{"id":109781,"date":"2019-04-23T10:37:25","date_gmt":"2019-04-23T10:37:25","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=109781"},"modified":"2019-07-09T10:33:48","modified_gmt":"2019-07-09T10:33:48","slug":"beethovennel-a-szabadban-2019-07-13","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/beethovennel-a-szabadban-2019-07-13\/","title":{"rendered":"Beethoven in the Park"},"content":{"rendered":"

In case of rain the concert will be held on 14th July, Sunday<\/strong><\/p>\n

The opening concert for this year’s Beethoven events is full of contrasts and surprises. The high opus number of the concert aria Ah! perfido<\/em> to be performed at the start of the evening is somewhat misleading. Beethoven actually composed this multi-section, sometimes bravura piece when he was 26. It will be performed by Ildik\u00f3 Szak\u00e1cs, the soprano singer of the Hungarian State Opera. Behind the energy and unabashed happiness of the joyful music of Symphony No. 4<\/em> \u2013 which Schumann described as a slender Greek girl between two northern giants \u2013 lies Beethoven’s ardent love for the widow Josephine Brunszvik. The individual movements are built on the struggle between the duality of light and shadow, melody and rhythm and the harsh chords. The second half of the concert will see a performance of one of Beethoven’s most groundbreaking works, featuring pianist F\u00fcl\u00f6p R\u00e1nki and the Hungarian National Choir, conducted by Csaba Somos. The work was intended as a bravura closing piece for Beethoven’s 1808 benefit concert for composers. A seemingly improvisational piano solo \u2013 the composer did actually improvise during the premiere \u2013 is followed by a dialogue between piano and orchestra, before the choir then enters the fray. The musical material for the last section of the piece is a modified version of the theme to Gegenliebe<\/em> (WoO 118<\/em>), composed in 1794-95 and a melodic cousin of Ode to Joy<\/em>. For this reason and also for the similarities in form, the Choral Fantasy<\/em> is often known as the Little Ninth.<\/em><\/p>\n","protected":false},"template":"","class_list":["post-109781","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"","kiemelt_kep":{"ID":109765,"id":109765,"title":"Beethovennel_a_szabadban","filename":"HAR_1954.jpg","filesize":8065746,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/beethovennel-a-szabadban-2019-07-13\/har_1954\/","alt":"","author":"951590","description":"","caption":"","name":"har_1954","status":"inherit","uploaded_to":109781,"date":"2019-04-16 11:58:47","modified":"2019-04-18 18:30:49","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":5472,"height":3648,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954-768x512.jpg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954-1024x683.jpg","large-width":640,"large-height":427,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954.jpg","2048x2048-width":2048,"2048x2048-height":1365,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954.jpg","person-size-2-width":165,"person-size-2-height":110,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1954-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20190713","esemeny_idopontja":"7 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87568,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Brunszvik-kast\u00e9ly parkja{:}{:en}Park of the Brunszvik Castle{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"brunszvik-kastely-parkja","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:37","post_modified_gmt":"2016-09-08 08:02:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/brunszvik-kastely-parkja\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Martonv\u00e1s\u00e1r{:}{:en}Martonv\u00e1s\u00e1r{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"videk","karmester":{"ID":87416,"post_author":"1","post_date":"2016-10-11 09:20:57","post_date_gmt":"2016-10-11 09:20:57","post_content":"{:hu}Diplom\u00e1j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen szerezte, el\u0151bb \u00e9nek-zene tan\u00e1r \u00e9s karvezet\u0151, majd karmester szakon, Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s tan\u00edtv\u00e1nyak\u00e9nt. Elv\u00e9gezte Johannes Moesus, J\u00fcrgen J\u00fcrgens \u00e9s Jurij Szimonov mesterkurzusait. 22 \u00e9ves kora \u00f3ta akt\u00edv k\u00f3rusvezet\u0151. Majdnem 17 \u00e9ven \u00e1t volt a Vasas M\u0171v\u00e9szegy\u00fcttes \u00c9nekkar\u00e1nak karnagya. 2002-ben megalap\u00edtotta a Vass Lajos Kamarak\u00f3rust, amelyet 2017-ig vezetett. Zeneigazgat\u00f3k\u00e9nt dolgozott a debreceni Csokonai Sz\u00ednh\u00e1zban, majd a P\u00e9csi Nemzeti Sz\u00ednh\u00e1zban, \u00e9s vezet\u0151 karnagya volt a Magyar R\u00e1di\u00f3 \u00c9nekkar\u00e1nak. Vend\u00e9gkarmesterk\u00e9nt \u00e9s karnagyk\u00e9nt sz\u00e1mos magyar szimfonikus zenekarral \u00e9s hivat\u00e1sos k\u00f3russal l\u00e9pett fel. K\u00fclf\u00f6ldi zenekarokn\u00e1l is vend\u00e9gszerepelt, \u00edgy a Salern\u00f3i Filharmonikus Zenekarn\u00e1l (Olaszorsz\u00e1g) \u00e9s Jap\u00e1nban a Szakatai Filharmonikus Zenekarn\u00e1l. Karnagyk\u00e9nt \u00e9s karmesterk\u00e9nt gyakran h\u00edvj\u00e1k Spanyolorsz\u00e1gba, Olaszorsz\u00e1gba, Oroszorsz\u00e1gba, Rom\u00e1ni\u00e1ba, G\u00f6r\u00f6gorsz\u00e1gba, Maced\u00f3ni\u00e1ba, Ausztri\u00e1ba, N\u00e9metorsz\u00e1gba \u00e9s K\u00edn\u00e1ba. A Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetem tan\u00e1ra, zenei versenyek \u00e9s fesztiv\u00e1lok gyakorta felk\u00e9rt zs\u0171ritagja. A Magyar K\u00f3rusok \u00e9s Zenekarok Sz\u00f6vets\u00e9g\u00e9nek (K\u00d3TA) t\u00e1rseln\u00f6ke. Szakmai munk\u00e1ss\u00e1g\u00e1t Rub\u00e1nyi-d\u00edjjal, 2014-ben pedig Liszt-d\u00edjjal ismert\u00e9k el. 2015-ben megszerezte a \u201eDoctor of Liberal Arts\u201d (DLA) tudom\u00e1nyos fokozatot \u201esumma cum laude\u201d-min\u0151s\u00edt\u00e9ssel. A kort\u00e1rs magyar szerz\u0151k m\u0171veinek bemutat\u00e1sa ter\u00e9n szerzett \u00e9rdemei, valamint a Nemzeti \u00c9nekkar \u00e9l\u00e9n v\u00e9gzett magas sz\u00ednvonal\u00fa k\u00f3rus\u00e9p\u00edt\u0151 munk\u00e1ja elismer\u00e9sek\u00e9nt a Magyar \u00c9rdemrend Lovagkeresztje polg\u00e1ri tagozat kit\u00fcntet\u00e9s\u00e9t vehette \u00e1t 2020-ban. 2023 m\u00e1rcius 15-i nemzeti \u00fcnnep\u00fcnk alkalm\u00e1b\u00f3l - a magyar nemzeti kult\u00fara, m\u0171v\u00e9szi alkot\u00f3munka ter\u00fclet\u00e9n v\u00e9gzett kiemelked\u0151 m\u0171v\u00e9szeti \u00e9rt\u00e9kteremt\u0151 munk\u00e1ja elismer\u00e9sek\u00e9nt - Magyarorsz\u00e1g \u00c9rdemes M\u0171v\u00e9sze d\u00edjban r\u00e9szes\u00fclt.{:}{:en}He earned his degree at Budapest\u2019s Ferenc Liszt Academy of Music, first studying in the voice and music pedagogy and choral conducting courses, and later in the conducting course, under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He also completed master classes with Johannes Moesus, J\u00fcrgen J\u00fcrgens and Yuri Simonov. He has been active as a choir leader since the age of 22 and served for nearly 17 years as the choirmaster of the Vasas Ensemble Chorus. In 2002, he founded the Lajos Vass Chamber Choir, which he led until 2017. He has also worked as the music director of Debrecen\u2019s Csokonai Theatre and later the National Theatre of P\u00e9cs, as well as holding the position of chief choirmaster of the Hungarian Radio Choir. He has appeared as a guest conductor and choirmaster with numerous Hungarian symphonic orchestras and professional choirs. Somos has also made guest appearances with orchestras in other countries, including the Salerno<\/em> Philharmonic Orchestra<\/em> in Italy and, in Japan, the Sakata Philharmonic Orchestra. He is frequently invited to Spain, Italy, Russia, Romania, Greece, Macedonia, Austria, Germany and China as both a choirmaster and conductor. A teacher at the Ferenc Liszt Academy of Music, he is regularly asked to serve as a jury member of musical competitions and festivals. He serves as the vice president of the Hungarian Association<\/em> of Choirs, Orchestras and Folk Ensembles (K\u00d3TA). His professional work was recognised with a Rub\u00e1nyi Award, which was followed by a Liszt Award in 2014. In 2015, he earned his DLA, graduating summa cum laude. In recognition of his success presenting works by contemporary Hungarian composers and for his high-level choral development work at the head of the Hungarian National Choir, Somos was awarded the Knight's Cross (civilian grade) of the Hungarian Order of Merit in 2020.\r\n\r\nOn the occasion of our national holiday on 15 March 2023 \u2013 in recognition of his outstanding and valuable artistic contributions in the areas of Hungarian national culture and artistic creativity \u2013 he was named a Hungarian Artist of Merit.{:}","post_title":"{:hu}Somos Csaba{:}{:en}Csaba Somos{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"somos-csaba-2","to_ping":"","pinged":"","post_modified":"2026-04-20 11:57:17","post_modified_gmt":"2026-04-20 11:57:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=87416","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":105910,"post_author":"1","post_date":"2018-03-26 09:37:30","post_date_gmt":"2018-03-26 09:37:30","post_content":"Ah, perfido<\/em>... (\u201e\u00d3, h\u0171telen...\u201d) kezdet\u0171 koncert\u00e1ri\u00e1ja a fiatal Ludwig van Beethoven (1770\u20121827) sz\u00e1rnypr\u00f3b\u00e1lgat\u00e1sa volt. A zeneszerz\u0151 pr\u00e1gai tart\u00f3zkod\u00e1sa alkalm\u00e1val \u00edrta, Josepha Duschek h\u00edres szopr\u00e1n\u00e9nekesn\u0151 sz\u00e1m\u00e1ra \u2012 az \u00e1ria sz\u0171k m\u0171fajhat\u00e1rain t\u00falmutat\u00f3, val\u00f3s\u00e1gos dr\u00e1mai jelenetk\u00e9nt \u2012, els\u0151 el\u0151ad\u00e1s\u00e1ra m\u00e9g a kompon\u00e1l\u00e1s \u00e9v\u00e9ben, Lipcs\u00e9ben sor ker\u00fclt (1796. november 21.). Verstextusa a B\u00e9csben \u00e9lt olasz k\u00f6lt\u0151 \u00e9s sz\u00f6vegk\u00f6nyv\u00edr\u00f3 Pietro Metastasio (1698\u20121782) Achille in Sciro<\/em> c\u00edm\u0171 operalibrett\u00f3j\u00e1b\u00f3l (1737) sz\u00e1rmazik. Egy fiatal n\u0151 d\u00fch\u00e9t \u00e9s sir\u00e1mait tolm\u00e1csolja, akit elhagyott a kedvese. Ellent\u00e9tes \u00e9rzelmek kavarognak a f\u00e9rfihoz sz\u00f3l\u00f3 verssorokban: a n\u0151 el\u0151bb az \u00e9giek \u00e1ltali megb\u00fcntet\u00e9s\u00e9t j\u00f6vend\u00f6li meg, majd kegyelmet k\u00e9rve sz\u00e1m\u00e1ra, felaj\u00e1nlja saj\u00e1t hal\u00e1l\u00e1t, k\u00e9ts\u00e9gbees\u00e9s\u00e9ben v\u00e9g\u00fcl irgalom\u00e9rt k\u00f6ny\u00f6r\u00f6g szerelm\u00e9hez.\r\n\r\nBeethoven sz\u00ednpadias zen\u00e9je az \u00e9rzelmileg hull\u00e1mz\u00f3 sz\u00f6vegtartalomhoz idomul. Kezdete dr\u00e1mai recitativo C-d\u00far<\/em>ban, amelyet \u2012 nagy vonalakban n\u00e9zve \u2012 Esz-d\u00far<\/em> lass\u00fa (Adagio<\/em>), majd c-moll<\/em>\u2192Esz-d\u00far<\/em> gyors (Allegro assai<\/em>) \u00e1riaszakasz k\u00f6vet. Sz\u00f3list\u00e1j\u00e1t\u00f3l hat\u00e1sos virtuozit\u00e1st megk\u00edv\u00e1n\u00f3, nyelvezet\u00e9t illet\u0151en a XVIII. sz\u00e1zad operatrad\u00edci\u00f3iban gy\u00f6kerez\u0151 alkot\u00e1s, amely \u2012 k\u00f6zelebbr\u0151l is szeml\u00e9lve \u2012 egy\u00e9rtelm\u0171 Mozart-hat\u00e1st t\u00fckr\u00f6z (k\u00fcl\u00f6n\u00f6sen a Bella mia fiamma<\/em>... koncert\u00e1ri\u00e1\u00e9t, amelyet alig egy \u00e9vtizeddel Beethoven el\u0151tt, ugyanannak az \u00e9nekesn\u0151nek \u00edrt az osztr\u00e1k komponista).\r\n\r\nAz Ah, perfido<\/em>... csak 1805-ben jelent meg nyomtat\u00e1sban, Op. 65-k\u00e9nt. Nem sokkal k\u00e9s\u0151bb B\u00e9csben is f\u00f6lhangzott nyilv\u00e1nosan: Beethoven 1808. december 22-\u00e9n lezajlott \u2012 elk\u00e9peszt\u0151en monstru\u00f3zusra sikeredett \u2012 szerz\u0151i estj\u00e9n, olyan m\u0171vek t\u00e1rsas\u00e1g\u00e1ban, mint az a V.<\/em> \u00e9s VI. szimf\u00f3nia<\/em>, a G-d\u00far zongoraverseny<\/em>, a Karfant\u00e1zia<\/em>, a C-d\u00far mise<\/em> r\u00e9szletei (s\u0151t: a komponista mindemellett m\u00e9g improviz\u00e1lt is...).","post_title":"{:hu}Ah, perfido! \u2013 koncert\u00e1ria, op. 65{:}{:en}Ah, perfido! \u2013 concert aria, op. 65{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ah-perfido-koncertaria-op-65","to_ping":"","pinged":"","post_modified":"2020-03-04 12:24:33","post_modified_gmt":"2020-03-04 12:24:33","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=105910","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91353,"post_author":"1","post_date":"2016-09-08 08:57:51","post_date_gmt":"2016-09-08 08:57:51","post_content":"{:hu}

Ludwig van Beethovent\u0151l (1770\u20131827) m\u00e1r a kort\u00e1rsak is azt v\u00e1rt\u00e1k, hogy m\u0171vei eszm\u00e9ket \u00e9s h\u0151s\u00f6ket \u00e1br\u00e1zoljanak, zen\u00e9be foglalj\u00e1k a f\u00e9ny \u00e9s s\u00f6t\u00e9ts\u00e9g harc\u00e1t, a szerepl\u0151k (vagy maga az alkot\u00f3) k\u00fczdelmeit, szenved\u00e9lyeit, apote\u00f3zis\u00e1t vagy \u00e9ppen buk\u00e1s\u00e1t. K\u00fcl\u00f6n\u00f6sen \u00e9rv\u00e9nyes ez a szimf\u00f3ni\u00e1kra, f\u0151k\u00e9pp harmadik (Eroica<\/em>, Esz-d\u00far), az \u00f6t\u00f6dik (Sors<\/em>, c-moll) \u00e9s a kilencedik (d-moll) m\u0171re, de ott van mindez a grandi\u00f3zus hetedikben, s\u0151t m\u00e1r az\u00a0oroszl\u00e1nk\u00f6rm\u00f6ket megmutat\u00f3 els\u0151ben is. A p\u00e1ros sorsz\u00e1m\u00faak t\u00f6bbs\u00e9ge azonban mintha m\u00e1sf\u00e9le modellt k\u00f6vetne. K\u00f6z\u00f6tt\u00fck tal\u00e1n a 4. szimf\u00f3nia<\/strong><\/em> (B-d\u00far, op. 60) a legk\u00fcl\u00f6n\u00f6sebb, mivel ez illeszthet\u0151 be legkev\u00e9sb\u00e9 a szerz\u0151r\u0151l kialakult k\u00e9pbe, ez\u00e9rt viszonylag kev\u00e9s figyelmet kapott a \u201eh\u0151si\u201d szimf\u00f3ni\u00e1k \u00e1rny\u00e9k\u00e1ban. Pedig meg van benne minden, amit\u0151l azonnal n\u00e9pszer\u0171 lehetett volna: szellemess\u00e9g, formai ar\u00e1nyoss\u00e1g, a zenekar virtu\u00f3z kezel\u00e9se \u00e9s a m\u0171faj klasszikus hagyom\u00e1nyainak tisztelete, valamint az \u00fajdons\u00e1g \u00e9s k\u00f6z\u00e9rthet\u0151s\u00e9g szinte t\u00f6k\u00e9letes egyens\u00falya. Ezek az er\u00e9nyek els\u00f6pr\u0151 sikert biztos\u00edtottak Haydn szimf\u00f3ni\u00e1inak, csakhogy az ifj\u00fa Beethovent\u0151l a k\u00f6z\u00f6ns\u00e9g \u00e9ppen a l\u00e1zad\u00e1st, az el\u0151d\u00f6k arcul csap\u00e1s\u00e1t v\u00e1rta.<\/p>\r\n

A 4. szimf\u00f3nia 1806-ban, az Eroica<\/em> premierje \u00e9s a Fidelio<\/em> kompon\u00e1l\u00e1sa ut\u00e1n k\u00e9sz\u00fclt, a heged\u0171versennyel \u00e9s a 4. zongoraversennyel egy id\u0151ben. Ut\u00f3bbival \u00e9s a Coriolan<\/em> nyit\u00e1nnyal egy\u00fctt mutatt\u00e1k be 1807 m\u00e1rcius\u00e1ban, Lobkowitz herceg palot\u00e1j\u00e1ban.<\/p>\r\n

Az 1. t\u00e9tel<\/strong> (Adagio \u2013 Allegro vivace) komor bevezet\u00e9se trag\u00e9di\u00e1t sejtet, a berobban\u00f3 f\u0151t\u00e9ma viszont vid\u00e1m lend\u00fclettel sz\u00f3lal meg. Az Eroic\u00e1hoz hasonl\u00f3an hamarosan ez is elhangzik heroikus forte v\u00e1ltozatban, de a mind\u00f6ssze nyolc \u00fctemnyi szakaszt azonnal k\u00f6nnyed, pasztor\u00e1lis anyagok v\u00e1ltj\u00e1k fel, \u00e9ppen a Pastorale szimf\u00f3nia F-d\u00farj\u00e1ban.\r\nA 2. t\u00e9tel<\/strong> (Adagio) lass\u00fa, stiliz\u00e1lt indul\u00f3ra eml\u00e9keztet. Szokatlan m\u00f3don fontos szerepet kap benne a h\u00e1tt\u00e9rben megsz\u00f3lal\u00f3 timpani, amelynek jellegzetes pontozott ritmusait a 2. heged\u0171sz\u00f3lam el\u0151legezi \u00e9s k\u00e9s\u0151bb m\u00e1s hangszerek is \u00e1tveszik. Ez ellenpontozza a heged\u0171k, a klarin\u00e9t vagy az oboa hol nagy\u00edv\u0171en \u00e9nekl\u0151, hol megszak\u00edtott dallamait.\r\nA 3. t\u00e9tel<\/strong> (Allegro vivace) igazi klasszikus scherzo, amely tele van ritmikai j\u00e1t\u00e9kokkal. A f\u0151r\u00e9szben a h\u00e1rmas l\u00fcktet\u00e9st gyakran kettes hangcsoportok zavarj\u00e1k \u00f6ssze, hogy ann\u00e1l hat\u00e1sosabb legyen a rend helyre \u00e1ll\u00edt\u00e1sa. A hagyom\u00e1nyos h\u00e1rom r\u00e9szes, tri\u00f3s forma itt \u00f6t r\u00e9szess\u00e9 b\u0151v\u00fcl az\u00e1ltal, hogy Beethoven nem z\u00e1r le az els\u0151 szakasz visszat\u00e9r\u00e9se ut\u00e1n, hanem m\u00e1sodszor is hozza a tri\u00f3t, amit a f\u0151r\u00e9sz r\u00f6vid\u00edtett v\u00e1ltozata k\u00f6vet (ABABA).\r\nA 4. t\u00e9tel<\/strong> (Allegro ma non troppo) ker\u00fclt tal\u00e1n a legk\u00f6zelebb a m\u00e9g \u00e9l\u0151 Haydn vil\u00e1g\u00e1hoz. Az ifj\u00fa tit\u00e1n itt mintha azt pr\u00f3b\u00e1lta volna megmutatni, hogy a nagy mester szimf\u00f3nia-fin\u00e1l\u00e9ihoz hasonl\u00f3an \u0151 is k\u00e9pes a vid\u00e1m, \u00f6nfeledt muzsik\u00e1l\u00e1sra. (Gombos L\u00e1szl\u00f3<\/em>)<\/p>{:}{:en}

Peers expected Beethoven\u2019s works to portray ideas and heroes, to set to music the struggle of light and darkness, the clashes and passions of his protagonists. Composed in 1806, the Fourth (B-flat major, op. 60) conforms least to our image of Beethoven. While it has the makings of an instant success \u2013 wittiness, proportion, respect for the traditions of the genre \u2013 the audiences expected Beethoven to be more of a rebel and slap the predecessors in the face.<\/p>\r\n

The gloomy introduction<\/strong> of the first movement foreshadows tragedy; however, the main theme explodes in with joyful vigour and the movement proceeds to introduce light, pastoral music.\r\nThe second movement<\/strong> is reminiscent of a slow stylised march in which the typical dotted rhythms of the tympani in the background assume a crucial role. They are counterpointed by the broad, melodious sounds in the violins, clarinets and oboes.\r\nThe third movement<\/strong> is a classical scherzo brimming with rhythmic play. The traditional three-part trio form is expanded to five parts through repetition of the trio and the main part.\r\nThe fourth movement<\/strong> has most in common with the world of Haydn, still alive at the time. The young Beethoven was, perhaps, out to show off his gift in wild and cheerful music-making, like the great maestro in his symphony finales. (L\u00e1szl\u00f3 Gombos)<\/em><\/p>{:}","post_title":"{:hu}IV. (B-d\u00far) szimf\u00f3nia, op. 60{:}{:en}Symphony No. 4 in B-flat major, op. 60{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"iv-szimfonia-b-dur-op-60","to_ping":"","pinged":"","post_modified":"2019-04-16 11:31:52","post_modified_gmt":"2019-04-16 11:31:52","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/iv-szimfonia-b-dur-op-60\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91415,"post_author":"1","post_date":"2016-09-08 08:57:51","post_date_gmt":"2016-09-08 08:57:51","post_content":"{:hu}Beethoven a b\u00e9csi Theater an der Wienben 1808. december 22-\u00e9n tartott szerz\u0151i estj\u00e9nek maratoni m\u0171sorterv\u00e9ben az V.<\/em> \u00e9s a VI. szimf\u00f3nia<\/em> \u0151sbemutat\u00f3ja, a G-d\u00far zongoraverseny<\/em>, a C-d\u00far mise<\/em> k\u00e9t t\u00e9tele, egy koncert\u00e1ria \u00e9s zongoraimproviz\u00e1ci\u00f3 is szerepelt. A komponista az utols\u00f3 pillanatban elhat\u00e1rozta, hogy mindezek mellett, a hangverseny lekerek\u00edt\u00e9s\u00e9re m\u00e9g egy \u201ebrili\u00e1ns darabot\u201d kompon\u00e1l, amelyben szerepet kap a k\u00f3rus is. A hirtelen \u00f6tletb\u0151l sz\u00fcletett, egyedi fel\u00e9p\u00edt\u00e9s\u0171 darab a Karfant\u00e1zia<\/em>, amelynek els\u0151 r\u00e9sz\u00e9ben kapott helyet a zongoraimproviz\u00e1ci\u00f3 (az \u0151sbemutat\u00f3n a zeneszerz\u0151 val\u00f3ban r\u00f6gt\u00f6n\u00f6zte ezt a szakaszt, s csak az 1810-ben megjelent nyomtatott kiad\u00e1s sz\u00e1m\u00e1ra kott\u00e1zta le v\u00e9gleges v\u00e1ltozat\u00e1t!). Ez ut\u00e1n k\u00f6vetkezik a m\u0171 Finale<\/em> felirat\u00fa f\u0151 r\u00e9sz\u00e9nek els\u0151 fele, amelyben m\u00e1r a zenekar is r\u00e9szt vesz. Recitativo-szer\u0171 bevezet\u00e9s ut\u00e1n Beethoven Viszontszerelem <\/em>c\u00edm\u0171 dal\u00e1nak n\u00e9mik\u00e9pp \u00e1talak\u00edtott t\u00e9m\u00e1ja sz\u00f3lal meg a zongor\u00e1n, majd a t\u00e9m\u00e1t sz\u00e1mos vari\u00e1ci\u00f3 k\u00f6veti. A Finale<\/em> m\u00e1sodik fel\u00e9ben el\u0151sz\u00f6r sz\u00f3list\u00e1k: k\u00e9t szopr\u00e1n \u00e9s egy alt, majd k\u00e9t tenor \u00e9s egy basszus \u00e9nekli el a dal t\u00e9m\u00e1j\u00e1t, \u00e9s v\u00e9g\u00fcl a k\u00f3rus is bekapcsol\u00f3dik. A m\u0171vet lelkes\u00fclt hangv\u00e9tel\u0171, hat\u00e1sos, val\u00f3ban \u201ebrili\u00e1ns\u201d coda z\u00e1rja. Az id\u0151 r\u00f6vids\u00e9ge miatt a zen\u00e9hez ut\u00f3lag<\/em> hozz\u00e1\u00edrt k\u00f6ltem\u00e9ny egyfajta \u201e\u00d3da a M\u0171v\u00e9szethez,\u201d t\u00e9mav\u00e1laszt\u00e1s\u00e1ban teh\u00e1t a IX. szimf\u00f3ni\u00e1<\/em>ban megzen\u00e9s\u00edtett \u00d6r\u00f6m\u00f3d\u00e1<\/em>val \u00e1ll\u00edthat\u00f3 p\u00e1rhuzamba \u2013 de a Kilencedik<\/em>et el\u0151legezi a zene t\u00f6bb r\u00e9szlete is, mindenekel\u0151tt a dalt\u00e9ma, amely a k\u00e9s\u0151bbi \u00d6r\u00f6m\u00f3da<\/em>-dallam j\u00f3l felismerhet\u0151 rokona.{:}{:en}

The ambitious programme planned for Beethoven\u2019s composer\u2019s night at the Theater an der Wien on 22 December 1808 included the world premi?re of the Fifth and Sixth Symphonies, the Piano Concerto in G major, two movements of the Mass in C major, a concert aria and a piano improvisation. In the last moment the composer decided to round off the concert with another \u2018brilliant work\u2019 that would feature a choir (since there was one on stage already). A spur-of-the-moment work with a completely unique structure, the Choral Fantasy included the piano improvisation (which at the world premi?re the composer did in fact improvise and only noted down the final version when it was published in 1810). This is followed by the first half of the main part termed \u2018Finale\u2019 which also features the orchestra. After a recitative-like introduction the music shifts from C minor to C major and the piano intones a slightly modified version of Beethoven\u2019s lied Gegenliebe (Love returned, 1794\/95), which is followed by numerous variations. In the second half of the \u2018Finale\u2019 first the soloists \u2013 two sopranos and a contralto, then two tenors and a bass \u2013 sing the theme of the lied, and eventually the choir joins in. The work is rounded off by a passionate, truly \u2018brilliant\u2019 coda. Due to the constraint of time the poem Beethoven latterly added to the music is a kind of \u2018Ode to Art\u2019 and consequently its choice of theme makes it comparable with the Ode to Joy set to music in his Ninth. Numerous details of the music are also \u2018anticipate\u2019 his Ninth, in particular the theme of the lied which is a kind of archetype of the Ode to Joy with many recognisable features.<\/p>\r\n

<\/p>{:}","post_title":"{:hu}Karfant\u00e1zia, op. 80{:}{:en}Choral Fantasy, op. 80{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"karfantazia-c-moll-op-80","to_ping":"","pinged":"","post_modified":"2020-04-26 14:00:34","post_modified_gmt":"2020-04-26 14:00:34","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/karfantazia-c-moll-op-80\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":85998,"post_author":"1","post_date":"2019-04-16 11:34:43","post_date_gmt":"2019-04-16 11:34:43","post_content":"

\"\"Szak\u00e1cs Ildik\u00f3 els\u0151 tan\u00e1ra Adrig\u00e1n Judit volt, a Szent. Istv\u00e1n Zenem\u0171v\u00e9szeti Szakk\u00f6z\u00e9piskol\u00e1ban. 2007-ben v\u00e9gzett a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetem \u00e9nekm\u0171v\u00e9sz-tan\u00e1r szak\u00e1n kit\u00fcntet\u00e9ssel P\u00e1szthy J\u00fali\u00e1n\u00e1l \u00e9s Mazalin Wand\u00e1n\u00e1l. Tagja a Bel-Canto Operat\u00e1rsulatnak, ahol ismert oper\u00e1k keresztmetszeteiben \u00e9nekel f\u0151szerepeket. Sz\u00e1mos eur\u00f3pai orsz\u00e1gban (Anglia, Franciaorsz\u00e1g, Lengyelorsz\u00e1g, N\u00e9metorsz\u00e1g,Szlov\u00e1kia) \u00e9s a tengerent\u00falon (Canada, USA) is vend\u00e9gszerepelt. 2007 \u0151sz\u00e9n a New York-i Carnegie Hall Weill Recital Hallj\u00e1ban adott sz\u00f3l\u00f3estet a La Gesse Foundation szervez\u00e9s\u00e9ben M. Mussorgsky \u00e9s D. Argento m\u0171veib\u0151l. 2010-ben \u00e9s 2011-ben elnyerte a Fischer Annie el\u0151ad\u00f3m\u0171v\u00e9szi \u00f6szt\u00f6nd\u00edjat. 2011-ben d\u00f6nt\u0151be jutott a szegedi Armel operaversenyen, amelynek k\u00f6sz\u00f6nhet\u0151en t\u00f6bb alkalommal is \u00e9nekelte Gilda szerep\u00e9t a plse\u0144i operah\u00e1z Rigoletto-el\u0151ad\u00e1sain Alf\u00f6ldi R\u00f3bert rendez\u00e9s\u00e9ben.\r\nA 2012\/13-as \u00e9vben a Magyar \u00c1llami Operah\u00e1z mag\u00e1n\u00e9nekese.<\/p>","post_title":"{:hu}Szak\u00e1cs Ildik\u00f3{:}{:en}Ildik\u00f3 Szak\u00e1cs{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szakacs-ildiko","to_ping":"","pinged":"","post_modified":"2019-04-16 11:34:43","post_modified_gmt":"2019-04-16 11:34:43","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=85998","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"},{"ID":107295,"post_author":"1","post_date":"2019-04-16 11:38:07","post_date_gmt":"2019-04-16 11:38:07","post_content":"","post_title":"{:hu}R\u00e1nki F\u00fcl\u00f6p{:}{:en}F\u00fcl\u00f6p R\u00e1nki{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ranki-fulop","to_ping":"","pinged":"","post_modified":"2019-11-12 22:14:33","post_modified_gmt":"2019-11-12 22:14:33","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=107295","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":103834,"post_author":"1","post_date":"2017-10-05 12:07:03","post_date_gmt":"2017-10-05 12:07:03","post_content":"{:hu}Az \u00e9nekkar Magyarorsz\u00e1g egyik vezet\u0151 hivat\u00e1sos k\u00f3rusa, amelynek profilja a zenekar-k\u00eds\u00e9retes kompoz\u00edci\u00f3k, orat\u00f3riumok, valamint a cappella m\u0171vek el\u0151ad\u00e1sa. Reperto\u00e1rja ennek megfelel\u0151en rendk\u00edv\u00fcl gazdag, a kora barokk Sch\u00fctz alkot\u00e1sait\u00f3l Bach, a b\u00e9csi klasszikusok \u00e9s a 19. sz\u00e1zad zeneszerz\u0151inek kompoz\u00edci\u00f3in kereszt\u00fcl a 20. sz\u00e1zad \u00e9s a kort\u00e1rs zen\u00e9ig minden ir\u00e1nyba nyitott, m\u0171faji hat\u00e1rok n\u00e9lk\u00fcl, de a ritk\u00e1n m\u0171sorra ker\u00fcl\u0151 alkot\u00e1sok megsz\u00f3laltat\u00e1s\u00e1ban is elk\u00f6telezett. A reperto\u00e1rj\u00e1n hangs\u00falyosan jelen lev\u0151 19. sz\u00e1zadi orat\u00f3riumok mellett az egy\u00fcttes kiemelt fontoss\u00e1got tulajdon\u00edt a kort\u00e1rs m\u0171vek el\u0151ad\u00e1s\u00e1nak, sz\u00e1mos m\u0171 \u0151sbemutat\u00f3ja, illetve magyarorsz\u00e1gi bemutat\u00f3ja f\u0171z\u0151dik a nev\u00e9hez. A k\u00f3rus visszat\u00e9r\u0151 k\u00f6zrem\u0171k\u00f6d\u0151je a Nemzeti Filharmonikusok martonv\u00e1s\u00e1ri ny\u00e1ri Beethoven-sorozat\u00e1nak, kiemelked\u0151 szerepl\u0151je a zenekar csal\u00e1di matin\u00e9 koncertsorozat\u00e1nak, valamint a Kocsis Zolt\u00e1n m\u0171v\u00e9szeti vezet\u00e9s\u00e9vel 2006 \u00f3ta fel\u00e9p\u00fcl\u0151 Bart\u00f3k \u00daj Sorozatnak. A Nemzeti Filharmonikusok Richard Strauss oper\u00e1it bemutat\u00f3 nagy siker\u0171 sz\u00e9ri\u00e1j\u00e1ban \u00e9s Schoenberg M\u00f3zes \u00e9s \u00c1ron c\u00edm\u0171 oper\u00e1j\u00e1ban, az \u00e9nekkar mellett t\u00f6bb tagja sz\u00f3listak\u00e9nt is fell\u00e9pett. Az \u00e9nekkar a hazai koncertek mellett nemzetk\u00f6zi felk\u00e9r\u00e9seknek is eleget tesz, rendszeresen koncertezik a magyarok \u00e1ltal is lakott hat\u00e1ront\u00fali telep\u00fcl\u00e9seken. A Nemzeti \u00c9nekkar a M\u00fcp\u00e1ban megrendezett nagyszab\u00e1s\u00fa Wagner-napok rendszeresen megh\u00edvott k\u00f6zrem\u0171k\u00f6d\u0151je.{:}{:en}The first great era in the ensemble\u2019s history began in 1990, when the founding choirmaster\u2019s death led to M\u00e1tyas Antal taking up the post, which he held until 31 March 2016. Over the course of that more than a quarter of a century, the ensemble became Hungary\u2019s leading professional choir, known for its performances of vocal compositions accompanied by orchestra, oratorios and a cappella works.\r\n\r\nAccordingly, its repertoire is extremely rich and open in every direction, encompassing the early Baroque composer Heinrich Sch\u00fctz, Bach, the Viennese Classical School, and the composers of the 19th and 20th centuries and of today, without prejudice to genre.\r\n\r\nCsaba Somos has served as the ensemble\u2019s artistic director since 1 January 2016.\r\n\r\nIn addition to performing concerts in Hungary, the ensemble regularly accepts invitations to appear abroad, having sung in numerous nations in Europe, as well as in Israel and Japan. They also regularly visit communities with ethnic Hungarian populations in the countries that neighbour Hungary.\r\n\r\nThe Hungarian National Choir places great emphasis on performing contemporary works, along with the 19th-century oratorios that are so prominent in their repertoire. They have been credited with numerous world and Hungarian premi\u00e8res, including those of Zolt\u00e1n Jeney\u2019s oratorio Funeral Rite and Gy\u00f6rgy Kurt\u00e1g\u2019s composition Songs of Despair and Sorrow \u2013 the latter of which is considered by many to be one of the most difficult pieces in the choral literature. However, their repertoire also extends to works by Tam\u00e1s Beischer-Maty\u00f3, Zsolt Durk\u00f3, Kamill\u00f3 Lendvay, Gy\u00f6rgy Ligeti, Gy\u00f6rgy Orb\u00e1n, Emil Petrovics, J\u00f3zsef Soproni, S\u00e1ndor Szokolay, P\u00e9ter T\u00f3th and J\u00e1nos Vajda. In conjunction with this, the ensemble have also sung on recordings of works by several contemporary composers, such as Lajos Husz\u00e1r, Mikl\u00f3s Csemiczky, Attila Bozay, L\u00e1szl\u00f3 Kir\u00e1ly, M\u00e1t\u00e9 Holl\u00f3s and J\u00f3zsef S\u00e1ri.\r\n\r\nThe choir regularly collaborates on the Hungarian National Philharmonic\u2019s summer Beethoven series in Martonv\u00e1s\u00e1r and plays a prominent role in the orchestra\u2019s family matinee concert series, as well as in the Bart\u00f3k New Series that first began development in 2006 under the artistic leadership of Zolt\u00e1n Kocsis. \u00a0The Hungarian National Choir is also a reliable partner to the Hungarian National Philharmonic Orchestra in its artistic efforts to bring works that are undeservedly absent from the established repertoire to the audience. This category includes compositions by Britten, Debussy, Enescu, Jan\u00e1\u010dek and Ravel. Not only did the choir serve as the chorus in the Hungarian National Philharmonic\u2019s highly acclaimed series of productions of the operas of Richard Strauss, several of its members also took the stage as soloists. Another of the choir\u2019s notable accomplishments of recent years was its participation in the production of Schoenberg\u2019s\u00a0Moses und Aron<\/em>\u00a0that was conducted by Kocsis, who also completed the score. In addition to performing the traditional oratorio repertoire, they have also sung in such important but rarely heard works as the immense choral symphonies of Mahler, Bruckner\u2019s\u00a0Te Deum\u00a0<\/em>and Liszt\u2019s\u00a0Christus\u00a0<\/em>oratorio and\u00a0The Legend of St. Elizabeth<\/em>. The Hungarian National Choir is also regularly invited to participate in the massive Budapest Wagner Days festival that is organised at M\u00fcpa Budapest each year.\r\n\r\nOver the past 30 years, the choir has worked with such excellent conductors as Antal Dor\u00e1ti, P\u00e9ter E\u00f6tv\u00f6s, \u00c1d\u00e1m Fischer, Lionel Friend, J\u00e1nos F\u00fcrst, Lamberto Gardelli, Zsolt Hamar, Sebastian Weigle, J\u00e1nos Kov\u00e1cs, Gy\u00f6rgy Lehel, Andr\u00e1s Ligeti, Ervin Luk\u00e1cs, Ken-Ichiro Kobayashi, Bertrand de Billy, Rico Saccani, Yuri Simonov, Carlo Montanaro, Krzysztof Penderecki, Tam\u00e1s V\u00e1s\u00e1ry and Zolt\u00e1n Kocsis.{:}","post_title":"{:hu}Nemzeti \u00c9nekkar (karigazgat\u00f3: Somos Csaba){:}{:en}Hungarian National Choir (choir master: Csaba Somos){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-enekkar-karigazgato-somos-csaba-2","to_ping":"","pinged":"","post_modified":"2020-07-22 09:57:07","post_modified_gmt":"2020-07-22 09:57:07","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=institutions&p=103834","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"HUF 4,500 \/ 3,500 \/ 2,500","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/martonvasar-beethoven-estek-2019-103145\/552788","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","esemeny_vege":"8.45 pm"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/109781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=109781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}