{"id":105983,"date":"2018-03-27T09:49:53","date_gmt":"2018-03-27T09:49:53","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=105983"},"modified":"2020-10-14T12:42:48","modified_gmt":"2020-10-14T12:42:48","slug":"kocsis-zoltan-emlekkoncert-2","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/kocsis-zoltan-emlekkoncert-2\/","title":{"rendered":"Zolt\u00e1n Kocsis Memorial Concert"},"content":{"rendered":"

FR\u00c9D\u00c9RIC CHOPIN:<\/strong>
\nPIANO CONCERTO IN F MINOR, OP. 21<\/strong><\/p>\n

Chopin wrote his Piano Concerto in F minor in 1829 when he was just 20 years of age. The work follows the classic conventions of the genre with three movements, two fast and one slow to close, and the piece is dedicated to Delfina Potocka, one of Chopin\u2019s piano students in Paris. Chopin\u2019s youthful compositions are more extravagant and openly virtuoso works than his later character pieces. Alongside six concerto works, two series of virtuoso \u00e9tudes and some brilliant sets of variations and rondos, it is also notable that Chopin wrote two piano pieces for chamber music in the first third of his career. The twenty-something Polish composer made his name with these works in Paris, a city teeming with piano titans.<\/p>\n

Misi Boros<\/strong> came to the attention of audiences when he won first prize in the Junior category of Virtu\u00f3zok (Virtuosos), the classical music talent contest broadcast on Hungarian Television.He has appeared in 30 solo concerts with 16 orchestras and 17 conductors throughout the world, and his stupendous talent and charming personality have been praised by such music maestros as Pl\u00e1cido Domingo.<\/p>\n

 <\/p>\n

M\u00c1RIA ANTAL: FLOW<\/strong><\/p>\n

Maria Antal completed her composition studies at the Franz Liszt Music Academy in Budapest before moving to London. Entitled simply\u00a0“Flow”<\/i>, her work was\u00a0inspired by Mih\u00e1ly Cs\u00edkszentmih\u00e1lyi’s classic work\u00a0“Flow, the Psychology of Optimal Experience”<\/i>. Following loosely the structural conventions of a symphony the piece features three movements:\u00a0Focus, Clarity – Timelessness, Ecstasy<\/i>.<\/p>\n

 <\/p>\n

SERGEI RACHMANINOV: <\/strong>THE BELLS<\/strong><\/p>\n

In 1912, Rachmaninov became familiar with Edgar Allen Poe\u2019s poem The Bells from a free translation by the Russian symbolist poet Konstantin Balmont. From childhood, he had harboured a keen interest in the sounds of church bells, as well as the human stories and emotions they express. In four movements, The Bells tells the story of specific events in a person\u2019s life. Silvery sleigh bells announce a birth, the mellow bells of the second, slow movement ring out to herald a wedding, and loud alarm bells are followed by the slow closing movement, the mourning iron bells of grief and death.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"template":"","class_list":["post-105983","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"","kiemelt_kep":{"ID":108332,"id":108332,"title":"Boros Misi4@\u00fcgyn\u00f6kt\u0151l","filename":"Boros-Misi4@\u00fcgyn\u00f6kt\u0151l.jpg","filesize":1982436,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/kocsis-zoltan-emlekkoncert-2\/boros-misi4ugynoktol\/","alt":"","author":"951582","description":"","caption":"","name":"boros-misi4ugynoktol","status":"inherit","uploaded_to":105983,"date":"2018-10-29 16:02:58","modified":"2018-10-29 16:03:09","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":3508,"height":2480,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l-300x212.jpg","medium-width":300,"medium-height":212,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l-768x543.jpg","medium_large-width":640,"medium_large-height":453,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l-1024x724.jpg","large-width":640,"large-height":453,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l.jpg","1536x1536-width":1536,"1536x1536-height":1086,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l.jpg","2048x2048-width":2048,"2048x2048-height":1448,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l.jpg","person-size-2-width":165,"person-size-2-height":117,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/Boros-Misi4@\u00fcgyn\u00f6kt\u0151l-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20181106","esemeny_idopontja":"7.30 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87689,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}M\u00fcpa - Bart\u00f3k B\u00e9la Nemzeti Hangversenyterem{:}{:en}M\u00fcpa - B\u00e9la Bart\u00f3k National Concert Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mupa-bartok-bela-nemzeti-hangversenyterem","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/mupa-bartok-bela-nemzeti-hangversenyterem\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Magyarorsz\u00e1g{:}","cim":"

1095 Budapest, Komor Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"helyszin_kategoria":"budapest","karmester":{"ID":101545,"post_author":"1","post_date":"2017-05-30 19:58:57","post_date_gmt":"2017-05-30 19:58:57","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette a Nemzeti Filharmonikusok Zenekar\u00e1t.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-3","to_ping":"","pinged":"","post_modified":"2020-08-10 08:31:17","post_modified_gmt":"2020-08-10 08:31:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=101545","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":105877,"post_author":"1","post_date":"2018-03-26 08:43:56","post_date_gmt":"2018-03-26 08:43:56","post_content":"{:hu}A mu\u030b ihlete\u0301se\u0301t Csi\u0301kszentmiha\u0301lyi Miha\u0301ly\u00a0Az a\u0301ramlat\u00a0<\/em>ci\u0301mu\u030b ko\u0308nyve adta.\r\n\r\nSzerinte egy cselekve\u0301sben valo\u0301 teljes feloldo\u0301da\u0301s az \u00f6nmegval\u00f3s\u00edt\u00e1s e\u0301s a boldogsa\u0301g e\u0301rze\u0301se\u0301hez vezet.\r\n\r\nMaxima\u0301lis koncentra\u0301ci\u00f3 alapfelte\u0301tele az\u00a0\u00e1ramlat<\/em>\u00a0megtapasztal\u00e1s\u00e1nak. Ennek a pszichikai energi\u00e1nak a zenekari megjelen\u00edt\u00e9se hallhat\u00f3 a\u00a0F\u00f3kusz<\/strong>\u00a0c\u00edm\u0171 nyit\u00f3 t\u00e9tel\u00e9ben.\r\n\r\nA ku\u0308lvil\u00e1g kiz\u00e1r\u00e1s\u00e1val olyan bels\u0151 vil\u00e1g j\u00f6n l\u00e9tre, amelyben az ido\u030b m\u00fal\u00e1sa le\u0301nyegtelenne\u0301 va\u0301lik. Egy b\u00f6lcs\u0151dal (Mozart Wiegenlied-je), egy l\u00e9lekharang \u00e9s egy ketyeg\u0151 \u00f3ra mot\u00edvum a f\u0151szerepl\u0151i a\u00a0Vil\u00e1goss\u00e1g \u00e9s Id\u0151tlens\u00e9g<\/strong>\u00a0c\u00edm\u0171 lass\u00fa t\u00e9telnek. A gya\u0301sz e\u0301rze\u0301s\u00e9nek e szel\u00edd kifejez\u00e9se egyben szomor\u00fa kapcsol\u00f3d\u00e1si pontja is az eml\u00e9k koncerthez.\r\n\r\nAz\u00a0\u00e1ramlat<\/em>\u00a0eksztatikus \u00e9lm\u00e9ny\u00e9t b\u00e1rki \u00e1t\u00e9lheti: az ember egyedive\u0301 va\u0301lik, ugyanakkor egyes\u00fcl is az e\u0301nen ki\u0301vu\u0308l a\u0301ll\u00f3 egyetemes \u00e9rt\u00e9kekkel. A katarzis szimb\u00f3lumak\u00e9nt az eso\u030b imita\u0301la\u0301sa\u0301val kezd\u0151dik az utols\u00f3,\u00a0Ekszt\u00e1zis<\/strong>\u00a0c\u00edm\u0171\u0301 te\u0301tel: hatalmas energia\u0301k szabadulnak fo\u0308l egy viharos szimfonikus t\u00e1ncban kulmina\u0301lva a m\u0171 ve\u0301ge\u0301n.{:}{:en}Maria Antal completed her composition studies at the Franz Liszt Music Academy in Budapest before moving to London. Entitled simply\u00a0\"Flow\"<\/i>, her work was\u00a0inspired by Mih\u00e1ly Cs\u00edkszentmih\u00e1lyi's classic work\u00a0\"Flow, the Psychology of Optimal Experience\"<\/i>. Following loosely the structural conventions of a symphony the piece features three movements:\u00a0Focus, Clarity - Timelessness, Ecstasy<\/i>.{:}","post_title":"{:hu}Az \u00c1ramlat{:}{:en}Flow {:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"az-aramlat","to_ping":"","pinged":"","post_modified":"2018-11-05 14:51:42","post_modified_gmt":"2018-11-05 14:51:42","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=105877","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Antal M\u00e1ria"]},{"ID":90951,"post_author":"1","post_date":"2016-09-08 08:57:46","post_date_gmt":"2016-09-08 08:57:46","post_content":"{:hu}I. Maestoso II. Larghetto III. Allegro vivace
Chopin k\u00e9t zongoraversenye k\u00f6z\u00fcl az f-moll kapta a magasabb opusz-sz\u00e1mot, j\u00f3llehet egy esztend\u0151vel el\u0151bb k\u00e9sz\u00fclt el, mint az Op. 11-es e-moll kompoz\u00edci\u00f3: m\u00e9g 1829-ben. Szerkezet\u00e9t tekintve hagyom\u00e1nyos, h\u00e1rom t\u00e9teles darab, szon\u00e1taform\u00e1j\u00fa els\u0151vel, \u00e1br\u00e1ndos, k\u00f6zep\u00e9n dr\u00e1maiv\u00e1 forr\u00f3sod\u00f3 lass\u00faval \u00e9s t\u00e1ncos final\u00e9val. Zenekari sz\u00f6vete nem k\u00fcl\u00f6n\u00f6sebben \u00e9rdekes - a nagyzenekarnak Chopin soha nem volt avatott mestere. Ann\u00e1l eredetibb viszont zongorasz\u00f3lam kidolgoz\u00e1sa. Az ezernyi sz\u00ednben ragyog\u00f3 zongorasz\u00f3l\u00f3 gyakran a r\u00f6gt\u00f6nz\u00e9s k\u00f6zvetlens\u00e9g\u00e9vel hat a hallgat\u00f3ra. K\u00fcl\u00f6n\u00f6sen az utols\u00f3 t\u00e9tel t\u00e1ncos t\u00e9m\u00e1iban \u00e9rezhet\u0151 saj\u00e1tos, \"lengyeles\" \u00edz - a 19. sz\u00e1zad elej\u00e9n lengyel f\u00f6ld\u00f6n divatos, majd hamarosan Eur\u00f3pa nyugatabbi nagyv\u00e1rosait is megh\u00f3d\u00edt\u00f3 \"\u00farias\" polon\u00e9zek, \u00e9s \"n\u00e9piesebb\" mazurk\u00e1k hat\u00e1sa.{:}{:en}I. Maestoso II. Larghetto III. Allegro vivace
Although Chopin's F minor concerto has the higher opus number, it was in fact the first of his two concertos. It was completed in 1829. Structurally, it is in traditional three movement form, with a sonata form first movement, a slow movement with a dream like beginning, interrupted by a dramatic central section, and rounded off by a dance-like finale. The orchestral textures hold little interest - Chopin was never a master of large orchestras. But the originality of the concerto lies in the solo part. The extraordinary piano writing evokes a stunning palette of colours while creating the impression of improvisation. The dance-like themes of the finale have a unique Polish flavour, paving the way for the fashion in Western Europe for Polish forms such as the Polonaise and Mazurka.{:}","post_title":"{:hu}f-moll zongoraverseny, op. 21.{:}{:en}Piano concerto in F minor, op. 21.{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"f-moll-zongoraverseny-op-21","to_ping":"","pinged":"","post_modified":"2016-09-08 08:57:46","post_modified_gmt":"2016-09-08 08:57:46","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/f-moll-zongoraverseny-op-21\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Chopin"]},{"ID":91172,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}I. Allegro ma non troppo (tenor\/k\u00f3rus) II. Lento (szopr\u00e1n\/ k\u00f3rus) III. Presto (k\u00f3rus) IV. Lento lugubre (bariton\/k\u00f3rus)\r\n\r\nRahmanyinov legt\u00f6bb k\u00f3rusm\u0171ve a capella, teh\u00e1t hangszerk\u00eds\u00e9ret n\u00e9lk\u00fcli darab. Mind\u00f6ssze h\u00e1rom kiv\u00e9tel l\u00e9tezik, ahol a k\u00f3rust zenekar k\u00eds\u00e9ri. Az els\u0151 az 1902-ben, k\u00f6zvetlen\u00fcl a m\u00e1sodik zongoraverseny ut\u00e1n kompon\u00e1lt Tavasz (Vesna) c\u00edm\u0171 kant\u00e1ta. Ezt k\u00f6veti az op. 35-\u00f6s Harangok (Kolokola), a sort pedig 1926-ban a H\u00e1rom orosz n\u00e9pdal z\u00e1rja.\r\n\r\nA Harangokhoz Rahmanyinovnak az inspir\u00e1ci\u00f3t Edgar Allen Poe azonos c\u00edm\u0171 k\u00f6ltem\u00e9nye jelentette, amit 1912-ben a szimbolista orosz k\u00f6lt\u0151, Konsztantyin Balmont ford\u00edt\u00e1s\u00e1ban ismert meg. N\u00e9h\u00e1ny h\u00f3nappal k\u00e9s\u0151bb, 1912 v\u00e9g\u00e9n \u00fagy d\u00f6nt\u00f6tt a zeneneszerz\u0151, hogy csal\u00e1dj\u00e1val egy\u00fctt elhagyja Moszkv\u00e1t: t\u00fal sok energi\u00e1t rabolnak el t\u0151le karmesteri k\u00f6telezetts\u00e9gei, s nem marad el\u00e9g ideje a kompon\u00e1l\u00e1sra. Rahmanyinov\u00e9k \u00fati c\u00e9lja R\u00f3ma volt, ahol a Piazza di Spagn\u00e1n tal\u00e1ltak sz\u00e1ll\u00e1st egy olyan lak\u00e1sban, amelyben kor\u00e1bban Csajkovszkij is hosszabb id\u0151t t\u00f6lt\u00f6tt. Itt keletkezett a Harangok legnagyobb r\u00e9sze. V\u00e9g\u00fcl a kompoz\u00edci\u00f3t a k\u00f6vetkez\u0151 ny\u00e1ron, vid\u00e9ki birtok\u00e1n fejezte be. Az \u0151sbemutat\u00f3ra m\u00e9g az \u00e9vben sor ker\u00fclt a szerz\u0151 vez\u00e9nylet\u00e9vel.\r\n\r\nRahmanyinov t\u00f6bbsz\u00f6r nyilatkozott arr\u00f3l, hogy m\u00e1r gyermekkor\u00e1ban, a Novgorodban t\u00f6lt\u00f6tt id\u0151kben is er\u0151sen foglalkoztatta a templomi harangok hangja, s nem utols\u00f3sorban a vel\u00fck kifejezett emberi t\u00f6rt\u00e9n\u00e9sek, \u00e9rzelmek. \u00cdgy a d\u00f3m n\u00e9gy harangj\u00e1t mindig a gy\u00e1sz fogalm\u00e1val kapcsolta \u00f6ssze, \u00e9s k\u00e9t m\u0171v\u00e9ben is, a k\u00e9tzongor\u00e1s Fantasie tableaux-ban (1893) \u00e9s az 1905-ben elk\u00e9sz\u00fclt oper\u00e1j\u00e1ban alkalmazta a harangok lefel\u00e9 hajl\u00f3 mot\u00edvum\u00e1t.\r\n\r\nA Harangokban ez tov\u00e1bbfejlesztve \u00e9s k\u00f6zvetlenebb m\u00f3don \u00e9l tov\u00e1bb. Minden t\u00e9tel az emberi \u00e9let egy-egy esem\u00e9ny\u00e9t dolgozza fel: a sz\u00fclet\u00e9st, az esk\u00fcv\u0151t, a f\u00e9lelmet \u00e9s hal\u00e1lt. Poe a sz\u00fclet\u00e9s \u00e9s a fiatals\u00e1g szimb\u00f3lumak\u00e9nt ez\u00fcst csengetty\u0171ket haszn\u00e1l; Rahmanyinov mindezt zenei eszk\u00f6z\u00f6kkel fejezi ki - az \u00e9let\u00f6r\u00f6m \u00e9s a rem\u00e9nytelis\u00e9g \u00e1llapot\u00e1t a tenorsz\u00f3l\u00f3 \u00e9s a sug\u00e1rz\u00f3 k\u00f3rus karakteriz\u00e1lja. A II. t\u00e9tel - egy k\u00f3russal \u00f6tv\u00f6z\u00f6tt szopr\u00e1nsz\u00f3l\u00f3 - sz\u00f6veg\u00e9ben az esk\u00fcv\u0151t puha cseng\u00e9s\u0171 arany harangokkal festi le; a zeneszerz\u0151 ezen a ponton pomp\u00e1s, \u00e1rad\u00f3 dallammal mutatja meg sz\u00f3fest\u0151i k\u00e9pess\u00e9geit. Ez a hangulat azonban a k\u00f6vetkez\u0151 t\u00e9telben hirtelen megszakad: megsz\u00f3lalnak a f\u00e9lelem harangjai, amelyeket v\u00e9g\u00fcl a z\u00e1r\u00f3t\u00e9telben a k\u00e9rlelhetetlen vasharangok v\u00e1ltanak fel. A baritonsz\u00f3l\u00f3t \u00e9s a s\u0171r\u0171 von\u00f3sk\u00eds\u00e9retet alkalmaz\u00f3 lass\u00fa fin\u00e1l\u00e9ban a l\u00e9lek megszabadul az elviselhetetlen s\u00faly\u00fa terhekt\u0151l, s b\u00e9k\u00e9t tal\u00e1l a hal\u00e1lban.{:}{:en}I. Allegro ma non troppo (tenor\/chorus) II. Lento (soprano\/ chorus) III. Presto (chorus)\r\nIV. Lento lugubre (baritone\/chorus)\r\n\r\n \r\n\r\nThe majority of Rachmaninov's choral works are a capella. There are only three exceptions in which he calls for an orchestral accompaniment. These are the cantata Spring (Vesna) written immediately after the Second Piano Concerto, the Three Russian Folk Songs from 1926, and TheBells op. 35.\r\n\r\n \r\n\r\nThe Bells was inspired by Edgar Allen Poe's poem of the same name, which the Russian symbolist poet Konstantin Balmont translated in 1912. A few months after encountering this verse in late 1912, Rachmaninov decided to take his family and leave Moscow. He complained that his conducting obligations were swallowing up too much of his energy, leaving insufficient time for composition. The Rachmaninovs journeyed to Rome where they lodged in a\u00a0 flat facing the Piazza di Spagna. Years before, Tchaikovsky had spent an extended period in the same apartment. Rachmaninov succeeded in composing the bulk of The Bells in Rome, finishing it the following spring at his country estate. The composition was premiered that same year conducted by Rachmaninov himself.\r\n\r\n \r\n\r\nRachmaninov stated publicly several times that the sound of church bells heard as a child during a sojourn in Novgorod made a lifelong impression on him. So did the human stories and emotions that they embodied. An example is the use of all four cathedral bells in connection with funeral ceremonies. In two of Rachmaninov's works, the two piano Fantasie Tableaux (1893) and his 1905 opera Francesca da Rimini, we can clearly hear the descending motif derived from the bells.\r\n\r\n \r\n\r\nIn The Bells, Rachmaninov further develops this and utilises it more directly. Every movement elaborates an event from human life: birth, a wedding, fear and death. Poe uses silver bells as a symbol for birth and youth; Rachmaninov express this entirely through musical means - a tenor solo and a radiant chorus characterises the state of abundant joy and hope. In the Second Movement, a soprano is joined with a chorus and the wedding in the text is depicted through softly chiming golden bells; at this moment, Rachmaninov demonstrates his skills as a word setter with a splendid flowing melody. This mood is rudely broken in the following movement: we abruptly hear the bells of fear which are replaced in the finale by the unyielding iron bells. In the slow finale, which employs a baritone solo and a dense string accompaniment, the soul rids itself of its unbearable burdens to find peace in death.{:}","post_title":"{:hu}Harangok{:}{:en}The Bells{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"harangok-kolokola-op-35","to_ping":"","pinged":"","post_modified":"2018-05-28 15:04:30","post_modified_gmt":"2018-05-28 15:04:30","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/harangok-kolokola-op-35\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Rachmaninov"]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":87330,"post_author":"1","post_date":"2017-07-21 11:48:16","post_date_gmt":"2017-07-21 11:48:16","post_content":"Nagyk\u00fcrt\u00f6s\u00f6n, majd Ipolys\u00e1gon j\u00e1rt zeneiskol\u00e1ba, ahol 7 \u00e9ves kor\u00e1t\u00f3l szopr\u00e1n, majd alt furulya szakon tanult, 12 \u00e9ves kor\u00e1t\u00f3l pedig ezzel p\u00e1rhuzamosan elkezdte a klasszikus mag\u00e1n\u00e9nek szakot is. Els\u0151 \u00e9nektan\u00e1ra Mich\u0148a Ang\u00e9la volt. Gyermekkor\u00e1ban gyakran vett r\u00e9szt n\u00e9pdalversenyeken, ahol kit\u0171n\u0151 eredm\u00e9nyeket \u00e9rt el. Az ipolys\u00e1gi Fegyverneki Ferenc Nyolcoszt\u00e1lyos Egyh\u00e1zi Gimn\u00e1zium ut\u00e1n, 2004-t\u0151l a v\u00e1ci Pik\u00e9thy Tibor Zenem\u0171v\u00e9szeti Szakk\u00f6z\u00e9piskola mag\u00e1n\u00e9nek szak\u00e1t l\u00e1togatta Bakonyi Ilona n\u00f6vend\u00e9kek\u00e9nt. 2005-t\u0151l a budapesti Bart\u00f3k B\u00e9la Zenem\u0171v\u00e9szeti Szakk\u00f6z\u00e9piskola di\u00e1kja lett. Mag\u00e1n\u00e9nek tan\u00e1ra: Fekete M\u00e1ria. 2008-ban felv\u00e9telt nyert a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetem klasszikus \u00e9nekm\u0171v\u00e9sz szak\u00e1ra, ahol klasszikus \u00e9nekm\u0171v\u00e9sz alapszakos (2008-2011), illetve opera \u00e9nekm\u0171v\u00e9sz mesterszakos (2011-2013) diplom\u00e1t szerzett. Tanszakvezet\u0151 tan\u00e1ra Marton \u00c9va, az opera program vezet\u0151je Alm\u00e1si-T\u00f3th Andr\u00e1s rendez\u0151 volt. Egyetemi \u00e9nektan\u00e1ra mindv\u00e9gig P\u00e1szthy J\u00falia volt, akivel a mai napig egy\u00fctt dolgoznak. 2012-2013 k\u00f6z\u00f6tt opera \u00e9nekm\u0171v\u00e9sz tan\u00e1rszakos diplom\u00e1t szerzett, tanszakvezet\u0151 tan\u00e1ra Halmai Katalin volt. R\u00e9szt vett Walter Moore, Nicholas Clapton, Yevgeny Nesterenko, Gwynne Geyer, Perencz B\u00e9la, Koml\u00f3si Ildik\u00f3 mesterkurzusain. 2012 \u00f3ta a Magyar \u00c1llami Operah\u00e1z mag\u00e1n\u00e9nekese. Erkel Ferenc Hunyadi L\u00e1szl\u00f3 c\u00edm\u0171 oper\u00e1j\u00e1b\u00f3l Hunyadi M\u00e1ty\u00e1s szerep\u00e9ben deb\u00fct\u00e1lt, melynek \u0151sv\u00e1ltozat\u00e1b\u00f3l CD-felv\u00e9tel is k\u00e9sz\u00fclt. A kisebb szerepek mellett f\u0151szerepeket is \u00e9nekel, mint p\u00e9ld\u00e1ul Rosina (A sevillai borb\u00e9ly, az Operah\u00e1z 2015-\u00f6s jap\u00e1n turn\u00e9j\u00e1n is), Dorabella (Cos\u00ec fan tutte). Rendszeresen vend\u00e9gszerepel vid\u00e9ki \u00e9s k\u00fclf\u00f6ldi sz\u00ednh\u00e1zakban. Olyan neves \u00e9nekm\u0171v\u00e9szek partnere volt, mint Rost Andrea, S\u00fcmegi Eszter vagy Mikl\u00f3sa Erika, emellett olyan karmesterekkel dolgozhatott egy\u00fctt, mint Kocsis Zolt\u00e1n, V\u00e1s\u00e1ry Tam\u00e1s, Tak\u00e1cs Nagy G\u00e1bor, Bertrand de Billy, Pinchas Steinberg, Stefan Solt\u00e9sz, Douglas Boyd, Hal\u00e1sz P\u00e9ter, Kessely\u00e1k Gergely vagy Kov\u00e1cs J\u00e1nos. Operareperto\u00e1rja mellett sz\u00edvesen \u00e9nekel orat\u00f3riumokat \u00e9s ad dalesteket. T\u00f6bb nemzetk\u00f6zi \u00e9nekverseny gy\u0151ztese, sz\u00e1mos \u00f6szt\u00f6nd\u00edj \u00e9s d\u00edj tulajdonosa. 2010-ben megkapta az Ari Kupsus Stipendiumon, a Zeneakad\u00e9mi\u00e1n tanul\u00f3 tehets\u00e9ges di\u00e1koknak sz\u00f3l\u00f3 d\u00edjat. 2011-ben a Sim\u00e1ndy J\u00f3zsef Nemzetk\u00f6zi \u00c9nekversenyen m\u00e1sodik, a Iuventus Canti Nemzetk\u00f6zi \u00c9nekversenyen els\u0151 helyez\u00e9st \u00e9rt el, emellett elnyerte a legjobb el\u0151ad\u00f3 d\u00edj\u00e1t is. 2012-ben Gundel-d\u00edjat kapott, emellett megkapta Ari Kupsus \u201e\u00c1lom\u201c-d\u00edj\u00e1t a Zeneakad\u00e9mi\u00e1n tanul\u00f3 tehets\u00e9ges fiatal \u00e9nekm\u0171v\u00e9sz kiemelked\u0151 teljes\u00edtm\u00e9ny\u00e9\u00e9rt. Szint\u00e9n 2012-ben vehette \u00e1t a M\u00e1ndy Andor \u00e9s neje \u00e1ltal alap\u00edtott d\u00edjat, amely az Operah\u00e1zban dolgoz\u00f3 fiatal \u00e9nekesek kiemelked\u0151 teljes\u00edtm\u00e9ny\u00e9t ismeri el. 2013-ban a Wagner T\u00e1rsas\u00e1g bayreuth-i \u00f6szt\u00f6nd\u00edjat adom\u00e1nyozott neki. 2015-ben a Jakub Pustina Nemzetk\u00f6zi \u00c9nekversenyen els\u0151 helyez\u00e9st \u00e9rt el.","post_title":"{:hu}Balga Gabriella{:}{:en}Gabriella Balga{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"balga-gabriella","to_ping":"","pinged":"","post_modified":"2017-10-02 13:57:04","post_modified_gmt":"2017-10-02 13:57:04","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=87330","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"},{"ID":85934,"post_author":"1","post_date":"2017-07-23 09:20:31","post_date_gmt":"2017-07-23 09:20:31","post_content":"{:hu}

1998-ban m\u00e9g f\u0151iskol\u00e1sk\u00e9nt deb\u00fct\u00e1lt az Operah\u00e1zban, ahol a Boh\u00e9m\u00e9letben Parpignol, a Salom\u00e9ban az I. zsid\u00f3 szerep\u00e9t \u00e9nekelte. Volt m\u00e1r Gounod R\u00f3me\u00f3ja \u00e9s Faustja, Bellini Norm\u00e1j\u00e1ban Pollione, Az \u00e1larcosb\u00e1l Riccard\u00f3ja, a Rigoletto Hercege, az Otell\u00f3ban Cassio, Dohn\u00e1nyi Ern\u0151 A vajda tornya c\u00edm\u0171 oper\u00e1j\u00e1ban Tarj\u00e1n, Petrovics Emil C'est la guerre-j\u00e9nek Sz\u00f6kev\u00e9nye \u00e9s Erkel Hunyadi L\u00e1szl\u00f3ja. A fiatal magyar \u00e9nekesnemzed\u00e9k egyik legjelent\u0151sebb k\u00e9pvisel\u0151je 2005-ben deb\u00fct\u00e1lt az Egyes\u00fclt \u00c1llamokban, Detroitban, ahol Puccini Boh\u00e9m\u00e9let\u00e9nek Rodolf\u00f3j\u00e1t \u00e9nekelte. 2006 tavasz\u00e1n Toront\u00f3ban is nagy sikerrel mutatkozott be Bellini Norm\u00e1j\u00e1ban, June Anderson partnerek\u00e9nt. Orat\u00f3riumok \u00e9s egy\u00e9b koncertek sz\u00f3list\u00e1jak\u00e9nt sz\u00e1mos eur\u00f3pai \u00e9s amerikai nagyv\u00e1rosban \u00e9nekelt m\u00e1r, 2006 j\u00fanius\u00e1ban New Yorkban, a Carnegie Hallban l\u00e9pett fel Cherubini Mede\u00e1j\u00e1nak koncertszer\u0171 el\u0151ad\u00e1s\u00e1ban. 2006 m\u00e1rcius\u00e1ban a Nemzeti Kultur\u00e1lis \u00d6r\u00f6ks\u00e9g Miniszt\u00e9riuma Liszt Ferenc-d\u00edjjal t\u00fcntette ki.<\/p>{:}{:en}The tenor, born in 1973, began his singing career in 1998 as Lensky in Tchaikovsky's \"Eugene Onegin\" at the Debrecen Opera in Hungary. That same year he was a prize-winner at the International Singing Competition in Budapest and also a finalist in the 1999 Concorso Lirico Franco Corelli in Ancona. Since then, Attila Fekete, who graduated from the Franz Liszt Academy in Budapest in 2000, has been closely linked with the Hungarian State Opera. He debuted in the USA in 2005, and in June 2006 he sang at Carnegie Hall, New York, in a concert performance of Cherubini's Medea. In the same year he received the Ferenc Liszt Prize in Hungary.{:}","post_title":"{:hu}Fekete Attila{:}{:en}Attila Fekete{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"fekete-attila","to_ping":"","pinged":"","post_modified":"2020-04-22 10:44:22","post_modified_gmt":"2020-04-22 10:44:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=85934","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}tenor{:}{:en}tenor{:}"},{"ID":86920,"post_author":"1","post_date":"2018-05-21 16:01:49","post_date_gmt":"2018-05-21 16:01:49","post_content":"{:hu}J\u00e1tszott az emberekkel \u00e9s j\u00e1tszott a n\u00e9z\u0151kkel is, \u0151 ny\u00fajtotta az egyik legegys\u00e9gesebb alak\u00edt\u00e1st.\r\n\r\n(Csont Andr\u00e1s, papiruszportal.hu){:}{:en}\r\n