{"id":105788,"date":"2018-03-27T09:51:06","date_gmt":"2018-03-27T09:51:06","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=105788"},"modified":"2018-10-09T13:29:16","modified_gmt":"2018-10-09T13:29:16","slug":"szeretethimnusz","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/szeretethimnusz\/","title":{"rendered":"Hymns of Praise"},"content":{"rendered":"<p>The two oratorio works on this exciting programme were composed some 200 years apart: one of the most magnificent masses ever written in the classical Viennese style, followed by a piece of music from a popular Hungarian contemporary choral composer. After Haydn&#8217;s &#8220;Missa in Angustiis&#8221; (Mass for Troubled Times), which only later gained the title of Nelson Mass in tribute to the English admiral, we will enjoy a composition written in 2009 at the behest of Csaba Somogy. Ricercare is a personal interpretation of a well-known Biblical text, an extract from St. Paul&#8217;s first epistle to the Corinthians, which is also immortalised in St Paul&#8217;s Hymn to Love. As its creator Gy\u00f6rgy Orb\u00e1n puts it, through experimentation and reading he found a &#8220;marriage of fugues&#8221; at the centre of the piece. This is why the Kossuth prize-winning composer chose a title that references not only the early Baroque fugues, but also the idea of searching inherent in the Italian word &#8216;ricercare&#8217;. Alongside great soloists and the Hungarian National Choir, the concert will also feature the world-famous Angelica Girls&#8217; Choir, led by Zsuzsanna Gr\u00e1f.<\/p>\n","protected":false},"template":"","class_list":["post-105788","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"P\u00e1szti season ticket 1 ","kiemelt_kep":{"ID":106129,"id":106129,"title":"szemere-zita-esemeny","filename":"szemere-zita-esemeny.png","filesize":929590,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny.png","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/szeretethimnusz\/szemere-zita-esemeny\/","alt":"","author":"1","description":"","caption":"","name":"szemere-zita-esemeny","status":"inherit","uploaded_to":105788,"date":"2018-03-26 22:16:48","modified":"2018-03-26 22:16:48","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny-300x88.png","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny-768x224.png","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny-1024x299.png","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny.png","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny.png","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny-165x165.png","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny.png","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny-263x263.png","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny-360x203.png","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny-359x450.png","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny-555x555.png","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/szemere-zita-esemeny-1600x560.png","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20181018","esemeny_idopontja":"7.30 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87546,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Olasz Kult\u00farint\u00e9zet{:}{:en}Italian Cultural Institute{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"olasz-kulturintezet","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:37","post_modified_gmt":"2016-09-08 08:02:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/olasz-kulturintezet\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"1088. Br\u00f3dy S. u. 8.","megjegyzes":"Olasz Kultur\u00e1lis Int\u00e9zet <br>Tel.: +(36 1) 483-2040, 317-6653","weboldal":"http:\/\/www.iicbudapest.esteri.it\/IIC_Budapest\/"},"helyszin_kategoria":"budapest","karmester":{"ID":101691,"post_author":"1","post_date":"2017-05-30 19:57:51","post_date_gmt":"2017-05-30 19:57:51","post_content":"{:hu}Diplom\u00e1j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen szerezte, el\u0151bb \u00e9nek-zene tan\u00e1r \u00e9s karvezet\u0151, majd karmester szakon, Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s tan\u00edtv\u00e1nyak\u00e9nt. Elv\u00e9gezte Johannes Moesus, J\u00fcrgen J\u00fcrgens \u00e9s Jurij Szimonov mesterkurzusait. 22 \u00e9ves kora \u00f3ta akt\u00edv k\u00f3rusvezet\u0151. Majdnem 17 \u00e9ven \u00e1t volt a Vasas M\u0171v\u00e9szegy\u00fcttes \u00c9nekkar\u00e1nak karnagya. 2002-ben megalap\u00edtotta a Vass Lajos Kamarak\u00f3rust, amelyet 2017-ig vezetett. Zeneigazgat\u00f3k\u00e9nt dolgozott a debreceni Csokonai Sz\u00ednh\u00e1zban, majd a P\u00e9csi Nemzeti Sz\u00ednh\u00e1zban, \u00e9s vezet\u0151 karnagya volt a Magyar R\u00e1di\u00f3 \u00c9nekkar\u00e1nak. Vend\u00e9gkarmesterk\u00e9nt \u00e9s karnagyk\u00e9nt sz\u00e1mos magyar szimfonikus zenekarral \u00e9s hivat\u00e1sos k\u00f3russal l\u00e9pett fel. K\u00fclf\u00f6ldi zenekarokn\u00e1l is vend\u00e9gszerepelt, \u00edgy a Salern\u00f3i Filharmonikus Zenekarn\u00e1l (Olaszorsz\u00e1g) \u00e9s Jap\u00e1nban a Szakatai Filharmonikus Zenekarn\u00e1l. Karnagyk\u00e9nt \u00e9s karmesterk\u00e9nt gyakran h\u00edvj\u00e1k Spanyolorsz\u00e1gba, Olaszorsz\u00e1gba, Oroszorsz\u00e1gba, Rom\u00e1ni\u00e1ba, G\u00f6r\u00f6gorsz\u00e1gba, Maced\u00f3ni\u00e1ba, Ausztri\u00e1ba, N\u00e9metorsz\u00e1gba \u00e9s K\u00edn\u00e1ba. A Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetem tan\u00e1ra, zenei versenyek \u00e9s fesztiv\u00e1lok gyakorta felk\u00e9rt zs\u0171ritagja. A Magyar K\u00f3rusok \u00e9s Zenekarok Sz\u00f6vets\u00e9g\u00e9nek (K\u00d3TA) t\u00e1rseln\u00f6ke. Szakmai munk\u00e1ss\u00e1g\u00e1t Rub\u00e1nyi-d\u00edjjal, 2014-ben pedig Liszt-d\u00edjjal ismert\u00e9k el. 2015-ben megszerezte a \u201eDoctor of Liberal Arts\u201d (DLA) tudom\u00e1nyos fokozatot \u201esumma cum laude\u201d-min\u0151s\u00edt\u00e9ssel. A kort\u00e1rs magyar szerz\u0151k m\u0171veinek bemutat\u00e1sa ter\u00e9n szerzett \u00e9rdemei, valamint a Nemzeti \u00c9nekkar \u00e9l\u00e9n v\u00e9gzett magas sz\u00ednvonal\u00fa k\u00f3rus\u00e9p\u00edt\u0151 munk\u00e1ja elismer\u00e9sek\u00e9nt a Magyar \u00c9rdemrend Lovagkeresztje polg\u00e1ri tagozat kit\u00fcntet\u00e9s\u00e9t vehette \u00e1t 2020-ban. 2023. m\u00e1rcius 15-i nemzeti \u00fcnnep\u00fcnk alkalm\u00e1b\u00f3l - a magyar nemzeti kult\u00fara, m\u0171v\u00e9szi alkot\u00f3munka ter\u00fclet\u00e9n v\u00e9gzett kiemelked\u0151 m\u0171v\u00e9szeti \u00e9rt\u00e9kteremt\u0151 munk\u00e1ja elismer\u00e9sek\u00e9nt - Magyarorsz\u00e1g \u00c9rdemes M\u0171v\u00e9sze d\u00edjban r\u00e9szes\u00fclt.{:}{:en}<p style=\"font-weight: 400;\">He earned his degree at the Ferenc Liszt Academy of Music in Budapest, studying first in voice, music pedagogy and choral conducting courses, and afterwards in the conducting course led by Ervin Luk\u00e1cs and Tam\u00e1s\u00a0G\u00e1l. He also completed master classes with Johannes\u00a0Moesus, J\u00fcrgen\u00a0J\u00fcrgens\u00a0and Yuri Simonov. He has been active as a choir leader since the age of 22 and served for nearly 17 years as the choirmaster of the\u00a0Vasas\u00a0Ensemble Chorus. In 2002, he founded the Lajos Vass Chamber Choir, which he led until 2017. He has also worked as the music director of the Debrecen\u00a0Csokonai\u00a0Theatre and later of the National Theatre of\u00a0P\u00e9cs, as well as held the position of chief choirmaster of the Hungarian Radio Choir. He has appeared as a guest conductor with numerous Hungarian symphonic orchestras and professional choirs. Csaba\u00a0Somos\u00a0has also made international guest appearances, including the Salerno Philharmonic Orchestra in Italy and the Sakata Philharmonic Orchestra in Japan and\u00a0is frequently invited\u00a0to Spain, Italy, Russia, Romania, Greece, Macedonia, Austria, Germany and China both as a choral- and orchestra conductor.<\/p>\r\n<p style=\"font-weight: 400;\">A teacher at the Ferenc Liszt Academy of Music, he\u00a0is regularly asked\u00a0to serve as a member of the jury of music competitions and festivals. He is vice president of the Hungarian Association of Choirs, Orchestras and Folk Ensembles (K\u00d3TA). His professional work\u00a0was recognised\u00a0with a\u00a0Rub\u00e1nyi\u00a0Award, which was followed by a Liszt Award in 2014. In 2015, he earned his DLA, graduating\u00a0<em>summa cum laude<\/em>. In 2020, Csaba Somos was awarded the Knight's Cross of the Order of Merit of Hungary (civilian grade) in recognition of his successful presentation of works by contemporary Hungarian composers and his high level choral development work as the leader of the Hungarian National Choir.<\/p>\r\nOn the occasion of our national holiday on 15 March 2023 \u2013 in recognition of his outstanding and valuable artistic contributions in the areas of Hungarian national culture and artistic creativity \u2013 he was named a Hungarian Artist of Merit.{:}","post_title":"{:hu}Somos Csaba{:}{:en}Csaba Somos{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"somos-csaba-3","to_ping":"","pinged":"","post_modified":"2026-04-20 11:55:54","post_modified_gmt":"2026-04-20 11:55:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=101691","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91642,"post_author":"1","post_date":"2016-09-08 08:57:54","post_date_gmt":"2016-09-08 08:57:54","post_content":"{:hu}<p style=\"text-align: justify;\"><!-- [if gte mso 9]><xml>\r\n<o:OfficeDocumentSettings>\r\n<o:AllowPNG>\r\n<\/o:OfficeDocumentSettings>\r\n<\/xml><![endif]-->H\u00e1rom nappal azut\u00e1n, hogy Joseph Haydn 1794 janu\u00e1rj\u00e1ban m\u00e1sodik londoni utaz\u00e1s\u00e1ra indult, meghalt Esterh\u00e1zy Antal herceg.\r\n\r\n<p style=\"text-align: justify;\">Ut\u00f3da, II. Mikl\u00f3s, aki ugyan konzervat\u00edv \u00edzl\u00e9s\u0171, de lelkes zenebar\u00e1t volt, azonnal \u00fajj\u00e1szervezte az 1790-ben feloszlatott zenekart, s m\u00e1r ugyanez \u00e9v nyar\u00e1n lev\u00e9lben sz\u00f3l\u00edtotta fel karmester\u00e9t, hogy \u00fajra foglalja el hely\u00e9t az egy\u00fcttes \u00e9l\u00e9n. Haydn azonban nem sietett a hazat\u00e9r\u00e9ssel; csak 1795 augusztus\u00e1ban \u00e9rkezett vissza Angli\u00e1b\u00f3l, s l\u00e9pett \u00fajra akt\u00edvan a herceg szolg\u00e1lat\u00e1ba. K\u00f6telezetts\u00e9gei k\u00f6zel sem voltak olyan megterhel\u0151ek, mint egykor; tev\u00e9kenys\u00e9g\u00e9nek f\u0151 ter\u00fclete az udvarn\u00e1l a f\u0151\u00fari gazd\u00e1ja \u00e1ltal legink\u00e1bb kedvelt egyh\u00e1zi zene lett. 1796 \u00e9s 1802 k\u00f6z\u00f6tt majd minden \u00e9vben kompon\u00e1lt egy \u00fcnnepi nagymis\u00e9t II. Mikl\u00f3s feles\u00e9ge, a Haydn zen\u00e9j\u00e9t kedvel\u0151 Maria Josepha hercegn\u0151 n\u00e9vnapj\u00e1ra. (Ezeket a m\u0171veket szokt\u00e1k \u201eaz utols\u00f3 hat nagy mise\u201d-k\u00e9nt eml\u00edteni.) Az 1798-ban, a Teremt\u00e9s bemutat\u00e1s\u00e1nak \u00e9v\u00e9ben elk\u00e9sz\u00fclt harmadik mis\u00e9t a zeneszerz\u0151 \u00edgy nevezte meg saj\u00e1tkez\u0171 m\u0171jegyz\u00e9k\u00e9ben: \u201eMissa in Angustiis\u201d, azaz szorongattat\u00e1s, f\u00e9lelem idej\u00e9n \u00edrott mise. A furcsa c\u00edm az eg\u00e9sz Eur\u00f3p\u00e1t fenyeget\u0151 nap\u00f3leoni h\u00e1bor\u00fakra utal, s e h\u00e1bor\u00fak angol hadvez\u00e9r\u00e9hez, Nelson admir\u00e1lishoz kapcsol\u00f3dik a m\u0171 ma ismert, nem a szerz\u0151t\u0151l sz\u00e1rmaz\u00f3 c\u00edme is: 1800-ban az admir\u00e1lis Lady Hamiltonnal egy\u00fctt B\u00e9csben megl\u00e1togatta Haydnt, s a mester, h\u00edres vend\u00e9ge tisztelet\u00e9re \u00fajra el\u0151adatta a hadvez\u00e9r 1798-as abukiri gy\u0151zelme idej\u00e9n kompon\u00e1lt mis\u00e9j\u00e9t. Ett\u0151l kezdve nevezik a m\u0171vet \u201eNelson-mis\u00e9\u201d-nek.\r\nHaydn utols\u00f3 hat mis\u00e9j\u00e9nek egyik \u00e9rdekess\u00e9ge, hogy a hangszerappar\u00e1tus mindegyikben m\u00e1s \u00e9s m\u00e1s. A Nelson-mise eredeti v\u00e1ltozat\u00e1ban a von\u00f3skar mellett csup\u00e1n h\u00e1rom trombita, \u00fcstdobok \u00e9s orgona szerepelt, s a faf\u00fav\u00f3khi\u00e1nya megn\u00f6velte a trombit\u00e1k jelent\u0151s\u00e9g\u00e9t: a d-moll t\u00e9telekben \u2013 a nyit\u00f3 Kyri\u00e9ben (\u201eUram, irgalmazz\u201d) \u00e9s a Benedictusban (\u201e\u00c1ldott, aki j\u00f6n az \u00dar nev\u00e9ben\u201d) \u2013 az eredeti c\u00edmben jelzett fenyeget\u0151 karaktert hangs\u00falyozz\u00e1k, a gyors temp\u00f3j\u00fa, ragyog\u00f3 d\u00far-t\u00e9telekben pedig er\u0151t \u00e9s f\u00e9nyt adnak a hangz\u00e1snak. A m\u0171 eg\u00e9sz\u00e9re jellemz\u0151 az \u00e9nekes sz\u00f3list\u00e1k \u00e9s a k\u00f3rus gyakori v\u00e1ltakoz\u00e1s\u00e1b\u00f3l kialakul\u00f3, \u00e1tt\u00f6rt szerkezet. A k\u00e9t leghosszabb sz\u00f6veg\u0171 t\u00e9tel, a Gloria (\u201eDics\u0151s\u00e9g\u201d) \u00e9s a Credo (a \u201eHiszekegy\u201d) \u00f6nmag\u00e1ban is h\u00e1rom nagy r\u00e9szre tagol\u00f3dik, gyors\u2013lass\u00fa\u2013gyors elrendez\u00e9sben. A Gloria csak von\u00f3skarra hangszerelt lass\u00fa k\u00f6z\u00e9pr\u00e9sze (\u201eQuitollis\u201d\u2013 \u201eTe elveszed a vil\u00e1g b\u0171neit\u201d) ut\u00e1n, a \u201eQuoniam\u201d (\u201eMert egyed\u00fcl Te vagy a szent\u201d) sz\u00f6vegre visszat\u00e9r az els\u0151 r\u00e9sz zenei anyaga, s a t\u00e9telt impoz\u00e1ns k\u00f3rusf\u00faga z\u00e1rja. A Credo ezzel szemben zeneileg is h\u00e1rom k\u00fcl\u00f6nb\u00f6z\u0151 anyagot hoz: a barokkos szigor\u00fas\u00e1ggal szerkesztett els\u0151 r\u00e9szt, azut\u00e1n a lass\u00fa \u201eEt incarnatus\u201d\u2013\u201eCrucifixus\u201d (\u201eMegtestes\u00fclt\u201d\u2013\u201eMegfesz\u00edtett\u00e9k\u201d) t\u00f6mb\u00f6t, s v\u00e9g\u00fcl a szinte egy lend\u00fcletb\u0151l v\u00e9gigvitt, \u00f6rvendez\u0151 \u201eEt resurrexit\u201d(\u201eHarmadnapra felt\u00e1madott\u201d) szakaszt. A Sanctus (\u201eSzent vagy\u201d) t\u00e9tel lass\u00fa, \u00e9rz\u00e9kenyen harmoniz\u00e1lt zen\u00e9vel kezd\u0151dik, s az Agnus Dei (\u201eIsten b\u00e1r\u00e1nya\u201d) els\u0151 fele is mintegy lass\u00fa bevezet\u00e9sk\u00e9nt hangzik fel a sz\u00f3lista-kvartett el\u0151ad\u00e1s\u00e1ban, majd mozgalmas, ragyog\u00f3 k\u00f3rus z\u00e1rja Haydn tal\u00e1n legn\u00e9pszer\u0171bb mis\u00e9j\u00e9t: \u201eDona nobis pacem\u201d (\u201eAdj nek\u00fcnk b\u00e9k\u00e9t\u201d).\r\n<!-- [if gte mso 9]><xml>\r\n<w:WordDocument>\r\n<w:View>Normal<\/w:View>\r\n<w:Zoom>0<\/w:Zoom>\r\n<w:TrackMoves>\r\n<w:TrackFormatting>\r\n<w:DoNotShowRevisions>\r\n<w:DoNotPrintRevisions>\r\n<w:DoNotShowComments>\r\n<w:DoNotShowInsertionsAndDeletions>\r\n<w:DoNotShowPropertyChanges>\r\n<w:HyphenationZone>21<\/w:HyphenationZone>\r\n<w:PunctuationKerning>\r\n<w:ValidateAgainstSchemas>\r\n<w:SaveIfXMLInvalid>false<\/w:SaveIfXMLInvalid>\r\n<w:IgnoreMixedContent>false<\/w:IgnoreMixedContent>\r\n<w:AlwaysShowPlaceholderText>false<\/w:AlwaysShowPlaceholderText>\r\n<w:DoNotPromoteQF>\r\n<w:LidThemeOther>HU<\/w:LidThemeOther>\r\n<w:LidThemeAsian>X-NONE<\/w:LidThemeAsian>\r\n<w:LidThemeComplexScript>X-NONE<\/w:LidThemeComplexScript>\r\n<w:Compatibility>\r\n<w:BreakWrappedTables>\r\n<w:SnapToGridInCell>\r\n<w:WrapTextWithPunct>\r\n<w:UseAsianBreakRules>\r\n<w:DontGrowAutofit>\r\n<w:SplitPgBreakAndParaMark>\r\n<w:DontVertAlignCellWithSp>\r\n<w:DontBreakConstrainedForcedTables>\r\n<w:DontVertAlignInTxbx>\r\n<w:Word11KerningPairs>\r\n<w:CachedColBalance>\r\n<\/w:Compatibility>\r\n<m:mathPr>\r\n<m:mathFont m:val=\"Cambria Math\">\r\n<m:brkBin m:val=\"before\">\r\n<m:brkBinSub m:val=\"--\">\r\n<m:smallFrac m:val=\"off\">\r\n<m:dispDef>\r\n<m:lMargin m:val=\"0\">\r\n<m:rMargin m:val=\"0\">\r\n<m:defJc m:val=\"centerGroup\">\r\n<m:wrapIndent m:val=\"1440\">\r\n<m:intLim m:val=\"subSup\">\r\n<m:naryLim m:val=\"undOvr\">\r\n<\/m:mathPr><\/w:WordDocument>\r\n<\/xml><![endif]--><!-- [if gte mso 9]><xml>\r\n<w:LatentStyles DefLockedState=\"false\" DefUnhideWhenUsed=\"true\" DefSemiHidden=\"true\" DefQFormat=\"false\" DefPriority=\"99\" LatentStyleCount=\"267\">\r\n<w:LsdException Locked=\"false\" Priority=\"0\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Normal\">\r\n<w:LsdException Locked=\"false\" Priority=\"9\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"heading 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"9\" QFormat=\"true\" Name=\"heading 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"9\" QFormat=\"true\" Name=\"heading 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"9\" QFormat=\"true\" Name=\"heading 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"9\" QFormat=\"true\" Name=\"heading 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"9\" QFormat=\"true\" Name=\"heading 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"9\" QFormat=\"true\" Name=\"heading 7\">\r\n<w:LsdException Locked=\"false\" Priority=\"9\" QFormat=\"true\" Name=\"heading 8\">\r\n<w:LsdException Locked=\"false\" Priority=\"9\" QFormat=\"true\" Name=\"heading 9\">\r\n<w:LsdException Locked=\"false\" Priority=\"39\" Name=\"toc 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"39\" Name=\"toc 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"39\" Name=\"toc 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"39\" Name=\"toc 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"39\" Name=\"toc 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"39\" Name=\"toc 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"39\" Name=\"toc 7\">\r\n<w:LsdException Locked=\"false\" Priority=\"39\" Name=\"toc 8\">\r\n<w:LsdException Locked=\"false\" Priority=\"39\" Name=\"toc 9\">\r\n<w:LsdException Locked=\"false\" Priority=\"35\" QFormat=\"true\" Name=\"caption\">\r\n<w:LsdException Locked=\"false\" Priority=\"10\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Title\">\r\n<w:LsdException Locked=\"false\" Priority=\"1\" Name=\"Default Paragraph Font\">\r\n<w:LsdException Locked=\"false\" Priority=\"11\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Subtitle\">\r\n<w:LsdException Locked=\"false\" Priority=\"22\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Strong\">\r\n<w:LsdException Locked=\"false\" Priority=\"20\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Emphasis\">\r\n<w:LsdException Locked=\"false\" Priority=\"59\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Table Grid\">\r\n<w:LsdException Locked=\"false\" UnhideWhenUsed=\"false\" Name=\"Placeholder Text\">\r\n<w:LsdException Locked=\"false\" Priority=\"0\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"No Spacing\">\r\n<w:LsdException Locked=\"false\" Priority=\"60\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Shading\">\r\n<w:LsdException Locked=\"false\" Priority=\"61\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light List\">\r\n<w:LsdException Locked=\"false\" Priority=\"62\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Grid\">\r\n<w:LsdException Locked=\"false\" Priority=\"63\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"64\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"65\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"66\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"67\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"68\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"69\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"70\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Dark List\">\r\n<w:LsdException Locked=\"false\" Priority=\"71\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Shading\">\r\n<w:LsdException Locked=\"false\" Priority=\"72\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful List\">\r\n<w:LsdException Locked=\"false\" Priority=\"73\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Grid\">\r\n<w:LsdException Locked=\"false\" Priority=\"60\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Shading Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"61\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light List Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"62\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Grid Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"63\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 1 Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"64\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 2 Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"65\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 1 Accent 1\">\r\n<w:LsdException Locked=\"false\" UnhideWhenUsed=\"false\" Name=\"Revision\">\r\n<w:LsdException Locked=\"false\" Priority=\"34\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"List Paragraph\">\r\n<w:LsdException Locked=\"false\" Priority=\"29\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Quote\">\r\n<w:LsdException Locked=\"false\" Priority=\"30\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Intense Quote\">\r\n<w:LsdException Locked=\"false\" Priority=\"66\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 2 Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"67\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 1 Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"68\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 2 Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"69\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 3 Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"70\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Dark List Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"71\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Shading Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"72\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful List Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"73\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Grid Accent 1\">\r\n<w:LsdException Locked=\"false\" Priority=\"60\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Shading Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"61\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light List Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"62\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Grid Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"63\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 1 Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"64\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 2 Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"65\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 1 Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"66\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 2 Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"67\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 1 Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"68\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 2 Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"69\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 3 Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"70\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Dark List Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"71\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Shading Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"72\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful List Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"73\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Grid Accent 2\">\r\n<w:LsdException Locked=\"false\" Priority=\"60\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Shading Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"61\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light List Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"62\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Grid Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"63\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 1 Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"64\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 2 Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"65\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 1 Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"66\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 2 Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"67\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 1 Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"68\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 2 Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"69\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 3 Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"70\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Dark List Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"71\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Shading Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"72\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful List Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"73\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Grid Accent 3\">\r\n<w:LsdException Locked=\"false\" Priority=\"60\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Shading Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"61\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light List Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"62\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Grid Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"63\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 1 Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"64\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 2 Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"65\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 1 Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"66\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 2 Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"67\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 1 Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"68\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 2 Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"69\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 3 Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"70\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Dark List Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"71\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Shading Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"72\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful List Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"73\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Grid Accent 4\">\r\n<w:LsdException Locked=\"false\" Priority=\"60\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Shading Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"61\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light List Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"62\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Grid Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"63\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 1 Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"64\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 2 Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"65\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 1 Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"66\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 2 Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"67\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 1 Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"68\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 2 Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"69\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 3 Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"70\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Dark List Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"71\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Shading Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"72\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful List Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"73\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Grid Accent 5\">\r\n<w:LsdException Locked=\"false\" Priority=\"60\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Shading Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"61\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light List Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"62\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Light Grid Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"63\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 1 Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"64\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Shading 2 Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"65\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 1 Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"66\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium List 2 Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"67\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 1 Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"68\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 2 Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"69\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Medium Grid 3 Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"70\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Dark List Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"71\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Shading Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"72\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful List Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"73\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" Name=\"Colorful Grid Accent 6\">\r\n<w:LsdException Locked=\"false\" Priority=\"19\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Subtle Emphasis\">\r\n<w:LsdException Locked=\"false\" Priority=\"21\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Intense Emphasis\">\r\n<w:LsdException Locked=\"false\" Priority=\"31\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Subtle Reference\">\r\n<w:LsdException Locked=\"false\" Priority=\"32\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Intense Reference\">\r\n<w:LsdException Locked=\"false\" Priority=\"33\" SemiHidden=\"false\" UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Book Title\">\r\n<w:LsdException Locked=\"false\" Priority=\"37\" Name=\"Bibliography\">\r\n<w:LsdException Locked=\"false\" Priority=\"39\" QFormat=\"true\" Name=\"TOC Heading\">\r\n<\/w:LatentStyles>\r\n<\/xml><![endif]--><!-- [if gte mso 10]>\r\n\r\n<style>\r\n\/* Style Definitions *\/<br \/>table.MsoNormalTable<br \/>{mso-style-name:\"Norm\u00e1l t\u00e1bl\u00e1zat\";<br \/>mso-tstyle-rowband-size:0;<br \/>mso-tstyle-colband-size:0;<br \/>mso-style-noshow:yes;<br \/>mso-style-priority:99;<br \/>mso-style-qformat:yes;<br \/>mso-style-parent:\"\";<br \/>mso-padding-alt:0cm 5.4pt 0cm 5.4pt;<br \/>mso-para-margin-top:0cm;<br \/>mso-para-margin-right:0cm;<br \/>mso-para-margin-bottom:10.0pt;<br \/>mso-para-margin-left:0cm;<br \/>line-height:115%;<br \/>mso-pagination:widow-orphan;<br \/>font-size:10.0pt;<br \/>font-family:\"Times New Roman\",\"serif\";}<br \/><\/style><![endif]-->{:}{:en}<p style=\"text-align: justify;\">Almost every year between 1796 and 1802 Joseph Haydn composed a high mass for the name day of Maria Josepha, wife of Prince Nicholas<\/p>\r\n<p style=\"text-align: justify;\">Esterh\u00e1zy II. Composed in 1798, the year Creation was premi?red, the mass appears as \u2018Missa in Angustiis\u2019 or \u2018Mass for Troubled Times\u2019 in Haydn\u2019s autograph list of works. The curious title refers to the Napoleonic wars that were threatening Europe at the time. The work takes its nickname from the British Admiral Lord Nelson who, together with Lady Hamilton, visited Haydn in Vienna in 1800. On this occasion the composer organised a performance of the mass, which had been composed at the time of the Admiral\u2019s victory at Aboukir Bay in 1798. From that time onwards the mass was referred to as \u2018Nelson Mass\u2019.\r\nThe D-minor movements (Kyrie and Benedictus) emphasise the ominous character indicated in the original title, while the fast-moving, brilliant D-major movements counterbalance the sombre sonority with power and light. The two movements with the longest text, the Gloria and the Credo, are each divided into three large, slow\u2013fast\u2013slow sections. The Sanctus begins with slow, subtly harmonised music, and the starting section of Agnus Dei, performed by the quartet of the soloists, serves as a slow introduction. A vigorous, brilliant chorus closes what is probably Haydn\u2019s most popular mass \u2013 \u2018Dona nobis pacem\u2019 (\u2018Grant us peace\u2019).<\/p>{:}","post_title":"{:hu}Nelson-mise{:}{:en}Nelson Mass{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nelson-mise-d-moll","to_ping":"","pinged":"","post_modified":"2018-05-28 14:54:30","post_modified_gmt":"2018-05-28 14:54:30","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/nelson-mise-d-moll\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Haydn"]},{"ID":103376,"post_author":"1","post_date":"2017-09-20 12:33:05","post_date_gmt":"2017-09-20 12:33:05","post_content":"A sz\u00fcnet ut\u00e1n a sz\u00fclet\u00e9snapra sz\u00e1nt \u0151sbemutat\u00f3, Orb\u00e1n Gy\u00f6rgy Ricercare c\u00edm\u0171, nagyszab\u00e1s\u00fa kompoz\u00edci\u00f3ja k\u00f6vetkezett. Az MR Szimfonikusok \u00e9s Gyermekk\u00f3rus, valamint a narr\u00e1tor szerepk\u00f6r\u00e9ben Seress Zolt\u00e1n kapcsol\u00f3dott az \u00fcnnepelthez. Els\u0151 hall\u00e1sra is vil\u00e1gos volt, hogy a bibliai textusra (P\u00e1l apostol korintusiaknak \u00edrt I. levele) szerzett darab Orb\u00e1n \u00e9letm\u0171v\u00e9nek jelent\u0151s, \u00f6sszefoglal\u00f3 jelleg\u0171 m\u0171ve. S mint ilyen, az orb\u00e1ni zene esszenci\u00e1lis eszt\u00e9tikai foglalata is, vagy ha tetszik: az orb\u00e1ni eszt\u00e9tika k\u00fcl\u00f6n\u00f6sen radik\u00e1lis megnyilatkoz\u00e1sa. Radikalizmusa abban rejlik, hogy Orb\u00e1n a darab zen\u00e9j\u00e9t sz\u00e1nd\u00e9koltan t\u00e9t n\u00e9lk\u00fclinek mondja, a m\u0171 gondolati magv\u00e1t, az \"\u00fczenetet\", a \"tan\u00edt\u00e1st\", vagy nevezz\u00fck b\u00e1rhogyan, a narr\u00e1tor zeneietlen pr\u00f3z\u00e1j\u00e1ra b\u00edzza. S hogy val\u00f3ban \u00fczenet rejlik a p\u00e1li sz\u00f6vegben, mi sem bizony\u00edtja jobban, mint hogy a magyarul elmondott sz\u00f6veg bizonyos elemei vissza-visszat\u00e9rnek (az ism\u00e9tl\u00e9s retorikai szerep\u00e9vel mindenki tiszt\u00e1ban van), a k\u00f3rus latin nyelv\u0171 \u00e9nek\u00e9nek \"\u00fczenet\u00e9n\" viszont keveseknek van m\u00f3dja elm\u00e9lkedni. \u00c1m azt hiszem, hogy nem is kell, hiszen a teljes kompoz\u00edci\u00f3 dekor\u00e1ci\u00f3, P\u00e1l szavainak feler\u0151s\u00edt\u00e9se. Orb\u00e1n m\u0171ve \u00edgy radik\u00e1lis lesz\u00e1mol\u00e1s az abszol\u00fat zene eszm\u00e9j\u00e9vel. A nagym\u00e9ret\u0171 d\u00edszlet mozgat\u00e1s\u00e1t a R\u00e1di\u00f3 \u00c9nekkar\u00e1nak jelenlegi vezet\u0151je, Somos Csaba (1970) nagy hittel ir\u00e1ny\u00edtotta.\r\n\r\nEz a darab egy h\u00edres bibliai sz\u00f6veg - Szent P\u00e1l Korinthusiaknak \u00edrott els\u0151 levele 13. fejezet\u00e9nek - szem\u00e9lyes interpret\u00e1ci\u00f3ja, egyf\u00e9le \"pr\u00f3b\u00e1lkoz\u00e1s\", \"olvasat\", amelynek k\u00f6zpontj\u00e1ban am\u00fagy egy f\u00faga-f\u00e9les\u00e9g van, ez\u00e9rt lett Ricercare a m\u0171 c\u00edme. Az alkot\u00e1s n\u00e9gy szakaszra bomlik, mintegy \"t\u00e9telekre\", amelyek persze \u00f6sszef\u00fcgg\u0151ek, k\u00f6z\u00f6s t\u00e9m\u00e1k \u00e9s mot\u00edvumok, valamint az egys\u00e9ges temp\u00f3 \u00e1ltal.","post_title":"Ricercare","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ricercare","to_ping":"","pinged":"","post_modified":"2018-10-09 13:30:15","post_modified_gmt":"2018-10-09 13:30:15","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=103376","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Orb\u00e1n Gy\u00f6rgy"]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":96397,"post_author":"3","post_date":"2016-09-21 09:47:37","post_date_gmt":"2016-09-21 09:47:37","post_content":"Szemere Zita, a p\u00e1lyakezd\u0151 \u00e9nekes gener\u00e1ci\u00f3 kiemelked\u0151 tagja, a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen diplom\u00e1zott 2014-ben, N\u00e1dor Magda n\u00f6vend\u00e9kek\u00e9nt, de r\u00e9szt vett t\u00f6bbek k\u00f6zt Sass Sylvia, Nicolas Clapton, Marton \u00c9va \u00e9s Hamari J\u00falia mesterkurzusain is.\u00a0Sikereit 2011-ben, a Nemzetk\u00f6zi Sim\u00e1ndy J\u00f3zsef \u00c9nekversenyen el\u00e9rt gy\u0151zelm\u00e9vel alapozta meg; k\u00e9t \u00e9vvel k\u00e9s\u0151bb, m\u00e9g egyetemi \u00e9vei alatt csatlakozott a Szegedi Nemzeti Sz\u00ednh\u00e1z, 2014-ben pedig az Operah\u00e1z t\u00e1rsulat\u00e1hoz. Az Andr\u00e1ssy \u00fati dalsz\u00ednh\u00e1zban Mozart, Donizetti, Kacs\u00f3h, Gounod, Purcell \u00e9s Tall\u00e9r Zs\u00f3fia m\u0171veiben l\u00e9pett sz\u00ednpadra a 2015\u20132016-os \u00e9vadban. Szegeden a Rigoletto Gild\u00e1jak\u00e9nt l\u00e1thatta a k\u00f6z\u00f6ns\u00e9g, ebben a szerepben 2012-ben deb\u00fct\u00e1lt, \u00e9s ebben a szerepben mutatkozhatott be 2013-ban a ausztriai KlassicFestival Schloss Kirchstetten komolyzenei fesztiv\u00e1lon is. A Szegedi Szabadt\u00e9ri J\u00e1t\u00e9kokon 2015-ben Oscart alak\u00edtotta Az \u00e1larcosb\u00e1l c\u00edm\u0171 Verdi-oper\u00e1ban. A kritik\u00e1k szerint \u201ea fiatal \u00e9nekesn\u0151 k\u00f6nnyed, cseng\u0151 hanggal rendelkezik, igazi \u00e9lm\u00e9ny \u0151t hallgatni. (\u2026) Alak\u00edt\u00e1s\u00e1t is dics\u00e9ret illeti, a sz\u00ednpadot bej\u00e1tsz\u00f3, rokonszenves le\u00e1nyfigur\u00e1j\u00e1nak nagy szerepe volt az el\u0151ad\u00e1s eg\u00e9sz\u00e9nek siker\u00e9ben\u201d.","post_title":"{:hu}Szemere Zita{:}{:en}Zita Szemere{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szemere-zita","to_ping":"","pinged":"","post_modified":"2018-05-29 08:35:30","post_modified_gmt":"2018-05-29 08:35:30","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=96397","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"},{"ID":86670,"post_author":"1","post_date":"2017-10-13 10:19:09","post_date_gmt":"2017-10-13 10:19:09","post_content":"{:hu}<!-- [if gte mso 9]><xml>\r\n\r\nNormal\r\n0\r\n\r\n21\r\n\r\nfalse\r\nfalse\r\nfalse\r\n\r\nHU\r\nX-NONE\r\nX-NONE\r\n\r\nMicrosoftInternetExplorer4\r\n\r\n<\/xml><![endif]--><!-- [if gte mso 9]><![endif]--><!-- [if !mso]>\r\n\r\n<style>\r\nst1:*{behavior:url(#ieooui) }<br \/><\/style><![endif]-->\r\n\r\nA Nemzeti \u00c9nekkar tagja. Els\u0151 sz\u00ednpadi munk\u00e1ja 2003 nyar\u00e1n Caesar szerepe volt H\u00e4ndel <em>Giulio Cesare<\/em> c\u00edm\u0171 oper\u00e1j\u00e1b\u00f3l. Rendszeresen dolgozik a Budapesti Kamaraoper\u00e1val, a Savaria Barokk Zenekarral, az Ars Longa Kamaraegy\u00fcttessel, a Budapesti Von\u00f3sokkal \u00e9s a Weiner\u2013Sz\u00e1sz Kamarazenekarral.2006 \u00f3ta vesz r\u00e9szt a Budapesti Wagner Napokon, <em>A walk\u00fcr<\/em> Grimgerd\u00e9jek\u00e9nt. Sz\u00e1mos egy\u00e9b elismer\u00e9se mellett 2007-ben elnyerte az egri Nemzetk\u00f6zi H\u00e4ndel Verseny els\u0151 d\u00edj\u00e1t.\r\n\r\n<!-- [if gte mso 10]>\r\n\r\n<style>\r\n \/* Style Definitions *\/<br \/> table.MsoNormalTable<br \/>\t{mso-style-name:\"Norm\u00e1l t\u00e1bl\u00e1zat\";<br \/>\tmso-style-parent:\"\";<br \/>\tfont-size:11.0pt;<br \/>\tfont-family:\"Calibri\",\"sans-serif\";<br \/>\tmso-fareast-font-family:\"Times New Roman\";<br \/>\tmso-bidi-font-family:\"Times New Roman\";}<br \/><\/style><![endif]-->{:}{:en}Korn\u00e9lia Bakos is a member of the Hungarian National Choir. She made her first dramatic appearance in the summer of 2003 as Caesar in Handel\u2019s opera <em>Giulio Cesare<\/em> and has since gone to regularly work with the Budapest Chamber Opera, the Savaria Baroque Orchestra, the Ars Longa Chamber Ensemble, the Budapest Strings and the Weiner\u2013Sz\u00e1sz Chamber Orchestra, in addition to regularly participating in the Budapest Wagner Days festival since 2006, where she portrays Grimgerde in <em>Die Walk\u00fcre<\/em>. Along with her numerous other recognitions, she won first prize at the International Handel Competition in Eger in 2007.\r\n\r\n<!-- [if gte mso 10]>\r\n\r\n<style>\r\n \/* Style Definitions *\/<br \/> table.MsoNormalTable<br \/>\t{mso-style-name:\"Norm\u00e1l t\u00e1bl\u00e1zat\";<br \/>\tmso-style-parent:\"\";<br \/>\tfont-size:11.0pt;<br \/>\tfont-family:\"Calibri\",\"sans-serif\";<br \/>\tmso-fareast-font-family:\"Times New Roman\";<br \/>\tmso-bidi-font-family:\"Times New Roman\";}<br \/><\/style><![endif]-->{:}","post_title":"Bakos Korn\u00e9lia","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"bakos-kornelia","to_ping":"","pinged":"","post_modified":"2022-01-26 12:38:31","post_modified_gmt":"2022-01-26 12:38:31","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=86670","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}alt{:}{:en}alto{:}"},{"ID":86984,"post_author":"1","post_date":"2018-03-26 08:09:41","post_date_gmt":"2018-03-26 08:09:41","post_content":"<p style=\"text-align: justify;\"><img style=\"width: 113px; height: 141px;\" src=\"http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/muveszek\/Szappanos%20Tibor%20150.jpg\" alt=\"\" align=\"left\" \/>1978-ban sz\u00fcletett Nagyv\u00e1radon. Zenei tanulm\u00e1nyait trombita, majd \u00e9nek szakon kezdte. 1996-ban nyert felv\u00e9telt a Kolozsv\u00e1ri Zeneakad\u00e9mi\u00e1ra, k\u00e9t \u00e9v m\u00falva a budapesti Bart\u00f3k B\u00e9la Zenem\u0171v\u00e9szeti Szakiskola mag\u00e1n\u00e9nek szak\u00e1ra iratkozott be. 2000-t\u0151l 2005-ig a Zeneakad\u00e9mia hallgat\u00f3ja, tan\u00e1ra Andor \u00c9va. Orat\u00f3rium koncertek sz\u00edvesen l\u00e1tott sz\u00f3list\u00e1ja. Az Operah\u00e1zban 2002 okt\u00f3ber\u00e9ben - m\u00e9g f\u0151iskol\u00e1sk\u00e9nt - deb\u00fct\u00e1lt, Fekete Gyula A megmentett v\u00e1ros c\u00edm\u0171 egyfelvon\u00e1sos\u00e1nak \u0151sbemutat\u00f3j\u00e1n, a Poroszl\u00f3 szerep\u00e9ben.<\/p>","post_title":"{:hu}Szappanos Tibor{:}{:en}Tibor Szappanos{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szappanos-tibor","to_ping":"","pinged":"","post_modified":"2019-04-26 11:33:37","post_modified_gmt":"2019-04-26 11:33:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=86984","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}tenor{:}{:en}tenor{:}"},{"ID":102309,"post_author":"951582","post_date":"2017-07-23 09:34:39","post_date_gmt":"2017-07-23 09:34:39","post_content":"{:hu}Gy\u0151r\u00f6tt sz\u00fcletett 1980-ban, ahol a gimn\u00e1zium elv\u00e9gz\u00e9se mellett kezdett \u00e9neket tanulni Pint\u00e9r Ferenc ir\u00e1ny\u00edt\u00e1s\u00e1val. Ezut\u00e1n a Weiner Leo Konzervet\u00f3riumban folytatta tov\u00e1bb tanulm\u00e1nyait Ercse Margitn\u00e1l, majd 2002-t\u0151l 2007-ig Hamari J\u00falia volt a mestere a stuttgarti Zeneakad\u00e9mi\u00e1n ahol 2007-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott. Nagy sikerrel szerepelt a Rheinsbergi operafesztiv\u00e1lon 2004-ben, ill. a Klassik Mania elnevez\u00e9s\u0171 versenyen B\u00e9csben ahol 2007-ben k\u00fcl\u00f6nd\u00edjat nyert. A stuttgarti operaiskola keret\u00e9ben fell\u00e9pett Mozart Bastienne \u00e9s Bastien c\u00edm\u0171 oper\u00e1j\u00e1ban, mint Colas, ill. Theseus szerep\u00e9t alak\u00edtotta Britten Szentiv\u00e1n\u00e9ji \u00e1lom c\u00edm\u0171 oper\u00e1j\u00e1ban.\r\n\r\n2007-ben fell\u00e9pett Stuttgarti Staatsoper Produkci\u00f3j\u00e1ban Matthias Heep \u00c1lmodoz\u00f3k c\u00edm\u0171 darabj\u00e1ban. M\u00e9g ugyanebben az \u00e9vben nagy sikerrel l\u00e9pett fel Pesar\u00f3ban a Rossini Fesztiv\u00e1lon, ahol Lord Sidney-t alak\u00edtotta Rossini Reimsi utaz\u00e1s\u00e1ban Alberto Zedda vez\u00e9nylet\u00e9vel. Tanulm\u00e1nyai elv\u00e9gz\u00e9se ut\u00e1n a Heidelbergi sz\u00ednh\u00e1zhoz ker\u00fclt, ahol Puccini Boh\u00e9m\u00e9let\u00e9ben Benoit szerep\u00e9t alak\u00edtotta, majd a r\u00e1k\u00f6vetkez\u0151 \u00e9vben a Z\u00fcrichi Operst\u00fadi\u00f3 szerz\u0151dtette. A Z\u00fcrichi Operah\u00e1zban fell\u00e9pett t\u00f6bbek k\u00f6z\u00f6tt Wagner Tristan \u00e9s Izold\u00e1j\u00e1ban, mint Korm\u00e1nyos, Wagner Gyerekeknek c\u00edm\u0171 produkci\u00f3ban, mint Fafner, ill. Puccini Manon Lescaut-j\u00e1ban amiben a P\u00e1rizsi \u0150rt alak\u00edtotta.\r\n\r\nNeves karmesterekkel dolgozhatott egy\u00fctt, mint p\u00e9ld\u00e1ul Nello Santival, Carlo Rizzivel, Ingo Metzmacherrel. Nagy kiugr\u00e1s volt a karrierj\u00e9ben 2009 tavasz\u00e1n a Schwetzingeni \u00dcnnepi J\u00e1t\u00e9kok, ahol G\u00fcnther Kr\u00e4mer rendez\u00e9seben H\u00e4ndel Ezio c\u00edm\u0171 oper\u00e1j\u00e1ban Varo szerep\u00e9t alak\u00edtotta \u00f3ri\u00e1si sikerrel. A 2009\/2010 \u00e9vadban Marcell a Salzburgi Landestheaterhez szerz\u0151d\u00f6tt ahol a Puplikum t\u00f6bbek k\u00f6z\u00f6tt Mozart Figar\u00f3 H\u00e1zass\u00e1g\u00e1nak Bartol\u00f3jak\u00e9nt ismerhette meg, de hallhatta m\u00e9g Weber B\u0171v\u00f6s Vad\u00e1sz\u00e1nak Kasparjak\u00e9nt, ill. Puccini Tosc\u00e1j\u00e1ban is, ahol Angelottit alak\u00edtotta. 2013-ig volt a sz\u00ednh\u00e1z tagja.\r\n\r\nA 2010-2011-es szezonban Dulcamara szerep\u00e9t \u00e9nekelte Donizetti Szerelmi b\u00e1jital c\u00edm\u0171 komikus oper\u00e1j\u00e1ban, valamint Leporell\u00f3t alak\u00edtotta a Don Giovanniban szint\u00e9n Salzburgban.\r\n\r\n2011\u2013ben ism\u00e9t szerepelt a Chiemsee Fesztiv\u00e1lon, ahol 2008-ban m\u00e1r bemutatkozott Pil\u00e1tusk\u00e9nt, ez\u00fattal Mozart Var\u00e1sfuvol\u00e1j\u00e1nak 2. Ajt\u00f3n\u00e1ll\u00f3jak\u00e9nt hallhatta a Publikum B\u00e1r\u00f3 Ennoch zu Guttenberg vez\u00e9nylet\u00e9vel. Emellett Marcell sikeres Koncert\u00e9nekes is, reperto\u00e1rj\u00e1n megtal\u00e1lhat\u00f3 t\u00f6bbek k\u00f6z\u00f6tt Mozart Requiem-je, C- moll mis\u00e9je, H\u00e4ndel Messi\u00e1sa, ill. Bach Kar\u00e1csonyi Orat\u00f3riuma. 2008 tavasz\u00e1n \u00f6n\u00e1ll\u00f3 dalestet adott a Gy\u0151ri Tavaszi Fesztiv\u00e1l keret\u00e9ben a gy\u0151ri V\u00e1rosh\u00e1za D\u00edszterm\u00e9ben, ill. nagysiker\u0171 koncert volt 2008 nyar\u00e1n a M\u00e1ty\u00e1s Templomban Rossini Stabat Materja, melynek Basszus sz\u00f3l\u00f3j\u00e1t \u00e9nekelte Hollerung G\u00e1bor vez\u00e9nylet\u00e9vel.\r\nA Gy\u0151ri Filharm\u00f3nikusokhoz \u00e9vek \u00f3ta szoros kapcsolat f\u0171zi. \u00c9nekelt m\u00e1r vel\u00fck Mozart Requiemet, Beethoven IX. Szimf\u00f3ni\u00e1t, Sevillai Borb\u00e9lyban Don Basiliot, csakhogy n\u00e9h\u00e1nyat eml\u00edts\u00fcnk.\r\n\r\n2011 szeptember\u00e9ben v\u00e9gre hallhattuk Marcellt a Magyar \u00c1llami Operah\u00e1zban, ahol Erkel Ferenc B\u00e1nk B\u00e1nj\u00e1ban 2. Endre kir\u00e1lyt alak\u00edtotta. Ezt k\u00f6vet\u0151en visszat\u00e9rt Salzburgba ahol Rossini Hamupip\u0151ke c\u00edm\u0171 oper\u00e1j\u00e1ban Alidoro szerep\u00e9ben t\u00fcnd\u00f6k\u00f6lt.\r\n\r\nA 2012-es esztend\u0151ben bemutatkozott az osloi Operh\u00e1zban Monteverdi \u00a0Od\u00fcsszeusz \u00a0Hazat\u00e9r\u00e9se c\u00edm\u0171 oper\u00e1j\u00e1ban, ill. egy amerikai fesztiv\u00e1lon is Coloradoban , ahol az \u00d6reg pap szerep\u00e9t \u00e9nekelte Mozart Var\u00e1zsfuvola c\u00edm\u0171 darabj\u00e1ban.\r\nEzt k\u00f6vette G\u00e1sp\u00e1r szerepe a Giesseni V\u00e1rosi sz\u00ednh\u00e1zban illetve Colline Puccini Boh\u00e9m\u00e9let c\u00edm\u0171 darabj\u00e1ban Budapesten.\r\nBemutatkozott m\u00e9g Don Alfons\u00f3k\u00e9nt a Cos\u00ed fan tutte c\u00edm\u0171 darabban Salzburgban illetve Masett\u00f3k\u00e9nt Budapesten. \u00a0Escamillo szerep\u00e9t alak\u00edtotta a Carmen c\u00edm\u0171 Bizet oper\u00e1ban az Erkel sz\u00ednh\u00e1zban ut\u00e1na pedig Leporello szerep\u00e9t \u00e9nekelte Ildebrando D'arcangelo oldal\u00e1n nagy sikerrel Mozart Don Giovanni c\u00edm\u0171 darabj\u00e1ban Osl\u00f3ban. Az Innsbrucki R\u00e9g Zene Fesztiv\u00e1lon visszat\u00e9r\u0151 vend\u00e9g, el\u0151sz\u00f6r itt Mozart Titusz Kegyelme c\u00edm\u0171 darabj\u00e1ban t\u0171nt fel m\u00e9g 2013-ban.\r\n\u200b\r\n2016 Febru\u00e1r \u00f3ta a N\u00fcrnbergi Sz\u00ednh\u00e1z tagja, ahol fell\u00e9pett t\u00f6bbek k\u00f6z\u00f6tt Rameau G\u00e1l\u00e1ns Indi\u00e1k c\u00edm\u0171 darabj\u00e1ban, \u00a0amiben Huascart \u00e9nekelte, valamint Leporellok\u00e9nt is a Don Giovanniban. 2016 nyar\u00e1n szerepelt a Wildbadi Rossini Fesztiv\u00e1lon , itt a Sigismondo c\u00edm\u0171 darabban Zenovitot \u00e9s Uldericot alak\u00edtotta. Jelenleg Mustafa szerep\u00e9t alak\u00edtja Rossini Az olasz n\u0151 Alg\u00edrban c\u00edm\u0171 darabj\u00e1ban N\u00fcrnbergben. Ezt k\u00f6vet\u0151en Cellei Ulkrikk\u00e1nt hallhatja a magyarorsz\u00e1gi k\u00f6z\u00f6ns\u00e9g Erkel Hunyadi L\u00e1szl\u00f3 c\u00edm\u0171 oper\u00e1j\u00e1ban.{:}{:en}Marcell Bakonyi was born in 1980 in Gy\u0151r, Hungary. He studied voice at the Leo-Weiner Conservatory of Music in Budape. st, and later at the Hochschule f\u00fcr Musik in Stuttgart, Germany with Professor Julia Hamari where he also attended classes in Lieder singing.\r\n\r\nWhile still a student, he sang the role of Jesus in Bach\u2019s St. Matthew Passion, conducted by Dieter Kurz, and appeared in the Stuttgart Opera School\u2019s productions of Mozart\u2019s Le Nozze di Figaro and Bastien und Bastienne, as well as in Britten\u2019s A Midsummer Night\u2019s Dream. For the \u201cJungen Oper\u201d series at the Staatsoper Stuttgart he took part in the World Premiere of Matthias Heep\u2019s Tr\u00e4umer. He also sang the role of Lord Sidney in Rossini\u2019s Il Viaggio a Reims at the Pesaro International Rossini Festival. From 2007-2008 he was a member of the ensemble at Theater Heidelberg.\r\n\r\nMarcell Bakonyi is also in demand as a concert singer: he sang Bach\u2019s Christmas Oratorio with the Collegium Iuvenum Stuttgart under the baton of Friedemann Keck, and the St. John Passion at the Chiemsee Festival, conducted by Enoch zu Guttenberg. From 2008 to 2009 he was a member of the Z\u00fcrich International Opera Studio, where he sang, amongst others, the role of Steuermann in Wagner\u2019s Tristan und Isolde. In 2009 he appeared at the Schwetzinger Festival in Handel\u2019s opera Ezio.\r\n\r\nSince 2009 he has been a member of the ensemble of the Landestheater Salzburg where he sang the roles of Bartolo and Figaro in Mozart`s Le nozze di Figaro, as well as Kaspar in Weber`s Der Freisch\u00fctz, Angelotti in Puccini`s Tosca, Dulcamara in Donizetti`s L`elisir d`amore and Leporello Mozart`s Don Giovanni.\r\n\r\nIn April 2011 he won the International Competition Rolando Nicolosi in Rome and received a Special Price at Marcello Giordani Competition in Catania, resulting in an invitation to make a major North-American debut.\r\n\r\nIn the same year he has made his debut as Pietro in Verdi`s Simon Boccanegra at the Budapest State Opera House. In May 2012 he sang with great success Monteverdi`s Il ritorno d`Ulisse in Patria in Oslo DNO with Alessandro de Marchi, Rossini`s Cenerentola (Alidoro) and Verdi`s Traviata (Dottore Grenvil) in Salzburg. In the Summer of 2012 he made his United States of America`s debut as Sprecher in Mozart`s Die Zauberfl\u0151te at the Crested Butte Music Festival in Colorado.\r\n\r\nRecently he sung Kaspar in Weber`s Der Freisch\u00fctz at the Giessen Stadttheater, Don Alfonso in Mozart`s Cosi fan tutte and Il re di Scozia in Haendel`s Ariodante at the Landestheater in Salzburg. At the Budapest Opera House he sung Colline in Puccini`s La Boh\u00e9me as well as Masetto in Mozart`s Don Giovanni. He gave his Debut at the Innsbruck Festival f\u00fcr Alte Musik as Publio in La Clemenza di Tito in August 2013. , followed Escamillo in Carmen in Budapest.\r\n\r\nIn 2014 he returned to Oslo to sing Colline in a Revival of the famous Stefan Herheim Production of La Boh\u00e9me, and he sung Leporello in a New Production of Don Giovanni there as well. He made his french Debut as Priester in Magic Flute at Theatre Vichy \u00a0followed Ferrando in Trovatore in Budapest State Opera.\r\n\r\nFrom the Season \u00a02015\/16 he is a member of the Ensemble in N\u00fcrnberg State Theater, where he sung a.o. Leporello in Don Giovanni, Huascar in Les Indes Galantes, Mustafa in L'italiana in Algeri. In May 2017 he will return to Oslo to sing Colline in La Boh\u00e9me again and will be also heard as Figaro in Le nozze di Figaro in Budapest in the automn 2017.{:}","post_title":"{:hu}Bakonyi Marcell{:}{:en}Marcell Bakonyi {:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"bakonyi-marcell","to_ping":"","pinged":"","post_modified":"2020-04-22 09:42:56","post_modified_gmt":"2020-04-22 09:42:56","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=102309","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}basszusbariton{:}{:en}bass baritone{:}"},{"ID":85844,"post_author":"1","post_date":"2017-10-05 11:48:14","post_date_gmt":"2017-10-05 11:48:14","post_content":"<p style=\"text-align: justify;\"><img src=\"http:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/f\/image\/muveszek\/Lisztes_100.jpg\" alt=\"\" width=\"100\" height=\"144\" align=\"left\" \/>Zenei tanulm\u00e1nyait Szegeden v\u00e9gezte, \u00e9nek-fagott szakon. 1972-t\u0151l az Magyar \u00c1llami N\u00e9pi Egy\u00fcttesben \u00e9nekelt. Az eur\u00f3pai orsz\u00e1gokon k\u00edv\u00fcl a vil\u00e1g sz\u00e1mos sz\u00ednpad\u00e1n l\u00e9pett f\u00f6l k\u00f3rus \u00e9nekesk\u00e9nt \u00e9s sz\u00f3listak\u00e9nt egyar\u00e1nt; Braz\u00edli\u00e1t\u00f3l Jap\u00e1nig, a F\u00fcl\u00f6p-szigetekt\u0151l, Ausztr\u00e1li\u00e1t\u00f3l az Egyes\u00fclt \u00c1llamokig, Kanad\u00e1ig. Az 1985-ben alakult Nemzeti \u00c9nekkar - kor\u00e1bbi nev\u00e9n: \u00c1llami \u00c9nekkar - alap\u00edt\u00f3 tagja. A k\u00f3rus tagjak\u00e9nt sz\u00e1mos orat\u00f3riumban, oper\u00e1ban \u00e9nekelt kisebb, nagyobb szerepeket. Az egyik legeml\u00e9kezetesebb alak\u00edt\u00e1sa a Sch\u00f6nberg: M\u00f3zes \u00e9s \u00c1ron c\u00edm\u0171 m\u0171v\u00e9ben \u00e9nekelt szerep.<\/p>","post_title":"{:hu}Lisztes L\u00e1szl\u00f3{:}{:en}L\u00e1szl\u00f3 Lisztes{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"lisztes-laszlo","to_ping":"","pinged":"","post_modified":"2017-10-05 11:49:25","post_modified_gmt":"2017-10-05 11:49:25","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=85844","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}narr\u00e1tor{:}{:en}narrator{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":103834,"post_author":"1","post_date":"2017-10-05 12:07:03","post_date_gmt":"2017-10-05 12:07:03","post_content":"{:hu}Az \u00e9nekkar Magyarorsz\u00e1g egyik vezet\u0151 hivat\u00e1sos k\u00f3rusa, amelynek profilja a zenekar-k\u00eds\u00e9retes kompoz\u00edci\u00f3k, orat\u00f3riumok, valamint a cappella m\u0171vek el\u0151ad\u00e1sa. Reperto\u00e1rja ennek megfelel\u0151en rendk\u00edv\u00fcl gazdag, a kora barokk Sch\u00fctz alkot\u00e1sait\u00f3l Bach, a b\u00e9csi klasszikusok \u00e9s a 19. sz\u00e1zad zeneszerz\u0151inek kompoz\u00edci\u00f3in kereszt\u00fcl a 20. sz\u00e1zad \u00e9s a kort\u00e1rs zen\u00e9ig minden ir\u00e1nyba nyitott, m\u0171faji hat\u00e1rok n\u00e9lk\u00fcl, de a ritk\u00e1n m\u0171sorra ker\u00fcl\u0151 alkot\u00e1sok megsz\u00f3laltat\u00e1s\u00e1ban is elk\u00f6telezett. A reperto\u00e1rj\u00e1n hangs\u00falyosan jelen lev\u0151 19. sz\u00e1zadi orat\u00f3riumok mellett az egy\u00fcttes kiemelt fontoss\u00e1got tulajdon\u00edt a kort\u00e1rs m\u0171vek el\u0151ad\u00e1s\u00e1nak, sz\u00e1mos m\u0171 \u0151sbemutat\u00f3ja, illetve magyarorsz\u00e1gi bemutat\u00f3ja f\u0171z\u0151dik a nev\u00e9hez. A k\u00f3rus visszat\u00e9r\u0151 k\u00f6zrem\u0171k\u00f6d\u0151je a Nemzeti Filharmonikusok martonv\u00e1s\u00e1ri ny\u00e1ri Beethoven-sorozat\u00e1nak, kiemelked\u0151 szerepl\u0151je a zenekar csal\u00e1di matin\u00e9 koncertsorozat\u00e1nak, valamint a Kocsis Zolt\u00e1n m\u0171v\u00e9szeti vezet\u00e9s\u00e9vel 2006 \u00f3ta fel\u00e9p\u00fcl\u0151 Bart\u00f3k \u00daj Sorozatnak. A Nemzeti Filharmonikusok Richard Strauss oper\u00e1it bemutat\u00f3 nagy siker\u0171 sz\u00e9ri\u00e1j\u00e1ban \u00e9s Schoenberg M\u00f3zes \u00e9s \u00c1ron c\u00edm\u0171 oper\u00e1j\u00e1ban, az \u00e9nekkar mellett t\u00f6bb tagja sz\u00f3listak\u00e9nt is fell\u00e9pett. Az \u00e9nekkar a hazai koncertek mellett nemzetk\u00f6zi felk\u00e9r\u00e9seknek is eleget tesz, rendszeresen koncertezik a magyarok \u00e1ltal is lakott hat\u00e1ront\u00fali telep\u00fcl\u00e9seken. A Nemzeti \u00c9nekkar a M\u00fcp\u00e1ban megrendezett nagyszab\u00e1s\u00fa Wagner-napok rendszeresen megh\u00edvott k\u00f6zrem\u0171k\u00f6d\u0151je.{:}{:en}The first great era in the ensemble\u2019s history began in 1990, when the founding choirmaster\u2019s death led to M\u00e1tyas Antal taking up the post, which he held until 31 March 2016. Over the course of that more than a quarter of a century, the ensemble became Hungary\u2019s leading professional choir, known for its performances of vocal compositions accompanied by orchestra, oratorios and a cappella works.\r\n\r\nAccordingly, its repertoire is extremely rich and open in every direction, encompassing the early Baroque composer Heinrich Sch\u00fctz, Bach, the Viennese Classical School, and the composers of the 19th and 20th centuries and of today, without prejudice to genre.\r\n\r\nCsaba Somos has served as the ensemble\u2019s artistic director since 1 January 2016.\r\n\r\nIn addition to performing concerts in Hungary, the ensemble regularly accepts invitations to appear abroad, having sung in numerous nations in Europe, as well as in Israel and Japan. They also regularly visit communities with ethnic Hungarian populations in the countries that neighbour Hungary.\r\n\r\nThe Hungarian National Choir places great emphasis on performing contemporary works, along with the 19th-century oratorios that are so prominent in their repertoire. They have been credited with numerous world and Hungarian premi\u00e8res, including those of Zolt\u00e1n Jeney\u2019s oratorio Funeral Rite and Gy\u00f6rgy Kurt\u00e1g\u2019s composition Songs of Despair and Sorrow \u2013 the latter of which is considered by many to be one of the most difficult pieces in the choral literature. However, their repertoire also extends to works by Tam\u00e1s Beischer-Maty\u00f3, Zsolt Durk\u00f3, Kamill\u00f3 Lendvay, Gy\u00f6rgy Ligeti, Gy\u00f6rgy Orb\u00e1n, Emil Petrovics, J\u00f3zsef Soproni, S\u00e1ndor Szokolay, P\u00e9ter T\u00f3th and J\u00e1nos Vajda. In conjunction with this, the ensemble have also sung on recordings of works by several contemporary composers, such as Lajos Husz\u00e1r, Mikl\u00f3s Csemiczky, Attila Bozay, L\u00e1szl\u00f3 Kir\u00e1ly, M\u00e1t\u00e9 Holl\u00f3s and J\u00f3zsef S\u00e1ri.\r\n\r\nThe choir regularly collaborates on the Hungarian National Philharmonic\u2019s summer Beethoven series in Martonv\u00e1s\u00e1r and plays a prominent role in the orchestra\u2019s family matinee concert series, as well as in the Bart\u00f3k New Series that first began development in 2006 under the artistic leadership of Zolt\u00e1n Kocsis. \u00a0The Hungarian National Choir is also a reliable partner to the Hungarian National Philharmonic Orchestra in its artistic efforts to bring works that are undeservedly absent from the established repertoire to the audience. This category includes compositions by Britten, Debussy, Enescu, Jan\u00e1\u010dek and Ravel. Not only did the choir serve as the chorus in the Hungarian National Philharmonic\u2019s highly acclaimed series of productions of the operas of Richard Strauss, several of its members also took the stage as soloists. Another of the choir\u2019s notable accomplishments of recent years was its participation in the production of Schoenberg\u2019s\u00a0<em>Moses und Aron<\/em>\u00a0that was conducted by Kocsis, who also completed the score. In addition to performing the traditional oratorio repertoire, they have also sung in such important but rarely heard works as the immense choral symphonies of Mahler, Bruckner\u2019s\u00a0<em>Te Deum\u00a0<\/em>and Liszt\u2019s<em>\u00a0Christus\u00a0<\/em>oratorio and\u00a0<em>The Legend of St. Elizabeth<\/em>. The Hungarian National Choir is also regularly invited to participate in the massive Budapest Wagner Days festival that is organised at M\u00fcpa Budapest each year.\r\n\r\nOver the past 30 years, the choir has worked with such excellent conductors as Antal Dor\u00e1ti, P\u00e9ter E\u00f6tv\u00f6s, \u00c1d\u00e1m Fischer, Lionel Friend, J\u00e1nos F\u00fcrst, Lamberto Gardelli, Zsolt Hamar, Sebastian Weigle, J\u00e1nos Kov\u00e1cs, Gy\u00f6rgy Lehel, Andr\u00e1s Ligeti, Ervin Luk\u00e1cs, Ken-Ichiro Kobayashi, Bertrand de Billy, Rico Saccani, Yuri Simonov, Carlo Montanaro, Krzysztof Penderecki, Tam\u00e1s V\u00e1s\u00e1ry and Zolt\u00e1n Kocsis.{:}","post_title":"{:hu}Nemzeti \u00c9nekkar (karigazgat\u00f3: Somos Csaba){:}{:en}Hungarian National Choir (choir master: Csaba Somos){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-enekkar-karigazgato-somos-csaba-2","to_ping":"","pinged":"","post_modified":"2020-07-22 09:57:07","post_modified_gmt":"2020-07-22 09:57:07","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=institutions&#038;p=103834","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":96909,"post_author":"3","post_date":"2016-10-10 11:21:44","post_date_gmt":"2016-10-10 11:21:44","post_content":"{:hu}<em>\u201eNapjaink nem sz\u0171k\u00f6lk\u00f6dnek neh\u00e9z \u00e9lethelyzetekben, nek\u00fcnk azonban - az Angelica Le\u00e1nykarnak \u00e9s nekem \u2013 a kod\u00e1lyi \u00f6r\u00f6ks\u00e9g ebben is seg\u00edts\u00e9g\u00fcnkre van: Kod\u00e1ly Zolt\u00e1n gyakorlati \u00fatmutat\u00e1sai mindennapos munk\u00e1nk r\u00e9sze, zenei nevel\u00e9si eszm\u00e9i a mi eszm\u00e9ink is.\u201d<\/em>\r\n<p class=\"rteright\">(Gr\u00e1f Zsuzsanna a Magyar \u00d6r\u00f6ks\u00e9g d\u00edj \u00e1tad\u00e1sakor: 2009)<\/p>\r\nAz Angelica Le\u00e1nykart 1989-ben alap\u00edtotta Gr\u00e1f Zsuzsanna, a k\u00f3rust az\u00f3ta is vezet\u0151 karnagy. Tagjai a budapesti V\u00e1rosmajori Gimn\u00e1zium zenei tagozat\u00e1nak tanul\u00f3i, valamint a gimn\u00e1ziumban \u00e9retts\u00e9gizett, k\u00fcl\u00f6nf\u00e9le egyetemeken tanul\u00f3 hallgat\u00f3k.\r\nAz elm\u00falt 25 \u00e9vben a k\u00f3rus hazai \u00e9s nemzetk\u00f6zi koncerteken, fesztiv\u00e1lokon \u00e9s versenyeken ismertette meg \u00e9s vitte sikerre Kod\u00e1ly, Bart\u00f3k \u00e9s a kort\u00e1rs magyar zeneszerz\u0151k alkot\u00e1sait. Reperto\u00e1rjukban a kezdetekt\u0151l kiemelt helyet kapott a mai magyar zeneszerz\u0151k m\u0171veinek bemutat\u00e1sa \u00e9s a lehet\u0151 legsz\u00e9lesebb k\u00f6z\u00f6ns\u00e9ggel val\u00f3 megszerettet\u00e9se. Ez hozta meg azoknak a jeles komponist\u00e1knak a bar\u00e1ts\u00e1g\u00e1t (Sz\u0151nyi Erzs\u00e9bet, Kocs\u00e1r Mikl\u00f3s, Cs\u00edky Boldizs\u00e1r, Orb\u00e1n Gy\u00f6rgy, T\u00f3th P\u00e9ter, Gy\u00f6ngy\u00f6si Levente), akiknek m\u0171vei sz\u00e1mos fesztiv\u00e1l \u00e9s koncert keret\u00e9ben csend\u00fcltek fel \u0151sbemutat\u00f3k\u00e9nt.\r\n\r\nA k\u00f3rus t\u00f6bb versenyen, fesztiv\u00e1lon \u00e9s koncertk\u00f6r\u00faton vett r\u00e9szt a vil\u00e1g sz\u00e1mos kontinens\u00e9n. Els\u0151 helyez\u00e9st \u00e9rt el a debreceni, az arezzoi, a neerpelti, a r\u00f3mai, a tolosai, a corki nemzetk\u00f6zi k\u00f3rusversenyeken, r\u00e9szt vett a 10. ath\u00e9ni k\u00f3rusolimpi\u00e1n, ahol elnyerte az olimpia nagyd\u00edj\u00e1t, \u00e9s ezzel az olimpiai bajnoki c\u00edmet. Az Angelica Le\u00e1nykar hatalmas sikerrel turn\u00e9zott \u00c9szak- \u00e9s D\u00e9l-Amerik\u00e1ban, Jap\u00e1nban, valamint Eur\u00f3pa sz\u00e1mos orsz\u00e1g\u00e1ban. \u00c9nekeltek a p\u00e1rizsi Notre-Dame sz\u00e9kesegyh\u00e1zban, a r\u00f3mai Szent P\u00e9ter bazilik\u00e1ban, a br\u00fcsszeli Szent Mih\u00e1ly sz\u00e9kesegyh\u00e1zban \u00e9s az Eur\u00f3pai Parlamentben. Itthon rendszeresen l\u00e9pnek fel a Filharm\u00f3nia \u00e9s a Tavaszi Fesztiv\u00e1l rendezv\u00e9nyein, a Zeneakad\u00e9mia Nagyterm\u00e9ben, a Szent Istv\u00e1n bazilik\u00e1ban, a M\u00e1ty\u00e1s templomban, a M\u0171v\u00e9szetek Palot\u00e1j\u00e1ban, a Festetics Palot\u00e1ban \u00e9s a Budapest Music Center-ben. Az Angelica Le\u00e1nykar olyan kiv\u00e1l\u00f3 m\u0171v\u00e9szekkel \u00e9s zenekarokkal koncertezett, mint V\u00edgh Andrea, Bog\u00e1nyi Gergely, Cserna Ildik\u00f3, a Budapesti Fesztiv\u00e1lzenekar, a Magyar R\u00e1di\u00f3 Szimfonikus Zenekara, a Budafoki Dohn\u00e1nyi Zenekar, a Danubia Ifj\u00fas\u00e1gi Szimfonikus Zenekar, a Budapesti Von\u00f3sok \u00e9s a Honv\u00e9d F\u00e9rfikar. Az Angelica le\u00e1nykarnak 7 \u00f6n\u00e1ll\u00f3 CD lemeze jelent meg, koncertjeikr\u0151l r\u00e1di\u00f3- \u00e9s telev\u00edzi\u00f3 felv\u00e9telek k\u00e9sz\u00fcltek.\r\n\r\nAz Angelica Le\u00e1nykart 2009-ben Magyar \u00d6r\u00f6ks\u00e9g d\u00edjjal, 2013-ban Junior Prima d\u00edjjal, 2014-ben Prima d\u00edjjal t\u00fcntett\u00e9k ki.\r\nAz Angelica Le\u00e1nykar vezet\u0151je, Gr\u00e1f Zsuzsanna, kiemelked\u0151 m\u0171v\u00e9szi tev\u00e9kenys\u00e9ge elismer\u00e9s\u00e9\u00fcl h\u00e1rom alkalommal Artisjus d\u00edjat, 2007-ben Liszt Ferenc d\u00edjat, 2009-ben Magyar \u00d6r\u00f6ks\u00e9g d\u00edjat, 2013-ban Bart\u00f3k-P\u00e1sztory d\u00edjat, 2014-ben pedig k\u00f3rus\u00e1val Prima d\u00edjat kapott.{:}{:en}<em>\"Our days abound with problems and trouble but we \u2013 Angelica Girls' Choir and me \u2013 are helped by Kod\u00e1ly Zolt\u00e1n's heritage. His practical instructions have become artistic activities and standard. His theories on education are ours...\"<\/em>\r\n<p class=\"rteright\">(Zsuzsanna Gr\u00e1f - 2009 - being awarded by the Hungarian National Heritage Award)<\/p>\r\nAngelica Girls\u2019 Choir was founded in 1989 by Zsuzsanna Gr\u00e1f, who has been leading and conducting the choir since then. The choir members are current and former students of V\u00e1rosmajori Secondary School, Budapest.\r\nThe former students attend different universities in Budapest. In the past 25 years the choir has performed at a great number of concerts, festivals and choir competitions promoting the choir pieces of Zolt\u00e1n Kod\u00e1ly, B\u00e9la Bart\u00f3k and contemporary Hungarian composers. Contemporary Hungarian composers have key roles in the repertoire of Angelica Girls' Choir. Presenting and endearing contemporary music pieces resulted in the friendship of famous and outstanding Hungarian contemporary composers (Erzs\u00e9bet Sz\u0151nyi, Mikl\u00f3s Kocs\u00e1r, Boldizs\u00e1r Cs\u00edky, Gy\u00f6rgy Orb\u00e1n, P\u00e9ter T\u00f3th, Levente Gy\u00f6ngy\u00f6si). Angelica Girls' Choir premiered several of their music pieces at concerts and festivals.\r\n\r\nThe choir has participated in numerous choir competitions with tremendous success. They came first in the international choir competitions of Debrecen (Hungary), Arezzo and Rome (Italy), Neerpelt (Belgium), Tolosa (Spain) and Cork (Ireland). They won the gold medal in the 10th Choir Olympics in Athens (Greece). Furthermore, they toured in North- and South America, Japan and Europe. They sang in the Notre-Dame Cathedral (Paris), Saint Peter's Cathedral (Rome), Saint Michael's Cathedral (Brussels) and in the European Parliament. They are regular participants of the Spring Festivals, Budapest, they sing in prestigious concert halls (the Concert Hall of the Academy of Music, Budapest Music Centre, Palace of Arts, Festetics Palace) and in the greatest churches of Budapest (Saint Stephen\u2019s Basilica, Matthias Church). Angelica Girls' Choir gives concerts with outstanding musicians and orchestras, such as Andrea V\u00edgh, Gergely Bog\u00e1nyi, Ildik\u00f3 Cserna, Budapest Festival Orchestra, The Symphonic Orchestra of the Hungarian Radio, Dohn\u00e1nyi Orchestra, Danubia Orchestra, Budapest String Orchestra and Honv\u00e9d Choir. The voice of the choir is preserved through radio and television recordings and they have released seven Cds.\r\n\r\nIn 2009 Angelica Girls\u2019 Choir was honoured with the Hungarian Heritage Award; in 2013 they were awarded Junior Prima Award, and PRIMA Award in 2014.\r\nThe leader and conductor of the choir, Zsuzsanna Gr\u00e1f, is a prominent musician, who has been given Artisjus Award three times. Moreover, she was awarded Liszt Ferenc Award in 2007, the Hungarian Heritage Award in 2009, Bart\u00f3k-P\u00e1sztory Award in 2013, and, with her choir, PRIMA Award in 2014.\r\n\r\n&nbsp;{:}","post_title":"{:hu}Angelica Le\u00e1nykar (karigazgat\u00f3: Gr\u00e1f Zsuzsanna){:}{:en}Angelica Girl's Choir (Chorus Master: Zsuzsanna Gr\u00e1f){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"angelica-leanykar-karigazgato-graf-zsuzsanna","to_ping":"","pinged":"","post_modified":"2017-10-05 11:50:28","post_modified_gmt":"2017-10-05 11:50:28","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=institutions&#038;p=96909","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"3.500 Ft - 2.500 Ft","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/paszti-berlet-1-vezenyel-somos-csaba-90117\/421679?event_disabler=274","elkeltek_a_jegyek":false,"youtube_id":"","old_id":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/105788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=105788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}