{"id":109856,"date":"2019-04-23T19:28:48","date_gmt":"2019-04-23T19:28:48","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=109856"},"modified":"2019-11-06T16:14:56","modified_gmt":"2019-11-06T16:14:56","slug":"mesterek-es-tanitvanyok","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mesterek-es-tanitvanyok\/","title":{"rendered":"Teachers and Students"},"content":{"rendered":"

Brahms, Koessler, Dohn\u00e1nyi \u2013 almost like members of the same family. Not biologically speaking, of course. Brahms is the grandfather. He was a towering figure in the second half of the 19th century. He was a believer in so-called “absolute” music without any related programme. But he still sometimes hid secret messages in his work. The start of his Symphony No. 3<\/em>, for example, is obviously about Man and Woman. The Man is overflowing with passion, while the Woman is an ethereal phenomenon. A little fairy \u2013 in the sense of how an ageing bachelor imagines her. Twenty years younger than Brahms, J\u00e1nos (otherwise known as Hans) Koessler, the creator of Symphonic Variations<\/em>, is the son. Brahms is his role model: he even resembled him outwardly, wearing a bushy beard. For decades, he served as a professor of music composition at the Franz Liszt Academy of Music. He taught in German, in the spirit of the German tradition. This was somewhat irritating for Bart\u00f3k and Kod\u00e1ly, but not for Dohn\u00e1nyi. He is a true musical grandson. When the proud teacher Koessler showed Dohn\u00e1nyi’s Piano Quintet<\/em>, his first opus, to Brahms, the elder composer is said to have murmured: “I could scarcely have written it better myself.”<\/em> Then the decades passed. Dohn\u00e1nyi’s style changed a great deal. But the Brahmsian legacy could still be felt in the relatively late work Stabat Mater<\/em>, which he composed in the United States. Some music historians consider this to be Dohn\u00e1nyi’s finest work, although this assessment is debatable. Nevertheless, hearing works by the three composers together certainly promises to be an extraordinary experience.<\/p>\n","protected":false},"template":"","class_list":["post-109856","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Kocsis season ticket 2","kiemelt_kep":{"ID":109857,"id":109857,"title":"2018.09.25@MNF_Hargitay Oliv\u00e9r (23)","filename":"2018.09.25@MNF_Hargitay-Oliv\u00e9r-23.jpg","filesize":5750398,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mesterek-es-tanitvanyok\/2018-09-25mnf_hargitay-oliver-23-2\/","alt":"","author":"951590","description":"","caption":"","name":"2018-09-25mnf_hargitay-oliver-23-2","status":"inherit","uploaded_to":109856,"date":"2019-04-22 06:31:04","modified":"2019-04-22 06:31:04","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":3500,"height":2333,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23-768x512.jpg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23-1024x683.jpg","large-width":640,"large-height":427,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23.jpg","2048x2048-width":2048,"2048x2048-height":1365,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23.jpg","person-size-2-width":165,"person-size-2-height":110,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/2018.09.25@MNF_Hargitay-Oliv\u00e9r-23-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20191127","esemeny_idopontja":"7.30 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87689,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}M\u00fcpa - Bart\u00f3k B\u00e9la Nemzeti Hangversenyterem{:}{:en}M\u00fcpa - B\u00e9la Bart\u00f3k National Concert Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mupa-bartok-bela-nemzeti-hangversenyterem","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/mupa-bartok-bela-nemzeti-hangversenyterem\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Magyarorsz\u00e1g{:}","cim":"

1095 Budapest, Komor Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"helyszin_kategoria":"budapest","karmester":{"ID":101545,"post_author":"1","post_date":"2017-05-30 19:58:57","post_date_gmt":"2017-05-30 19:58:57","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette a Nemzeti Filharmonikusok Zenekar\u00e1t.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-3","to_ping":"","pinged":"","post_modified":"2020-08-10 08:31:17","post_modified_gmt":"2020-08-10 08:31:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=101545","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":110025,"post_author":"951590","post_date":"2019-10-31 13:58:39","post_date_gmt":"2019-10-31 13:58:39","post_content":"{:hu}Hans Koessler (1853\u20131926) neve a hazai zenekedvel\u0151k sz\u00e1m\u00e1ra els\u0151sorban Bart\u00f3k B\u00e9la, Dohn\u00e1nyi Ern\u0151, Kod\u00e1ly Zolt\u00e1n \u00e9s m\u00e1s h\u00edres magyar zeneszerz\u0151k tan\u00e1rak\u00e9nt lehet ismer\u0151s. Zeneszerz\u0151i munk\u00e1ss\u00e1ga j\u00f3val kev\u00e9sb\u00e9 ismert, pedig Szimfonikus v\u00e1ltozatok <\/em>c\u00edm\u0171 m\u0171v\u00e9t a komponista \u00e9let\u00e9ben Eur\u00f3pa legjelent\u0151sebb zenei k\u00f6zpontjai mellett m\u00e9g Amerik\u00e1ban is j\u00e1tszott\u00e1k.\r\n\r\nKoessler 1879 december\u00e9ben, Magyarorsz\u00e1gon tal\u00e1lkozott el\u0151sz\u00f6r Brahmsszal. Tizenk\u00e9t \u00e9vvel k\u00e9s\u0151bb Brahms m\u00e1r \u00e9rett zeneszerz\u0151k\u00e9nt ismerte el a n\u00e1la h\u00fasz \u00e9vvel fiatalabb Koesslert, amikor a Wiener Tonk\u00fcnstlerverein zs\u0171ritagjak\u00e9nt els\u0151 d\u00edjra m\u00e9lt\u00f3nak \u00edt\u00e9lte egy zsolt\u00e1rfeldolgoz\u00e1s\u00e1t. Ett\u0151l kezdve Koessler Brahms bar\u00e1ti k\u00f6r\u00e9hez tartozott, s\u0171r\u0171n leveleztek \u00e9s t\u00f6bb \u00edzben tal\u00e1lkoztak. A \u201eJohannes Brahms szellem\u00e9nek\u201d<\/em> szentelt Szimfonikus v\u00e1ltozatok<\/em> Koessler szemsz\u00f6g\u00e9b\u0151l megrajzolt Brahms-portr\u00e9nak is tekinthet\u0151. A t\u00e9m\u00e1b\u00f3l \u00e9s annak h\u00e9t vari\u00e1ci\u00f3j\u00e1b\u00f3l \u00e1ll\u00f3 zenekari m\u0171 r\u00e9szleteihez eredetileg feliratokat sz\u00e1nt a zeneszerz\u0151, melyek v\u00e9g\u00fcl elmaradtak a partit\u00far\u00e1b\u00f3l, azonban a zene \u00f6nmag\u00e1ban is seg\u00edthet felismerni a rejtett programot.\r\n\r\nAz els\u0151 vari\u00e1ci\u00f3 bevezet\u0151 a m\u00e1sodik vari\u00e1ci\u00f3 tragikus gy\u00e1szindul\u00f3j\u00e1hoz.<\/em> A harmadik vari\u00e1ci\u00f3 Koessler \u00e9s Brahms els\u0151 tal\u00e1lkoz\u00e1s\u00e1t eleven\u00edti fel Brahms magyar t\u00e1ncaira eml\u00e9keztet\u0151 zenei utal\u00e1sokkal.<\/em>\r\n\r\nA negyedik, \u00f6t\u00f6dik \u00e9s hatodik vari\u00e1ci\u00f3t Koessler Brahms jellemz\u00e9s\u00e9nek szenteli. El\u0151sz\u00f6r saj\u00e1t bar\u00e1tjak\u00e9nt mutatja be Brahmsot,<\/em> majd pasztor\u00e1lis hangv\u00e9telt \u00fct meg,<\/em> v\u00e9g\u00fcl egy szesz\u00e9lyes, meglepet\u00e9sekkel teli t\u00e9tellel illusztr\u00e1lja Brahms saj\u00e1tos humor\u00e1t.<\/em> A fin\u00e1l\u00e9 m\u00e1r nemcsak Brahms portr\u00e9j\u00e1t id\u00e9zi meg, hanem tiszteletteljes f\u0151hajt\u00e1ssal annak zeneszerz\u0151i vil\u00e1g\u00e1t is.{:}{:en}Hungarian music aficionados might recall the name Hans Koessler as a teacher of B\u00e9la Bart\u00f3k, Ern\u0151 Dohn\u00e1nyi, Zolt\u00e1n Kod\u00e1ly and other renowned Hungarian composers. His work as a composer is much less known, even though his Symphonic Variations<\/em> were performed, during his lifetime, both in the leading music centres of Europe and in America.\r\n\r\nDedicated \"to the spirit of Johannes Brahms\"<\/em>, the Symphonic Variations<\/em> can be regarded as a portrait of the great German composer from Koessler's perspective. The composer originally intended to give titles to the different passages of this orchestral work comprising the theme and its seven variations, but these ended up being omitted from the score. Nevertheless, the music itself can help to elucidate the hidden programme.\u00a0 In the initial variations, Koessler gives voice to his sadness over Brahms's death and evokes their first encounter, which took place in Budapest. He then goes on to reminisce about him as a friend, and finally, in an almost acknowledged imitation of his style, pays tribute to the memory of the great German master{:}","post_title":"{:hu}Szimfonikus v\u00e1ltozatok{:}{:en}Symphonic Variations{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szimfonikus-valtozatok-2","to_ping":"","pinged":"","post_modified":"2019-10-31 13:58:39","post_modified_gmt":"2019-10-31 13:58:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110025","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110026,"post_author":"951590","post_date":"2019-10-31 13:57:13","post_date_gmt":"2019-10-31 13:57:13","post_content":"{:hu}Dohn\u00e1nyi Ern\u0151 k\u00e9t remekm\u0171vet hagyott az ut\u00f3korra az egyh\u00e1zi zene ter\u00fclet\u00e9n: a grandi\u00f3zus Szegedi mis\u00e9<\/em>t (1930) \u00e9s az egy\u00e9ni hang\u00fa Stabat Mater<\/em>t (1952\u201353, bemutat\u00f3: 1956). 1949-t\u0151l a floridai Tallahassee-ben \u00e9lve felk\u00e9r\u00e9st kapott George Braggt\u0151l, a texasi Denton V\u00e1rosi Fi\u00fak\u00f3rus vezet\u0151 karnagy\u00e1t\u00f3l egy nagyszab\u00e1s\u00fa k\u00f3rusm\u0171 meg\u00edr\u00e1s\u00e1ra (1952). Sz\u00f6vegv\u00e1laszt\u00e1sa \u2013 tal\u00e1n a k\u00f6zelm\u00faltbeli csal\u00e1di trag\u00e9di\u00e1kkal \u00e9s szem\u00e9lyes viszontags\u00e1gaival is magyar\u00e1zhat\u00f3 m\u00f3don \u2013 Jacopone da Todi k\u00f6z\u00e9pkori vers\u00e9re, a Stabat Mater doloros\u00e1<\/em>ra (\u201e\u00c1llt az anya keserv\u00e9ben\u2026\u201d) <\/em>esett. Hatsz\u00f3lam\u00fa kett\u0151s k\u00f3rusra \u2013 amely lehet fi\u00fakar, de n\u0151i kar is a szerz\u0151i utas\u00edt\u00e1s szerint \u2013, valamint zenekarra k\u00e9sz\u00fclt a k\u00f6zel h\u00faszperces id\u0151tartam\u00fa darab.\r\n\r\nMindv\u00e9gig hangnemhez k\u00f6t\u00f6tt, ut\u00f3romantikus st\u00edlus\u00fa alkot\u00e1s Dohn\u00e1nyi Stabat Mater<\/em>e, amelyet brav\u00faros ellenpontos szerkeszt\u00e9sm\u00f3dja az \u00e9letm\u0171 sz\u00e1mos opus\u00e1val rokon\u00edt. Kezd\u0151t\u00e9m\u00e1j\u00e1ra hat\u00e1ssal lehetett J. S. Bach Weinen, Klagen<\/em>\u2026 kant\u00e1t\u00e1ja, illetve a h-moll mise<\/em> Crucifixus<\/em> szakasza is. A szerkezet eg\u00e9sze azonban hangszeres gondolkod\u00e1sm\u00f3dra vall: maga Dohn\u00e1nyi egyfajta rond\u00f3k\u00e9nt magyar\u00e1zta az A\u2013B\u2013A\u2013B\u2013C\u2013A\u2013B<\/em> bet\u0171kkel jel\u00f6lhet\u0151 nagyform\u00e1t. A Gesz-d\u00farban indul\u00f3 C<\/em> k\u00f6z\u00e9pr\u00e9sz (\u201eSancta Mater\u2026\u201d)<\/em> cs\u00f6ndes l\u00edr\u00e1ja a m\u0171 \u201esz\u00edve-lelke\u201d a szenved\u00e9steli hull\u00e1mz\u00e1s \u00e9s dr\u00e1mai tet\u0151pontok k\u00f6zepette. V\u00e9g\u00fcl emelkedetts\u00e9g \u00e9s hit hev\u00edti \u00e1t a sz\u00e9t\u00e1rad\u00f3, majd euforikusan f\u00f6lragyog\u00f3 \u201eparadisi gloria\u201d<\/em> z\u00e1r\u00f3szakaszt \u2013 ak\u00e1rcsak a Cantus vitae<\/em> c\u00edm\u0171 Mad\u00e1ch-kant\u00e1t\u00e1t vagy a II. szimf\u00f3ni\u00e1<\/em>t \u2013, a szerz\u0151 k\u00e9sei m\u0171v\u00e9szet\u00e9nek jellemz\u0151 von\u00e1sak\u00e9nt.{:}{:en}Ern\u0151 Dohn\u00e1nyi bequeathed to posterity two masterpieces in the realm of church music: the grandiose Szeged Mass<\/em> (1930) and the unique-sounding Stabat Mater<\/em> (1952-53, premi\u00e8red in 1956). Having lived in Florida since 1949, he received a commission from the head choirmaster of the Denton Civic Boy's Choir in Texas to write a large-scale choral work. His choice of text \u2013 which can be explained by his recent personal hardships and family tragedies, fell on the medieval poem by Jacopone da Todi: Stabat Mater dolorosa<\/em> (\"The sorrowful mother was standing...\")<\/em>. The work was written for a six-part double choir \u2013 which could be a boy's choir or, as the composer instructed, a female choir \u2013 joined by soprano, mezzo-soprano and alto soloists and orchestra.\u00a0 Although it is post-Romantic in style, its opening theme might have been influenced by J.S. Bach's cantata Weinen, Klagen, Sorgen, Zagen<\/em> and the Crucifixus<\/em> part of his Mass in B minor<\/em>.\u00a0 The gushing, and later on euphorically radiant, closing segment \"paradisi gloria\u201d<\/em> is imbued \u2013 just like his Cantus vitae<\/em> based on text by Imre Madach and his Second Symphony<\/em> \u2013 with the loftiness and faith that was characteristic of the composer's later work.{:}","post_title":"{:hu}Stabat Mater, op. 46{:}{:en}Stabat Mater, op. 46{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"stabat-mater-op-46","to_ping":"","pinged":"","post_modified":"2019-10-31 13:57:13","post_modified_gmt":"2019-10-31 13:57:13","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110026","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110080,"post_author":"951590","post_date":"2019-04-23 10:24:35","post_date_gmt":"0000-00-00 00:00:00","post_content":"","post_title":"***","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2019-04-23 10:24:35","post_modified_gmt":"2019-04-23 10:24:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110080","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110027,"post_author":"951590","post_date":"2019-10-31 13:53:40","post_date_gmt":"2019-10-31 13:53:40","post_content":"{:hu}I. Allegro non troppo<\/em>\r\n\r\nII. Andante moderato<\/em>\r\n\r\nIII. Allegro giocoso<\/em>\r\n\r\nIV. Allegro energico e passionato. <\/em>Tema con variazioni<\/em>\r\n\r\n \r\n\r\nBrahms III. szimf\u00f3ni\u00e1<\/em>j\u00e1t csaknem ugyanolyan joggal nevezhetn\u00e9nk f-moll hangnem\u0171nek, mint F-d\u00farnak. R\u00f6gt\u00f6n a kezdete k\u00e9t\u00e9rtelm\u0171: az els\u0151 akkord F-d\u00far, a m\u00e1sodik taktus harm\u00f3ni\u00e1j\u00e1ban viszont az f-mollra jellemz\u0151 asz <\/em>sz\u00f3l a szopr\u00e1nban. Az ezut\u00e1n felcsend\u00fcl\u0151 szenved\u00e9lyes f\u0151t\u00e9ma d\u00farban indul, de m\u00e1r a k\u00f6vetkez\u0151 pillanatban mollra v\u00e1lt. \u00c9s az utols\u00f3 t\u00e9tel is f-mollban kezd\u0151dik. A gy\u0151ri sz\u00e1rmaz\u00e1s\u00fa Richter J\u00e1nos, aki az 1883-as b\u00e9csi bemutat\u00f3n vez\u00e9nyelte a darabot, \u00fagy tartotta, Brahms Harmadik<\/em>ja sok szempontb\u00f3l Beethoven Harmadik<\/em>j\u00e1hoz, vagyis a \u201eh\u0151si\u201d (Eroica)<\/em> szimf\u00f3ni\u00e1<\/em>hoz \u00e1ll k\u00f6zel. Ami a f\u0151t\u00e9m\u00e1t illeti, az k\u00e9ts\u00e9gk\u00edv\u00fcl h\u0151sies p\u00e1toszt sugall. Az A-d\u00far hangnem\u0171 mell\u00e9kt\u00e9ma viszont ink\u00e1bb kecses, finom, kamarazeneszer\u0171, r\u00e9gi szeren\u00e1dok hangv\u00e9tel\u00e9t id\u00e9zi. Klarin\u00e9t sz\u00f3laltatja meg dallam\u00e1t \u2013 s ugyanez az \u00e1br\u00e1ndos hang\u00fa hangszer kap fontos szerepet az Andante<\/em> temp\u00f3j\u00fa (C-d\u00far hangnem\u0171) m\u00e1sodik t\u00e9tel elej\u00e9n. A harmadik a szok\u00e1sos scherzo (vagy men\u00fcett) hely\u00e9n \u00e1ll, de ink\u00e1bb olyan, mintha kiss\u00e9 mozgalmasabb \u00e9s t\u00e1ncosabb lass\u00fa t\u00e9tel volna. Mel\u00f3di\u00e1ja k\u00f6nnyen az eml\u00e9kezetbe v\u00e9s\u0151dik \u2013 \u00e9s sok filmb\u0151l lehet a hallgat\u00f3 sz\u00e1m\u00e1ra ismer\u0151s. A csell\u00f3 kezdi, a szok\u00e1sos k\u00f6z\u00e9pr\u00e9sz, a tri\u00f3 ut\u00e1n k\u00fcrt, majd oboa sz\u00f3laltatja meg. A balj\u00f3s bevezet\u0151j\u0171 fin\u00e1l\u00e9 \u00e9rdekess\u00e9ge, hogy a v\u00e9g\u00e9n visszat\u00e9r az els\u0151 t\u00e9tel f\u0151t\u00e9m\u00e1ja is. Az egykor elemi erej\u0171 dallam szinte csendesen v\u00e9sz a semmibe a kompoz\u00edci\u00f3 v\u00e9g\u00e9n. Egy\u00e1ltal\u00e1n: e m\u0171 valamennyi t\u00e9tele piano v\u00e9gz\u0151dik. E tekintetben Brahms III. szimf\u00f3ni\u00e1<\/em>ja alighanem egyed\u00fcl\u00e1ll\u00f3 a zeneirodalomban.{:}{:en}I. Allegro non troppo<\/em>\r\n\r\nII. Andante moderato<\/em>\r\n\r\nIII. Allegro giocoso<\/em>\r\n\r\nIV. Allegro energico e passionato. <\/em>Tema con variazioni<\/em>\r\n\r\n \r\n\r\nBrahms's Symphony No. 3<\/em> is ambiguous from the very beginning: the first chord is in F major, but the soprano harmony in the second measure is an A-flat<\/em>, more typical of the key of F minor. The passionate main theme that is played afterwards starts out in the major key, but then switches to the minor in the next instant. And the final movement also starts in F minor. J\u00e1nos (Hans) Richter, who conducted the world premi\u00e8re, considered Brahms's Third Symphony<\/em> to be similar to Beethoven's Third<\/em>, the Eroica Symphony<\/em>. The main theme unquestionably suggests heroic pathos. The secondary theme in A major evokes more the atmosphere of old dainty and refined chamber music-style serenades. The melody is played by a clarinet \u2013 an instrument that also gets an important role in the beginning of the second movement, the Andante<\/em>, written in C major. The third movement occupies the place of the customary scherzo (or minuet), but is more of a slightly livelier and more dancelike slow movement. Opened by the cello, it moves into the usual trio in the middle part, and then features a horn, followed by an oboe. What is interesting about the ominously starting final\u00e9 is that it returns at the end to the main theme from the first movement.{:}","post_title":"{:hu}III. (F-d\u00far) szimf\u00f3nia, op. 90{:}{:en}Symphony No. 3 in F major, op. 90{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"iii-f-dur-szimfonia-op-90","to_ping":"","pinged":"","post_modified":"2019-10-31 13:53:40","post_modified_gmt":"2019-10-31 13:53:40","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=110027","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":true,"kozr_szemelyek":[{"ID":86202,"post_author":"1","post_date":"2017-10-13 09:50:34","post_date_gmt":"2017-10-13 09:50:34","post_content":"{:en}\"\"Agnes Krist\u00f3fi was born in 1973 as the tenth child of\u00a0\u00a0an artist family well known in Transylvania. She started her music studies in her home town, Nagyv\u00e1rad, and continued them in Budapest at the Ferenc Liszt Academy of Music, where she graduated as an organ player and teacher. Parallel to her organ studies, she started to learn singing. She has been the member of the National Choir since 2008. She often acts as leader singer as well. Her repertoire includes Baroque, Classical, Romantic and contemporary pieces.{:}","post_title":"{:hu}Krist\u00f3fi \u00c1gnes{:}{:en}\u00c1gnes Krist\u00f3fi{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kristofi-agnes","to_ping":"","pinged":"","post_modified":"2025-10-01 12:08:25","post_modified_gmt":"2025-10-01 12:08:25","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86202","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"},{"ID":109922,"post_author":"951590","post_date":"2019-11-07 10:46:41","post_date_gmt":"2019-11-07 10:46:41","post_content":"","post_title":"{:hu}Nagy Bernadett{:}{:en}Bernadett Nagy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nagy-bernadett-2","to_ping":"","pinged":"","post_modified":"2025-10-01 12:09:56","post_modified_gmt":"2025-10-01 12:09:56","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=109922","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}alt{:}{:en}alto{:}"},{"ID":109924,"post_author":"951590","post_date":"2019-11-07 10:47:17","post_date_gmt":"2019-11-07 10:47:17","post_content":"Fot\u00f3: Ber\u00e9nyi Gyula","post_title":"{:hu}M\u00fcller Be\u00e1ta{:}{:en}Be\u00e1ta M\u00fcller{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"muller-beata","to_ping":"","pinged":"","post_modified":"2019-11-12 22:01:08","post_modified_gmt":"2019-11-12 22:01:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=109924","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}alt{:}{:en}alto{:}"}],"muveszekrol_reszletesen":true,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":110116,"post_author":"951590","post_date":"2020-07-22 10:02:19","post_date_gmt":"0000-00-00 00:00:00","post_content":"","post_title":"{:hu}Magyar \u00c1llami Operah\u00e1z Gyermekkara (vezet\u0151 karnagy: Hajzer Nikolett){:}{:en}The Hungarian State Opera\u2019s Children's Chorus (leading choir master: Nikolett Hajzer){:}","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2020-07-22 10:02:19","post_modified_gmt":"2020-07-22 10:02:19","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=institutions&p=110116","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"HUF 5,500 \/ 4,500 \/ 4,000 \/ 3,500 \/ 2,500","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/mesterek-es-tanitvanyok-kocsis-berlet-2-103872\/551274","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","esemeny_vege":"9.25 pm","karmester_2":false},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/109856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=109856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}