{"id":109847,"date":"2019-04-23T12:04:17","date_gmt":"2019-04-23T12:04:17","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=109847"},"modified":"2019-10-08T07:49:41","modified_gmt":"2019-10-08T07:49:41","slug":"a-tanc-apoteozisa","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/a-tanc-apoteozisa\/","title":{"rendered":"The Apotheosis of Dance"},"content":{"rendered":"<p>This concert offers waltzes and virtuosity. It starts out with the apotheosis of the waltz form: <em>La Valse<\/em>, which Maurice Ravel started formulating in his mind in 1906 (originally under the title <em>Wien<\/em>). Finally, in 1920, after the collapse of the Austro-Hungarian Empire, he completed it, as the dance of death of the formerly convivial Viennese world. The closing piece also features triple time. The opera <em>Der Rosenkavalier<\/em> is set in the time of the Empress Maria Theresa, but the Bavarian Richard Strauss paired it with an unabashedly anachronistic waltz, a genre that would only come into fashion more than half a century after the period when the story takes place. This is the basis of this concert piece created to music from the opera. Of the virtuoso violin pieces, <em>Tzigane<\/em> also relates somewhat to the former Dual Empire: this time to the Hungarian half. This is because Ravel was inspired to compose the work by a Hungarian violinist. Jelly Ar\u00e1nyi travelled to Paris with Bart\u00f3k in 1922. The two premi\u00e8red Bart\u00f3k&#8217;s <em>Sonata for Violin and Piano No. 1<\/em> in a Parisian residence. Serving as the page-turner, Ravel was captivated by both the work and the violinist. He was therefore glad to write, at Ar\u00e1nyi&#8217;s request, a rhapsody in the Hungarian style, whose accompanying piano part he later scored for orchestra as well. Before the interval, the audience will get to heart Maxim Vengerov perform Max Bruch&#8217;s 1866 <em>Violin Concerto No. 1 in G minor<\/em>. Maximum enjoyment is guaranteed.<\/p>\n","protected":false},"template":"","class_list":["post-109847","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Ferencsik season ticket 1","kiemelt_kep":{"ID":111845,"id":111845,"title":"Maxim Vengerov","filename":"vengerov_1920x560-2.jpg","filesize":418198,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/a-tanc-apoteozisa\/maxim-vengerov-3\/","alt":"","author":"951589","description":"","caption":"","name":"maxim-vengerov-3","status":"inherit","uploaded_to":109847,"date":"2019-10-08 07:49:14","modified":"2019-10-08 07:49:14","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-768x224.jpg","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-1024x299.jpg","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2.jpg","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2.jpg","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-165x220.jpg","person-size-2-width":165,"person-size-2-height":220,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/vengerov_1920x560-2-1600x560.jpg","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20191017","esemeny_idopontja":"7.30 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87537,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Zeneakad\u00e9mia{:}{:en}Liszt Academy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zeneakademia","to_ping":"","pinged":"","post_modified":"2021-02-17 10:09:02","post_modified_gmt":"2021-02-17 10:09:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/zeneakademia\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Hungary","cim":"VI. Liszt Ferenc t\u00e9r 8.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":101545,"post_author":"1","post_date":"2017-05-30 19:58:57","post_date_gmt":"2017-05-30 19:58:57","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n<em>\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette a Nemzeti Filharmonikusok Zenekar\u00e1t.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s <em>First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-3","to_ping":"","pinged":"","post_modified":"2020-08-10 08:31:17","post_modified_gmt":"2020-08-10 08:31:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=101545","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91165,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}Az 1919\u201320-ban k\u00e9sz\u00fclt t\u00e1nck\u00f6ltem\u00e9nyben Ravel r\u00e9gi kompoz\u00edci\u00f3s terv\u00e9t val\u00f3s\u00edthatta meg. M\u00e1r 1906 \u00f3ta foglalkoztatta egy <em>B\u00e9cs<\/em> c\u00edm\u0171 kering\u0151sorozat, mely a cs\u00e1sz\u00e1rv\u00e1ros hangulat\u00e1t id\u00e9zte volna meg. Egyik level\u00e9ben \u00edgy tud\u00f3s\u00edtott terv\u00e9r\u0151l: <em>\u201eegy nagy valcert \u00edrok (\u00fagy bizony), aff\u00e9le h\u00f3dolatteljes eml\u00e9kez\u00e9st a nagy Sraussra \u2013 nem a Richardra, hanem a m\u00e1sikra, Johannra. Ismeri m\u00e9ly rokonszenvemet e csod\u00e1latos ritmusok ir\u00e1nt, \u00e9s tudja, hogy mennyivel t\u00f6bbre becs\u00fcl\u00f6m az \u00e9let\u00f6r\u00f6m t\u00e1nccal val\u00f3 kifejez\u00e9s\u00e9t, mint a franckista puritanizmust.\u201d <\/em>1914-ben m\u00e1r jelent\u00e9keny v\u00e1zlatokat k\u00e9sz\u00edtett a leend\u0151 kompoz\u00edci\u00f3hoz, \u00e1m a h\u00e1bor\u00fa lehetetlenn\u00e9 tette a munka folytat\u00e1s\u00e1t: <em>\u201ea m\u0171, amellyel igen elm\u00e9ly\u00fclten foglalkozom, nem felel meg napjaink ig\u00e9nyeinek. (\u2026) Egy szimfonikus k\u00f6ltem\u00e9nyr\u0151l van sz\u00f3, amely igen j\u00f3l indult, a c\u00edme azonban <\/em>B\u00e9cs<em>! Lehetetlens\u00e9g <\/em>P\u00e9terv\u00e1r<em>ra \u00e1tkeresztelnem\u2026\u201d<\/em> Szerencs\u00e9re 1919-ben Gyagilev balettet rendelt Ravelt\u0151l, \u00edgy ism\u00e9t el\u0151vehette r\u00e9gi terv\u00e9t. A balettigazgat\u00f3 azonban csal\u00f3dott a <em>La Valse-<\/em>ban, nem l\u00e1tta meg benne a t\u0171n\u0151 l\u00e1tom\u00e1sokat, egy korszak visszavonhatatlan els\u00fcllyed\u00e9s\u00e9nek v\u00edzi\u00f3j\u00e1t, a kering\u0151z\u00e9s \u0151rj\u00edt\u0151 szenved\u00e9ly\u00e9t, a felszabadul\u00f3 t\u00falvil\u00e1gi indulatokat, a v\u00e9gs\u0151 megsemmis\u00fcl\u00e9s k\u00eds\u00e9rteties kavarg\u00e1s\u00e1t. Puszt\u00e1n kering\u0151k \u00fcgyesen egym\u00e1shoz illesztett sorozat\u00e1nak tartotta, melyet alkalmatlannak v\u00e9lt sz\u00ednpadi cselekm\u00e9ny kibontakoztat\u00e1s\u00e1ra. A balettbemutat\u00f3 elmaradt, de a m\u0171 koncerttermi sikere k\u00e1rp\u00f3tolta Ravelt, s\u0151t a darabot 1920 december\u00e9ben, B\u00e9csben is kedvez\u0151en fogadt\u00e1k.{:}{:en}In this dance poem from 1919\u201220, Ravel seized the opportunity to complete an unfinished project of his. Ever since 1906, he had been engaged with developing a waltz series titled <em>Vienne<\/em>, which would have evoked the atmosphere of the imperial Austro-Hungarian capital. By 1914, he had created an extensive outline for the future composition, but World War One made continued work on it impossible. Fortunately, however, Sergei Diaghilev commissioned a ballet from Ravel in 1919, and the composer was able to resume work on his earlier plan. The Russian ballet director, nevertheless, was disappointed with <em>La Valse<\/em>, failing to recognise the fleeting apparitions, the vision of an irreversibly vanishing era, the maddening passion of the waltz, the release of otherworldly emotions and the haunting vortex of final annihilation. Instead, Diaghilev construed it as a series of waltzes that, while cleverly assembled to fit with each other, were unsuitable for developing a story on the stage. Although the ballet premi\u00e8re never took place, Ravel was vindicated by the success of the concert version, and the piece was even received favourably when it was performed in Vienna in December 1920.{:}","post_title":"{:hu}La Valse{:}{:en}La Valse{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"la-valse","to_ping":"","pinged":"","post_modified":"2019-07-05 09:30:04","post_modified_gmt":"2019-07-05 09:30:04","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/la-valse\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110015,"post_author":"951590","post_date":"2019-06-27 10:29:27","post_date_gmt":"2019-06-27 10:29:27","post_content":"{:hu}Max Bruch (1838\u20131920) a n\u00e9met romantikus zene k\u00e9pzeletbeli t\u00e9rk\u00e9p\u00e9n a Mendelssohn, Schumann \u00e9s Brahms nev\u00e9vel f\u00e9mjelzett st\u00edlusir\u00e1nyzat k\u00f6zel\u00e9ben helyezkedik el. B\u00e1r sz\u00e1mos m\u0171vet alkotott \u2013 oper\u00e1kat, orat\u00f3riumokat, szimf\u00f3ni\u00e1kat, kamarazen\u00e9t \u2013, napjainkra m\u00e9gis szinte csak egyetlen kompoz\u00edci\u00f3ja, <em>I. heged\u0171verseny<\/em>e sz\u00e1m\u00edt reperto\u00e1rdarabnak a koncert\u00e9letben.\r\n\r\nBruch Koblenzben kompon\u00e1lta <em>g-moll heged\u0171verseny<\/em>\u00e9t. Az els\u0151 v\u00e1ltozat 1866-ban k\u00e9sz\u00fclt el, ezt be is mutatt\u00e1k a zeneszerz\u0151 vez\u00e9nylet\u00e9vel. A k\u00f6vetkez\u0151 \u00e9vben azonban Joseph Joachim heged\u0171m\u0171v\u00e9sz k\u00f6zrem\u0171k\u00f6d\u00e9s\u00e9vel revide\u00e1lta a versenym\u0171vet, s az \u00faj v\u00e1ltozat 1868 janu\u00e1rj\u00e1ban hangzott el el\u0151sz\u00f6r Joachim el\u0151ad\u00e1s\u00e1ban. B\u00e1r k\u00e9s\u0151bb m\u00e9g k\u00e9t heged\u0171versenyt kompon\u00e1lt, m\u00e9gis m\u00e1r \u00e9let\u00e9ben olyannyira az <em>I. heged\u0171verseny<\/em> v\u00e1lt n\u00e9pszer\u0171v\u00e9, hogy 1893-ban egy szarkasztikus epigramm\u00e1ban a m\u0171 betilt\u00e1s\u00e1t is kil\u00e1t\u00e1sba helyezte.\r\n\r\nBruch nagyj\u00e1b\u00f3l 25 perces versenym\u0171ve Brahms \u00e9s Mendelssohn heged\u0171versenyeivel egy\u00fctt a n\u00e9met romantika heged\u0171irodalm\u00e1nak harmadik cs\u00facspontja. Ak\u00e1rcsak Mendelssohn <em>e-moll<\/em> <em>koncert<\/em>j\u00e9ben, a t\u00e9telek itt is szinte megszak\u00edt\u00e1s n\u00e9lk\u00fcl k\u00f6vetik egym\u00e1st. Az els\u0151 t\u00e9tel rendhagy\u00f3 felirata <em>Vorspiel,<\/em> azaz el\u0151j\u00e1t\u00e9k. Kezdet\u00e9n a heged\u0171 fant\u00e1ziaszer\u0171 sz\u00f3l\u00f3i v\u00e1ltakoznak a zenekar \u00fctemeivel, majd a t\u00e9tel form\u00e1ja energikus f\u0151t\u00e9m\u00e1val, illetve l\u00edrai mell\u00e9kt\u00e9m\u00e1val bomlik ki. Meg\u00e1ll\u00e1s n\u00e9lk\u00fcl k\u00f6vetkezik az <em>Adagio<\/em> temp\u00f3jelz\u00e9s\u0171 m\u00e1sodik t\u00e9tel, melynek legf\u0151bb ismertet\u0151jegye l\u00edrai, \u00e1rad\u00f3 dallamoss\u00e1ga. A z\u00e1r\u00f3t\u00e9tel karakteres, ritmikus f\u0151t\u00e9m\u00e1ja pedig ak\u00e1r inspir\u00e1ci\u00f3s forr\u00e1sa is lehetett Brahms nem sokkal k\u00e9s\u0151bb kompon\u00e1lt heged\u0171versenye fin\u00e1l\u00e9j\u00e1nak.{:}{:en}On an imaginary map of the music of German Romanticism, Max Bruch (1838\u20131920) would be positioned somewhere close to the stylistic movement pioneered by Mendelssohn, Schumann and Brahms. Although he composed numerous works, including operas, oratorios, symphonies and chamber music, only a single composition of his \u2013 the <em>Violin Concerto No. 1<\/em> \u2013 is really considered to be a repertoire piece in today's concert world.\r\n\r\nComposed in Koblenz, the <em>Violin Concerto in G minor<\/em> constitutes the third pinnacle of the German Romantic literature for violin alongside the works in the same genre by Brahms and Mendelssohn. The first version was completed in 1866 and premi\u00e8red with the composer conducting. Bruch revisited the work the following year in collaboration with the violinist Joseph Joachim, who became the first to perform the new version in January 1868. Although the composer would later go on to compose two more violin concertos, the <em>Violin Concerto No. 1<\/em> became so popular even during his lifetime that he sarcastically called for it to be banned in 1893.{:}","post_title":"{:hu}I. (g-moll) heged\u0171verseny, op. 26{:}{:en}Violin Concerto No. 1 in G minor, op. 26{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"i-g-moll-hegeduverseny-op-26","to_ping":"","pinged":"","post_modified":"2019-07-05 09:32:44","post_modified_gmt":"2019-07-05 09:32:44","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=110015","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110080,"post_author":"951590","post_date":"2019-04-23 10:24:35","post_date_gmt":"0000-00-00 00:00:00","post_content":"","post_title":"***","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2019-04-23 10:24:35","post_modified_gmt":"2019-04-23 10:24:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=110080","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110016,"post_author":"951590","post_date":"2019-06-27 10:30:55","post_date_gmt":"2019-06-27 10:30:55","post_content":"{:hu}Ar\u00e1nyi Jelly a Hubay Jen\u0151 nev\u00e9vel f\u00e9mjelzett 20. sz\u00e1zadi magyar heged\u0171m\u0171v\u00e9sz-iskola egyik legismertebb k\u00e9pvisel\u0151je. Nemcsak Hubay tan\u00edt\u00e1s\u00e1t terjesztette vil\u00e1gszerte, hanem nagyb\u00e1tyja, Joseph Joachim eszmei \u00f6r\u00f6ks\u00e9g\u00e9t is. Tehets\u00e9g\u00e9t, k\u00e9pess\u00e9geit \u00e9s az \u00faj zene ir\u00e1nti nyitotts\u00e1g\u00e1t mutatja, hogy sz\u00e1mos kort\u00e1rs zeneszerz\u0151 \u00a0kompon\u00e1lt m\u0171vet sz\u00e1m\u00e1ra, Bart\u00f3k B\u00e9la p\u00e9ld\u00e1ul neki aj\u00e1nlotta mindk\u00e9t heged\u0171-zongora szon\u00e1t\u00e1j\u00e1t. 1922-ben Ar\u00e1nyi \u00e9s Bart\u00f3k Londonban j\u00e1tszotta az <em>I. szon\u00e1t\u00e1<\/em>t, s a hangversenyen jelen volt Maurice Ravel is, aki a koncert ut\u00e1n arra k\u00e9rte a heged\u0171m\u0171v\u00e9szn\u0151t, j\u00e1tsszon neki virtu\u00f3z cig\u00e1nydallamokat. Az \u00e9lm\u00e9ny hat\u00e1s\u00e1ra kompon\u00e1lta 1924-ben a <em>Tzigane <\/em>c\u00edm\u0171 koncertrapsz\u00f3di\u00e1t, melyet a heged\u0171m\u0171v\u00e9szn\u0151 m\u00e9g abban az \u00e9vben be is mutatott Henri Gil-Marchex k\u00f6zrem\u0171k\u00f6d\u00e9s\u00e9vel. A m\u0171vet Ravel eredetileg heged\u0171re \u00e9s egy luth\u00e9al nev\u0171 hangszerre kompon\u00e1lta (a zongor\u00e1hoz hasonl\u00f3, de j\u00f3val zeng\u0151bb, ez\u00e1ltal a cimbalom hangj\u00e1ra eml\u00e9keztet\u0151 luth\u00e9alt 1919-ben tal\u00e1lta fel egy belga hangszerk\u00e9sz\u00edt\u0151, Ravel t\u00f6bb m\u0171v\u00e9ben is alkalmazta), majd a k\u00eds\u00e9retet \u00e1t\u00edrta zongor\u00e1ra, v\u00e9g\u00fcl meg is hangszerelte.\r\n\r\nB\u00e1r Ravel a nemzetk\u00f6zileg is ismert \u201ecig\u00e1ny\u201d sz\u00f3t v\u00e1lasztotta c\u00edmnek, m\u0171v\u00e9ben egyetlen eredeti cig\u00e1ny n\u00e9pi dallamot sem dolgozott fel. A k\u00f6zel t\u00edzperces m\u0171 form\u00e1j\u00e1nak h\u00e1tter\u00e9ben nyilv\u00e1nval\u00f3an Liszt magyar rapsz\u00f3di\u00e1i \u00e1llnak. A lass\u00fa bevezet\u0151ben v\u00e9gig egyed\u00fcl a heged\u0171s j\u00e1tszik, sz\u00f3l\u00f3ja improvizat\u00edv, fant\u00e1ziaszer\u0171. A k\u00fcl\u00f6nleges hangsz\u00ednekben gazdag k\u00eds\u00e9ret csak a lass\u00fa sz\u00f3l\u00f3 v\u00e9gezt\u00e9vel, az \u00e9l\u00e9nkebb temp\u00f3j\u00fa m\u00e1sodik r\u00e9sz elej\u00e9n l\u00e9p be.{:}{:en}Jelly Ar\u00e1nyi is one of the best known representatives of the 20th century Hungarian school of violin playing exemplified by Jen\u0151 Hubay. It was not only Hubay's teachings that she spread around the world, as she also served as a conduit for the intellectual legacy of her uncle, the renowned Hungarian violinist Joseph Joachim. Attesting to her talent, skill and receptiveness to new music is the fact that numerous contemporary composers wrote works specifically for her: B\u00e9la Bart\u00f3k, for instance, dedicated both of his sonatas for violin and piano to her. After hearing Ar\u00e1nyi play at a London concert in 1922, Maurice Ravel asked her to play virtuoso Gypsy tunes for him. This experience led him to compose his 1924 concert rhapsody <em>Tzigane<\/em>, which Ar\u00e1nyi premi\u00e8red that same year in collaboration with the pianist Henri Gil-Marchex. Ravel had originally scored the work for violin and an instrument called luth\u00e9al (invented by a Belgian instrument-maker in 1919, the luth\u00e9al is similar to a piano, but much more resonant and therefore evocative of the sound of the cimbalom), but after this experiment revised it for piano and eventually for a full orchestra.{:}","post_title":"{:hu}Tzigane{:}{:en}Tzigane{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"tzigane","to_ping":"","pinged":"","post_modified":"2019-07-05 09:31:35","post_modified_gmt":"2019-07-05 09:31:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=110016","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":110017,"post_author":"951590","post_date":"2019-06-27 10:31:43","post_date_gmt":"2019-06-27 10:31:43","post_content":"{:hu}Richard Strauss (1864\u20131949) \u00e9s <em>A r\u00f3zsalovag<\/em> (1911) sz\u00f6veg\u00edr\u00f3ja, Hugo von Hofmannsthal sz\u00e1m\u00e1ra a Monarchia aranykor\u00e1nak l\u00e9gk\u00f6re egyben a fiatals\u00e1gukat is jelentette. Ahogy az eml\u00e9kk\u00e9pekben k\u00fcl\u00f6nb\u00f6z\u0151 id\u0151s\u00edkok cs\u00faszhatnak egym\u00e1sba, \u00e9pp\u00fagy keverednek kaleidoszk\u00f3pszer\u0171en a k\u00fcl\u00f6nb\u00f6z\u0151 korok, st\u00edlusok, a kital\u00e1lt \u00e9s val\u00f3s\u00e1gos szem\u00e9lyek, szok\u00e1sok az oper\u00e1ban. Az els\u0151 felvon\u00e1s Mozart oper\u00e1j\u00e1nak, a <em>Figaro h\u00e1zass\u00e1g\u00e1<\/em>nak saj\u00e1tos parafr\u00e1zisa: a gr\u00f3fn\u00e9t a kiss\u00e9 szabadosabb marsalln\u00e9val, Cherubint pedig a m\u00e1r fiatalember Octaviannal \u00e1ll\u00edthatjuk p\u00e1rhuzamba. A m\u00e1sodik felvon\u00e1sban a tipikus Moli\u00e8re-f\u00e9le karaktereknek jut a f\u0151szerep: a les\u00fcllyedt falusi dzsentri Ochs b\u00e1r\u00f3nak \u00e9s a minden\u00e1ron felfel\u00e9 t\u00f6r\u0151 polg\u00e1r Faninalnak, Sophie apj\u00e1nak. A harmadik felvon\u00e1sban a csapd\u00e1ba csalt \u00e9s nevets\u00e9gess\u00e9 tett Ochs b\u00e1r\u00f3ban Falstaff alakja \u00e9s jelleme k\u00f6sz\u00f6n vissza.\r\n\r\n1945-ben a nagyk\u00f6z\u00f6ns\u00e9g \u00e9vtizedeken \u00e1t tart\u00f3 lelkesed\u00e9s\u00e9nek k\u00f6sz\u00f6nhet\u0151en Strauss az oper\u00e1b\u00f3l n\u00e9h\u00e1ny r\u00e9szt kisebb appar\u00e1tusra dolgozott \u00e1t, \u00e9s \u00f6n\u00e1ll\u00f3 zenekari szvitk\u00e9nt f\u0171z\u00f6tt \u00f6ssze. A <em>R\u00f3zsalovag-szvit<\/em> impoz\u00e1ns keresztmetszet\u00e9t adja a dalm\u0171 \u201eaz olaj \u00e9s az olvasztott vaj\u201d simas\u00e1g\u00e1val \u00e1rad\u00f3 zen\u00e9j\u00e9nek. Az els\u0151 t\u00e9telben a r\u00f3zsalovag Octavian bel\u00e9p\u0151j\u00e9t \u00e9s azt k\u00f6vet\u0151 duettj\u00e9t Sophie<em>-<\/em>val, a m\u00e1sodik t\u00e9telben Ochs b\u00e1r\u00f3 kering\u0151j\u00e9t, a harmadik t\u00e9telben a tenor \u00e1ri\u00e1j\u00e1t az els\u0151 felvon\u00e1sb\u00f3l, a negyedik t\u00e9telben az els\u0151 felvon\u00e1s reggeliz\u0151 jelenet\u00e9t, az \u00f6t\u00f6dik t\u00e9telben a marsalln\u00e9, Octavian \u00e9s Sophie tercettj\u00e9t halljuk. V\u00e9g\u00fcl a hatodik t\u00e9telben Sophie \u00e9s Octavian befejez\u0151 duettje z\u00e1rja le a szvitet.{:}{:en}For Richard Strauss (1864\u20131949) and Hugo von Hofmannsthal, the librettist for his 1911 opera <em>Der Rosenkavalier<\/em>, the golden age of the Austro-Hungarian Empire was synonymous with their youth. Just as different time periods can slip into each other in one's memories of the past, so too do different eras, styles, fashions and fictional and actual people end up mixed up together in this opera, like an image in a kaleidoscope.\r\n\r\nIn 1945, decades of widely shared enthusiasm for his opera led Strauss to rework a few excerpts from it for a smaller number of instrumentalists, which he compiled as an independent orchestral suite.\u00a0 The <em>Rosenkavalier Suite<\/em> provides a compelling cross-section of the music from the work, flowing as it did with the smoothness of \"oil and melted butter\". The first movement consists of the entrance of Octavian, the knight of the rose, and his ensuing duet with Sophie, while the second is the waltz of Baron Ochs. The tenor aria from the first act makes up the third movement, with the fourth and fifth movements treating, respectively, the breakfast scene from the first act and the trio sung by the Marschallin, Octavian and Sophie. Finally, the sixth movement concludes the suite with the closing duet of Sophie and Octavian.{:}","post_title":"{:hu}R\u00f3zsalovag-szvit, op. 59{:}{:en}Rosenkavalier Suite, op. 59{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"rozsalovag-szvit-op-59","to_ping":"","pinged":"","post_modified":"2019-07-05 09:35:28","post_modified_gmt":"2019-07-05 09:35:28","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=110017","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":true,"kozr_szemelyek":[{"ID":109902,"post_author":"951590","post_date":"2019-07-05 13:20:41","post_date_gmt":"2019-07-05 13:20:41","post_content":"\u201eMaxim Vengerov heged\u0171j\u00e1t\u00e9ka \u00e9lm\u00e9ny. Leny\u0171g\u00f6z\u0151en tiszt\u00e1n heged\u00fcl: a heged\u0171s\u00f6kn\u00e9l \u00e1ltal\u00e1ban kritikus magas hangok bel canto \u00e9nektechnik\u00e1t id\u00e9z\u0151 term\u00e9szetess\u00e9ggel sz\u00f3lalnak meg hangszer\u00e9n. A sk\u00e1l\u00e1k minden hangja egyenk\u00e9nt felfoghat\u00f3, \u00e9rthet\u0151. Az \u00f6sszes megsz\u00f3lal\u00f3 hang magvas, van teste \u00e9s van ir\u00e1nya. Az ir\u00e1nyults\u00e1g egy\u00e9bk\u00e9nt nemcsak a hangk\u00e9pz\u00e9st jellemzi, hanem a ritmusokat is.\u201d\r\n(Dalos Anna, Muzsika)\r\n\r\nFot\u00f3: Benjamin Ealovega","post_title":"{:hu}Maxim Vengerov{:}{:en}Maxim Vengerov{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"maxim-vengerov","to_ping":"","pinged":"","post_modified":"2020-10-01 13:37:34","post_modified_gmt":"2020-10-01 13:37:34","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=109902","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}heged\u0171{:}{:en}violin{:}"}],"muveszekrol_reszletesen":true,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"HUF 5,500 \/ 4,500 \/ 4,000 \/ 3,500","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/a-tanc-apoteozisa-ferencsik-berlet-1-103879\/551286","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","esemeny_vege":"9.25 pm"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/109847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=109847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}