I. Andante - Allegro con anima II. Andante cantabile, con alcuna licenza III. Valse. Allegro moderato IV. Finale. Andante maestoso<\/p>\n
\n <\/p>\n
Csajkovszkij hat szimf\u00f3ni\u00e1j\u00e1t akarva-akaratlan k\u00e9t h\u00e1rmas csoportra osztja a mai k\u00f6z\u00f6ns\u00e9g. Az els\u0151 h\u00e1rmat viszonylag ritk\u00e1n hallhatjuk, s t\u00f6bbnyire csak a zeneszerz\u0151 legh\u00edvebb rajong\u00f3i emlegetik \u0151ket - a m\u00e1sodik h\u00e1romt\u00f3l viszont, \u00e9pp ellenkez\u0151leg, m\u00e9g Csajkovszkij legelsz\u00e1ntabb b\u00edr\u00e1l\u00f3i sem szokt\u00e1k megtagadni, hogy "ezekben az\u00e9rt van valami". Ezt a hat\u00e1rvonalat mintha a komponista \u00e9letrajza is al\u00e1t\u00e1masztan\u00e1. Az 1877-es esztend\u0151 ugyanis, amelynek v\u00e9g\u00e9re a IV. szimf\u00f3nia elk\u00e9sz\u00fclt, a zeneszerz\u0151 v\u00e9gleges mag\u00e1ra marad\u00e1s\u00e1nak ideje: Antonyina Miljukov\u00e1val k\u00f6t\u00f6tt h\u00e1zass\u00e1g\u00e1b\u00f3l alig h\u00e1rom h\u00e9t m\u00falt\u00e1val szinte elmenek\u00fcl, s legbens\u0151bb \u00e9rz\u00e9seit ezut\u00e1n m\u00e1r csak a legend\u00e1ss\u00e1 v\u00e1lt patr\u00f3nus-bar\u00e1tn\u00e9hoz, Nagyezsda von Meckhez \u00edrott leveleiben - \u00e9s persze m\u0171veiben - fogalmazza meg. \u00cdgy Nagyezsd\u00e1nak magyar\u00e1zza el a IV. szimf\u00f3nia rejtett programj\u00e1t is, mely szerint "a szimf\u00f3nia magva a bevezet\u0151 gondolat, melyre azt\u00e1n az eg\u00e9sz m\u0171vet fel\u00e9p\u00edtettem. Ez a mot\u00edvum maga a Sors, a V\u00e9gzet, mely utunkban \u00e1ll, mid\u0151n a boldogs\u00e1got keress\u00fck." A k\u00e9t utols\u00f3 szimf\u00f3ni\u00e1ban azt\u00e1n mintha ugyanezt a dr\u00e1mai alapgondolatot vetn\u00e9 fel ism\u00e9t a komponista - az \u00d6t\u00f6dikben m\u00e9g rem\u00e9nyteli v\u00e9gkicseng\u00e9ssel, majd a "Patetikus" Hatodikban (imm\u00e1r a Meckn\u00e9vel val\u00f3 kapcsolat megszakad\u00e1sa ut\u00e1n, hal\u00e1la \u00e9v\u00e9ben) a h\u00edres z\u00e1r\u00f3 lass\u00fa t\u00e9tel s\u00f6t\u00e9tj\u00e9be veszve.
\n R\u00e9szben diadalmas befejez\u00e9se folyt\u00e1n is, az V. szimf\u00f3nia t\u00e9teleinek form\u00e1ja \u00e9s karaktere hagyom\u00e1nyosnak mondhat\u00f3. \u00cdgy - a beethoveni szimbolik\u00e1t k\u00f6vetve - a nyit\u00f3t\u00e9tel \u00e9les kontrasztjaiban a homo agens, a "cselekv\u0151 ember", majd a lass\u00fa t\u00e9telben a homo meditans, az "elm\u00e9lked\u0151" vagy "mereng\u0151 ember" ide\u00e1lja jelenik meg el\u0151tt\u00fcnk. A harmadik t\u00e9tel j\u00e1t\u00e9kos kering\u0151je term\u00e9szetesen a homo ludens bemutat\u00e1sa, a felold\u00e1st pedig a mag\u00e1nyos egy\u00e9nnek a t\u00f6bbiek k\u00f6z\u00e9 vegy\u00fcl\u00e9se, homo communissz\u00e1 v\u00e1l\u00e1sa jelenti. E hagyom\u00e1nyos dramaturgia k\u00fcl\u00f6nb\u00f6z\u0151 st\u00e1ci\u00f3it azonban Csajkovszkij (a IV. szimf\u00f3ni\u00e1val kapcsolatban id\u00e9zett szavainak szellem\u00e9ben) jellegzetesen romantikus, Lisztt\u0151l tanult gesztussal egyetlen \u00edvv\u00e9 form\u00e1lja. \u00cdgy a m\u0171 kezdet\u00e9n lass\u00fa bevezet\u00e9sk\u00e9nt megsz\u00f3lalt mott\u00f3t\u00e9ma (melyet, alighanem Beethoven azonos sorsz\u00e1m\u00fa szimf\u00f3ni\u00e1j\u00e1t\u00f3l ihletve, "sors-mot\u00edvumk\u00e9nt" is szoktak emlegetni) k\u00e9s\u0151bb k\u00fcl\u00f6nf\u00e9le form\u00e1kban ism\u00e9t megjelenik: a m\u00e1sodik \u00e9s a harmadik t\u00e9telben amolyan memento mori funkci\u00f3ban, majd a fin\u00e1l\u00e9ban, imm\u00e1r d\u00far form\u00e1j\u00e1ban, a v\u00e9gs\u0151 diadal indul\u00f3jak\u00e9nt.<\/p>{:}{:en}
I. Andante - Allegro con anima II. Andante cantabile, con alcuna licenza III. Valse. Allegro moderato IV. Finale. Andante maestoso<\/p>\n
\n
\n <\/p>\n
Audiences today tend to divide Tchaikovsky's six symphonies into two groups. The first three are rarely heard, and are mentioned by only the most devoted of the composer's admirers. The last three force grudging acknowledgement from even Tchaikovsky's most trenchant detractors. Tchaikovsky's life story supports this fault line. In 1877, the composer's marriage to Antonina Milyukova ended after only three weeks. Tchaikovsky was homosexual and his impulsive decision to marry a woman who can best be described as a nymphomaniac, was hardly the best solution for alleviating his inner loneliness. In a letter written to his legendary patron, Nadezhda von Meck, he expressed his inner feelings, and the concealed program locked into his Fourth Symphony, composed at the end of the year. "The kernel of the symphony is the guiding thought, the one with which I built the entire work. This motif is Fate itself, Destiny, which stands in our path when we are searching for happiness." Tchaikovsky re-enacts this basic idea in his last two symphonies as well - in the Fifth with its hopeful resonance, and then in the 'Pathetique' (written after his relationship with von Meck was broken, in the year of his death), with its famous slow finale, leading into darkness.
\n Partly because of its triumphant conclusion, the form and character of the Fifth Symphony's movements can be described as traditional. Thus, following Beethovenian symbolism, the opening movement with its sharp contrasts is homo agens, the man of action. The slow movement is the ideal of the contemplative man homo meditans. The playful waltz of the third movement presents homo ludens, while the finale presents the conversion of the solitary individual into social group, homo communiss. Tchaikovsky shapes these different stations of traditional dramaturgy into a sweeping whole using gestures that he had learned from Liszt (and in the spirit of the words quoted in relation to the Fourth Symphony.) Thus the motto theme that is heard in the slow introduction at the beginning of the work (which is often refered to as the Fate moto, borrowed as a term from Beethoven's Fifth symphony), recurs in a variety of guises throughout the work: in the second and third movements, it fills a memento mori function, but in the finale, it appears in the major as a triumphant final march.<\/p>{:}","post_title":"{:hu}V. (e-moll) szimf\u00f3nia, op. 64{:}{:en}Symphony no. 5 in E minor, op. 64{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"v-e-moll-szimfonia-op-64","to_ping":"","pinged":"","post_modified":"2016-09-08 08:57:47","post_modified_gmt":"2016-09-08 08:57:47","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/v-e-moll-szimfonia-op-64\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Csajkovszkij"]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}![\"\"](\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\")
\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"2.000 Ft","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/zenemania-avagy-minden-ami-zene-ifjusagi-berlet-3-90132\/421692?event_disabler=274","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","esemeny_vege":"1.10 pm (with intermission)"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/106083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=106083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}