{"id":109869,"date":"2019-04-23T20:27:19","date_gmt":"2019-04-23T20:27:19","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=109869"},"modified":"2020-01-22T14:26:44","modified_gmt":"2020-01-22T14:26:44","slug":"mozart","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mozart\/","title":{"rendered":"mozART"},"content":{"rendered":"

As we all know, Mozart left us his Requiem<\/em> in an unfinished state. He wrote no more than eight measures of the Lacrimosa<\/em> movement, drafted a fugue theme for the closing movement, and outlined the two movements following the Offertorium<\/em>, but nothing else of the remainder. Since a nobleman who refrained from revealing his name had commissioned the work for a substantial sum, Mozart’s widow went looking for help to complete it. Several composers turned down the task, leaving Franz Xaver S\u00fcssmayr, a friend of modest talent, to finish the job. He salvaged what could be salvaged. He kept away from the fugue theme, as he did not know how to write a fugue. It was in this form that the work became widely known. While numerous better and more stylish attempts were made in the 20th century to complete it, none of them became widespread. S\u00fcssmayr’s version remained beloved by posterity. Was this a miracle? Had Divine Providence multiplied the skills of a mediocre musician? No, says Alon Schmuckler, a music historian blessed with a powerful imagination. The explanation is simple. It was Mozart himself who finished the piece. Because he had merely feigned his death in December 1791 in order to avoid the onerous taxes. After the faked funeral, Mozart moved to Budapest, took a room with the widow Mrs Tam\u00e1ssy, and had many adventures thereafter. Naturally, Konstanze was in on all this too. It is a beautiful story. The audience can decide whether they believe in the miracle or in the colourful story. Or perhaps they believe in neither and prefer to create their own new ending. The so-called “little” Symphony No. 25 in G minor<\/em> and Weber’s Clarinet Concerto No. 2<\/em> raise no such questions. That would be too much for one evening.<\/p>\n","protected":false},"template":"","class_list":["post-109869","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Ferencsik season ticket 3","kiemelt_kep":{"ID":112727,"id":112727,"title":"Sharon Kam 1920x560px_ok","filename":"Sharon-Kam-1920x560px_ok.jpg","filesize":316690,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mozart\/sharon-kam-1920x560px_ok\/","alt":"","author":"951590","description":"","caption":"","name":"sharon-kam-1920x560px_ok","status":"inherit","uploaded_to":109869,"date":"2019-11-22 12:12:32","modified":"2019-11-22 12:12:32","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-768x224.jpg","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-1024x299.jpg","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-1536x448.jpg","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok.jpg","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-165x220.jpg","person-size-2-width":165,"person-size-2-height":220,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/Sharon-Kam-1920x560px_ok-1600x560.jpg","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20200124","esemeny_idopontja":"7:30 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87537,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Zeneakad\u00e9mia{:}{:en}Liszt Academy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zeneakademia","to_ping":"","pinged":"","post_modified":"2021-02-17 10:09:02","post_modified_gmt":"2021-02-17 10:09:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/zeneakademia\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Hungary","cim":"VI. Liszt Ferenc t\u00e9r 8.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":101545,"post_author":"1","post_date":"2017-05-30 19:58:57","post_date_gmt":"2017-05-30 19:58:57","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette a Nemzeti Filharmonikusok Zenekar\u00e1t.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-3","to_ping":"","pinged":"","post_modified":"2020-08-10 08:31:17","post_modified_gmt":"2020-08-10 08:31:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=101545","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":110036,"post_author":"951590","post_date":"2019-10-31 16:45:44","post_date_gmt":"0000-00-00 00:00:00","post_content":"Wolfgang Amadeus Mozart els\u0151 moll hangnem\u0171 szimf\u00f3ni\u00e1j\u00e1t, a 183-as K\u00f6chel-jegyz\u00e9ksz\u00e1m\u00fa g-moll darabot 1773 okt\u00f3ber\u00e9ben, tizennyolc \u00e9vesen kompon\u00e1lta sz\u00fcl\u0151v\u00e1ros\u00e1ban, Salzburgban. Az ifj\u00fa muzsikus ugyanaz \u00e9v nyar\u00e1n B\u00e9csben j\u00e1rt, ahol val\u00f3sz\u00edn\u0171leg megismerte Joseph Haydn t\u00f6bb m\u0171v\u00e9t is, \u00e9s ezek az \u00e9lm\u00e9nyek bizony\u00e1ra hozz\u00e1j\u00e1rultak a zen\u00e9j\u00e9ben ez id\u0151 t\u00e1jt bek\u00f6vetkezett d\u00f6nt\u0151 v\u00e1ltoz\u00e1shoz: ekkor v\u00e1lt csodagyermekb\u0151l feln\u0151tt zeneszerz\u0151v\u00e9. A 18. sz\u00e1zadi szimf\u00f3ni\u00e1k t\u00falnyom\u00f3 t\u00f6bbs\u00e9ge d\u00far alaphangnem\u0171, \u00e1m 1770 k\u00f6r\u00fcl, mindenekel\u0151tt a B\u00e9csben, illetve B\u00e9cs vonz\u00e1sk\u00f6rzet\u00e9ben \u00e9l\u0151 zeneszerz\u0151kn\u00e9l, \u00edgy Joseph Haydnn\u00e1l is hirtelen megszaporodtak a s\u00f6t\u00e9tebb t\u00f3nus\u00fa, \u201eviharos\u201d moll-darabok. Tal\u00e1n ezek inspir\u00e1lt\u00e1k Mozartot a g-moll szimf\u00f3nia<\/em> meg\u00edr\u00e1s\u00e1ra, amelyet \u201ekis\u201d\u00a0 g-moll szimf\u00f3nia<\/em>k\u00e9nt szoktak emlegetni (megk\u00fcl\u00f6nb\u00f6ztet\u00e9s\u00fcl tizen\u00f6t \u00e9vvel k\u00e9s\u0151bbi, K. 550-es \u201enagy\u201d g-moll testv\u00e9r\u00e9t\u0151l). A komponista a m\u0171ben sz\u00e1mos eredeti \u00f6tletet, nem szokv\u00e1nyos formai \u00e9s hangszerel\u00e9si megold\u00e1st vonultat fel. Az er\u0151sen tagolt, ellent\u00e9tes karakterekben b\u0151velked\u0151 1. t\u00e9tel els\u0151 n\u00e9gy \u00fcteme p\u00e9ld\u00e1ul\u00a0 az ism\u00e9tl\u00e9skor teljesen m\u00e1s arc\u00e1t mutatja: a halk dinamika \u00e9s az oboa-sz\u00edn \u00e1ltal\u00a0 \u201emegszel\u00edd\u00fcl\u201d, \u00e9s zaklatott ritmusa is nyugodt, egyenletes l\u00fcktet\u00e9ss\u00e9 simul ki. Az Esz-d\u00far lass\u00fa t\u00e9tel f\u0151t\u00e9m\u00e1j\u00e1t a metrikai j\u00e1t\u00e9k teszi k\u00fcl\u00f6nlegess\u00e9: a szerz\u0151 csak az 5. \u00fctemben jelzi egy\u00e9rtelm\u0171en a val\u00f3s \u00fctems\u00falyokat. A zord g-moll men\u00fcett k\u00f6zep\u00e9re a f\u00fav\u00f3sok \u00e1ltal j\u00e1tszott, idilli hangv\u00e9tel\u0171 G-d\u00far tri\u00f3 \u00e9kel\u0151dik. A m\u0171vet az 1. t\u00e9tel zaklatotts\u00e1g\u00e1t visszaid\u00e9z\u0151, energikus\u00a0 fin\u00e1l\u00e9 z\u00e1rja.","post_title":"{:hu}g-moll szimf\u00f3nia, K. 183{:}{:en}Symphony in G minor, K. 183{:}","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2019-10-31 16:45:44","post_modified_gmt":"2019-10-31 16:45:44","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110036","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110037,"post_author":"951590","post_date":"2019-05-27 12:20:58","post_date_gmt":"2019-05-27 12:20:58","post_content":"Carl Maria von Webert (1786\u20131826) a n\u00e9met romantikus opera megteremt\u0151jek\u00e9nt tartj\u00e1k sz\u00e1mon, aki nagy hat\u00e1ssal volt t\u00f6bbek k\u00f6z\u00f6tt Mendelssohnra, Lisztre \u00e9s Wagnerre is. Legh\u00edresebb m\u0171v\u00e9nek, az 1821-ben hatalmas sikerrel bemutatott A b\u0171v\u00f6s vad\u00e1sz<\/em> c\u00edm\u0171 oper\u00e1j\u00e1nak megkompon\u00e1l\u00e1sa el\u0151tt f\u0151k\u00e9nt hangversenyez\u0151 zongoristak\u00e9nt, karmesterk\u00e9nt \u00e9s hangszeres m\u0171vek szerz\u0151jek\u00e9nt biztos\u00edtotta a meg\u00e9lhet\u00e9s\u00e9t. K\u00e9t klarin\u00e9tverseny\u00e9t 1811-ben, M\u00fcnchenben kompon\u00e1lta. M\u00fcnchen egy nagyobb turn\u00e9 egyik \u00e1llom\u00e1sa volt; a zeneszerz\u0151 itt ismerkedett meg a kiv\u00e1l\u00f3 klarin\u00e9tos Heinrich Baermannal, akinek el\u0151sz\u00f6r egy concertin\u00f3t, majd egy f-moll \u00e9s egy Esz-d\u00far versenym\u0171vet \u00edrt. Baermannt kort\u00e1rsai a h\u00edres tenorhoz, G. B. Rubinihez hasonl\u00edtott\u00e1k kifejez\u0151 el\u0151ad\u00e1sm\u00f3dja \u00e9s b\u00e1rsonyos klarin\u00e9thangja miatt; maga Weber pedig meg volt gy\u0151z\u0151dve arr\u00f3l, hogy versenym\u0171vei Baermann \u201eisteni j\u00e1t\u00e9k\u00e1nak\u201d k\u00f6sz\u00f6nhetik siker\u00fcket, s k\u00fcl\u00f6n\u00f6sen hangszer\u00e9nek minden fekv\u00e9sben kiegyenl\u00edtett hangz\u00e1s\u00e1t dics\u00e9rte. Baermann m\u0171v\u00e9szet\u00e9nek ezt a tulajdons\u00e1g\u00e1t a zeneszerz\u0151 b\u0151s\u00e9gesen ki is haszn\u00e1lta az Esz-d\u00far koncert<\/em>ben a legm\u00e9lyebb \u00e9s legmagasabb regiszter gyakori v\u00e1ltogat\u00e1s\u00e1val, s a nagy hangterjedelmet \u00e1tfog\u00f3 futamokkal. \u00c1m a virtu\u00f3z klarin\u00e9tfutamok k\u00f6z\u00fcl minduntalan kikacsint az eredend\u0151en operaszerz\u0151 Weber, p\u00e9ld\u00e1ul az\u00a0 els\u0151 t\u00e9tel mell\u00e9kt\u00e9m\u00e1j\u00e1ban, s k\u00fcl\u00f6n\u00f6sen a g-moll lass\u00fa t\u00e9telben, melynek v\u00e9g\u00e9n a klarin\u00e9t szab\u00e1lyos,\u00a0 zenekari k\u00eds\u00e9retes operai recitativ\u00f3t j\u00e1tszik. A m\u0171\u00a0 Alla polacca<\/em> felirat\u00fa z\u00e1r\u00f3t\u00e9tele kiss\u00e9 felgyors\u00edtott\u00a0 polon\u00e9z, brili\u00e1ns klarin\u00e9tsz\u00f3lammal.","post_title":"{:hu}II. (Esz-d\u00far) klarin\u00e9tverseny, op. 74{:}{:en}Clarinet Concerto No. 2 in E-flat major, op. 74{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ii-esz-dur-klarinetverseny-op-74","to_ping":"","pinged":"","post_modified":"2019-11-04 09:13:35","post_modified_gmt":"2019-11-04 09:13:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110037","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110080,"post_author":"951590","post_date":"2019-04-23 10:24:35","post_date_gmt":"0000-00-00 00:00:00","post_content":"","post_title":"***","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2019-04-23 10:24:35","post_modified_gmt":"2019-04-23 10:24:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110080","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91000,"post_author":"1","post_date":"2016-09-08 08:57:46","post_date_gmt":"2016-09-08 08:57:46","post_content":"{:hu}A klasszikus zene vil\u00e1g\u00e1ban sok nagy remekm\u0171h\u00f6z tapadt az id\u0151k sor\u00e1n egy-egy olyan t\u00f6rt\u00e9net, amely hozz\u00e1j\u00e1rult a m\u0171 n\u00e9pszer\u0171v\u00e9 v\u00e1l\u00e1s\u00e1hoz. N\u00e9ha ezeknek k\u00f6sz\u00f6nhet\u0151 a m\u0171vek \u201emell\u00e9kneve\u201d is. Legnagyobb r\u00e9sz\u00fckr\u0151l kider\u00fclt, hogy a legend\u00e1k vil\u00e1g\u00e1ba tartoznak. \u00c1m a legval\u00f3sz\u00edn\u0171tlenebbek egyike, Mozart Requiem<\/em>\u00e9nek hist\u00f3ri\u00e1ja igaznak bizonyult.\r\nAz \u00e9lete utols\u00f3 \u00e9v\u00e9ben j\u00e1r\u00f3 Mozart \u00e9ppen A var\u00e1zsfuvol\u00e1<\/em>n dolgozott, amikor titokzatos, mag\u00e1t megnevezni nem akar\u00f3 idegen jelent meg n\u00e1la, hogy t\u0151le gy\u00e1szmis\u00e9t rendeljen. A fekete ruh\u00e1s idegen t\u00f6bb \u00edzben is s\u00fcrgette Mozartot. A zeneszerz\u0151 ekkor m\u00e1r s\u00falyos beteg volt, \u00e9s \u00edgy hihet\u0151 az a sz\u00e1jhagyom\u00e1nyban fennmaradt kijelent\u00e9se, hogy \u00fagy \u00e9rezte, saj\u00e1t gy\u00e1szmis\u00e9j\u00e9t \u00edrja. A hal\u00e1los betegs\u00e9g meg is akad\u00e1lyozta Mozartot abban, hogy a Requiem<\/em>et befejezze. \u00c1ll\u00edt\u00f3lag m\u00e9g utols\u00f3 napjaiban is a m\u0171 dallamait d\u00fadolta.\r\nMozart hal\u00e1la ut\u00e1n legkedvesebb tan\u00edtv\u00e1nya, Franz Xaver S\u00fcssmayr fejezte be a t\u00f6red\u00e9ket. A zenetudom\u00e1ny ma is vit\u00e1zik afelett, \u00e1lltak-e S\u00fcssmayr rendelkez\u00e9s\u00e9re v\u00e1zlatok, vagy saj\u00e1t ihlet\u00e9b\u0151l \u00edrta meg a hi\u00e1nyz\u00f3 Sanctus<\/em>t, Benedictus<\/em>t \u00e9s az Agnus Dei<\/em> els\u0151 szakasz\u00e1t. Mindenesetre alkalmazkodott Mozart st\u00edlus\u00e1hoz, \u00e9s ezzel egyr\u00e9szt gy\u00f6ny\u00f6r\u0171 p\u00e9ld\u00e1j\u00e1t adta tan\u00edtv\u00e1nyi al\u00e1zat\u00e1nak, m\u00e1sr\u00e9szt bizony\u00edtotta, hogy szerencs\u00e9s pillanatokban a k\u00f6z\u00e9pszer\u0171, nem kimagasl\u00f3 tehets\u00e9g\u0171 tan\u00edtv\u00e1ny is feln\u0151het mester\u00e9hez. A titokzatos megrendel\u0151r\u0151l pedig kider\u00fclt, hogy egy mindig m\u00e1s toll\u00e1val \u00e9kesked\u0151, mag\u00e1t zeneszerz\u0151nek kiad\u00f3 arisztokrata, Walsegg gr\u00f3f volt. Az els\u0151 el\u0151ad\u00e1s val\u00f3sz\u00edn\u0171leg Walsegg kast\u00e9ly\u00e1nak k\u00e1poln\u00e1j\u00e1ban, feles\u00e9g\u00e9nek requiemj\u00e9n zajlott le, a gr\u00f3f szerz\u0151s\u00e9g\u00e9vel. Mozart \u00f6zvegye, Constanze azonban r\u00f6videsen nyilv\u00e1noss\u00e1gra hozta a m\u0171vet f\u00e9rje alkot\u00e1sak\u00e9nt, s \u0151 gondoskodott a Requiem<\/em> els\u0151 nyomtatott kiad\u00e1s\u00e1r\u00f3l is.\r\nS\u00fcssmayr kieg\u00e9sz\u00edt\u0151 munk\u00e1j\u00e1t egy\u00e9bk\u00e9nt egy m\u00e1sik k\u00eds\u00e9rlet el\u0151zte meg. Mozart \u00f6zvegye el\u0151sz\u00f6r Joseph Eybler karmestert k\u00e9rte fel a munk\u00e1ra, \u0151 azonban nem tudott megk\u00fczdeni a feladattal. A Mozart-kutat\u00e1s jelenlegi \u00e1ll\u00e1sa szerint a mesternek l\u00e9nyegesen nagyobb r\u00e9sz tulajdon\u00edthat\u00f3 a felt\u00e9telezettn\u00e9l. Mozart k\u00e9z\u00edr\u00e1s\u00e1ban maradt fenn a teljes Requiem<\/em> \u00e9s Kyrie<\/em>, a Dies irae<\/em> nagy r\u00e9sze, a Tuba mirum<\/em>, a Rex tremendae<\/em>, a Recordare<\/em>, a Confutatis<\/em>, a Domine Jesu<\/em> \u00e9s a Hostias<\/em> t\u00e9telek alapanyaga, valamint a Lacrymosa<\/em> els\u0151 nyolc \u00fcteme. Ezek szerint S\u00fcssmayr csak a Benedictus<\/em> k\u00f6z\u00e9pr\u00e9sz\u00e9t \u00e9s a Hosann\u00e1<\/em>t, esetleg az Agnus<\/em> Dei <\/em>els\u0151 r\u00e9sz\u00e9t kompon\u00e1lta.\r\nMozart eg\u00e9sz \u00e9letm\u0171ve az \u00f6sszegz\u00e9s, a szint\u00e9zis jegy\u00e9ben \u00e1ll, m\u0171veiben, st\u00edlus\u00e1ban kora n\u00e9met, olasz \u00e9s francia zen\u00e9j\u00e9nek jellegzetess\u00e9gei egyes\u00fclnek. \u00c9lete utols\u00f3 szakasz\u00e1ban \u00edrt m\u0171vei ehhez a \u201et\u00e9rbeli\u201d szint\u00e9zishez hozz\u00e1adj\u00e1k az \u201eid\u0151belit\u201d. Utols\u00f3 alkot\u00f3i korszak\u00e1nak zenekari \u00e9s kamaram\u0171vei, A var\u00e1zsfuvola<\/em>, \u00e9s mindenekel\u0151tt a Requiem<\/em> a barokk \u00f6n\u00e1ll\u00f3 sz\u00f3lamokb\u00f3l \u00f6sszef\u0171z\u00f6tt, ellenpontos szerkeszt\u00e9sm\u00f3dj\u00e1t egyes\u00edtik \u2013 m\u00e9ghozz\u00e1 csod\u00e1latos \u00f6sszhangban \u2013 a dallamoss\u00e1gra \u00e9s a t\u00e9m\u00e1k ellent\u00e9tess\u00e9g\u00e9re \u00e9p\u00edt\u0151 klasszikus st\u00edlussal.\r\nA Requiem<\/em> azonban m\u00e1sfajta ellent\u00e9telez\u00e9sre is m\u00f3dot adott. Mozart v\u00e9rbeli dr\u00e1mai zeneszerz\u0151 volt, aki tiszt\u00e1n hangszeres m\u0171veiben is, mondhatni, sz\u00ednpadszer\u0171en gondolkodott. \u00c9rett egyh\u00e1zi zen\u00e9j\u00e9ben is t\u00f6bbnyire sz\u00ednpad n\u00e9lk\u00fcli dr\u00e1mak\u00e9nt fogta fel a latin sz\u00f6veget, \u00e9s \u2013 b\u00e1r mindenkor szigor\u00faan tartotta mag\u00e1t a liturgikus k\u00f6t\u00f6tts\u00e9gekhez \u00e9s t\u00f6rv\u00e9nyekhez \u2013 sokkal ink\u00e1bb zenedr\u00e1m\u00e1t kompon\u00e1lt, semmint templomi muzsik\u00e1t.\r\nA t\u00e9telek egym\u00e1sut\u00e1nj\u00e1ban v\u00e1ltakozik az izz\u00f3 dr\u00e1ma az \u00e1h\u00edtattal, az utols\u00f3 \u00edt\u00e9let borzalmainak zenei \u00e1br\u00e1zol\u00e1sa a t\u00falvil\u00e1gi boldogs\u00e1g fest\u00e9s\u00e9vel, m\u00e1sr\u00e9szt \u2013 mint a Confutatis<\/em>ban \u2013 Mozart mag\u00e1n a t\u00e9telen bel\u00fcl is szembe\u00e1ll\u00edtja a tartalmi szf\u00e9r\u00e1kat, illetve azok zenei kifejez\u00e9s\u00e9t. Ezekb\u0151l az ellent\u00e9tes, egym\u00e1st kieg\u00e9sz\u00edt\u0151 r\u00e9szletekb\u0151l \u00e9s \u00f6sszetev\u0151kb\u0151l alakul ki a legmagasabb fok\u00fa szint\u00e9zisben a remekm\u0171. \u00c9s ez\u00e9rt sz\u00f3l a legnagyobb k\u00e9rd\u00e9sre, az \u00e9let \u00e9s hal\u00e1l k\u00e9rd\u00e9s\u00e9re feleletet ad\u00f3 Mozart-Requiem<\/em> els\u0151 elhangz\u00e1sa \u00f3ta minden kor ember\u00e9hez, ez\u00e9rt tartozik a halhatatlan alkot\u00e1sok k\u00f6z\u00e9.{:}{:en}

There have been a host of masterpieces in music history, to which over time, various stories have attached themselves, often making them more popular as a result. Sometimes, they even result in the work picking up a nickname. The majority of these have proven apocryphal, but one of the most extraordinary stories of all, the one surrounding Mozart's Requiem, has, against the odds, turned out to be true.<\/p>\r\nIn the last year of his life, Mozart was working feverishly on the Magic Flute. He was visited by a mysterious stranger who would not name himself and who commissioned a requiem mass from the composer. On a number of occasions, the man appeared dressed in black, to hurry Mozart along. At this time, Mozart was seriously ill. It makes the often stated assertion that Mozart felt he was writing his own Requiem all the more credible. Indeed, his illness proved fatal, and Mozart was unable to complete it. Even on his last day on earth, Mozart was still humming the work's melodies.\r\n\r\nAfter his death, Mozart's most likeable pupil, Franz Xaver S\u00fcssmayr completed the score. Music scholars are still debating whether S\u00fcssmayr was working from sketches or else from his own imagination, when he produced the missing Sanctus, Benedictus and first part of the Agnus Dei. In any event, he produced a passable imitation of Mozart's style, something that is a credit to his humility and also shows that a composer of middling abilities is able just occasionally to approach the level of a master. It transpired that the mysterious man in black was a shady aristocrat, Count Walsegg, who to maintain the fiction that he was himself a composer, was in the habit of making commissions from local composers (and of course, denying the true provenance of the works he paid them for). The first performance of the Requiem probably took place in the chapel of Walsegg's mansion, which was performed as a requiem to his wife (composed by himself, naturally). Constanze, Mozart's widow, soon made the work public under Mozart's own name and ensured its publication.\r\n\r\nS\u00fcssmayr was not the first person to attempt a completion. Originally, Mozart's widow asked conductor Joseph Eybler to undertake the work, but he was unable to measure up to the task at hand. Modern scholars believe that a far larger part of the Requiem is original Mozart than was originally believed. The Requiem and Kyrie, most of the Dies irae, Tuba Mirum, Rex tremendae, Recordare, Confutatis, Domine Jesu and the first eight bars of the Lacrymosa survive in Mozart's own hand. It would seem that S\u00fcssmayr composed only the central section of the Benedictus and the Hosanna, and perhaps the first half of the Agnus dei.\r\n\r\nMozart's entire oeuvre is a kind of process of synthesis. In his work all the characteristics of German, Italian and French music unite. In the last period of his life, he added to this \"spatial\" synthesis a \"temporal\" one. In all these works, including the Magic Flute and above all the Requiem, he manages to integrate the baroque practise of independent voices and counterpoint with his own classical style built around melody and thematic contrasts. Needless to say, the end result is miraculously complete and beautiful.\r\n\r\nThe Requiem also gave Mozart room for exploring another kind of antithesis. Mozart was a profoundly dramatic composer, not just in his stage works but even in his most abstract instrumental pieces. His mature church music is largely theatre music without a stage, and this is also reflected in his treatment of the Latin text. Although he paid great respect to the liturgical demands and rules, the Requiem is as much music drama as church music. Just think of the depiction of the final judgement, or else the evocation of the happiness of the next world. This drama even plays itself out within individual movements. It is truly a masterly synthesis, and from its very first bars, with it questions of life and death, addresses people of all eras. For this reason, it is one of the great compositions of music and art.{:}","post_title":"{:hu}Requiem, K. 626{:}{:en}Requiem, K. 626{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"requiem-k-626","to_ping":"","pinged":"","post_modified":"2020-09-23 15:25:19","post_modified_gmt":"2020-09-23 15:25:19","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/requiem-k-626\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":109945,"post_author":"951590","post_date":"2019-11-07 08:20:25","post_date_gmt":"2019-11-07 08:20:25","post_content":"Virtu\u00f3zan \u00e9s szabadon, sz\u00edngazdagon \u00e9s szuggeszt\u00edvan zen\u00e9lt \u2013 csupa gesztus, csupa magatart\u00e1sforma, csupa jelent\u00e9s volt muzsik\u00e1l\u00e1sa. A legt\u00f6bbet ny\u00fajtotta, amit kort\u00e1rs m\u0171 el\u0151ad\u00f3ja ny\u00fajthat: k\u00f6zel hozta hozz\u00e1nk a kompoz\u00edci\u00f3t.\n\n(Csengery Krist\u00f3f, Muzsika)\n\nFot\u00f3: Maike Helbig","post_title":"{:hu}Sharon Kam{:}{:en}Sharon Kam{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"sharon-kam","to_ping":"","pinged":"","post_modified":"2019-11-12 22:04:52","post_modified_gmt":"2019-11-12 22:04:52","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=109945","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}klarin\u00e9t{:}{:en}clarinet{:}"},{"ID":106739,"post_author":"1","post_date":"2018-05-09 11:46:40","post_date_gmt":"2018-05-09 11:46:40","post_content":"2010 \u00e9s 2012 k\u00f6z\u00f6tt a Sv\u00e1jci Operast\u00fadi\u00f3 (Biel) hallgat\u00f3ja volt, ahol m\u00e1sodik mesterdiplom\u00e1j\u00e1t szerezte meg Barbara Locher professzor tan\u00edtv\u00e1nyak\u00e9nt.\r\n\r\n \r\n\r\nFot\u00f3: Soprano M\u00e9dia Kft., Bartos Gyula","post_title":"{:hu}Schn\u00f6ller Szabina{:}{:en}Szabina Schn\u00f6ller{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"schnoller-szabina","to_ping":"","pinged":"","post_modified":"2019-11-05 01:40:01","post_modified_gmt":"2019-11-05 01:40:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=106739","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"},{"ID":109949,"post_author":"951590","post_date":"2019-11-07 08:22:05","post_date_gmt":"2019-11-07 08:22:05","post_content":"Kiss B. Atilla \u00e9s Cseh Dalma n\u00f6vend\u00e9ke volt. Magyarul t\u00f6k\u00e9letesen besz\u00e9l, 2018 okt\u00f3bere \u00f3ta magyar \u00e1llampolg\u00e1r. \u00c1zsi\u00e1ban a magyar kult\u00far\u00e1t, Magyarorsz\u00e1gon a vietn\u00e1mi zen\u00e9t \u00e9s konyham\u0171v\u00e9szetet szeretn\u00e9 n\u00e9pszer\u0171s\u00edteni.","post_title":"{:hu}Ninh Duc Hoang Long{:}{:en}Ninh Duc Hoang Long{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ninh-duc-hoang-long","to_ping":"","pinged":"","post_modified":"2019-11-12 22:04:46","post_modified_gmt":"2019-11-12 22:04:46","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=109949","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}tenor{:}{:en}tenor{:}"},{"ID":112224,"post_author":"951590","post_date":"2019-11-07 08:24:17","post_date_gmt":"2019-11-07 08:24:17","post_content":"(Ulrike Kolter, Die deutsche B\u00fchne)\n\nFot\u00f3: Herman P\u00e9ter","post_title":"{:hu}Cser Kriszti\u00e1n{:}{:en}Kriszti\u00e1n Cser{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"cser-krisztian-2","to_ping":"","pinged":"","post_modified":"2019-11-12 22:04:39","post_modified_gmt":"2019-11-12 22:04:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=112224","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}basszus{:}{:en}bass{:}"}],"muveszekrol_reszletesen":true,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87528,"post_author":"1","post_date":"2016-09-08 07:58:45","post_date_gmt":"2016-09-08 07:58:45","post_content":"{:hu}\"\"A Nemzeti \u00c9nekkar 1985-ben alakult \u00c1llami \u00c9nekkar n\u00e9ven, 2016. janu\u00e1r 1-t\u0151l vezet\u0151 karnagya Somos Csaba. Az \u00e9nekkar Magyarorsz\u00e1g egyik vezet\u0151 hivat\u00e1sos k\u00f3rusa, amelynek profilja a zenekar-k\u00eds\u00e9retes kompoz\u00edci\u00f3k, orat\u00f3riumok, valamint a cappella m\u0171vek el\u0151ad\u00e1sa. Reperto\u00e1rja ennek megfelel\u0151en rendk\u00edv\u00fcl gazdag, a kora barokk Sch\u00fctz alkot\u00e1sait\u00f3l Bach, a b\u00e9csi klasszikusok \u00e9s a 19. sz\u00e1zad zeneszerz\u0151inek kompoz\u00edci\u00f3in kereszt\u00fcl a 20. sz\u00e1zad \u00e9s a kort\u00e1rs zen\u00e9ig minden ir\u00e1nyba nyitott, m\u0171faji hat\u00e1rok n\u00e9lk\u00fcl, de a ritk\u00e1n m\u0171sorra ker\u00fcl\u0151 alkot\u00e1sok megsz\u00f3laltat\u00e1s\u00e1ban is elk\u00f6telezett. A reperto\u00e1rj\u00e1n hangs\u00falyosan jelen lev\u0151 19. sz\u00e1zadi orat\u00f3riumok mellett az egy\u00fcttes kiemelt fontoss\u00e1got tulajdon\u00edt a kort\u00e1rs m\u0171vek el\u0151ad\u00e1s\u00e1nak, sz\u00e1mos m\u0171 \u0151sbemutat\u00f3ja, illetve magyarorsz\u00e1gi bemutat\u00f3ja f\u0171z\u0151dik a nev\u00e9hez.\r\n\r\nA k\u00f3rus visszat\u00e9r\u0151 k\u00f6zrem\u0171k\u00f6d\u0151je a Nemzeti Filharmonikusok martonv\u00e1s\u00e1ri ny\u00e1ri Beethoven-sorozat\u00e1nak, kiemelked\u0151 szerepl\u0151je a zenekar csal\u00e1di matin\u00e9 koncertsorozat\u00e1nak, valamint a Kocsis Zolt\u00e1n m\u0171v\u00e9szeti vezet\u00e9s\u00e9vel 2006 \u00f3ta fel\u00e9p\u00fcl\u0151 Bart\u00f3k \u00daj Sorozatnak. A Nemzeti Filharmonikusok Richard Strauss oper\u00e1it bemutat\u00f3 nagy siker\u0171 sz\u00e9ri\u00e1j\u00e1ban \u00e9s Schoenberg M\u00f3zes \u00e9s \u00c1ron c\u00edm\u0171 oper\u00e1j\u00e1ban, az \u00e9nekkar mellett t\u00f6bb tagja sz\u00f3listak\u00e9nt is fell\u00e9pett. Az \u00e9nekkar a hazai koncertek mellett nemzetk\u00f6zi felk\u00e9r\u00e9seknek is eleget tesz, rendszeresen koncertezik a magyarok \u00e1ltal is lakott hat\u00e1ront\u00fali telep\u00fcl\u00e9seken. A Nemzeti \u00c9nekkar a M\u00fcp\u00e1ban megrendezett nagyszab\u00e1s\u00fa Wagner-napok rendszeresen megh\u00edvott k\u00f6zrem\u0171k\u00f6d\u0151je.{:}{:en}\"\"\r\n\r\nThe Hungarian National Choir (originally called State Choir) was founded in 1985. Between 1990 and 2016 it was headed by M\u00e1ty\u00e1s Antal, who was succeeded by Csaba Somos on 1 January 2016. The choir is one of Hungary\u2019s leading professional choirs. It boasts a rich repertoire chiefly consisting of orchestra-accompanied and a capella choral music, as well as oratorios, ranging from works by the early-Baroque Sch\u00fctz to Bach, Viennese Classical, 19th<\/sup> and 20th<\/sup>-century composers, and contemporary music. The Hungarian National Choir is open to every genre and is dedicated to performing rarely heard works. While the backbone of the repertoire consists of 19th<\/sup>-century oratorios, the Hungarian National Choir attaches great importance to performing contemporary music. Numerous world and national premi\u00e8res are linked with its name.\r\n\r\nThey are\u00a0 returning guests at the Hungarian National Philharmonic Orchestra\u2019s summer Beethoven series in Martonv\u00e1s\u00e1r. It regularly appears in the Orchestra\u2019s family matin\u00e9e concerts, as well as the Bart\u00f3k New Series<\/em>, launched in 2006. The successful performance of Richard Strauss\u2019s operas and Schoenberg\u2019s Moses and Aron<\/em> has involved the National Choir and many of its soloists. In addition to concerts at home, the choir performs extensively abroad and regularly gives concerts in minority Hungarian areas across the border. The Hungarian National Choir is a regular participant of large-scale events at the Palace of Art, such as the Wagner Days.{:}","post_title":"{:hu}Nemzeti \u00c9nekkar (karigazgat\u00f3: Somos Csaba){:}{:en}Hungarian National Choir (choirmaster: Csaba Somos){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-enekkar-karigazgato-somos-csaba","to_ping":"","pinged":"","post_modified":"2020-07-22 10:07:10","post_modified_gmt":"2020-07-22 10:07:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-enekkar-karigazgato-somos-csaba\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"HUF 5,500 \/ 4,500 \/ 4,000 \/ 3,500","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/mozart-ferencsik-berlet-3-103881\/551290","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","esemeny_vege":"9:35 pm","karmester_2":false},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/109869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=109869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}