{"id":109535,"date":"2019-03-26T14:03:08","date_gmt":"2019-03-26T14:03:08","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=109535"},"modified":"2019-03-26T14:26:28","modified_gmt":"2019-03-26T14:26:28","slug":"savaria-szimfonikus-zenekar-kozremukodik-a-nemzeti-enekkar","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/savaria-szimfonikus-zenekar-kozremukodik-a-nemzeti-enekkar\/","title":{"rendered":"Savaria Szimfonikus Zenekar, k\u00f6zrem\u0171k\u00f6dik a Nemzeti \u00c9nekkar"},"content":{"rendered":"

Nemzeti \u00c9nekkar (karigazgat\u00f3: Somos Csaba)<\/p>\n

Savaria Szimfonikus Zenekar<\/p>\n

 <\/p>\n

J\u00f3llehet, m\u00e1ra a klasszikus zene egyik legismertebb darabja, m\u00e1r csak az Eur\u00f3pa-himnusz ok\u00e1n is, Ludwig van Beethoven (1770\u20131827) 9. szimf\u00f3ni\u00e1ja (op. 125) j\u00f3csk\u00e1n megosztotta a sz\u00e9les k\u00f6z\u00f6ns\u00e9get \u00e9s a sz\u0171kebb szakm\u00e1t egyar\u00e1nt. Mer\u0151ben szokatlan ugyanis az, ahogyan a szimf\u00f3ni\u00e1ban, azaz egy kifejezetten hangszeres megsz\u00f3laltat\u00e1sra sz\u00e1nt kompoz\u00edci\u00f3ban egyszer csak megsz\u00f3lal az emberi hang. Giuseppe Verdi \u00e9ppoly zavartan \u00e1llt a felmer\u00fcl\u0151 m\u0171fajt\u00f6rt\u00e9neti k\u00e9rd\u00e9sek el\u0151tt, mint Richard Wagner.
\nBeethoven sz\u00e1m\u00e1ra sem probl\u00e9mamentes a m\u0171 megfogalmaz\u00e1sa. A 9. szimf\u00f3nia k\u00e9t, egym\u00e1st\u00f3l eredetileg f\u00fcggetlen \u00f6tlet \u00f6tv\u00f6z\u00e9s\u00e9b\u0151l nyerte el v\u00e9gs\u0151 form\u00e1j\u00e1t: az egyik \u00f6tlet egy k\u00f3rust is alkalmaz\u00f3 szimf\u00f3nia, r\u00e9szben a K\u00f3rusfant\u00e1zia (op. 80) mint\u00e1j\u00e1ra, a m\u00e1sik pedig egy tiszt\u00e1n instrument\u00e1lis m\u0171 d-mollban. Hosszas p\u00e1rhuzamos munka ut\u00e1n, v\u00e9g\u00fcl 1824-ben d\u00f6nt\u00f6tt a k\u00e9t alakul\u00f3 terv egybeforraszt\u00e1sa mellett. Nemcsak m\u0171faj\u00e1ban tekint kor\u00e1n\u00e1l j\u00f3val messzebbre Beethoven szimf\u00f3ni\u00e1ja. Egyes passz\u00e1zsok, p\u00e9ld\u00e1ul a m\u00e1sodik t\u00e9tel k\u00fcrtsz\u00f3l\u00f3j\u00e1nak \u00e1ll\u00e1sai korabeli hangszeren szinte j\u00e1tszhatatlanok voltak. A 9. szimf\u00f3nia mer\u00edt a klasszika st\u00edluselemeib\u0151l, de f\u0151leg z\u00e1r\u00f3t\u00e9tele r\u00e9v\u00e9n m\u00e1r egy\u00e9rtelm\u0171en a romantika fel\u00e9 mutat el\u0151re. Sokatmond\u00f3 t\u00e9ny, hogy a 19. sz\u00e1zadban Liszt Ferenc \u00e9s Johannes Brahms, egym\u00e1st\u00f3l teh\u00e1t alapvet\u0151en k\u00fcl\u00f6nb\u00f6z\u0151 m\u0171v\u00e9szeti felfog\u00e1st mag\u00e1\u00e9nak vall\u00f3 k\u00e9t alkot\u00f3, egyar\u00e1nt erre a m\u0171re hivatkozott saj\u00e1t zeneeszt\u00e9tikai t\u00f6rekv\u00e9seinek kiindul\u00f3pontjak\u00e9nt. A m\u0171vet a Nemzeti \u00c9nekkar egy\u00fcttese \u00e9s sz\u00f3list\u00e1i, illetve a Savaria Szimfonikus Zenekar Antal M\u00e1ty\u00e1s vez\u00e9nylet\u00e9vel adja el\u0151.<\/p>\n","protected":false},"template":"","class_list":["post-109535","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":{"alcim":"","kiemelt_kep":null,"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20190329","esemeny_idopontja":"19:00","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":109536,"post_author":"951582","post_date":"2019-03-26 14:01:50","post_date_gmt":"2019-03-26 14:01:50","post_content":"","post_title":"{:hu}Savaria Szimfonikus Zenekar Hangversenyterem{:}{:en}Savaria Szimfonikus Zenekar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"savaria-szimfonikus-zenekar","to_ping":"","pinged":"","post_modified":"2019-03-26 14:02:55","post_modified_gmt":"2019-03-26 14:02:55","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=places&p=109536","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Szombathely","orszag":"Hungary","cim":"R\u00e1k\u00f3czi Ferenc u. 3.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":85558,"post_author":"1","post_date":"2016-10-25 12:11:00","post_date_gmt":"2016-10-25 12:11:00","post_content":"{:hu}

A muzsikus csal\u00e1dban sz\u00fcletett m\u0171v\u00e9sz m\u00e1r kisgyermekk\u00e9nt kezdett zongor\u00e1zni, majd fuvol\u00e1zni, k\u00e9s\u0151bb tanult nagyb\u0151g\u0151zni \u00e9s \u00fct\u0151hangszereken j\u00e1tszani. A Bart\u00f3k B\u00e9la Zenem\u0171v\u00e9szeti Szakk\u00f6z\u00e9piskola n\u00f6vend\u00e9ke volt fuvola szakon, diplom\u00e1j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskola fuvola \u00e9s karnagy szak\u00e1n szerezte. Ezt k\u00f6vet\u0151en a Magyar \u00c1llami Hangversenyzenekar fuvolist\u00e1jak\u00e9nt dolgozott 1990-ig. Vez\u00e9nyelni a hetvenes \u00e9vek m\u00e1sodik fel\u00e9ben kezdett, el\u0151bb a Miskolci Szimfonikus Zenekar m\u00e1sodkarnagya, majd a Sz\u00e9kesfeh\u00e9rv\u00e1ri Szimfonikus Zenekar karnagya lett. 1984-t\u0151l a Budapesti K\u00f3rus vezet\u0151je, 1986-ban az \u00c1HZ betan\u00edt\u00f3 karmestere, 1990-t\u0151l 2016. \u00e1prilis 1-ig\u00a0 az \u00c1llami \u00c9nekkar - ma Nemzeti \u00c9nekkar - karigazgat\u00f3ja volt. Karmesterk\u00e9nt Eur\u00f3pa szinte minden orsz\u00e1g\u00e1ban \u00e9s Jap\u00e1nban is megfordult, s sz\u00e1mos lemezfelv\u00e9tele k\u00e9sz\u00fclt a Hungaroton, Naxos \u00e9s Portugalsom kiad\u00f3kn\u00e1l. 2015-ben Bart\u00f3k-P\u00e1sztory-d\u00edjjal t\u00fcntett\u00e9k ki.<\/p>{:}{:en}

He was born into a musical family, and as a young child, studied both piano and flute. Later, he learned the double bass and percussion. He was a student in the flute faculty of the B\u00e9la Bart\u00f3k Music College in Budapest, and later graduated from the Franz Liszt Academy from both the flute and choir conducting faculties. Until 1990 he was a flautist at the Hungarian State Concert Orchestra. He began conducting in the second half of the 1970's, being deputy conductor of the Miskolc Symphony Orchestra, and then choir master of the Sz\u00e9kesfeh\u00e9rv\u00e1r Symphony Orchestra. From 1984, he was the leader of the Budapest Chorus. In 1986, he became a repetiteur at the State Orchestra, a post he only left when he was made choir master of the State Choir (now National Choir). He has performed as a conductor in virtually all of the European countries and has also worked in Japan. He has made numerous recordings for the Hungaroton, Naxos and Portugalsom record companies.<\/p>{:}","post_title":"{:hu}Antal M\u00e1ty\u00e1s{:}{:en}M\u00e1ty\u00e1s Antal{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"antal-matyas","to_ping":"","pinged":"","post_modified":"2016-10-25 12:11:00","post_modified_gmt":"2016-10-25 12:11:00","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=85558","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91083,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}

I. Allegro, ma non troppo II. Molto vivace III. Adagio molto e cantabile IV. Presto<\/p>\r\nBeethoven (1770-1827) legnagyobb szab\u00e1s\u00fa \u00e9s a koncerttermekben leggyakrabban felcsend\u00fcl\u0151 szimf\u00f3ni\u00e1it egy-egy mell\u00e9kn\u00e9vvel tisztelte meg az ut\u00f3kor: \u00edgy a Harmadikat csak mint \"Eroic\u00e1t\", az \u00d6t\u00f6diket mint \"Sors-szimf\u00f3ni\u00e1t\", a Hatodikat mint \"Pastorale\"-t, a Hetediket pedig gyakran mint \"A t\u00e1nc apote\u00f3zis\u00e1t\" szoktuk emlegetni. A Kilencedik azonban m\u00e1ig \"a Kilencedik\" maradt, bizony\u00edtva, hogy a zeneszerz\u0151 e m\u0171fajban kimondott utols\u00f3 szav\u00e1val m\u00e9g ezeken a nagyszer\u0171 el\u0151zm\u00e9nyeken is messze t\u00fall\u00e9pett - aligha v\u00e9letlen, hogy e hatalmas zenet\u00f6rt\u00e9neti tett \u00e1rny\u00e9k\u00e1ban a legnagyobb ut\u00f3dok k\u00f6z\u00fcl j\u00f3 n\u00e9h\u00e1ny (Schubert, Bruckner, Dvo\u0159\u00e1k \u00e9s Mahler) is \u00e9pp csak kilencig mer\u00e9szkedett a maga szimf\u00f3ni\u00e1inak sz\u00e1m\u00e1ban.\r\n

A Kilencediket az\u00e9rt persze m\u00e9giscsak siker\u00fcl megragadnunk valahogyan - sajnos t\u00f6bbnyire \u00fagy, hogy r\u00e1 gondolva val\u00f3j\u00e1ban csak az \u00d6r\u00f6m\u00f3da dallam\u00e1t id\u00e9zz\u00fck magunk el\u00e9. Ez az egyszer\u0171s\u00edt\u00e9s n\u00e9mileg indokolhat\u00f3 is, hisz tudjuk, hogy e k\u00f6ltem\u00e9ny megzen\u00e9s\u00edt\u00e9s\u00e9vel a komponista egy \u0151t m\u00e1r fiatal kora \u00f3ta foglalkoztat\u00f3 gondolatot \u00f6nt\u00f6tt v\u00e9gs\u0151 form\u00e1ba: Schiller sz\u00f6veg\u00e9nek feldolgoz\u00e1sa el\u0151sz\u00f6r m\u00e9g a bonni \u00e9vekben ker\u00fclt sz\u00f3ba, majd 1798-b\u00f3l \u00e9s (a N\u00e9vnapi nyit\u00e1ny kapcs\u00e1n) 1812-b\u0151l tudunk hasonl\u00f3 tervekr\u0151l - nem sz\u00f3lva a k\u00f6zismert Karfant\u00e1zia (1808) befejez\u00e9s\u00e9r\u0151l, amely ugyan m\u00e1s sz\u00f6veget alkalmaz, de mel\u00f3di\u00e1j\u00e1t tekintve m\u00e1r az \u00d6r\u00f6m\u00f3da k\u00f6zismert dallama fel\u00e9 mutat. (Az \u00d6r\u00f6m\u00f3da n\u00e9ha k\u00e9tes \u00e9rt\u00e9k\u0171 ismerts\u00e9g\u00e9t m\u00e9g tov\u00e1bb n\u00f6veli, hogy mind az Eur\u00f3pai Uni\u00f3 himnuszak\u00e9nt, mind mobiltelefonok cseng\u0151hangjak\u00e9nt l\u00e9pten-nyomon hallhatjuk.) A szimf\u00f3nia els\u0151 h\u00e1rom t\u00e9tel\u00e9t m\u00e9gsem szabad puszt\u00e1n \"keretnek\" tekinten\u00fcnk \u00e9s hallanunk: az \u00d6r\u00f6m\u00f3da val\u00f3j\u00e1ban igen egyszer\u0171 dallam\u00e1nak, s a r\u00e1 \u00e9p\u00fcl\u0151 vari\u00e1ci\u00f3knak \u00e9ppen hogy csakis az a k\u00fczdelmes \u00fat adhatja meg a megfelel\u0151 dr\u00e1mai s\u00falyt, amelyet kor\u00e1bban bej\u00e1rtunk - m\u00e9g ha ez az \u00fat ut\u00f3lag, amikor a von\u00f3sbasszusok sz\u00f6veg n\u00e9lk\u00fcli recitativ\u00f3ja sorra elveti a nyit\u00f3t\u00e9tel, a scherzo \u00e9s a lass\u00fa t\u00e9tel felbukkan\u00f3 r\u00e9szleteit, puszta t\u00e9velyg\u00e9snek t\u0171nik is. Maga Beethoven egy\u00e9bk\u00e9nt (sz\u00e1mos mai elemz\u0151h\u00f6z hasonl\u00f3an) el\u00e9gedetlen volt e fin\u00e1l\u00e9val, s a bemutat\u00f3 ut\u00e1n egy teljesen \u00faj v\u00e1ltozat meg\u00edr\u00e1s\u00e1t is tervbe vette, amelyr\u0151l azonban semmi k\u00f6zelebbit nem tudunk. \"Jobb\" lehetett volna az \u00faj forma a mostanin\u00e1l? - Tal\u00e1n. De a Kilencediket mintha \u00e9pp e nagyra t\u00f6r\u0151 befejez\u00e9s k\u00e9ts\u00e9ges v\u00e9gkicseng\u00e9se avatn\u00e1 \"a Kilencedikk\u00e9\", s egyben a Missa Solemnis m\u00e9lt\u00f3 p\u00e1rj\u00e1v\u00e1: a v\u00e9gs\u0151 sz\u00f3t val\u00f3j\u00e1ban sem hangszer, sem \u00e9nek nem mondhatja ki.<\/p>{:}{:en}

I. Allegro, ma non troppo II. Molto vivace III. Adagio molto e cantabile IV. Presto<\/p>\r\nBeethoven's more frequently performed symphonies have tended to attract nicknames: thus the Third is known as the Eroica, the Fifth as the \"Fate\", the Sixth is the Pastoral, while the Seventh is often refered to as \"The apotheosis of the dance\" (a quote from Wagner). The Ninth though, is generally known as \"The Ninth\", proving that Beethoven had truly said the last word in the genre, and had gone way beyond all the masterpieces that had come before. It is no accident that many of the great symphonic composers of later generations growing up in Beethoven's shadow (Schubert, Bruckner, Dvorak and Mahler) could not themselves go on to complete a tenth symphony.\r\nThe Ninth symphony still transfixes us somehow - unfortunately, for many, it has become synonymous with the Ode to Joy melody. This simplification has some justification, since we know that Beethoven had long pondered setting Schiller's verse to music - he first dwelt on the concept during his early Bonn years, and we know of similar plans dating from 1798 and 1812. And we also have the Choral Fantasy (1808), which although setting a different text, employs a melody that is an unmistakable predecessor to the tune that is now the European Union's anthem. We must not make the mistake though of hearing and regarding the first three movements as merely \"setting the scene\" for the Ode to Joy. The melody is a very simple one, and the variations that are built upon it only gain their appropriate dramatic weight because of the arduous path traversed to reach it - even though looking back, this pathway, when the bass strings with their wordless recitative reject fragmented details from the first three movement, appears an abberation. Beethoven himself (in common with some contemporary analysts) was disatisfied with the finale and after the premiere, planned to compose an entirely new version. However, we know nothing about what this would have entailed. Could the new version have been \"better\" than the one we know today? Perhaps. But it is the resonance of the finale, its striving for greatness, that makes the Ninth \"The Ninth\", and at the same time, frames it as a deserving partner to the Missa Solemnis: in truth, neither instruments nor voices can ennunciate the final word.{:}","post_title":"{:hu}IX. (d-moll) szimf\u00f3nia, op. 125{:}{:en}Symphony no. 9 in D minor, Op. 125{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ix-szimfonia-d-moll-op-125","to_ping":"","pinged":"","post_modified":"2020-03-04 12:44:03","post_modified_gmt":"2020-03-04 12:44:03","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/ix-szimfonia-d-moll-op-125\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":86536,"post_author":"1","post_date":"2016-09-21 09:13:28","post_date_gmt":"2016-09-21 09:13:28","post_content":"{:hu}\u201eKolonits Kl\u00e1ra inton\u00e1ci\u00f3ja nem csup\u00e1n a kant\u00e1bilis dallamokban makul\u00e1tlan, hanem a legvirtu\u00f3zabb kolorat\u00far\u00e1kban is, ami csak igen kevesekr\u0151l mondhat\u00f3 el. Mint ahogy az sem, hogy a legmagasabb, m\u00e1r-m\u00e1r lekott\u00e1zhatatlan z\u00e1r\u00f3 hangok sem \u00e9lesek, hanem torz\u00edt\u00e1s n\u00e9lk\u00fcl meg\u0151rzik a hang sz\u00e9ps\u00e9g\u00e9t \u00e9s g\u00f6mb\u00f6ly\u0171s\u00e9g\u00e9t. Ez bizony m\u00e9g ritk\u00e1bb brav\u00far.\u201d\r\n\r\n(Malina J\u00e1nos, Revizor)\r\n\r\nFot\u00f3: Ariel Woytynowska{:}{:en}

Kl\u00e1ra Kolonits began her singing studies as a private student of Katalin Schultz and in 1995, graduated from the Budapest Teacher Training Faculty of the Franz Liszt Music Academy as a solo singer, where her teacher was Zsuzsa Forrai. She later studied with Ionel Pantea and Anne Reynolds. From 1995 to 1997, he was a member of the Debrecen Csokonai Theatre and from 1997 to 1998, a guest at the Szeged National Theatre and the Szolnok Szigligeti Theatre before joining the Budapest Operetta Theatre where she was a member from 1998 to 2001. Since 2002 she has been a member of the Budapest State Opera House. In 1997, she won 2nd prize at the Third Budapest International Singing Competition and in 1997, the special prize at the Italian Toti dal Monte competition before winning 1st prize and the special award at the 2000 Hungarian Radio Singing Competition. In 2003, she came second and won the special prize at the International Haydn Singing Competition. In 1999, she participated in Duna Television's series of opera tales from Cluj. In 2005, she sang Judit in the film version of Bart\u00f3k's opera Prince Bluebeard's Castle. She has also been a guest performer in Austria, Holland, France and the United States. She regularly performs as a soloist in contemporary and classical oratorios.<\/p>{:}","post_title":"{:hu}Kolonits Kl\u00e1ra{:}{:en}Kl\u00e1ra Kolonits{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kolonits-klara","to_ping":"","pinged":"","post_modified":"2020-10-01 14:21:38","post_modified_gmt":"2020-10-01 14:21:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86536","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"},{"ID":104378,"post_author":"1","post_date":"2017-11-07 09:21:15","post_date_gmt":"2017-11-07 09:21:15","post_content":"","post_title":"{:hu}Mester Vikt\u00f3ria{:}{:en}Vikt\u00f3ria Mester{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mester-viktoria","to_ping":"","pinged":"","post_modified":"2017-11-07 09:21:15","post_modified_gmt":"2017-11-07 09:21:15","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=104378","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}mezzoszopr\u00e1n{:}{:en}mezzo soprano{:}"},{"ID":86984,"post_author":"1","post_date":"2018-03-26 08:09:41","post_date_gmt":"2018-03-26 08:09:41","post_content":"

\"\"1978-ban sz\u00fcletett Nagyv\u00e1radon. Zenei tanulm\u00e1nyait trombita, majd \u00e9nek szakon kezdte. 1996-ban nyert felv\u00e9telt a Kolozsv\u00e1ri Zeneakad\u00e9mi\u00e1ra, k\u00e9t \u00e9v m\u00falva a budapesti Bart\u00f3k B\u00e9la Zenem\u0171v\u00e9szeti Szakiskola mag\u00e1n\u00e9nek szak\u00e1ra iratkozott be. 2000-t\u0151l 2005-ig a Zeneakad\u00e9mia hallgat\u00f3ja, tan\u00e1ra Andor \u00c9va. Orat\u00f3rium koncertek sz\u00edvesen l\u00e1tott sz\u00f3list\u00e1ja. Az Operah\u00e1zban 2002 okt\u00f3ber\u00e9ben - m\u00e9g f\u0151iskol\u00e1sk\u00e9nt - deb\u00fct\u00e1lt, Fekete Gyula A megmentett v\u00e1ros c\u00edm\u0171 egyfelvon\u00e1sos\u00e1nak \u0151sbemutat\u00f3j\u00e1n, a Poroszl\u00f3 szerep\u00e9ben.<\/p>","post_title":"{:hu}Szappanos Tibor{:}{:en}Tibor Szappanos{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szappanos-tibor","to_ping":"","pinged":"","post_modified":"2019-04-26 11:33:37","post_modified_gmt":"2019-04-26 11:33:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86984","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}tenor{:}{:en}tenor{:}"},{"ID":85538,"post_author":"1","post_date":"2016-09-21 09:29:41","post_date_gmt":"2016-09-21 09:29:41","post_content":"{:hu}

Budapesten sz\u00fcletett. Tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti Akad\u00e9mi\u00e1n kezdte, melyet az Egyes\u00fclt \u00c1llamokban a D\u00e9l-mississippi Egyetemen folytatott, ezt k\u00f6vet\u0151en a B\u00e9csi Zeneakad\u00e9mi\u00e1n diplom\u00e1zott 1997-ben. Az utols\u00f3 \u00e9vben Haydn Orfeoj\u00e1ban kapott Arnold Harnoncourt-t\u00f3l felk\u00e9r\u00e9st. A Wiener Staatsoper Herbert von Karajan \u00f6szt\u00f6nd\u00edjasa lett, ahol csak n\u00e9h\u00e1ny nevet eml\u00edtve egy\u00fctt \u00e9nekelt Luciano Pavarottival, Placido Domingoval, Agnes Baltsaval \u00e9s Istv\u00e1n Gatival. Sz\u00e1mos eur\u00f3pai orsz\u00e1gban \u00e9s az Egyes\u00fclt \u00c1llamokban \u00e9nekelt. Koncert\u00e9nekesk\u00e9nt fell\u00e9pett a New York-i Carnegie Hallban, Olaszorsz\u00e1gban, Mil\u00e1n\u00f3ban. 2001-ben \u00e9s 2002-ben sz\u00e1mos d\u00edjat nyert Olaszorsz\u00e1gban, Magyarorsz\u00e1gon \u00e9s az Egyes\u00fclt \u00c1llamokban.\u00a0 T\u00f6bb \u00e9ve a Magyar \u00c1llami Operah\u00e1z \u00e1lland\u00f3 vend\u00e9ge m\u0171v\u00e9sze. A magyar \u00f6z\u00f6ns\u00e9g m\u00e1r l\u00e1thatta a \u201eBart\u00f3k + Bel canto 2005\u201d \u00e9s a \u201eBart\u00f3k + Verismo 2006\u201d Miskolci Nemzetk\u00f6zi Operafesztiv\u00e1lon is.<\/p>{:}{:en}

\"\"He was born in Budapest. That is where he began his studies, at the Ferenc Liszt Academy of Music, which he continued in the United States at the University of Southern Mississippi, followed by the Music Academy of Vienna where he graduated in 1997. In the last year he received a request for Haydn\u2019s Orfeo from Arnold Harnocourt. He received a Herbert von Karajan grant at the Wiener Staatsoper, where he sang together with Luciano Pavarotti, Placido Domingo, Agnes Baltsa and Istvan Gati, just to mention a few. He sang in many European countries as well as in the United States. As concert soloist he has appeared in Carnegie Hall, New York and in Milan, Italy. In 2001 and 2002 won several prizes in Italy, Hungary and in the United States. He is permanent guest in the Hungarian State Opera He also performed at the \u201cBart\u00f3k + Bel canto 2005\u201d and \u201cBart\u00f3k + Verismo 2006\u201d International Opera Festival, Miskolc.<\/p>{:}","post_title":"{:hu}Palerdi Andr\u00e1s{:}{:en}Andr\u00e1s Palerdi{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"palerdi-andras","to_ping":"","pinged":"","post_modified":"2016-09-21 09:29:41","post_modified_gmt":"2016-09-21 09:29:41","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=85538","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}basszus{:}{:en}bass{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[],"gombtipus":"jegy","jegyarak":"3.000 Ft","jegyvasarlas_gomb":"https:\/\/sso.hu\/events\/harmonia-berlet-7-eloadas-2\/","elkeltek_a_jegyek":false,"youtube_id":"","old_id":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/109535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=109535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}