{"id":106044,"date":"2018-03-27T09:48:20","date_gmt":"2018-03-27T09:48:20","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=106044"},"modified":"2018-05-29T14:48:33","modified_gmt":"2018-05-29T14:48:33","slug":"haboruban-hallgatnak","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/haboruban-hallgatnak\/","title":{"rendered":"Do you listen while at war&#8230;?"},"content":{"rendered":"<p>The conductor for the evening, Hartmut Haenchen, was born in 1943, the same year Shostakovich composed a rarely-heard symphony regarded as one of the greatest of all time. Symphony No. 8, despite the ideological requirements placed upon it, is tragic and dark in tone, and bears the subtitle &#8220;Stalingrad&#8221;, in memory of the bloodiest battle of the Second World War, and perhaps of all world history. Although he spent the first 20 years of his career in East Germany, Hartmut Haenchen is one of the most important opera conductors in Western Europe. After settling in the Netherlands in 1986, he became one of the most prominent figures in the country&#8217;s musical life. In the first part of the performance, Haenchen will conduct Brahms&#8217;s timeless violin concerto with the solo played by an artist familiar to our audiences. As one of Hungary&#8217;s most outstanding young violinists, the 40-year-old Kossuth Prize-winner Krist\u00f3f Bar\u00e1ti has built a successful international career and recorded several acclaimed albums.<\/p>\n","protected":false},"template":"","class_list":["post-106044","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Kocsis season ticket 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\/>font-size:11.0pt;<br \/>font-family:\"Calibri\",\"sans-serif\";<br \/>mso-ascii-font-family:Calibri;<br \/>mso-ascii-theme-font:minor-latin;<br \/>mso-hansi-font-family:Calibri;<br \/>mso-hansi-theme-font:minor-latin;}<br \/><\/style><![endif]-->\r\n\r\n<p style=\"text-align: justify;\">Brahms egyetlen heged\u0171verseny\u00e9t Joachim J\u00f3zsef, a 19. sz\u00e1zad egyik legnagyobb heged\u0171m\u0171v\u00e9sze sz\u00e1m\u00e1ra kompon\u00e1lta. A k\u00e9t muzsikus 1853-ban, Hannoverben tal\u00e1lkozott el\u0151sz\u00f6r; az \u00e9pp h\u00fasz\u00e9ves Brahms m\u00e9g teljesen ismeretlen zeneszerz\u0151 volt, a n\u00e1la csak k\u00e9t \u00e9vvel id\u0151sebb, csodagyermekk\u00e9nt indult Joachim viszont m\u00e1r ekkor nagy h\u00edrn\u00e9vnek \u00f6rvend\u0151 m\u0171v\u00e9sz. (Brahmsot egy\u00e9bk\u00e9nt egy m\u00e1sik magyar heged\u0171s, Rem\u00e9nyi Ede ismertette \u00f6ssze Joachimmal; a zeneszerz\u0151 Rem\u00e9nyi zongorak\u00eds\u00e9r\u0151jek\u00e9nt, egy turn\u00e9 keret\u00e9ben \u00e9rkezett a n\u00e9met v\u00e1rosba.) Brahms \u00e9s Joachim k\u00f6z\u00f6tt \u00e9letre sz\u00f3l\u00f3 bar\u00e1ts\u00e1g sz\u00f6v\u0151d\u00f6tt. <!--more--><\/p>\r\n<p style=\"text-align: justify;\">A heged\u0171m\u0171v\u00e9sz (aki egy\u00e9bk\u00e9nt karmester \u00e9s zeneszerz\u0151 is volt) nem igaz\u00e1n illett a 19. sz\u00e1zadi heged\u0171virtu\u00f3zok sor\u00e1ba: b\u00e1r brili\u00e1ns technik\u00e1val rendelkezett, de a csillog\u00f3 brav\u00far-reperto\u00e1r helyett ink\u00e1bb a klasszikus m\u0171vekhez s a kamarazen\u00e9hez vonz\u00f3dott. \u0150 volt az, aki a 19. sz\u00e1zad sz\u00e1m\u00e1ra felfedezte Bach heged\u0171szon\u00e1t\u00e1it \u00e9s partit\u00e1it, de Beethoven m\u00e1r-m\u00e1r elfeledett Heged\u0171verseny\u00e9nek megismertet\u00e9s\u00e9ben \u00e9s megszerettet\u00e9s\u00e9ben is kulcsszerepet j\u00e1tszott.\r\nBrahms Heged\u0171versenye 1878 nyar\u00e1n \u2013 kora \u0151sz\u00e9n, a W\u00f6rthi-t\u00f3 melletti P\u00f6rschachban keletkezett, \u0151sbemutat\u00f3j\u00e1ra 1879 \u00daj\u00e9v napj\u00e1n ker\u00fclt sor Lipcs\u00e9ben, a szerz\u0151 vez\u00e9nylet\u00e9vel, Joachim sz\u00f3l\u00f3j\u00e1val. A versenym\u0171vet az egy \u00e9vvel kor\u00e1bban, szint\u00e9n a gy\u00f6ny\u00f6r\u0171 fekv\u00e9s\u0171 karintiai nyaral\u00f3helyen kompon\u00e1lt, szint\u00e9n D-d\u00far 2. szimf\u00f3nia p\u00e1rdarabjak\u00e9nt szokt\u00e1k emlegetni, t\u00f6bbek k\u00f6z\u00f6tt mindk\u00e9t m\u0171 der\u0171s, l\u00edrai alapkaraktere miatt. A zeneszerz\u0151 a heged\u0171versenyt eredetileg n\u00e9gy t\u00e9telesre tervezte, de ezt a szimf\u00f3ni\u00e1kra jellemz\u0151 forma-koncepci\u00f3t k\u00e9s\u0151bb elvetette. A v\u00e9gleges alakj\u00e1ban h\u00e1rom t\u00e9teles Heged\u0171verseny s\u00falypontja a m\u0171 teljes terjedelm\u00e9nek mintegy a fel\u00e9t kitev\u0151, m\u00e9rs\u00e9kelten gyors temp\u00f3j\u00fa, szon\u00e1taform\u00e1j\u00fa nyit\u00f3t\u00e9tel, amit a zeneirodalom egyik legh\u00edresebb oboasz\u00f3l\u00f3j\u00e1val kezd\u0151d\u0151, po\u00e9tikus Adagio \u00e9s egy k\u00f6nnyedebb, t\u00e1ncos rondo-finale k\u00f6vet.\r\nA kompoz\u00edci\u00f3 v\u00e9gs\u0151 form\u00e1j\u00e1nak, mindenekel\u0151tt term\u00e9szetesen a heged\u0171sz\u00f3lamnak a kialak\u00edt\u00e1s\u00e1ban nagy szerepe volt Joachimnak, akinek a seg\u00edts\u00e9g\u00e9t Brahms maxim\u00e1lisan ig\u00e9nybe vette \u2013 \u00edgy a sz\u00f3l\u00f3r\u00e9szek technikai neh\u00e9zs\u00e9ge alapj\u00e1n fogalmat alkothatunk a heged\u0171m\u0171v\u00e9sz rendk\u00edv\u00fcli k\u00e9pess\u00e9geir\u0151l is. A t\u00f6bbek \u00e1ltal nem igaz\u00e1n hangszerszer\u0171nek tartott Heged\u0171verseny szakmai k\u00f6r\u00f6kben nem tal\u00e1lt azonnal kedvez\u0151 fogadtat\u00e1sra: volt, aki a heged\u0171 ellen \u00edrott versenym\u0171nek titul\u00e1lta, \u00e9s volt, aki egyenesen j\u00e1tszhatatlannak tartotta\u2026 Az els\u0151 t\u00e9tel nagy kadenci\u00e1j\u00e1nak meg\u00edr\u00e1s\u00e1t vagy improviz\u00e1l\u00e1s\u00e1t a zeneszerz\u0151 a sz\u00f3list\u00e1ra b\u00edzta. Az\u00f3ta a m\u0171 sz\u00e1mos el\u0151ad\u00f3ja kompon\u00e1lta meg a maga kadenci\u00e1j\u00e1t, Fritz Kreislert\u0151l \u00e9s Auer Lip\u00f3tt\u00f3l Nigel Kennedyig; a mai hangversenytermekben a leggyakrabban m\u00e9gis a legels\u0151, a Joachim \u00e1ltal pap\u00edrra vetett kadencia csend\u00fcl fel.<\/p>\r\n<p style=\"text-align: justify;\"><\/p>{:}{:en}<p style=\"text-align: justify;\">Brahms composed his only violin concerto for a friend of his, Joseph Joachim, one of the greatest violinists of the nineteenth century. Written in the summer and early autumn of 1878 in P\u00f6rschbach by Lake W\u00f6rth, the concerto received its world premi\u00e9re in Leipzig on New Year\u2019s Day in 1879, with the composer conducting and Joachim playing solo violin.<\/p>\r\n<p style=\"text-align: justify;\"><!--more--><\/p>\r\n<p style=\"text-align: justify;\">Brahms had originally planned a four-movement work but later discarded the idea as being the form of symphonies. In its final form the Violin Concerto is in three movements, withthe moderately fastsonata-form opening movement in its focal point, occupying over a half of the entire work. The second movement, a poetic Adagio, begins with one of the most famous oboe solos in music history, and the third is a dance-like rondo-finale.\r\nBrahms relied heavily on Joachim in developing the final form of the concerto, and in particular the violin solo. Accordingly, the technical difficulty of the solo gives an idea of the exceptional skills of the violinist. Brahms asked Joachim to write or improvise the great cadenza of the first movement. Since its first performance, numerous great violinists from Fritz Kreisler and Leopold Auer to Nigel Kennedy have written their own cadenzas; however, it is Joachim\u2019s original cadenza that is performed most often.<\/p>\r\n&nbsp;{:}","post_title":"{:hu}D-d\u00far heged\u0171verseny, op. 77{:}{:en}Violin Concerto in D major, Op. 77{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hegeduverseny-d-dur-op-77","to_ping":"","pinged":"","post_modified":"2018-05-30 09:17:58","post_modified_gmt":"2018-05-30 09:17:58","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/hegeduverseny-d-dur-op-77\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Brahms"]},{"ID":106045,"post_author":"1","post_date":"2018-03-26 21:11:41","post_date_gmt":"2018-03-26 21:11:41","post_content":"","post_title":"{:hu}VIII. szimf\u00f3nia (c-moll), op. 65{:}{:en}Symphony No. 8 in C minor, op. 65{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"viii-szimfonia-c-moll-op-65","to_ping":"","pinged":"","post_modified":"2018-05-31 15:35:00","post_modified_gmt":"2018-05-31 15:35:00","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=106045","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Sosztakovics"]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":null,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":86506,"post_author":"1","post_date":"2018-05-21 17:20:11","post_date_gmt":"2018-05-21 17:20:11","post_content":"{:hu}<p style=\"text-align: justify;\">1979-ben sz\u00fcletett Budapesten. Zen\u00e9sz csal\u00e1db\u00f3l sz\u00e1rmazik, els\u0151 heged\u0171tan\u00e1ra \u00e9desanyja volt. 1981 \u00e9s 1991 k\u00f6z\u00f6tt sz\u00fcleivel Venezuel\u00e1ban \u00e9lt, nyolc \u00e9vesen itt adta els\u0151 hangverseny\u00e9t zenekari k\u00eds\u00e9rettel.<\/p>\r\n<p style=\"text-align: justify;\">Visszat\u00e9rve Magyarorsz\u00e1gra a Zeneakad\u00e9mia el\u0151k\u00e9sz\u00edt\u0151 tagozat\u00e1n Szenthelyi Mikl\u00f3s \u00e9s T\u00e1trai Vilmos voltak a mesterei. 1998-t\u00f3l P\u00e1rizsban Eduard Wulfsonnal dolgozik, aki az orosz heged\u0171iskola hagyom\u00e1nyait Nathan Milsteint\u0151l, David Oistracht\u00f3l \u00e9s Henryk Szeringt\u0151l tanulta. T\u00f6bb nagy nemzetk\u00f6zi versenyen \u00e9rt el jelent\u0151s sikereket: - 1995 Gor\u00edzia (Olaszorsz\u00e1g), \u201eLipizer\u201d Nemzetk\u00f6zi Verseny - els\u0151 d\u00edj - 1996 P\u00e1rizs, \u201eJacques Thibaud\u201d Nemzetk\u00f6zi Verseny - m\u00e1sodik d\u00edj - 1997 Br\u00fcsszel, \u201eErzs\u00e9bet Kir\u00e1lyn\u00e9\u201d Nemzetk\u00f6zi Verseny - harmadik d\u00edj, k\u00f6z\u00f6ns\u00e9gd\u00edj Rendszeres szerepl\u0151je nemzetk\u00f6zi fesztiv\u00e1loknak, koncerttermeknek (Festivale Colmar, Berliner Festspiele, Lockenhaus, Concertgebouw, Berliner Philharmonie stb.). T\u00f6bb mesterkurzust tartott Chicag\u00f3ban \u00e9s a p\u00e1rizsi Sorbonne-on. 2006-ban t\u00f6bbek k\u00f6z\u00f6tt a N\u00e9met R\u00e1di\u00f3zenekarral \u00e9s a Stuttgarti Kamarazenekarral szerepelt t\u00f6bb \u00edzben. Jelenleg az 1703-as \u201eLady Harmsworth\u201d Stradivarin j\u00e1tszik a chicag\u00f3i Stradivari Alap\u00edtv\u00e1ny j\u00f3volt\u00e1b\u00f3l.<\/p>{:}{:en}<p style=\"text-align: justify;\"><b><img src=\"http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/muveszek\/Bar%C3%A1ti%20krist%C3%B3fIMG_8901-t-nn-s-sepia%20sml.jpg\" alt=\"\" width=\"100\" height=\"150\" align=\"left\" \/>Krist\u00f3f Barati<\/b> is an exciting personality of Hungary's new violinist generation, combining virtuosity with a deep musical sensibility. He proved his exceptional soloist talent at the age of eight with the Maracaibo Symphony Orchestra. Since then he has performed in the concert halls of Venezuela, France, Hungary and Japan. Mr. Bar\u00e1ti won the First Prize at the International Competition for Violinists in Gorizia, Second Grand Prize at the Marguerite Long-Jacques Thibaud International Competition in 1996 and one year later Third Prize and the Prize of the Public at the Queen Elizabeth Competition in Brussels.<\/p>\r\n<p style=\"text-align: justify;\">Born in Budapest in 1979, he moved two years later with his parents to Venezuela, where his first teacher was Emil Friedman. In 1991, he returned to Budapest where he continued his studies at the Liszt Academy of music under the guidance of Professor <a href=\"http:\/\/www.inext.hu\/%7Emedfambt\/ArtMan\/szenth.html\">Mikl\u00f3s Szenthelyi<\/a>. His debut orchestral appearance in Miami earlier this year prompted the eminent critic James Roos to write, A reviewer who finds a genuine talent in the long round of debut concerts can feel a little like a weary prospector who suddenly glimpses gold.<\/p>\r\n\r\n<div style=\"text-align: justify;\"><\/div>\r\n<p style=\"text-align: justify;\"><\/p>{:}","post_title":"{:hu}Bar\u00e1ti Krist\u00f3f{:}{:en}Krist\u00f3f Bar\u00e1ti{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"barati-kristof","to_ping":"","pinged":"","post_modified":"2020-10-05 10:26:36","post_modified_gmt":"2020-10-05 10:26:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=86506","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}heged\u0171{:}{:en}violin{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"5.200 Ft - 4.300 Ft - 3.600 Ft - 2.900 Ft - 2.100 Ft","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/kocsis-berlet-4-vezenyel-hartmut-haenchen-90089\/421670?event_disabler=274","elkeltek_a_jegyek":false,"youtube_id":"","old_id":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/106044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=106044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}