{"id":109779,"date":"2019-04-23T10:39:01","date_gmt":"2019-04-23T10:39:01","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=109779"},"modified":"2022-04-07T20:25:32","modified_gmt":"2022-04-07T20:25:32","slug":"beethovennel-a-szabadban-2019-07-20","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/beethovennel-a-szabadban-2019-07-20\/","title":{"rendered":"Beethoven in the Park"},"content":{"rendered":"

In case of rain the concert will be held on 21th July, Sunday<\/strong><\/p>\n

In 1810, Beethoven wrote nine pieces of incidental music for Goethe’s Egmont<\/em>, before adding a heroic overture a few weeks later. The slow, mournful beginning is followed by an energetic, stubbornly advancing main theme. The overture preceded the overwhelming power of the Victory Symphony<\/em>. Piano Concerto No. 3<\/em>, the only concerto written by Beethoven in a minor key, was completed in 1800. In this piece, which will be interpreted by the superb young pianist Zolt\u00e1n Fej\u00e9rv\u00e1ri, the orchestra has an equal role to that of the solo instrument, presenting a significant challenge for the soloist. The dramatic tone of the first movement is followed by the confessional monologue of the second movement, Largo<\/em>. The closing movement, Rondo<\/em>, then showcases the countless different aspects of the same musical material. Symphony No. 8<\/em> was composed by Beethoven in the summer and autumn of 1812. The work is light, cheerful, full of humour and teeming with sparkling ideas. Though the acclaim for the premiere of Symphony No. 7<\/em> was far greater, Beethoven himself considered Symphony No. 8<\/em> to be the finer of the two. Schumann was one of the first people to recognise its brilliance: “In terms of the depth of its humour, no other symphony from Beethoven comes close… Upon hearing the Allegretto in B flat major, the listener is powerless to do anything but simply listen and wallow in happiness.”<\/em><\/p>\n","protected":false},"template":"","class_list":["post-109779","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"","kiemelt_kep":{"ID":109767,"id":109767,"title":"Beethovennel_a_szabadban_2","filename":"HAR_1979.jpg","filesize":6748538,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/beethovennel-a-szabadban-2019-07-20\/har_1979\/","alt":"","author":"951590","description":"","caption":"","name":"har_1979","status":"inherit","uploaded_to":109779,"date":"2019-04-16 12:02:45","modified":"2019-04-18 18:31:38","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":5472,"height":3648,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979-768x512.jpg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979-1024x683.jpg","large-width":640,"large-height":427,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979.jpg","2048x2048-width":2048,"2048x2048-height":1365,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979.jpg","person-size-2-width":165,"person-size-2-height":110,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2019\/04\/HAR_1979-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20190720","esemeny_idopontja":"7 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87568,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Brunszvik-kast\u00e9ly parkja{:}{:en}Park of the Brunszvik Castle{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"brunszvik-kastely-parkja","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:37","post_modified_gmt":"2016-09-08 08:02:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/brunszvik-kastely-parkja\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Martonv\u00e1s\u00e1r{:}{:en}Martonv\u00e1s\u00e1r{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"videk","karmester":{"ID":87422,"post_author":"1","post_date":"2019-04-16 12:52:47","post_date_gmt":"2019-04-16 12:52:47","post_content":"

Hal\u00e1sz P\u00e9ter Budapesten sz\u00fcletett. Sz\u00fcl\u0151v\u00e1ros\u00e1ban folytatott zongora \u00e9s zeneszerz\u0151i tanulm\u00e1nyok ut\u00e1n a B\u00e9csi Zenem\u0171v\u00e9szeti Egyetem karmester szak\u00e1n diplom\u00e1zott Leopold Hager tan\u00edtv\u00e1nyak\u00e9nt. Mesterkurzusokon Bernard Haitink tan\u00edtv\u00e1nya volt. Fischer \u00c1d\u00e1m asszisztensek\u00e9nt dolgozott az kismartoni Haydn Fesztiv\u00e1lon. A Z\u00fcrichi Operah\u00e1z operast\u00fadi\u00f3j\u00e1nak korrepetitorak\u00e9nt, majd a Mainzi \u00c1llami Sz\u00ednh\u00e1zban el\u0151sz\u00f6r vez\u00e9nyl\u0151 korrepetitork\u00e9nt, k\u00e9s\u0151bb karmesterk\u00e9nt dolgozott. Ezut\u00e1n az Aacheni Operah\u00e1z \u00e9s Szimfonikus Zenekar helyettes F\u0151zeneigazgat\u00f3ja \u00e9s els\u0151 karmestere lett. Itt sz\u00e1mos bemutat\u00f3t \u00e9s koncerteket is vez\u00e9nyelt. (t\u00f6bbek k\u00f6zt Wagner: Triszt\u00e1n \u00e9s Izolda, Sciarrino: Superfumina, Verdi: \u00c0larcosb\u00e1l, H\u00e4ndel: Ariodante, Mozart: Figaro H\u00e1zass\u00e1ga) A Magyar \u00c1llami Operah\u00e1zban 2010 \u00f3ta rendszeresen vez\u00e9nyel vend\u00e9gk\u00e9nt. 2013-t\u00f3l megb\u00edzott f\u0151zeneigazgat\u00f3k\u00e9nt dolgozott itt. 2014 \u00e1prilisa \u00f3ta t\u00f6lti be az int\u00e9zm\u00e9ny f\u0151zeneigazgat\u00f3i tiszts\u00e9g\u00e9t. Az ut\u00f3bbi k\u00e9t szezonban sz\u00e1mos reperto\u00e1r el\u0151ad\u00e1s mellett Verdi: Falstaff, R. Strauss: Az \u00e1rny\u00e9kn\u00e9lk\u00fcli asszony, Mozart: Cos\u00ed fan tutte, Weber: A b\u00fcv\u00f6s vad\u00e1sz, Wagner: A Rajna kincse premierjeit vez\u00e9nyelte az Operah\u00e1zban. Reperto\u00e1rj\u00e1n eddig t\u00f6bb mint 40 k\u00fcl\u00f6nb\u00f6z\u0151 opera szerepel a barokkt\u00f3l a kort\u00e1rs darabokig. Sz\u00e1mos n\u00e9met, osztr\u00e1k \u00e9s cseh zenekar vend\u00e9gkarmesterek\u00e9nt fell\u00e9pett. A 2015\/16-os szezonban t\u00f6bbek k\u00f6zt deb\u00fct\u00e1l a Hamburgi Operah\u00e1zban (Puccini: Manon Lescaut) , a Magyar \u00c0llami Oerah\u00e1zban folytatja a Walk\u00fcrrel a tavaly megkezdett Ring ciklust Budapesten valamint Thomas Ad\u00e9s \u201eVihar\u201c c. oper\u00e1j\u00e1nak magyarorsz\u00e1gi \u0151sbemutat\u00f3j\u00e1t is vez\u00e9nyli.<\/p>","post_title":"{:hu}Hal\u00e1sz P\u00e9ter{:}{:en}P\u00e9ter Hal\u00e1sz{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"halasz-peter","to_ping":"","pinged":"","post_modified":"2019-11-12 22:14:25","post_modified_gmt":"2019-11-12 22:14:25","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=87422","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91517,"post_author":"1","post_date":"2016-09-08 08:57:52","post_date_gmt":"2016-09-08 08:57:52","post_content":"1809-ben a b\u00e9csi Burgtheater igazgat\u00f3ja felk\u00e9rte Beethovent, \u00edrjon k\u00eds\u00e9r\u0151zen\u00e9t Goethe Egmont<\/em> c\u00edm\u0171 \u00f6tfelvon\u00e1sos dr\u00e1m\u00e1j\u00e1hoz, \u00e9s a k\u00f6lt\u0151t mindenekfelett tisztel\u0151 komponista \u00f6r\u00f6mmel v\u00e1llalta a feladatot. A nyit\u00e1nyb\u00f3l \u00e9s tov\u00e1bbi kilenc sz\u00e1mb\u00f3l \u00e1ll\u00f3 k\u00eds\u00e9r\u0151zene 1810 j\u00fanius\u00e1ra k\u00e9sz\u00fclt el, s azon nyomban be is mutatt\u00e1k. Az idegen elnyom\u00e1ssal szembesz\u00e1ll\u00f3 16. sz\u00e1zadi n\u00e9metalf\u00f6ldi gr\u00f3f, Lamoraal van Egmont tragikus sorsa 1810-ben B\u00e9csben k\u00fcl\u00f6n\u00f6s aktualit\u00e1st nyert: Nap\u00f3leon hadserege 1809 m\u00e1jus\u00e1ban n\u00e9gy \u00e9ven bel\u00fcl m\u00e1sodszor is elfoglalta a v\u00e1rost, \u00e9s a megsz\u00e1ll\u00e1s k\u00e9t h\u00f3napig tartott. De a t\u00f6rt\u00e9net r\u00edmel a Fidelio<\/em> \u00e9s az V. szimf\u00f3nia<\/em> s\u00f6t\u00e9ts\u00e9gb\u0151l f\u00e9nybe tart\u00f3 szabadul\u00e1s-dramaturgi\u00e1j\u00e1ra is, mert b\u00e1r a gr\u00f3f egy\u00e9ni sorsa trag\u00e9di\u00e1val v\u00e9gz\u0151d\u00f6tt, hal\u00e1la a n\u00e9metalf\u00f6ldi szabads\u00e1gharc k\u00f6zvetlen kiv\u00e1lt\u00f3 oka lett, s ez\u00e9rt Goethe utas\u00edt\u00e1sa szerint az el\u0151ad\u00e1snak Egmont gr\u00f3f lefejez\u00e9s\u00e9t k\u00f6vet\u0151en egy \u201eGy\u0151zelmi szimf\u00f3ni\u00e1val\u201d kell befejez\u0151dnie. A tragikus f-mollban megkompon\u00e1lt, szon\u00e1taform\u00e1j\u00fa nyit\u00e1ny lass\u00fa bevezet\u00e9s\u00e9nek jellegzetesen szaggatott mot\u00edvuma szolg\u00e1l felgyors\u00edtva mell\u00e9kt\u00e9mak\u00e9nt, s a v\u00e9g\u00e9n ez a monoton dobol\u00e1s k\u00eds\u00e9ri Egmontot a veszt\u0151helyre is. Ekkor j\u00f6n a meglepet\u00e9s: a gr\u00f3f hal\u00e1l\u00e1t jelz\u0151 d\u00f6bbent sz\u00fcnet ut\u00e1n, codak\u00e9nt a \u201eGy\u0151zelmi szimf\u00f3nia\u201d diadalmas F-d\u00far zen\u00e9je sz\u00f3lal meg, el\u0151revet\u00edtve a dr\u00e1ma pozit\u00edv v\u00e9gkicseng\u00e9s\u00e9t. Az Egmont-nyit\u00e1ny<\/em>, keletkez\u00e9se ut\u00e1n csaknem sz\u00e1z\u00f6tven \u00e9vvel egy m\u00e1sik szabads\u00e1gharccal is szorosan egybefon\u00f3dott: 1956-ban a forradalom idej\u00e9n ez volt a Magyar R\u00e1di\u00f3 \u00e1ltal legt\u00f6bbsz\u00f6r sug\u00e1rzott zene.","post_title":"{:hu}Egmont-nyit\u00e1ny, op. 84{:}{:en}Egmont Overture, op. 84{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"egmont-nyitany-op-84","to_ping":"","pinged":"","post_modified":"2022-04-07 20:25:39","post_modified_gmt":"2022-04-07 20:25:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/egmont-nyitany-op-84\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Beethoven"]},{"ID":91546,"post_author":"1","post_date":"2016-09-08 08:57:53","post_date_gmt":"2016-09-08 08:57:53","post_content":"{:hu}I. Allegro con brio\r\n<\/em>II. Largo\r\n<\/em>III. Rondo. Allegro<\/em>\r\n\r\nAz \u00fajabb kutat\u00e1sok szerint Beethoven 1802-ben v\u00e1zolta fel c-moll zongoraverseny<\/em>\u00e9t, \u00e9s 1803 elej\u00e9n fejezte be, h\u00e1rom \u00e9vvel k\u00e9s\u0151bb, mint r\u00e9gebben v\u00e9lt\u00e9k. Mint az \u00f6t zongoraverseny k\u00f6z\u00f6tt k\u00f6z\u00e9ps\u0151 helyen \u00e1ll\u00f3 m\u0171, egyszerre tekint vissza \u00e9s el\u0151re: vissza Mozart c-moll zongoraverseny<\/em>\u00e9re (K. 491), melynek hat\u00e1sa l\u00e9pten-nyomon \u00e9rezhet\u0151, \u00e9s ugyanakkor el\u0151re a radik\u00e1lisan \u00faj\u00edt\u00f3 IV.<\/em> \u00e9s V. zongoraverseny<\/em> ir\u00e1ny\u00e1ba. A c-moll hangnem Beethoven p\u00e1lyakezd\u00e9se \u00f3ta a zeneszerz\u0151 \u201etragikus\u201d hangnem\u00e9nek sz\u00e1m\u00edtott. A nagy c-moll m\u0171vek sorozata, amely m\u00e1r a zongoraverseny el\u0151tt olyan remekm\u0171veket foglalt mag\u00e1ba, mint a Path\u00e9tique<\/em> szon\u00e1ta vagy az op. 18 no. 4-es von\u00f3sn\u00e9gyes, innen halad tov\u00e1bb az V. szimf\u00f3nia<\/em> \u00e9s az utols\u00f3 zongoraszon\u00e1ta (op. 111) cs\u00facsai fel\u00e9.\r\n\r\nA zongoraverseny Allegro con brio<\/em> nyit\u00f3t\u00e9tele a von\u00f3sok \u00e1ltal j\u00e1tszott katon\u00e1s mot\u00edvummal kezd\u0151dik. Ebb\u0151l a szinte ban\u00e1lis alapanyagb\u00f3l \u00e9s a vele kontraszt\u00e1l\u00f3 l\u00edrai mell\u00e9kt\u00e9m\u00e1b\u00f3l igen komplex t\u00e9telt form\u00e1lt Beethoven, melyben a t\u00e9m\u00e1k minden egyes alkot\u00f3elem\u00e9t \u00e1talak\u00edt\u00e1sok \u00e9s fejleszt\u00e9sek sor\u00e1nak vetette al\u00e1. Az egyik legeml\u00e9kezetesebb pillanat a t\u00e9tel v\u00e9g\u00e9n k\u00f6vetkezik be, amikor a cadenz\u00e1t k\u00f6vet\u0151en a zongora nem hallgat el, hanem \u00e9l\u00e9nk tizenhatod-figur\u00e1ci\u00f3kkal festi al\u00e1 a f\u0151t\u00e9ma alapritmus\u00e1t, melyet szinte sz\u00f3lisztikusan jelen\u00edt meg az \u00fcstdob.\r\n\r\nAz E-d\u00far k\u00f6z\u00e9pt\u00e9tel (Largo<\/em>) dallama \u00f6nmag\u00e1ban v\u00e9ve meglehet\u0151sen egyszer\u0171, \u00e1m a gazdag d\u00edsz\u00edt\u00e9sek k\u00fcl\u00f6nleges sz\u00ednekben ragyogtatj\u00e1k fel. Sz\u00edvhez sz\u00f3l\u00f3 tercp\u00e1rhuzamok fokozz\u00e1k tov\u00e1bb a var\u00e1zslatos hangulatot, a hirtelen hangnemv\u00e1lt\u00e1sok pedig dr\u00e1mai fesz\u00fclts\u00e9gr\u0151l gondoskodnak. A t\u00e9tel v\u00e9g\u00e9n l\u00edrai k\u00f3da \u00e1ll, melyet egy hirtelen fortissimo z\u00e1r\u00f3akkord szak\u00edt meg. (\u00c9rdemes megjegyezni, hogy a meglehet\u0151sen ritka \u00e9s t\u00e1voli c-moll\/E-d\u00far hangnemkapcsolatot Brahms \u00e1tvette az I. szimf\u00f3ni\u00e1<\/em>ban.)\r\n\r\nMivel a c-moll \u00e9s az E-d\u00far igen t\u00e1vol \u00e1ll egym\u00e1st\u00f3l, Beethoven sz\u00fcks\u00e9g\u00e9t \u00e9rezte, hogy \u201ehidat\u201d \u00e9p\u00edtsen a k\u00e9t hangnem k\u00f6z\u00f6tt, kihaszn\u00e1lva, hogy a c-mollban el\u0151fordul\u00f3 \u201easz\u201d \u00e9s az E-d\u00farhoz tartoz\u00f3 \u201egisz\u201d egy \u00e9s ugyanazon hangmagass\u00e1g. Ez a hang domin\u00e1l mind a m\u00e1sodik t\u00e9tel z\u00e1r\u00e1s\u00e1ban, mind a harmadik t\u00e9tel kezdet\u00e9n, szinte \u00e9szrev\u00e9tlenn\u00e9 t\u00e9ve a v\u00e1lt\u00e1st. A fin\u00e1l\u00e9 j\u00e1t\u00e9kos ritmik\u00e1j\u00e1hoz Beethoven olyan dallamot t\u00e1rs\u00edt, amely a dr\u00e1mais\u00e1got sugall\u00f3 sz\u0171k\u00edtett szeptimet hangs\u00falyozza (ugyanezt tette Mozart is a K. 491-ben). Egy r\u00f6vid fugato-szakasz ut\u00e1n Beethoven \u00fajabb meglepet\u00e9ssel szolg\u00e1l: ez\u00fattal a m\u00e1sik ir\u00e1nyban megy \u00e1t a \u201egisz-asz\u201d h\u00eddon, \u00e9s \u00fajra megl\u00e1togatja a lass\u00fa t\u00e9tel E-d\u00far hangnem\u00e9t. Vissza\u00e9rkezve c-mollba, elkezd\u0151dik a visszat\u00e9r\u00e9s, melyet (a r\u00f6vid cadenza ut\u00e1n) Presto<\/em> temp\u00f3j\u00fa k\u00f3da k\u00f6vet, \u00faj hangnemben (C-d\u00far) \u00e9s \u00faj metrumban (2\/4 helyett 6\/8), a dr\u00e1mai fesz\u00fclts\u00e9get gondtalan vid\u00e1ms\u00e1gban oldva fel.{:}{:en}I. Allegro con brio II. Largo III. Rondo. Allegro\r\n\r\n \r\n\r\nNew research suggests that the Third Piano Concerto was sketched in 1802 and completed early in 1803, three years later than previously believed. The middle work among Beethoven's five piano concertos, it looks both backward and forward: backward to Mozart, whose own C-minor concerto (K. 491) was a very noticeable influence; and forward to the radical innovations of the last two concertos. Also, the key of C minor held a very deep personal meaning for Beethoven as his \"tragic\" tonality. The line of great C-minor works, which already included the earlier \"Path\u00e9tique\" Sonata and the String Quartet op. 18,\u00a0 No. 4, leads through the C-minor concerto to such later masterpieces as the Fifth Symphony and the last piano sonata (op. 111).\r\n\r\nThe opening Allegro con brio movement of the concerto starts with a military motif played by the strings in unison. Out of this almost banal material and a contrasting, lyrical second theme, Beethoven created an elaborate movement in which each thematic component is subjected to extensive thematic development. One of the most remarkable moments comes at the end when, after the cadenza, the pianist doesn't drop out but instead continues with sixteenth-note passages against the timpani playing part of the main theme.\r\n\r\nThe melody of the second-movement Largo is simple in itself, but the lavish ornamentation it receives makes it shine with special splendor. The enchanting parallel thirds of the pianist's second solo entrance further add to the magic, and the repeated sudden modulations into remote keys increase the dramatic tension. The movement ends with a soft, lyrical coda, cut short by a single fortissimo chord. The tonality of this slow movement, E major, is very distant from the original key of C minor. It is a most unusual key relationship - and Brahms duplicated it exactly in his First Symphony.\r\n\r\nGiven the distance between the two keys, Beethoven felt the need to build a \"bridge\" between the two, making use of the fact that the notes G-sharp (which occurs in E major) and A flat (which belongs to C minor), are one and the same. He emphasises this pitch both at the end of the second movement and at the beginning of the third, making the transition almost imperceptible. The Rondo itself combines a playful rhythmic scheme with a melody built around the diminished seventh, an interval with traditionally tragic connotations (the same combination of effects is also found in the last movement of Mozart's C-minor concerto). One of the more remarkable features in Beethoven's finale is the brief development of the main theme as a fugue, immediately followed by a typical Beethovenian jolt: he crosses the G-sharp\/A-flat bridge again, this time in the opposite direction, revisiting the E-major tonality of the slow movement. After re-establishing the home key, Beethoven proceeds with the recapitulation, culminating in a short cadenza. The movement ends with a Presto coda, set apart by a change of meter (from 2\/4 to 6\/8) and another change of key (from C minor to C major), to resolve the dramatic tensions by a cheerful and carefree conclusion.{:}","post_title":"{:hu}III. (c-moll) zongoraverseny, op. 37{:}{:en}Piano Concerto no. 3 in C minor, op. 37{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"iii-c-moll-zongoraverseny-op-37","to_ping":"","pinged":"","post_modified":"2020-09-23 15:23:51","post_modified_gmt":"2020-09-23 15:23:51","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/iii-c-moll-zongoraverseny-op-37\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91863,"post_author":"1","post_date":"2016-09-08 08:57:58","post_date_gmt":"2016-09-08 08:57:58","post_content":"{:hu}{:}{:en}{:}","post_title":"{:hu}A-d\u00far rondo{:}{:en}A major rondo{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-dur-rondo","to_ping":"","pinged":"","post_modified":"2016-09-08 08:57:58","post_modified_gmt":"2016-09-08 08:57:58","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/a-dur-rondo\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":87022,"post_author":"1","post_date":"2019-04-16 12:54:10","post_date_gmt":"2019-04-16 12:54:10","post_content":"{:hu}

\"\"Fej\u00e9rv\u00e1ri Zolt\u00e1n 1986-ban sz\u00fcletett Budapesten. A Bart\u00f3k B\u00e9la Zenem\u0171v\u00e9szeti Szakk\u00f6z\u00e9piskol\u00e1ban K\u00e9kesi Judit \u00e9s Csalog G\u00e1bor n\u00f6vend\u00e9ke volt, majd 2005-t\u0151l a Zeneakad\u00e9mi\u00e1n Kemenes Andr\u00e1s, V\u00e1rjon D\u00e9nes, Wagner Rita \u00e9s Guly\u00e1s M\u00e1rta vezet\u00e9s\u00e9vel v\u00e9gzett tanulm\u00e1nyokat. 2006-t\u00f3l 2008-ig a madridi Zs\u00f3fia Kir\u00e1lyn\u0151 Zeneakad\u00e9mia \u00f6szt\u00f6nd\u00edjas hallgat\u00f3jak\u00e9nt Dmitrij Baskirov oszt\u00e1ly\u00e1ba j\u00e1rt. Itthon 2011-ben szerzett kit\u00fcntet\u00e9ses diplom\u00e1t. T\u00f6bb nemzetk\u00f6zi verseny d\u00edjazottja: m\u00e1sodik d\u00edjat nyert a James Mottram Nemzetk\u00f6zi Zongoraversenyen az Egyes\u00fclt Kir\u00e1lys\u00e1gban valamint a Ricard Vines Nemzetk\u00f6zi Zongoraversenyen Spanyolorsz\u00e1gban, \u00e9s els\u0151 d\u00edjat kapott a cant\u00f9-i Nemzetk\u00f6zi Zongoraversenyen Olaszorsz\u00e1gban. Sz\u00e1mos nemzetk\u00f6zi zenei fesztiv\u00e1l \u00e9s workshop r\u00e9sztvev\u0151je. Itthon fell\u00e9pett sz\u00f3listak\u00e9nt a Budapesti Fesztiv\u00e1lzenekarral, a Nemzeti Filharmonikusokkal, a T-Com Szimfonikus Zenekarral, a Budapesti Von\u00f3sokkal, a Weiner-Sz\u00e1sz Kamaraszimfonikusokkal, valamint a Solti Kamarazenekarral. Koncertjei sor\u00e1n olyan nagyh\u00edr\u0171 muzsikusokkal dolgozott egy\u00fctt, mint Kocsis Zolt\u00e1n, Fischer Iv\u00e1n, Vashegyi Gy\u00f6rgy, Gary Hoffman, Zakhar Bron, Frans Helmerson, Ivan Monighetti, Keller Andr\u00e1s \u00e9s Rohmann Imre. 2013-ban elnyerte a Liszt T\u00e1rsas\u00e1g \u201eGrand Prix du Disque\u201d hanglemez nagyd\u00edj\u00e1t.<\/p>{:}{:en}

\"\"Born in 1986, Zolt\u00e1n Fej\u00e9rv\u00e1ri was a student at Budapest\u2019s B\u00e9la Bart\u00f3k Conservatory then he was admitted to the Franz Liszt Academy of Music to study with D\u00e9nes V\u00e1rjon and Andr\u00e1s Kemenes. From 2006 to 2008, he continued his studies on a scholarship to the Escuela Superior de M\u00fasica Reina Sof\u00eda with Dmitri Bashkirov. He won first prize at International Competition for Piano and Orchestra Cant\u00fa and second prize at both the RNCM James Mottram International Piano Competition and the Ricard Vi\u00f1es International Piano Competition in Spain. In 2012 he was invited to take part in the Professional Training Workshop of Carnegie Hall\u2019s Weill Music Institute with Andr\u00e1s Schiff. He has taken part in several international music festivals. Mr. Fej\u00e9rv\u00e1ri has collaborated with such celebrated musicians as Zolt\u00e1n Kocsis, Iv\u00e1n Fischer, Gary Hoffman, Zakhar Bron, Frans Helmerson and Ivan Monighetti and given concerts with the Keller Quartet, Kod\u00e1ly Quartet, Budapest Festival Orchestra, Hungarian National Orchestra, Concerto Budapest Orchestra and Budapest Strings. He won the international award \u201eGrand Prix du Disque\u201d in 2013.<\/p>{:}","post_title":"{:hu}Fej\u00e9rv\u00e1ri Zolt\u00e1n{:}{:en}Zolt\u00e1n Fej\u00e9rv\u00e1ri{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"fejervari-zoltan","to_ping":"","pinged":"","post_modified":"2019-04-16 12:54:10","post_modified_gmt":"2019-04-16 12:54:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=87022","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"HUF 4,500 \/ 3,500 \/ 2,500","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/martonvasar-beethoven-estek-2019-103145\/552789","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","esemeny_vege":"8.55 pm","karmester_2":false,"hivatkozas_gomb_szovege":"Nem el\u00e9rhet\u0151","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/program\/martonvasar-beethoven-estek-2019-103145\/552789"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/109779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=109779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}