{"id":109706,"date":"2019-04-10T06:50:06","date_gmt":"2019-04-10T06:50:06","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=109706"},"modified":"2019-04-10T07:10:46","modified_gmt":"2019-04-10T07:10:46","slug":"a-nemzeti-filharmonikus-zenekar-kinaban-3","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/a-nemzeti-filharmonikus-zenekar-kinaban-3\/","title":{"rendered":"THE HUNGARIAN NATIONAL PHILHARMONIC IN CHINA"},"content":{"rendered":"","protected":false},"template":"","class_list":["post-109706","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":false,"excerpt":false},"en":{"title":true,"content":false,"excerpt":false}}},"acf":{"alcim":"","kiemelt_kep":{"ID":108147,"id":108147,"title":"2018.09.25_Hamar Zsolt@MNF_Hargitay Oliv\u00e9r (8)","filename":"2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8.jpg","filesize":10014248,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/magyar-est\/2018-09-25_hamar-zsoltmnf_hargitay-oliver-8\/","alt":"","author":"951582","description":"","caption":"","name":"2018-09-25_hamar-zsoltmnf_hargitay-oliver-8","status":"inherit","uploaded_to":105988,"date":"2018-10-09 14:59:39","modified":"2018-10-18 14:24:37","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":5472,"height":3648,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8-768x512.jpg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8-1024x683.jpg","large-width":640,"large-height":427,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8.jpg","2048x2048-width":2048,"2048x2048-height":1365,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8.jpg","person-size-2-width":165,"person-size-2-height":110,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/2018.09.25_Hamar-Zsolt@MNF_Hargitay-Oliv\u00e9r-8-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20190415","esemeny_idopontja":"19.30","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":109702,"post_author":"951590","post_date":"2019-04-09 13:15:03","post_date_gmt":"2019-04-09 13:15:03","post_content":"","post_title":"{:hu}Jiangsu Centre for the Performing Arts{:}{:en}Jiangsu Centre for the Performing Arts{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"jiangsu-centre-for-the-performing-arts","to_ping":"","pinged":"","post_modified":"2019-04-09 13:16:26","post_modified_gmt":"2019-04-09 13:16:26","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=places&#038;p=109702","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Nanjing","orszag":"China","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"kulfold","karmester":{"ID":101533,"post_author":"3","post_date":"2017-05-30 06:50:49","post_date_gmt":"2017-05-30 06:50:49","post_content":"{:hu}<div dir=\"auto\">\r\n\r\nFels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n<em>\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette zeneigazgat\u00f3k\u00e9nt a Nemzeti Filharmonikus Zenekart.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.\r\n\r\n<\/div>\r\n<div dir=\"auto\"><\/div>{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s <em>First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-2","to_ping":"","pinged":"","post_modified":"2020-08-10 08:32:28","post_modified_gmt":"2020-08-10 08:32:28","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=101533","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91122,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}<p style=\"text-align: justify;\">\"Gal\u00e1nt\u00e1n t\u00f6lt\u00f6tte a szerz\u0151 gyermekkora legszebb h\u00e9t esztendej\u00e9t. H\u00edres volt akkor a gal\u00e1ntai banda, Mih\u00f3k pr\u00edm\u00e1s alatt. De m\u00e9g h\u00edresebb lehetett sz\u00e1z \u00e9vvel azel\u0151tt. 1800 t\u00e1j\u00e1n B\u00e9csben t\u00f6bb f\u00fczet magyar t\u00e1nc jelent meg. Egyiknek c\u00edme \u00edgy jel\u00f6li meg forr\u00e1s\u00e1t: \"von verschidenen (sic!) Zigeunern aus Galantha\". (...) Hadd folytassa ez a kis m\u0171 a r\u00e9gi gal\u00e1ntai hagyom\u00e1nyt.\" - \u00edrja a szerz\u0151 Gal\u00e1ntai t\u00e1ncok c\u00edm\u0171 darabja el\u00e9.\r\nKod\u00e1ly Zolt\u00e1n (1882-1967) 1933-ban, a Budapesti Filharm\u00f3niai T\u00e1rsas\u00e1g megalakul\u00e1s\u00e1nak 80. \u00e9vfordul\u00f3j\u00e1ra kompon\u00e1lta m\u00e1ig egyik legn\u00e9pszer\u0171bb szimfonikus m\u0171v\u00e9t. A bemutat\u00f3ra ugyanebben az \u00e9vben ker\u00fclt sor.<\/p>\r\n<p style=\"text-align: justify;\">A t\u00e9tov\u00e1z\u00f3 bevezet\u00e9sben a csell\u00f3, majd a k\u00fcrt hozza a jellegzetes, lass\u00fa verbunkos mot\u00edvumot. A dallamt\u00f6red\u00e9kek k\u00f6z\u00f6tt a t\u00f6bbi muzsikus mintha keresg\u00e9ln\u00e9, merre is fejlessze tov\u00e1bb ezt a zenei anyagot. Az els\u0151heged\u0171k mel\u00f3di\u00e1ja ut\u00e1n a klarin\u00e9t mutatja meg az utat: r\u00f6gt\u00f6nz\u00e9sszer\u0171 kadenci\u00e1ja a darab f\u0151t\u00e9m\u00e1j\u00e1ba, a szerz\u0151i utas\u00edt\u00e1s szerint \"m\u00e9lt\u00f3s\u00e1gteljesen l\u00e9pked\u0151\" verbunkosba torkollik. Az ism\u00e9tl\u00e9sn\u00e9l szenved\u00e9lyesebb\u00e9 v\u00e1l\u00f3 dallam megsz\u00f3laltat\u00e1s\u00e1ban m\u00e1r a teljes zenekar r\u00e9szt vesz.<\/p>\r\n<p style=\"text-align: justify;\">Az els\u0151 k\u00f6zj\u00e1t\u00e9kban ugr\u00f3t\u00e1ncot id\u00e9z\u0151, pizzicat\u00f3val k\u00eds\u00e9rt, csipkel\u0151d\u0151 faf\u00fav\u00f3s-, \u00e9s komoly, sodr\u00f3 erej\u0171 von\u00f3s\u00e1ll\u00e1sok v\u00e1ltj\u00e1k egym\u00e1st. Szellemes szerz\u0151i megold\u00e1s az ism\u00e9tl\u00e9sn\u00e9l a faf\u00fav\u00f3sok dallam\u00e1t kopul\u00e1zni; a fuvola \u00e9s a pikol\u00f3 kvintp\u00e1rhuzamban halad. Az ism\u00e9t megjelen\u0151 rond\u00f3t\u00e9ma szenved\u00e9lyess\u00e9g\u00e9t az \u00fcstdobtremol\u00f3k \u00e9s a dallamsorv\u00e9gi crescend\u00f3k fokozz\u00e1k.<\/p>\r\n<p style=\"text-align: justify;\">Az oboasz\u00f3l\u00f3val kezd\u0151d\u0151 szakasz dudat\u00e1ncot imit\u00e1l. Kontrasztanyaga f\u00e9nyes \u00e9s \u00e1ttetsz\u0151 a triangulum cseng\u0151-bong\u00f3 hangja, a pikol\u00f3 magas fricsk\u00e1i, a von\u00f3sok \u00fcveghangjai miatt. Azt\u00e1n a von\u00f3skar kiemelked\u00e9s\u00e9vel mintha a dudasz\u00f3l\u00f3ra kontr\u00e1zna r\u00e1 a n\u00e9pi zenekar. A visszat\u00e9r\u0151 andante maestoso t\u00e9m\u00e1t p\u00e1r \u00fctem ut\u00e1n els\u00f6pri az egyre sodr\u00f3bb \u00e9s extatikusabb harmadik k\u00f6zj\u00e1t\u00e9k. A von\u00f3sok ind\u00edtj\u00e1k, majd fokozatosan minden hangszercsoport bekapcsol\u00f3dik a hajszolt t\u00e1ncba.<\/p>\r\n<p style=\"text-align: justify;\">\"Kicsit \u00e1zottan\" - lehetne az alc\u00edme a harmadik, negyedik k\u00fcrt ind\u00edtotta r\u00e9sznek. A klarin\u00e9tsz\u00f3l\u00f3 ak\u00e1r egy r\u00e9szeg ember dudor\u00e1sz\u00e1s\u00e1t is evok\u00e1lhatja, amint der\u0171sen, de m\u00e1r szinte eszm\u00e9letlen\u00fcl pr\u00f3b\u00e1l hazat\u00e1molyogni.<\/p>\r\n<p style=\"text-align: justify;\">A mulats\u00e1g azonban n\u00e9lk\u00fcle is folytat\u00f3dik. Egyre sodr\u00f3bb lend\u00fclete csak egyetlenegyszer torpan meg, \u00e9pp a tet\u0151pontj\u00e1n. A fortissimo a-moll ter\u00fclet ut\u00e1n egy pianissimo gisz-moll akkord: h\u00e1tborzongat\u00f3 pillanat. A m\u00e9lt\u00f3s\u00e1gteljes, keser\u00e9des f\u0151t\u00e9ma v\u00e9gigvonul a fuvol\u00e1n \u00e9s az obo\u00e1n, majd vissza\u00e9rkezik oda, ahonnan elindult, a s\u00edrva vigad\u00f3 klarin\u00e9thoz. A darab v\u00e9g\u00e9re a t\u00e9ma k\u00f6zj\u00e1t\u00e9kszer\u0171 megjelen\u00e9se el\u0151ttr\u0151l ismer\u0151s, sz\u00e9d\u00edt\u0151en \u00f6rv\u00e9nyl\u0151 t\u00e1nc tesz pontot - azaz felki\u00e1lt\u00f3jelet.<\/p>{:}{:en}<p style=\"text-align: justify;\">\u201eThe composer spent the most beautiful seven years in Galanta. At that time, the Galanta band was famous when Mih\u00f3k was the first violinist. But it was even more famous a hundred years before. Around 1800, several books of Hungarian dances were published in Vienna. One of these described its sources as: \u201evon verschidenen (sic!) Zigeunern aus Galantha\u201d. (\u2026) Let this small work follow this old Galanta tradition\u201d \u2013 wrote Kod\u00e1ly on the published manuscript.\r\nZolt\u00e1n Kod\u00e1ly (1882\u20131967) composed what remains one of his most popular symphonic works in 1933 for the 80th anniversary of the Budapest Philharmonic Society and it was premiered the same year.<\/p>\r\n<p style=\"text-align: justify;\"><!--more-->\r\nIn the hesitant introduction, the cello and then the horn introduce the characteristic slow verbunk motif. It is as if the other musicians are searching among the melodic fragments how to develop this musical material. Following the melody of the first violins, the clarinet shows the way: its improvisatory cadenza leads to the work's main theme, a \"dignified stepping\" verbunk, according to Kod\u00e1ly's instructions. When it is repeated, it is more passionate still and the entire orchestra takes part.\r\nIn the first interlude, serious, powerful string and woodwind passages alternate with pizzicato strings, evoking a leaping dance. There is a witty compositional solution in the repeat, with flute and piccolo employed in parallel fifths. The recurring rondo theme is made all the more passionate by timpani tremolos and melodic crescendi.\r\nThe section commencing with an oboe solo imitates a bagpipe dances. The contrasting material is bright and transparent because of the sound of the triangle and the harmonics produced on violin, accompanied by piccolo. Then we seem to hear a folk band evoking a bagpipe solo, as a contrast to the elevation of the orchestra. After a few bars, an increasingly ecstatic third interlude sweeps away the returning andante maestoso theme. The strings launch things, then every instrumental group joins in the dance.\r\n\u201eA bit tipsy\u201d \u2013 could be the subtitle of the fourth section, introduced by the horn. The clarinet solo perhaps evokes the crooning of someone who has drunk too much, merry but not quite conscious, as they try to get home.\r\nBut the party continues without him. Its sweeping momentum is broken only once, and then at its climax. After a fortissimo A minor, we heard a pianissimo G sharp minor chord: it is a spine chilling moment. The dignified, bittersweet principal theme departs on flute and oboe, and returns to where it began, on the clarinet. The interlude like appearance of the theme placed at the end puts a full stop to the end of this dizzy dance - or rather, an exclamation mark.<\/p>\r\n<p style=\"text-align: justify;\"><\/p>{:}","post_title":"{:hu}Gal\u00e1ntai t\u00e1ncok{:}{:en}Dances from Gal\u00e1nta{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"galantai-tancok","to_ping":"","pinged":"","post_modified":"2019-04-29 13:31:03","post_modified_gmt":"2019-04-29 13:31:03","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/galantai-tancok\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":109709,"post_author":"951590","post_date":"2019-04-10 06:56:13","post_date_gmt":"2019-04-10 06:56:13","post_content":"\u00c9lete utols\u00f3 h\u00f3napjaiban, 1945 nyar\u00e1n, kora \u0151sz\u00e9n alkotta Bart\u00f3k <em>3.<\/em> <em>zongoraverseny<\/em>\u00e9t. Feles\u00e9g\u00e9nek, P\u00e1sztory Ditt\u00e1nak sz\u00e1nta; r\u00e9szben ez is magyar\u00e1zza, hogy annyira el\u00fct a kompoz\u00edci\u00f3 karaktere az el\u0151z\u0151 zongoraversenyt\u0151l. A szon\u00e1taszerkezet\u0171 els\u0151 t\u00e9tel a von\u00f3sok \u201eerd\u0151zsong\u00e1s\u00e1val\u201d kezd\u0151dik. A zongora ehhez verbunkos \u00edz\u0171 mel\u00f3di\u00e1t t\u00e1rs\u00edt.\r\n\r\nA lass\u00fa t\u00e9tel felirata egyed\u00fcl\u00e1ll\u00f3 Bart\u00f3k \u00e9letm\u0171v\u00e9ben: <em>Adagio religioso<\/em>. A \u201evall\u00e1sos\u201d adagio Beethoven h\u00edres von\u00f3sn\u00e9gyes-t\u00e9tel\u00e9re eml\u00e9keztet an\u00e9lk\u00fcl, hogy azt hangr\u00f3l hangra id\u00e9zn\u00e9: az op. 132-es <em>a-moll kvartett <\/em>lass\u00faj\u00e1ra, amelynek Beethoven a <em>\u201efelgy\u00f3gyult beteg h\u00e1la\u00e9neke lyd hangnemben\u201d<\/em> c\u00edmet adta. A zenekar imit\u00e1ci\u00f3s bevezet\u0151je ut\u00e1n a zongora kor\u00e1lszer\u0171, egyszer\u0171 harm\u00f3ni\u00e1kkal k\u00eds\u00e9rt mel\u00f3di\u00e1t j\u00e1tszik, majd \u00fajra v\u00e1ltakozva imit\u00e1ci\u00f3 \u00e9s kor\u00e1lsor k\u00f6vetkezik, ahogy Beethovenn\u00e9l. Nem alaptalan ebben szem\u00e9lyes vallom\u00e1st l\u00e1tnunk: 1945 nyar\u00e1n, Saranac Lake \u00fcd\u00fcl\u0151helyen Bart\u00f3k \u00e1tmenetileg val\u00f3ban \u00fagy \u00e9rezhette, gy\u00f3gyul, v\u00e9gre jobbra fordul minden. A t\u00e9tel k\u00f6z\u00e9pr\u00e9sze ugyancsak a saranaci nyaral\u00e1s eml\u00e9k\u00e9t \u0151rzi: itt jegyzett fel ugyanis Bart\u00f3k mad\u00e1r\u00e9nekeket. K\u00f6z\u00fcl\u00fck t\u00f6bbet hangr\u00f3l hangra felhaszn\u00e1lt a kompoz\u00edci\u00f3ban.\r\n\r\nA z\u00e1r\u00f3t\u00e9tel 3\/8-os rond\u00f3, amelybe m\u00e9g egy f\u00faga is belef\u00e9r. Bart\u00f3k a tiszt\u00e1zatot m\u00e1r nem tudta v\u00e9gig\u00edrni: tizenh\u00e9t \u00fctem a partit\u00far\u00e1b\u00f3l \u00fcresen maradt. Serly Tibor v\u00e9gezte el az utols\u00f3 retust. K\u00f6zel f\u00e9l \u00e9vvel a zeneszerz\u0151 hal\u00e1la ut\u00e1n, 1946. febru\u00e1r 8-\u00e1n, S\u00e1ndor Gy\u00f6rgy sz\u00f3l\u00f3j\u00e1val hangzott el el\u0151sz\u00f6r a m\u0171, s \u00f3ri\u00e1si sikert aratott.","post_title":"{:hu}III. zongoraverseny{:}{:en}Piano Concerto No. 3{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"iii-zongoraverseny","to_ping":"","pinged":"","post_modified":"2019-06-27 10:12:26","post_modified_gmt":"2019-06-27 10:12:26","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=109709","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]},{"ID":91319,"post_author":"1","post_date":"2016-09-08 08:57:50","post_date_gmt":"2016-09-08 08:57:50","post_content":"{:hu}<p style=\"margin-left: 40px;\">I. Adagio \u2013 Allegro non troppo\r\nII. Allegro con grazia\r\nIII. Allegro molto vivace\r\nIV. Finale. Adagio lamentoso \u2013 Andante<\/p>\r\nA VI. szimf\u00f3nia Csajkovszkij (1840-1893) utols\u00f3 kompoz\u00edci\u00f3i k\u00f6z\u00e9 tartozik, bemutat\u00f3ja 1893. okt\u00f3ber 28-\u00e1n volt. A m\u0171 ekkor, Szentp\u00e9terv\u00e1ron nem okozott k\u00fcl\u00f6n\u00f6sebben nagy felt\u0171n\u00e9st, m\u00e9rs\u00e9kelt sikert aratott. \u00c1m n\u00e9h\u00e1ny nappal k\u00e9s\u0151bb, november 6-\u00e1n, Csajkovszkij hal\u00e1la napj\u00e1n az emberek arr\u00f3l kezdtek m\u00e1r suttogni, hogy a szimf\u00f3ni\u00e1ban a szerz\u0151 saj\u00e1t hal\u00e1l\u00e1t \u00edrta meg, s emiatt nem besz\u00e9lt sohasem a m\u0171 programj\u00e1r\u00f3l. November 14-\u00e9n Csajkovszkij eml\u00e9ke el\u0151tt tisztelg\u0151 koncertet rendeztek, a A Heged\u0171verseny, az Anyegin r\u00e9szletei \u00e9s a R\u00f3me\u00f3 \u00e9s J\u00falia mellett a VI. szimf\u00f3nia hangzott el. A koncert ut\u00e1n \u00edrta Rimszkij-Korszakov: A k\u00f6z\u00f6ns\u00e9g most elragadtat\u00e1ssal hallgatta a szimf\u00f3ni\u00e1t, melynek h\u00edrneve ett\u0151l kezdve egyre n\u0151tt, \u00e9s fokozatosan bej\u00e1rta eg\u00e9sz Eur\u00f3p\u00e1t. (\u2026) A hallgat\u00f3s\u00e1g lelkesed\u00e9s\u00e9t \u00e9s rokonszenv\u00e9t most felt\u00e9telezhet\u0151en a szerz\u0151 v\u00e1ratlan hal\u00e1la v\u00e1ltotta ki, ami k\u00fcl\u00f6nf\u00e9le sz\u00f3besz\u00e9dekre adott alkalmat, s\u0151t olyan v\u00e9lem\u00e9nyre is, hogy Csajkovszkij el\u0151re meg\u00e9rezte tragikus hal\u00e1l\u00e1t. Az ilyen t\u00f6rt\u00e9netek\u00e9rt az emberek val\u00f3s\u00e1ggal bolondulnak. A k\u00f6z\u00f6ns\u00e9gre az hatott, hogy a szimf\u00f3nia komor hangulat\u00fa utols\u00f3 t\u00e9tel\u00e9t kapcsolatba lehet hozni ilyen el\u0151\u00e9rzetekkel. A nagyszer\u0171 kompoz\u00edci\u00f3 hamarosan h\u00edres, s\u0151t divatos lett.\u201d\r\n\r\nCsajkovszkij m\u00e1r a munka kezdeti id\u0151szak\u00e1ban (febru\u00e1r) tudta, hogy m\u0171v\u00e9t programzenek\u00e9nt fogj\u00e1k majd \u00e9rtelmezni. Ha l\u00e9tezik a program akkor az biztosan \u201eteljesen szubjekt\u00edv. Utaz\u00e1saim k\u00f6zben, mialatt gondolatban kompon\u00e1ltam, nemegyszer keservesen s\u00edrva fakadtam. Hazat\u00e9rve, amilyen gyorsan csak tudtam, nekil\u00e1ttam a v\u00e1zlat elk\u00e9sz\u00edt\u00e9s\u00e9nek, ami k\u00f6nnyen ment, n\u00e9gy nap alatt v\u00e9geztem az els\u0151 t\u00e9tellel. A t\u00f6bbi is tiszt\u00e1n kirajzol\u00f3dott a fejemben. A harmadik t\u00e9tel fele is k\u00e9szen van m\u00e1r. Ennek a szimf\u00f3ni\u00e1nak form\u00e1ja sok \u00fajat ny\u00fajt, t\u00f6bbek k\u00f6z\u00f6tt a Fin\u00e1l\u00e9 nem hangos Allegro, hanem ellenkez\u0151leg, terjedelmes Adagio lesz. El sem k\u00e9pzeled, mennyire \u00f6r\u00fcl\u00f6k, hogy tudok m\u00e9g dolgozni.\u201d A kompon\u00e1l\u00e1s nagyobbik r\u00e9sz\u00e9vel a ny\u00e1r v\u00e9g\u00e9re k\u00e9sz\u00fclt el, \u201ej\u00f3l haladok, el\u00e9gedett vagyok a tartalm\u00e1val, a hangszerel\u00e9s\u00e9vel m\u00e1r nem eg\u00e9szen. Nem lesz sz\u00e1momra meglep\u0151, ha a szimf\u00f3ni\u00e1t lebecsm\u00e9rlik vagy rosszul fogadj\u00e1k. Nem ez lesz az els\u0151 ilyen tapasztalatom. De hat\u00e1rozottan \u00e1ll\u00edtom, ez eddigi m\u0171veim k\u00f6z\u00fcl a legjobb. \u00dagy szeretem, mint m\u00e9g soha egyiket sem.\u201d{:}{:en}<p style=\"margin-left: 40px;\">I. Adagio \u2013 Aallegro no troppo\r\nII. Allegro con grazia\r\nIII. Allegro molto vivace\r\nIV. Finale. Adagio lamentoso - Andante<\/p>\r\n&nbsp;\r\n\r\n\u201eI am firmly convinced that this is the best of all my compositions. I love it as I have never loved any other work\u201d \u2013 wrote Tchaikovsky before the premiere of his final work in October, 1893.\r\n\r\n&nbsp;\r\n\r\nThe piece was a moderate success at its first performance in Saint Petersburg. However, a few days later, on November 6th, the day when Tchaikovsky died, word went round that in this symphony the composer had in fact written about his own death. On November 14th, it was performed at a concert staged in tribute to his memory. Rimsky Korsakov wrote after this event: The public now went into raptures over the symphony that at this moment began its shining career of fame and popularity gradually conquering the whole of Europe.{:}","post_title":"{:hu}VI. (h-moll, \"Patetikus\") szimf\u00f3nia, op. 74{:}{:en}Symphony no. 6 in B minor (Pathetique), op. 74{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"vi-h-moll-patetikus-szimfonia-op-74","to_ping":"","pinged":"","post_modified":"2019-04-10 08:21:01","post_modified_gmt":"2019-04-10 08:21:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/vi-h-moll-patetikus-szimfonia-op-74\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Csajkovszkij"]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":96907,"post_author":"3","post_date":"2016-10-19 19:28:18","post_date_gmt":"2016-10-19 19:28:18","post_content":"","post_title":"Bal\u00e1zs J\u00e1nos","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"balazs-janos","to_ping":"","pinged":"","post_modified":"2016-10-19 19:28:18","post_modified_gmt":"2016-10-19 19:28:18","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=96907","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":true,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/109706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=109706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}