Heine szavaival \u00e9lve \u2012 <em>\u201ea kereszthal\u00e1l borzalmait enyh\u00edti\u201d<\/em> \u00e9s \u00e1ltala <em>\u201ea v\u00e9gtelens\u00e9g \u00e9rz\u00e9se k\u00f6r\u00fcl\u00f6leli a mindens\u00e9get\u201d<\/em>.{:}{:en}<p style=\"text-align: justify;\">When Gioacchino Rossini's thirty eighth opera, William Tell, was premiered in August 1829 in Paris, no one suspected that this would prove to be the spectacularly successful composer's final stage work. As the years passed and the famous composer failed to compose a single new opera, rumours spread that the master's \"great silence\" was the result of some creative crisis. It was as though opera was regarded as the only genre that counted. And yet Rossini had certainly not given up composing: he composed his Soir\u00e9es musicales, the Stabat Mater, the Petite Messe Solennelle and a string of works for piano and voice, which the composer labelled P\u00e9ch\u00e9s de Vieillesse. But despite this, there is no denying that in the early 1830s, Rossini's self-confidence as a composer seemed shaken. Some have traced this to the collapse of his health, others to the death of his parents. And yet others - and this is perhaps the more convincing explanation - see in the background the emergence of new musical trends.<\/p>\r\n<p style=\"text-align: justify;\">This may be why in 1831, when during a tour of Spain, a rich noble from Madrid Don Manuel Fernandez Varela asked Rossini to compose a Stabat Mater, Rossini's initial reaction was to reject the idea outright. For him, Pergolesi's Stabat Mater represented the perfect setting of the medieval text attributed to Jacopone de Todi and he did not wish to invite any comparisons. Finally though, he acceded to Varela's request with one condition: that the work would not to be printed. They agreed terms and payment was in the form of a golden snuff box encrusted with diamonds.<\/p>\r\n<p style=\"text-align: justify;\">In 1837 Valera died and his relatives found the manuscript of the Stabat Mater among his belongings which they promptly sold to a French publisher for 5000 francs. When the composer learned of this, he sought out the publisher and threatened him with legal action if they ignored his wish that the work not appear in print. He had a rather good reason for this because of the original 12 movements of the Stabat Mater Rossini only composed six. At the time of composition in 1831-32, he was suffering from a bout of lumbago and he made his friend Tadolini compose the rest. While the lawyers huffed and puffed, Rossini swiftly completed the work, condensing the six missing movements into four (today's 2nd, 3rd, 4th and 10th movements) before offering it to his own Paris publisher, Troupenas, who meanwhile had sued the first publisher for \"forgery and theft.\" The court eventually decreed that the contract with Varela did not permit his relatives to publish the work: the music was Rossini's who could do with it what he saw fit.\r\nIts first public performance took place on January 7th 1842 in Paris. Among the audience was none other than the poet Heinrich Heine who expressed his rapture: in his view the work was conceived far more in the spirit of Christianity than Mendelssohn's oratorio St. Paul. Adolphe Adam, the composer of Giselle, published a detailed and enthusiastic analysis of the Stabat Mater. All things considered, both the press and the audience received Rossini's new work with enthusiasm. The only negative voice belonged to a young German composer by the name of Richard Wagner who sent a rather satirical report about an \"important event\" to the Leipzig Neue Zeitschrift f\u00fcr Musik.<\/p>\r\n<p style=\"text-align: justify;\">The first Italian premiere took place in Rossini's own city, Bologna but the composer's was suffering badly from nerves and was neither present at the dress rehearsal or the first performances. It was conducted by Gaetano Donizetti and among the soloists were the British soprano Clara Novello (after whom Schumann named his Noveletten piano pieces) and the Russian tenor Nicolai Ivanov.\r\nRossini's Stabat Mater and Verdi's Requiem are frequently compared and often, subjected to the same charges. Both works derive from a composer who can far more closely be linked with stage rather than ecclesiastical music. Both composers were celebrated as national heroes and both composers each received one negative criticism from a distinguished German musician (in Verdi's case, it was the conductor and pianist Hans von B\u00fclow.) Finally, the presence of religious character in both works is often questioned. This is particularly true of the Stabat Mater where we discern not just Rossini's operatic character (in places, such as the 7th movement, there are concrete operatic procedures in plain view) but often the composer is accused of using hedonistic music to set the sorrowful text. How can the image of Mary looking at the crucified Christ be linked with the cheerful music which Rossini furnishes to the words \"cujus animam gementem\"?<\/p>\r\n<p style=\"text-align: justify;\">Twenty years later, Rossini expressed his own opinion on the mater: he did not regard the procedure in which a composer tries to shape every word of a text into music as rational. He feared that the musical form would suffer as a result. Compositions, in his opinion - and as he explained to his biographer and friend Zanolini - must express the text's \"moral atmosphere.\" When we hear Rossini's Stabat Mater, then this work, to use the words of Heinrich Heine, \"lightens the horrors of the death on the cross\" and through it \"the feeling of infinity embraces everything.\"<\/p>{:}","post_title":"{:hu}Stabat Mater{:}{:en}Stabat Mater{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"stabat-mater-3","to_ping":"","pinged":"","post_modified":"2019-11-26 09:59:49","post_modified_gmt":"2019-11-26 09:59:49","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/stabat-mater-3\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":86532,"post_author":"1","post_date":"2018-03-12 14:32:56","post_date_gmt":"2018-03-12 14:32:56","post_content":"{:hu}Hajl\u00e9konyan, a \u00bbgyilkos\u00ab magas hangokat is magabiztosan megfogva \u00e9nekelt, megrend\u00edt\u0151en adva el\u0151 a szerelm\u00e9\u00e9rt k\u00f6ny\u00f6rg\u0151 \u00e9s att\u00f3l b\u00facs\u00fat vev\u0151 menyasszony foh\u00e1sz\u00e1t.\r\n\r\n(P\u00e9ter Zolt\u00e1n, Operaport\u00e1l){:}{:en}She graduated from the Franz Liszt Academy of Music in 1993, and since then has been one of the leading soloists with the Hungarian State Opera. She has performed at the Komische Oper in Berlin and in Salzburg, and audiences applauded her performances of Tosca in Vienna, Frankfurt and Toronto, and of Aida in Pittsburgh, Barcelona and Peking. She has sung in more than 30 leading roles, including in all of Puccini's operas, and her repertoire also includes works of Rossini, Mozart and Verdi, as well as the great roles of Strauss and Wagner. This worthy and excellent artist was twice the Chamber Singer for the Hungarian State Opera, and this year won the Kossuth Prize.{:}","post_title":"{:hu}S\u00fcmegi Eszter{:}{:en}Eszter S\u00fcmegi{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"sumegi-eszter","to_ping":"","pinged":"","post_modified":"2019-11-05 18:23:46","post_modified_gmt":"2019-11-05 18:23:46","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=86532","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"},{"ID":86538,"post_author":"1","post_date":"2016-09-21 09:34:41","post_date_gmt":"2016-09-21 09:34:41","post_content":"{:hu}\u201eA Charlotte szerep\u00e9t alak\u00edt\u00f3 Sch\u00f6ck Atala el\u0151ad\u00e1sm\u00f3dj\u00e1ban t\u00fckr\u00f6z\u0151d\u00f6tt az a pszichikai \u00e1talakul\u00e1s, melynek sor\u00e1n Albert jegyes\u00e9b\u0151l, majd hitves\u00e9b\u0151l Werther szerelmes\u00e9v\u00e9 v\u00e1lik. A fordul\u00f3pont \u2012 nemcsak a librett\u00f3 szerint, de az el\u0151ad\u00e1sban is \u2012 a harmadik felvon\u00e1s kezdet\u00e9n elhangz\u00f3 lev\u00e9lmonol\u00f3gban k\u00f6vetkezett be, melynek v\u00e9gezt\u00e9vel a hallgat\u00f3s\u00e1g spont\u00e1n \u00e9s \u0151szinte tetsz\u00e9snyilv\u00e1n\u00edt\u00e1ssal fejezte ki lelkesed\u00e9s\u00e9t. Innent\u0151l kezdve Sch\u00f6ck Atala mintegy a darab lelk\u00e9v\u00e9 v\u00e1lt, \u00e9s \u00e9lettel t\u00f6lt\u00f6tte meg a sz\u00ednpadi cselekm\u00e9nyt\u2026\u201d<em>\r\n<\/em>(Boz\u00f3 P\u00e9ter, Muzsika)<em>\u00a0<\/em>{:}{:en}<p style=\"text-align: justify;\">She studied with Zsuzsa Forrai at the Teacher Training Faculty of the Budapest Academy of Music before becoming a student of Judit N\u00e9meth. She also attended various master classes with Julia Hamari, Anna Reynolds, Adrienne Csengery, Walther Berry and Walter Moore. In 1998 she won the Sim\u00e1ndy J\u00f3zsef Singing Competition, 2000 she got III. Prize in the Singing Competition of the Hungarian Broadcasting. For a few years she was member of the Szeged National Theatre, Hungary, than she was appeared at the Budapest State Opera and St\u00e4dtische B\u00fchnen Frankfurt, the Semperoper Dresden as well as the Brussels Theatre de la Monnaie, Theater an der Wien and the Prague Narodni Divadlo.\u00a0 She made her debut in 2010 at the Opera National de Paris She can also regularly be seen on the concert platform, for example in Concertgebouw Amsterdam and Musikverein Wien. She worked with Helmuth Rilling, Pierre Boulez, Alessandro de Marchi, Daniele Gatti, Paolo Carignani, Kyrill Petrenko, Philippe Pierlot, Vincent Monteil, Zoltan Kocsis and Adam Fischer.<\/p>{:}","post_title":"{:hu}Sch\u00f6ck Atala{:}{:en}Atala Sch\u00f6ck{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"schock-atala","to_ping":"","pinged":"","post_modified":"2020-10-02 09:04:03","post_modified_gmt":"2020-10-02 09:04:03","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=86538","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}alt{:}{:en}alto{:}"},{"ID":86254,"post_author":"1","post_date":"2019-11-07 09:49:20","post_date_gmt":"2019-11-07 09:49:20","post_content":"{:hu}2010-ben megnyerte a Leh\u00e1r Ferenc Nemzetk\u00f6zi Operett \u00c9nekversenyt. 2012-ben III. helyez\u00e9st \u00e9rt el a lengyelorsz\u00e1gi Andrzej Hiolski Nemzetk\u00f6zi \u00c9nekversenyen. Els\u0151 f\u0151szerep\u00e9t Szegeden \u00e9nekelte, ahol Rodolf\u00f3k\u00e9nt mutatkozott be a <em>Boh\u00e9m\u00e9let<\/em>ben. Az\u00f3ta sz\u00ednpadra l\u00e9pett t\u00f6bbek k\u00f6z\u00f6tt Lenszkij, Gabriele Adorno \u00e9s Des Grieux jelmez\u00e9ben.{:}{:en}He won first prize in the Ferenc Leh\u00e1r International Singing Competition in 2010, and he also took third prize at the Andrzej Hiolski Singing Competition in 2012. He sang his first role in Szeged, appearing as Rodolfo in Puccini\u2019s <em>La boh<\/em><strong><em>\u00e8<\/em><\/strong><em>me<\/em>. He has sung many other roles since then, including Lensky, Gabriele Adorno and Des Grieux.{:}","post_title":"{:hu}Boncs\u00e9r Gergely{:}{:en}Gergely Boncs\u00e9r{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"boncser-gergely","to_ping":"","pinged":"","post_modified":"2020-07-21 10:12:29","post_modified_gmt":"2020-07-21 10:12:29","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=86254","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}tenor{:}{:en}tenor{:}"},{"ID":87278,"post_author":"1","post_date":"2017-11-07 10:00:40","post_date_gmt":"2017-11-07 10:00:40","post_content":"{:en}<p style=\"text-align: justify;\">Mikl\u00f3s Sebesty\u00e9n was born in 1979 in Budapest, where he started his musical studies from an early age on. In his hometown he trained singing and played several instruments. He received his first singing training at the music school and conservatory in Budapest. He was awarded several prizes at national and international singing competitions.In October 2002 he continued his studies at the Hochschule f\u00fcr Musik Z\u00fcrich with L\u00e1zl\u00f3 Polg\u00e1r and became a member of the opera studio T\u00f3th Alad\u00e1r, Since 2005 the bass continued his studies in Munich at the Hochschule f\u00fcr Musik und Theater.\u00a0\u00a0He made his debut at the International Music Festival in Miskolc\/Hungary in 2009, where he was accompanied by the Budapest Philharmonic in Sch\u00f6nberg\u2019s Moses und Aron.<\/p>\r\n<p style=\"text-align: justify;\">Mikl\u00f3s Sebesty\u00e9n regularly gives recitals, where his repertoire includes lieder by Brahms, Wolf, Schubert, and Schumann. He is a busy concert singer with a<\/p>\r\n<p style=\"text-align: justify;\">repertoire by composers such as J. S. Bach, Beethoven, H\u00e4ndel, Haydn, Mozart, and Schubert. In 2009, Mikl\u00f3s Sebesty\u00e9n made his debut at the Klangvokal Musikfestival in Dortmund, where he sang Haydn\u2019s The Creation.<\/p>\r\n<p style=\"text-align: justify;\">In 2010, the bass made his debut with the Hungarian National Orchestra conducted by Zolt\u00e1n Kocsis, singing Mussorgsky\u2019s Songs and Dances of Death.<\/p>{:}","post_title":"{:hu}Sebesty\u00e9n Mikl\u00f3s{:}{:en}Mikl\u00f3s Sebesty\u00e9n{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"sebestyen-miklos","to_ping":"","pinged":"","post_modified":"2020-10-02 12:25:10","post_modified_gmt":"2020-10-02 12:25:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=87278","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}basszus{:}{:en}bass{:}"}],"muveszekrol_reszletesen":true,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87528,"post_author":"1","post_date":"2016-09-08 07:58:45","post_date_gmt":"2016-09-08 07:58:45","post_content":"{:hu}<img class=\"alignnone size-medium wp-image-115522\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/10\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia11_555x555-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>A Nemzeti \u00c9nekkar 1985-ben alakult \u00c1llami \u00c9nekkar n\u00e9ven, 2016. janu\u00e1r 1-t\u0151l vezet\u0151 karnagya Somos Csaba. Az \u00e9nekkar Magyarorsz\u00e1g egyik vezet\u0151 hivat\u00e1sos k\u00f3rusa, amelynek profilja a zenekar-k\u00eds\u00e9retes kompoz\u00edci\u00f3k, orat\u00f3riumok, valamint a cappella m\u0171vek el\u0151ad\u00e1sa. Reperto\u00e1rja ennek megfelel\u0151en rendk\u00edv\u00fcl gazdag, a kora barokk Sch\u00fctz alkot\u00e1sait\u00f3l Bach, a b\u00e9csi klasszikusok \u00e9s a 19. sz\u00e1zad zeneszerz\u0151inek kompoz\u00edci\u00f3in kereszt\u00fcl a 20. sz\u00e1zad \u00e9s a kort\u00e1rs zen\u00e9ig minden ir\u00e1nyba nyitott, m\u0171faji hat\u00e1rok n\u00e9lk\u00fcl, de a ritk\u00e1n m\u0171sorra ker\u00fcl\u0151 alkot\u00e1sok megsz\u00f3laltat\u00e1s\u00e1ban is elk\u00f6telezett. A reperto\u00e1rj\u00e1n hangs\u00falyosan jelen lev\u0151 19. sz\u00e1zadi orat\u00f3riumok mellett az egy\u00fcttes kiemelt fontoss\u00e1got tulajdon\u00edt a kort\u00e1rs m\u0171vek el\u0151ad\u00e1s\u00e1nak, sz\u00e1mos m\u0171 \u0151sbemutat\u00f3ja, illetve magyarorsz\u00e1gi bemutat\u00f3ja f\u0171z\u0151dik a nev\u00e9hez.\r\n\r\nA k\u00f3rus visszat\u00e9r\u0151 k\u00f6zrem\u0171k\u00f6d\u0151je a Nemzeti Filharmonikusok martonv\u00e1s\u00e1ri ny\u00e1ri Beethoven-sorozat\u00e1nak, kiemelked\u0151 szerepl\u0151je a zenekar csal\u00e1di matin\u00e9 koncertsorozat\u00e1nak, valamint a Kocsis Zolt\u00e1n m\u0171v\u00e9szeti vezet\u00e9s\u00e9vel 2006 \u00f3ta fel\u00e9p\u00fcl\u0151 Bart\u00f3k \u00daj Sorozatnak. A Nemzeti Filharmonikusok Richard Strauss oper\u00e1it bemutat\u00f3 nagy siker\u0171 sz\u00e9ri\u00e1j\u00e1ban \u00e9s Schoenberg M\u00f3zes \u00e9s \u00c1ron c\u00edm\u0171 oper\u00e1j\u00e1ban, az \u00e9nekkar mellett t\u00f6bb tagja sz\u00f3listak\u00e9nt is fell\u00e9pett. Az \u00e9nekkar a hazai koncertek mellett nemzetk\u00f6zi felk\u00e9r\u00e9seknek is eleget tesz, rendszeresen koncertezik a magyarok \u00e1ltal is lakott hat\u00e1ront\u00fali telep\u00fcl\u00e9seken. A Nemzeti \u00c9nekkar a M\u00fcp\u00e1ban megrendezett nagyszab\u00e1s\u00fa Wagner-napok rendszeresen megh\u00edvott k\u00f6zrem\u0171k\u00f6d\u0151je.{:}{:en}<img class=\"alignnone size-medium wp-image-115522\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/10\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia11_555x555-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nThe Hungarian National Choir (originally called State Choir) was founded in 1985. Between 1990 and 2016 it was headed by M\u00e1ty\u00e1s Antal, who was succeeded by Csaba Somos on 1 January 2016. The choir is one of Hungary\u2019s leading professional choirs. It boasts a rich repertoire chiefly consisting of orchestra-accompanied and a capella choral music, as well as oratorios, ranging from works by the early-Baroque Sch\u00fctz to Bach, Viennese Classical, 19<sup>th<\/sup> and 20<sup>th<\/sup>-century composers, and contemporary music. The Hungarian National Choir is open to every genre and is dedicated to performing rarely heard works. While the backbone of the repertoire consists of 19<sup>th<\/sup>-century oratorios, the Hungarian National Choir attaches great importance to performing contemporary music. Numerous world and national premi\u00e8res are linked with its name.\r\n\r\nThey are\u00a0 returning guests at the Hungarian National Philharmonic Orchestra\u2019s summer Beethoven series in Martonv\u00e1s\u00e1r. It regularly appears in the Orchestra\u2019s family matin\u00e9e concerts, as well as the <em>Bart\u00f3k New Series<\/em>, launched in 2006. The successful performance of Richard Strauss\u2019s operas and Schoenberg\u2019s <em>Moses and Aron<\/em> has involved the National Choir and many of its soloists. In addition to concerts at home, the choir performs extensively abroad and regularly gives concerts in minority Hungarian areas across the border. The Hungarian National Choir is a regular participant of large-scale events at the Palace of Art, such as the Wagner Days.{:}","post_title":"{:hu}Nemzeti \u00c9nekkar (karigazgat\u00f3: Somos Csaba){:}{:en}Hungarian National Choir (choirmaster: Csaba Somos){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-enekkar-karigazgato-somos-csaba","to_ping":"","pinged":"","post_modified":"2020-07-22 10:07:10","post_modified_gmt":"2020-07-22 10:07:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-enekkar-karigazgato-somos-csaba\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"HUF 3,500 \/ 2,500","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/olasz-est-paszti-berlet-3-104021\/551313","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","esemeny_vege":"9:40 pm","karmester_2":false,"hivatkozas_gomb_szovege":"CANCELLED !","hivatkozas_gomg_url-je":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/109885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=109885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}