{"id":105985,"date":"2018-03-27T09:49:52","date_gmt":"2018-03-27T09:49:52","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=105985"},"modified":"2018-10-09T14:51:45","modified_gmt":"2018-10-09T14:51:45","slug":"foszerepben-auer-lipot-stradivarius-hegeduje","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/foszerepben-auer-lipot-stradivarius-hegeduje\/","title":{"rendered":"Starring the Leopold Auer Stradivarius violin"},"content":{"rendered":"

Vadim Gluzman<\/strong>,\u00a0(1973) the Israeli violinist born in Ukraine, plays a 1690 Stradivarius<\/a> known as the ‘ex-Leopold Auer’. The violin’s former owner, Leopold Auer (1845-1930), was a violinist and teacher of Hungarian origin, the creator of a school of violin teaching still in use today, and a conductor and composer. In 1879, several musicians rejected the chance to perform the premiere of Tchaikovsky’s Violin Concerto, including Leopold Auer, who even banned his students from learning the work. Tchaikovsky was hurt that even his friends declined to take on the technical and musical challenges of his new piece. Finally, the superb Russian violinist Adolf Brodsky agreed to take on the premiere (Tchaikovsky had later recommended him the piece), first in New York, then in Vienna.\u00a0 After these successful performances, Auer realised his error and later played the piece many times in concert, and in fact also published one popular version of the piece himself. It would be interesting to know if the 328-year-old violin has preserved some remnants of Auer’s interpretation of Tchaikovsky’s music in the hands of Gluzman.<\/p>\n","protected":false},"template":"","class_list":["post-105985","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Ervin Luk\u00e1cs season ticket 2","kiemelt_kep":{"ID":105986,"id":105986,"title":"vadim-gluzman-esemeny","filename":"vadim-gluzman-esemeny-1.png","filesize":848281,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1.png","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/foszerepben-auer-lipot-stradivarius-hegeduje\/vadim-gluzman-esemeny-2\/","alt":"","author":"1","description":"","caption":"","name":"vadim-gluzman-esemeny-2","status":"inherit","uploaded_to":105985,"date":"2018-03-26 14:29:15","modified":"2018-03-26 22:22:20","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1-300x88.png","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1-768x224.png","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1-1024x299.png","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1.png","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1.png","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1-165x165.png","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1.png","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1-263x263.png","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1-360x203.png","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1-359x450.png","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1-555x555.png","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/vadim-gluzman-esemeny-1-1600x560.png","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20181117","esemeny_idopontja":"7.30 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87584,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Pesti Vigad\u00f3{:}{:en}Pesti Vigad\u00f3 Ceremonial Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"pesti-vigado","to_ping":"","pinged":"","post_modified":"2021-10-22 08:33:35","post_modified_gmt":"2021-10-22 08:33:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/pesti-vigado\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Magyarorsz\u00e1g","cim":"1051. Vigad\u00f3 t\u00e9r 2.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":101545,"post_author":"1","post_date":"2017-05-30 19:58:57","post_date_gmt":"2017-05-30 19:58:57","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette a Nemzeti Filharmonikusok Zenekar\u00e1t.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-3","to_ping":"","pinged":"","post_modified":"2020-08-10 08:31:17","post_modified_gmt":"2020-08-10 08:31:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=101545","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91485,"post_author":"1","post_date":"2016-09-08 08:57:52","post_date_gmt":"2016-09-08 08:57:52","post_content":"{:hu}

Ezt a mindenki \u00e1ltal szeretett darabot helyesebb volna Var\u00e1zsh\u00e1rfa-nyit\u00e1nyk\u00e9nt emlegetni, hiszen eredetileg ehhez az 1820-ban keletkezett meseoper\u00e1hoz \u00edrta Schubert. A Var\u00e1zsh\u00e1rfa nyolc el\u0151ad\u00e1s ut\u00e1n leker\u00fclt a m\u0171sorr\u00f3l, \u00e9s azon nyomban elfelejtett\u00e9k. Nyit\u00e1ny\u00e1t csup\u00e1n a kiad\u00f3 kapcsolta \u00f6ssze a Rosamunda-k\u00eds\u00e9r\u0151zen\u00e9vel, majdnem harminc \u00e9vvel Schubert hal\u00e1la ut\u00e1n.  <\/p>

 <\/p>

A Rosamunda, Ciprus kir\u00e1lyn\u0151je c. sz\u00edndarabot 1823-ban t\u0171zte m\u0171sorra a Theater an der Wien. A darab szerz\u0151je ugyanaz a Helmina von Ch\u00e9zy volt, aki Carl Maria von Weber Euryanthe-j\u00e1nak librett\u00f3j\u00e1t is \u00edrta, komoly akad\u00e1lyokat g\u00f6rd\u00edtve ezzel a zeneszerz\u0151 \u00fatj\u00e1ba. A Rosamunda sem mondhat\u00f3 \u00e9ppens\u00e9ggel irodalmi remekm\u0171nek. Mind\u00f6ssze k\u00e9tszer adt\u00e1k B\u00e9csben, Schubert k\u00eds\u00e9r\u0151zen\u00e9j\u00e9vel, aki azonban nem \u00edrt \u00faj nyit\u00e1nyt a darabhoz, ehelyett egy m\u00e1sik oper\u00e1j\u00e1nak, az Alfonso \u00e9s Estrell\u00e1-nak a nyit\u00e1ny\u00e1t haszn\u00e1lta fel \u00fajra (ezt az oper\u00e1t Schubert \u00e9let\u00e9ben egy\u00e1ltal\u00e1n nem adt\u00e1k el\u0151).<\/p>

 <\/p>

A Var\u00e1zsh\u00e1rfa\/Rosamunda-nyit\u00e1ny borong\u00f3s c-moll bevezet\u00e9ssel kezd\u0151dik, melyet felszabadult hangulat\u00fa C-d\u00far allegro k\u00f6vet. Nincs hi\u00e1ny pazarul hangszerelt, vonz\u00f3 dallamokban:  a nyit\u00e1ny, miut\u00e1n megszabadult mindk\u00e9t hozz\u00e1kapcsol\u00f3d\u00f3 sikertelen sz\u00ednpadi m\u0171t\u0151l, mint \u00f6n\u00e1ll\u00f3 darab foglalta el meg\u00e9rdemelt hely\u00e9t Schubert legn\u00e9pszer\u0171bb kompoz\u00edci\u00f3i k\u00f6z\u00f6tt.<\/P>{:}{:en}

This beloved work should more properly be called the overture to Die Zauberharfe (\"The Magic Harp\"), the fairytale opera Schubert wrote in 1820.  After eight performances, the opera was taken off the program and quickly forgotten.  The overture was attached to Schubert's Rosamunde music only when it was published, almost thirty years after the composer's death.<\/p>

 <\/p>

In 1823, Schubert composed incidental music for a play called Rosamunde, Princess of Cyprus by Helmina von Ch\u00e9zy, the playwright and poet who also wrote the libretto to the opera Euryanthe by Carl Maria von Weber, thereby putting considerable obstacles in the way of Weber's genius.  Rosamunde, which was also less than a theatrical masterpiece, was produced, and performed twice, at the Theater an der Wien.  Schubert wrote the incidental mujsic, but he did not compose an original overture; instead, he recycled the overture from another of his operas, Alfonso und Estrella, which was never been performed at all during his lifetime.<\/p>

 <\/p>

The Zauberharfe\/Rosamunde overture consists of a brooding slow introduction (in C minor), followed by a spirited fast movement in C major.  It has an abundant flow of pleasing melodies, brilliantly orchestrated.  Once freed from all the unsuccessful stage works to which it had been connected, this sparkling music has thrived on its own as one of Schubert's most popular works.<\/P>{:}","post_title":"{:hu}Rosamunda - nyit\u00e1ny{:}{:en}Rosamunda - overture{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"rosamunda-nyitany","to_ping":"","pinged":"","post_modified":"2016-09-08 08:57:52","post_modified_gmt":"2016-09-08 08:57:52","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/rosamunda-nyitany\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Schubert"]},{"ID":91729,"post_author":"1","post_date":"2016-09-08 08:57:56","post_date_gmt":"2016-09-08 08:57:56","post_content":"Csajkovszkij Heged\u0171verseny\u00e9t 1878 tavasz\u00e1n kompon\u00e1lta, s j\u00f3 bar\u00e1tj\u00e1nak, Auer Lip\u00f3tnak dedik\u00e1lva jelentette meg. Auer a heged\u0171sz\u00f3lam bizonyos r\u00e9szeit hangszerszer\u0171tlennek tal\u00e1lta \u00e9s szerette volna \u00e1tdolgozni, de nem volt r\u00e1 ideje. \u00cdgy az 1789 m\u00e1rcius\u00e1ra kit\u0171z\u00f6tt bemutat\u00f3 elmaradt, s h\u00edre ment, hogy Csajkovszkij heged\u0171versenye j\u00e1tszhatatlan\u2026 V\u00e9g\u00fcl az orosz sz\u00e1rmaz\u00e1s\u00fa Adolf Brodszkij mutatta be 1881-ben B\u00e9csben, Richter J\u00e1nos vez\u00e9nylet\u00e9vel.\r\n\r\nA m\u0171 1. t\u00e9tel\u00e9nek formai \u00e9rdekess\u00e9ge, hogy a hossz\u00fa, brav\u00faros kadenci\u00e1t a sz\u00f3lista nem a t\u00e9tel legv\u00e9g\u00e9n, hanem a k\u00e9tharmad\u00e1n\u00e1l, mintegy a visszat\u00e9r\u00e9sre val\u00f3 r\u00e1vezet\u00e9sk\u00e9nt j\u00e1tssza el. A \u201eCanzonetta\u201d felirat\u00fa lass\u00fa t\u00e9telt a f\u00fav\u00f3sok sz\u00ednpomp\u00e1s hangz\u00e1s\u00fa bevezet\u0151je ind\u00edtja, s majd ez vezet r\u00e1 a sz\u00fcnet n\u00e9lk\u00fcl k\u00f6vetkez\u0151 fin\u00e1l\u00e9ra is, amely a nyit\u00f3t\u00e9telhez hasonl\u00f3an felvonultatja a 19. sz\u00e1zadi heged\u0171j\u00e1t\u00e9k teljes technikai arzen\u00e1lj\u00e1t, s k\u00f6nnyed rond\u00f3t\u00e9m\u00e1j\u00e1val \u00e9s dudak\u00eds\u00e9retes, rusztikus epiz\u00f3dj\u00e1val rendk\u00edv\u00fcl hat\u00e1sos kicseng\u00e9st ad a m\u0171nek.\r\n\r\n ","post_title":"{:hu}D-d\u00far heged\u0171verseny, op.35{:}{:en}Violin Concerto in D major, Op. 35{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"d-dur-hegeduverseny-op-35","to_ping":"","pinged":"","post_modified":"2018-10-09 14:53:27","post_modified_gmt":"2018-10-09 14:53:27","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/d-dur-hegeduverseny-op-35\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Csajkovszkij"]},{"ID":101477,"post_author":"3","post_date":"2017-05-29 19:26:03","post_date_gmt":"2017-05-29 19:26:03","post_content":"\"E szimf\u00f3nia a felfokozott, szenved\u00e9lyes \u00fcnnep\u00e9lyess\u00e9gnek, a szinte \u00e1rny\u00e9kmentesen f\u00e9nyl\u0151 ragyog\u00e1snak minden addigit fel\u00fclm\u00fal\u00f3an mer\u00e9sz zen\u00e9be \u00f6nt\u00e9se. Tematik\u00e1ja szenved\u00e9lyesebb, sodr\u00f3bb lend\u00fclet\u0171, hangszerel\u00e9se f\u00e9nyesebb, sz\u00ednesebb, harsog\u00f3bb minden addigi zenekari m\u0171v\u00e9n\u00e9l! Annak idej\u00e9n m\u00e1r Mendelssohn fenntart\u00e1s n\u00e9lk\u00fcl megcsod\u00e1lta hangszerel\u00e9s\u00e9nek csod\u00e1latos pomp\u00e1j\u00e1t. Nem hi\u00e1ba mondta egyszer Beethoven, hogy zen\u00e9j\u00e9vel megtan\u00edtja az embereket a szellem isteni \u0151rj\u00f6ng\u00e9s\u00e9re; ha valaha, \u00fagy ebben a szimf\u00f3ni\u00e1ban siker\u00fclt ezt a c\u00e9lt el\u00e9rnie.\" (Bartha D\u00e9nes)\r\n\r\n\r\n\r\nI. Poco sostenuto. Vivace II. Allegretto III. Presto IV. Allegro con brio\r\n

A kompoz\u00edci\u00f3 1811-1812-ben k\u00e9sz\u00fclt, a k\u00e9zirat tan\u00fas\u00e1ga szerint a befejez\u00e9s d\u00e1tuma m\u00e1jus 13. A darab \u00e9rzelemvil\u00e1g\u00e1t a vil\u00e1gt\u00f6rt\u00e9nelmi esem\u00e9nyek (nap\u00f3leoni h\u00e1bor\u00fak) \u00e9s a szerz\u0151 mag\u00e1n\u00e9let\u00e9nek der\u0171sebb id\u0151szak\u00e1hoz (melynek nevezetes epiz\u00f3dja a csehorsz\u00e1gi Teplitzben elt\u00f6lt\u00f6tt nyaral\u00e1s, amikor Beethoven z\u00e1rk\u00f3zott, emberker\u00fcl\u0151 term\u00e9szete ellen\u00e9re \u00e9l\u00e9nk t\u00e1rsas\u00e1gi \u00e9letet \u00e9lt) kapcsol\u00f3d\u00f3 \u00e9lm\u00e9nyek hat\u00e1rozz\u00e1k meg. A szimf\u00f3nia olyan hangot \u00fct meg, melynek eddig sem Beethovenn\u00e9l, sem m\u00e1s szerz\u0151n\u00e9l nem akadt p\u00e9ld\u00e1ja. \"E szimf\u00f3nia a felfokozott, szenved\u00e9lyes \u00fcnnep\u00e9lyess\u00e9gnek, a szinte \u00e1rny\u00e9kmentesen f\u00e9nyl\u0151 ragyog\u00e1snak minden addigit fel\u00fclm\u00fal\u00f3an mer\u00e9sz zen\u00e9be \u00f6nt\u00e9se. Tematik\u00e1ja szenved\u00e9lyesebb, sodr\u00f3bb lend\u00fclet\u0171, hangszerel\u00e9se f\u00e9nyesebb, sz\u00ednesebb, harsog\u00f3bb minden addigi zenekari m\u0171v\u00e9n\u00e9l! Annak idej\u00e9n m\u00e1r Mendelssohn fenntart\u00e1s n\u00e9lk\u00fcl megcsod\u00e1lta hangszerel\u00e9s\u00e9nek csod\u00e1latos pomp\u00e1j\u00e1t. Nem hi\u00e1ba mondta egyszer Beethoven, hogy zen\u00e9j\u00e9vel megtan\u00edtja az embereket a szellem isteni \u0151rj\u00f6ng\u00e9s\u00e9re; ha valaha, \u00fagy ebben a szimf\u00f3ni\u00e1ban siker\u00fclt ezt a c\u00e9lt el\u00e9rnie.\" (Bartha D\u00e9nes)<\/p>\r\n

Schindler (Beethoven titk\u00e1ra) eml\u00edti, hogy a zeneszerz\u0151 kedvenc olvasm\u00e1nyai k\u00f6z\u00e9 tartozott Hom\u00e9rosz Od\u00fcsszei\u00e1ja, 1812-ben egy operalibrett\u00f3r\u00f3l is t\u00e1rgyalt Theodor K\u00f6rner k\u00f6lt\u0151vel, melynek t\u00e1rgy\u00e1t az eposzb\u00f3l mer\u00edtett\u00e9k volna. Ugyanebben az id\u0151ben - v\u00e1zlatk\u00f6nyv\u00e9nek tan\u00fas\u00e1ga szerint - a g\u00f6r\u00f6g id\u0151m\u00e9rt\u00e9kes versel\u00e9s megzen\u00e9s\u00edt\u00e9s\u00e9nek probl\u00e9m\u00e1ja foglalkoztatta. A szimf\u00f3nia-v\u00e1zlatok pedig el\u00e1rulj\u00e1k, hogy a zenei anyagb\u00f3l els\u0151k\u00e9nt a metrikus l\u00fcktet\u00e9sre vonatkoz\u00f3 ide\u00e1k krist\u00e1lyosodtak ki, a dallamanyag k\u00e9s\u0151bbi fejlem\u00e9ny. S val\u00f3ban, a szimf\u00f3nia valamennyi t\u00e9tele g\u00f6r\u00f6g versl\u00e1bakon \"\u00e1ll\". A k\u00fcl\u00f6n\u00f6sen n\u00e9pszer\u0171v\u00e9 v\u00e1l\u00f3 m\u00e1sodik t\u00e9telben p\u00e9ld\u00e1ul egy daktilusb\u00f3l \u00e9s spondeusb\u00f3l \u00e1ll\u00f3 adoniszi sor k\u00e9plete vonul v\u00e9gig. A kort\u00e1rsi besz\u00e1mol\u00f3k \u00e9s a szembet\u0171n\u0151 stil\u00e1ris jegyek egy\u00fcttes\u00e9nek k\u00f6sz\u00f6nhet\u0151, hogy a m\u0171 legt\u00f6bb elemz\u00e9se az antikvit\u00e1shoz k\u00f6ti a szimf\u00f3nia eszmei programj\u00e1t. Szabolcsi Bence p\u00e9ld\u00e1ul az els\u0151 t\u00e9tel szokatlanul hossz\u00fa lass\u00fa bevezet\u00e9s\u00e9t egy antik \u00fcnnep bejelent\u00e9s\u00e9nek nevezte. Ezt k\u00f6veti maga az \u00fcnnep. A II. t\u00e9tel \"\u00e1lom a k\u00f6nnytelen \u00e9s m\u00e9lt\u00f3s\u00e1gos g\u00f6r\u00f6g hal\u00e1lr\u00f3l, a b\u00e1natr\u00f3l, mely \u00e9pp\u00fagy az \u00e9let nagy \u00fctem\u00e9re lejt, mint az \u00fcnnepi felk\u00f6sz\u00f6nt\u0151.\" A III. t\u00e9tel \"szikr\u00e1z\u00f3 k\u00f6rt\u00e1nc, elszakad\u00e1s az anyagt\u00f3l, fellend\u00fcl\u00e9s a legf\u0151bb magaslatokba\". A IV. t\u00e9tel maga a \"bacchan\u00e1l, sz\u00fcreti mulats\u00e1g \u00e9s r\u00e9szeg t\u00e1ntorg\u00e1s\". Nem v\u00e9letlen\u00fcl nevezte Wagner a darabot a \"t\u00e1nc apote\u00f3zis\u00e1nak\".<\/p>","post_title":"{:hu}VII. (A-d\u00far) szimf\u00f3nia, op. 92{:}{:en}Symphony No. 7 in A major, op. 92{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"vii-szimfonia-dur-op-92","to_ping":"","pinged":"","post_modified":"2020-03-04 12:46:02","post_modified_gmt":"2020-03-04 12:46:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101477","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":105886,"post_author":"1","post_date":"2018-03-26 09:09:34","post_date_gmt":"2018-03-26 09:09:34","post_content":"","post_title":"{:hu}Vadim Gluzman{:}{:en}Vadim Gluzman{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"vadim-gluzman","to_ping":"","pinged":"","post_modified":"2018-03-26 09:09:34","post_modified_gmt":"2018-03-26 09:09:34","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=105886","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}heged\u0171{:}{:en}violin{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"Sold out","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/105985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=105985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}