{"id":105786,"date":"2018-03-27T09:51:07","date_gmt":"2018-03-27T09:51:07","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=105786"},"modified":"2018-10-09T13:17:52","modified_gmt":"2018-10-09T13:17:52","slug":"hires-b-betusok","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/hires-b-betusok\/","title":{"rendered":"Famous ‘B’s"},"content":{"rendered":"

The two composers with the letter ‘B’ featured in this concert had a shared fate.They both grew up in complicated family environments before becoming outstanding pianists, they mainly lived and worked in Vienna, had many Hungarian friends, and harboured love and affection for unattainable women: Beethoven for married ladies and those of elevated social status, Brahms for the widow of his benefactor, Robert Schumann. Brahms’s first orchestral work was his Piano Concerto in D minor. He presented the piece in 1859 and gave the following recommendation regarding its second movement: “Benedictus, qui venit in nomine Domini<\/em>.\u201d (Blessed is he who comes in the name of the Lord). Some people think Brahms intended this as a tribute to his great mentor, Schumann, while others believe he merely sought to express the mood of the slow-tempo movement. According to Schumann, the Beethoven symphony which closes out the evening resembles a slender Greek girl sandwiched between two northern giants (the Eroica and Fate Symphonies). Pianist<\/strong> Simon Trpceski (1979) first performed in Hungary\u00a0in 2011 as a National Artist of Macedonia.<\/p>\n","protected":false},"template":"","class_list":["post-105786","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Ervin Luk\u00e1cs season ticket 1","kiemelt_kep":{"ID":105787,"id":105787,"title":"simon-trpceski-esemeny","filename":"simon-trpceski-esemeny.png","filesize":437360,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny.png","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/hires-b-betusok\/simon-trpceski-esemeny\/","alt":"","author":"1","description":"","caption":"","name":"simon-trpceski-esemeny","status":"inherit","uploaded_to":105786,"date":"2018-03-22 15:20:59","modified":"2018-09-25 15:10:56","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny-300x88.png","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny-768x224.png","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny-1024x299.png","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny.png","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny.png","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny-165x165.png","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny.png","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny-263x263.png","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny-360x203.png","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny-359x450.png","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny-555x555.png","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2018\/03\/simon-trpceski-esemeny-1600x560.png","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20181012","esemeny_idopontja":"7.30 pm","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87584,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Pesti Vigad\u00f3{:}{:en}Pesti Vigad\u00f3 Ceremonial Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"pesti-vigado","to_ping":"","pinged":"","post_modified":"2021-10-22 08:33:35","post_modified_gmt":"2021-10-22 08:33:35","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/pesti-vigado\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Magyarorsz\u00e1g","cim":"1051. Vigad\u00f3 t\u00e9r 2.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":101545,"post_author":"1","post_date":"2017-05-30 19:58:57","post_date_gmt":"2017-05-30 19:58:57","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette a Nemzeti Filharmonikusok Zenekar\u00e1t.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-3","to_ping":"","pinged":"","post_modified":"2020-08-10 08:31:17","post_modified_gmt":"2020-08-10 08:31:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=101545","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91348,"post_author":"1","post_date":"2016-09-08 08:57:50","post_date_gmt":"2016-09-08 08:57:50","post_content":"{:hu}

Els\u0151 zongoraverseny\u00e9nek bemutat\u00f3ja idej\u00e9n Johannes Brahms mind\u00f6ssze 26 \u00e9ves volt. A m\u0171 hossz\u00fa alkot\u00f3i folyamat eredm\u00e9nyek\u00e9nt sz\u00fcletett meg: cs\u00edr\u00e1ja egy az\u00f3ta elveszett k\u00e9tzongor\u00e1s szon\u00e1ta volt, amelyet a zeneszerz\u0151 1854-ben kompon\u00e1lt. Mivel \u00fagy \u00e9rezte, hogy a m\u0171 zenei anyaga helyenk\u00e9nt t\u00faln\u0151 a k\u00e9t zongora kifejez\u00e9si lehet\u0151s\u00e9gein, a szon\u00e1ta 1. t\u00e9tel\u00e9t r\u00f6gt\u00f6n elkezdte szimf\u00f3nia-t\u00e9tell\u00e9 \u00e1tdolgozni, \u00e1m ezzel sem volt el\u00e9gedett. V\u00e9g\u00fcl ez a zene, jelent\u0151sen \u00e1tform\u00e1lva, els\u0151 zongoraverseny\u00e9nek nyit\u00f3t\u00e9tel\u00e9ben tal\u00e1lta meg igazi hely\u00e9t. A zongoraverseny-t\u00e9tel els\u0151 v\u00e1ltozat\u00e1t a komponista 1856 \u0151sz\u00e9n elk\u00fcldte j\u00f3bar\u00e1tj\u00e1nak, Joachim J\u00f3zsef heged\u0171m\u0171v\u00e9sznek, az \u0151 javaslatai alapj\u00e1n \u00e1t\u00edrta, majd ism\u00e9t elk\u00fcldte Joachimnak… (m\u00e9g 1859-ben, a m\u0171 els\u0151 nyilv\u00e1nos el\u0151ad\u00e1sai ut\u00e1n is jav\u00edtgatott rajta). A fin\u00e1l\u00e9t 1857 v\u00e9g\u00e9n, a lass\u00fa t\u00e9telt pedig p\u00e1r h\u00e9ttel azut\u00e1n fejezte be – s ez a k\u00e9t t\u00e9tel is ugyanazt az utat j\u00e1rta be: Joachim, mint t\u00f6bbsz\u00f6ri k\u00fcls\u0151 kontroll, s \u00fajabb \u00e9s \u00fajabb jav\u00edt\u00e1sok. Ennyi gondos, apr\u00f3l\u00e9kos munka ut\u00e1n k\u00fcl\u00f6n\u00f6sen keser\u0171 csal\u00f3d\u00e1s lehetett az ifj\u00fa zeneszerz\u0151 sz\u00e1m\u00e1ra, hogy zongoraverseny\u00e9t kezdetben a k\u00f6z\u00f6ns\u00e9g \u00e9s a kritikusok r\u00e9sz\u00e9r\u0151l is teljes \u00e9rtetlens\u00e9g fogadta; 1859 janu\u00e1rj\u00e1ban, a lipcsei Gewandhaus-beli bemutat\u00f3n a m\u0171 egy\u00e9rtelm\u0171en megbukott. \u00c1m Brahms biztos volt benne, hogy v\u00e9g\u00fcl \u00e9rt\u0151 f\u00fclekre fog tal\u00e1lni, s az ut\u00f3kor \u0151t igazolta…<\/p>\n

A k\u00f6zel egy\u00f3r\u00e1s kompoz\u00edci\u00f3 fizikai \u00e9s intellektu\u00e1lis szempontb\u00f3l is nagy megterhel\u00e9st jelent minden zongoram\u0171v\u00e9sz sz\u00e1m\u00e1ra. Brahms robusztus zongorast\u00edlusa, zen\u00e9j\u00e9nek rendk\u00edv\u00fcli intenzit\u00e1sa k\u00fcl\u00f6nleges \u00e1ll\u00f3k\u00e9pess\u00e9get k\u00f6vetel – Robert Schumann \u00edrta m\u00e1r 1853-ban a szerz\u0151 fiatalkori szon\u00e1t\u00e1ir\u00f3l, hogy azok tulajdonk\u00e9ppen „rejtett szimf\u00f3ni\u00e1k”. A d-moll zongoraversenyt egyik elemz\u0151je, a mintegy 80 \u00e9vvel kor\u00e1bbi irodalmi \u00e9s zenei \u00e1ramlat szenved\u00e9lyes moll-kompoz\u00edci\u00f3ihoz hasonl\u00edtva „Sturm und Drang” m\u0171nek nevezi. Az impoz\u00e1ns nyit\u00f3t\u00e9tel szimfonikus m\u00e9ret\u0171 zenekari expoz\u00edci\u00f3j\u00e1val \u00e9s nagy karakterbeli kontrasztjaival t\u0171nik ki; a hosszan kitartott ped\u00e1lhang f\u00f6l\u00f6tt megsz\u00f3lal\u00f3 f\u0151t\u00e9m\u00e1j\u00e1nak szaggatott ritmik\u00e1ja Beethoven 9. szimf\u00f3ni\u00e1j\u00e1nak kezdet\u00e9t juttatja esz\u00fcnkbe. A viharos nyit\u00f3t\u00e9tel ut\u00e1n nagy kontrasztk\u00e9nt megsz\u00f3lal\u00f3 Adagi\u00f3t a zeneszerz\u0151 Clara Schumann „gyeng\u00e9d portr\u00e9j\u00e1nak” nevezte.(Brahms 1853 szeptember\u00e9ben ismerkedett meg a Schumann-h\u00e1zasp\u00e1rral, s egy f\u00e9l \u00e9vvel k\u00e9s\u0151bb, Robert Schumann ideg\u00f6sszeoml\u00e1sa, \u00f6ngyilkoss\u00e1gi k\u00eds\u00e9rlete \u00e9s az endenichi gy\u00f3gyint\u00e9zetbe k\u00f6lt\u00f6z\u00e9se ut\u00e1n visszat\u00e9rt D\u00fcsseldorfba a csal\u00e1dhoz, seg\u00edteni Clar\u00e1nak, s az id\u0151sebb p\u00e1lyat\u00e1rs 1756-ban bek\u00f6vetkezett hal\u00e1l\u00e1ig ott is maradt. Sz\u00e1m\u00e1ra feles\u00e9gk\u00e9nt, anyak\u00e9nt \u00e9s muzsikusk\u00e9nt is Clara testes\u00edtette meg az ide\u00e1lis n\u0151t.) A zongoraverseny szon\u00e1tarond\u00f3-fin\u00e1l\u00e9j\u00e1nak k\u00f6zvetlen modellje Beethoven c-moll koncertj\u00e9nek z\u00e1r\u00f3t\u00e9tele lehetett; a sok formai egyez\u00e9s mellett azonban ez a zene m\u00e9gis Brahms hangj\u00e1n sz\u00f3l, \u00e9s sz\u00e1mos egy\u00e9ni \u00f6tlettel is szolg\u00e1l – ilyen p\u00e9ld\u00e1ul a k\u00f6z\u00e9ps\u0151 epiz\u00f3d fugat\u00f3ja, vagy a t\u00e9tel v\u00e9gi nagy kadenci\u00e1t k\u00f6vet\u0151, k\u00e9tszeri temp\u00f3v\u00e1lt\u00e1ssal hatalmasra duzzasztott, hat\u00e1sos coda.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>{:}{:en}

Johannes Brahms composed his first piano concerto at a very young age, between 20 and 26. The almost one-hour work is both a physical and an intellectual challenge to any pianist; Brahms’s robust piano style, the intensity of his music calls for special stamina. Analysing the Piano Concerto in D minor, one critic compared it to the passionate minor-key compositions of the literary and musical movement from 80 years earlier, terming it a ‘Sturm und Drang’ work. The impressive opening movement stands out with its symphonic-scale orchestral exposition and great character contrasts; the jagged rhythm of the main theme on the extended pedal note is reminiscent of the beginning of Beethoven’s Ninth. Brahms calledthe contrastive Adagio following the stormy opening movement Clara Schumann’s ‘gentle portrait’. (Brahms had met the Schumanns in September 1853 and six months later, following Schumann’s nervous breakdown, suicide attempt and moving to the sanatorium at Endenich, he returned to the family in D\u00fcsseldorf to help Clara. He remained there until the death of his older colleague in 1756. To him Clara represented the ideal woman as a wife, mother and musician.) The sonata-rondo finale of the piano concertois thought to have been directly modelled on the closing movement of Beethoven’s Concerto in C minor.However, in spite of the many formal similarities, this music nevertheless speaks in Brahms’s voice and features numerous original ideas,such as the fugato in the middle episode as well as the effective,large-scale and coda with two changes of tempo,following the grand cadence.<\/p>\n

 <\/p>\n


\n <\/p>{:}","post_title":"{:hu}d-moll zongoraverseny, op. 15{:}{:en}Piano Concerto in D minor, Op. 15{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"d-moll-zongoraverseny-op-15","to_ping":"","pinged":"","post_modified":"2016-09-08 08:57:50","post_modified_gmt":"2016-09-08 08:57:50","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/d-moll-zongoraverseny-op-15\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Brahms"]},{"ID":91353,"post_author":"1","post_date":"2016-09-08 08:57:51","post_date_gmt":"2016-09-08 08:57:51","post_content":"{:hu}

Ludwig van Beethovent\u0151l (1770\u20131827) m\u00e1r a kort\u00e1rsak is azt v\u00e1rt\u00e1k, hogy m\u0171vei eszm\u00e9ket \u00e9s h\u0151s\u00f6ket \u00e1br\u00e1zoljanak, zen\u00e9be foglalj\u00e1k a f\u00e9ny \u00e9s s\u00f6t\u00e9ts\u00e9g harc\u00e1t, a szerepl\u0151k (vagy maga az alkot\u00f3) k\u00fczdelmeit, szenved\u00e9lyeit, apote\u00f3zis\u00e1t vagy \u00e9ppen buk\u00e1s\u00e1t. K\u00fcl\u00f6n\u00f6sen \u00e9rv\u00e9nyes ez a szimf\u00f3ni\u00e1kra, f\u0151k\u00e9pp harmadik (Eroica<\/em>, Esz-d\u00far), az \u00f6t\u00f6dik (Sors<\/em>, c-moll) \u00e9s a kilencedik (d-moll) m\u0171re, de ott van mindez a grandi\u00f3zus hetedikben, s\u0151t m\u00e1r az\u00a0oroszl\u00e1nk\u00f6rm\u00f6ket megmutat\u00f3 els\u0151ben is. A p\u00e1ros sorsz\u00e1m\u00faak t\u00f6bbs\u00e9ge azonban mintha m\u00e1sf\u00e9le modellt k\u00f6vetne. K\u00f6z\u00f6tt\u00fck tal\u00e1n a 4. szimf\u00f3nia<\/strong><\/em> (B-d\u00far, op. 60) a legk\u00fcl\u00f6n\u00f6sebb, mivel ez illeszthet\u0151 be legkev\u00e9sb\u00e9 a szerz\u0151r\u0151l kialakult k\u00e9pbe, ez\u00e9rt viszonylag kev\u00e9s figyelmet kapott a \u201eh\u0151si\u201d szimf\u00f3ni\u00e1k \u00e1rny\u00e9k\u00e1ban. Pedig meg van benne minden, amit\u0151l azonnal n\u00e9pszer\u0171 lehetett volna: szellemess\u00e9g, formai ar\u00e1nyoss\u00e1g, a zenekar virtu\u00f3z kezel\u00e9se \u00e9s a m\u0171faj klasszikus hagyom\u00e1nyainak tisztelete, valamint az \u00fajdons\u00e1g \u00e9s k\u00f6z\u00e9rthet\u0151s\u00e9g szinte t\u00f6k\u00e9letes egyens\u00falya. Ezek az er\u00e9nyek els\u00f6pr\u0151 sikert biztos\u00edtottak Haydn szimf\u00f3ni\u00e1inak, csakhogy az ifj\u00fa Beethovent\u0151l a k\u00f6z\u00f6ns\u00e9g \u00e9ppen a l\u00e1zad\u00e1st, az el\u0151d\u00f6k arcul csap\u00e1s\u00e1t v\u00e1rta.<\/p>\r\n

A 4. szimf\u00f3nia 1806-ban, az Eroica<\/em> premierje \u00e9s a Fidelio<\/em> kompon\u00e1l\u00e1sa ut\u00e1n k\u00e9sz\u00fclt, a heged\u0171versennyel \u00e9s a 4. zongoraversennyel egy id\u0151ben. Ut\u00f3bbival \u00e9s a Coriolan<\/em> nyit\u00e1nnyal egy\u00fctt mutatt\u00e1k be 1807 m\u00e1rcius\u00e1ban, Lobkowitz herceg palot\u00e1j\u00e1ban.<\/p>\r\n

Az 1. t\u00e9tel<\/strong> (Adagio \u2013 Allegro vivace) komor bevezet\u00e9se trag\u00e9di\u00e1t sejtet, a berobban\u00f3 f\u0151t\u00e9ma viszont vid\u00e1m lend\u00fclettel sz\u00f3lal meg. Az Eroic\u00e1hoz hasonl\u00f3an hamarosan ez is elhangzik heroikus forte v\u00e1ltozatban, de a mind\u00f6ssze nyolc \u00fctemnyi szakaszt azonnal k\u00f6nnyed, pasztor\u00e1lis anyagok v\u00e1ltj\u00e1k fel, \u00e9ppen a Pastorale szimf\u00f3nia F-d\u00farj\u00e1ban.\r\nA 2. t\u00e9tel<\/strong> (Adagio) lass\u00fa, stiliz\u00e1lt indul\u00f3ra eml\u00e9keztet. Szokatlan m\u00f3don fontos szerepet kap benne a h\u00e1tt\u00e9rben megsz\u00f3lal\u00f3 timpani, amelynek jellegzetes pontozott ritmusait a 2. heged\u0171sz\u00f3lam el\u0151legezi \u00e9s k\u00e9s\u0151bb m\u00e1s hangszerek is \u00e1tveszik. Ez ellenpontozza a heged\u0171k, a klarin\u00e9t vagy az oboa hol nagy\u00edv\u0171en \u00e9nekl\u0151, hol megszak\u00edtott dallamait.\r\nA 3. t\u00e9tel<\/strong> (Allegro vivace) igazi klasszikus scherzo, amely tele van ritmikai j\u00e1t\u00e9kokkal. A f\u0151r\u00e9szben a h\u00e1rmas l\u00fcktet\u00e9st gyakran kettes hangcsoportok zavarj\u00e1k \u00f6ssze, hogy ann\u00e1l hat\u00e1sosabb legyen a rend helyre \u00e1ll\u00edt\u00e1sa. A hagyom\u00e1nyos h\u00e1rom r\u00e9szes, tri\u00f3s forma itt \u00f6t r\u00e9szess\u00e9 b\u0151v\u00fcl az\u00e1ltal, hogy Beethoven nem z\u00e1r le az els\u0151 szakasz visszat\u00e9r\u00e9se ut\u00e1n, hanem m\u00e1sodszor is hozza a tri\u00f3t, amit a f\u0151r\u00e9sz r\u00f6vid\u00edtett v\u00e1ltozata k\u00f6vet (ABABA).\r\nA 4. t\u00e9tel<\/strong> (Allegro ma non troppo) ker\u00fclt tal\u00e1n a legk\u00f6zelebb a m\u00e9g \u00e9l\u0151 Haydn vil\u00e1g\u00e1hoz. Az ifj\u00fa tit\u00e1n itt mintha azt pr\u00f3b\u00e1lta volna megmutatni, hogy a nagy mester szimf\u00f3nia-fin\u00e1l\u00e9ihoz hasonl\u00f3an \u0151 is k\u00e9pes a vid\u00e1m, \u00f6nfeledt muzsik\u00e1l\u00e1sra. (Gombos L\u00e1szl\u00f3<\/em>)<\/p>{:}{:en}

Peers expected Beethoven\u2019s works to portray ideas and heroes, to set to music the struggle of light and darkness, the clashes and passions of his protagonists. Composed in 1806, the Fourth (B-flat major, op. 60) conforms least to our image of Beethoven. While it has the makings of an instant success \u2013 wittiness, proportion, respect for the traditions of the genre \u2013 the audiences expected Beethoven to be more of a rebel and slap the predecessors in the face.<\/p>\r\n

The gloomy introduction<\/strong> of the first movement foreshadows tragedy; however, the main theme explodes in with joyful vigour and the movement proceeds to introduce light, pastoral music.\r\nThe second movement<\/strong> is reminiscent of a slow stylised march in which the typical dotted rhythms of the tympani in the background assume a crucial role. They are counterpointed by the broad, melodious sounds in the violins, clarinets and oboes.\r\nThe third movement<\/strong> is a classical scherzo brimming with rhythmic play. The traditional three-part trio form is expanded to five parts through repetition of the trio and the main part.\r\nThe fourth movement<\/strong> has most in common with the world of Haydn, still alive at the time. The young Beethoven was, perhaps, out to show off his gift in wild and cheerful music-making, like the great maestro in his symphony finales. (L\u00e1szl\u00f3 Gombos)<\/em><\/p>{:}","post_title":"{:hu}IV. (B-d\u00far) szimf\u00f3nia, op. 60{:}{:en}Symphony No. 4 in B-flat major, op. 60{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"iv-szimfonia-b-dur-op-60","to_ping":"","pinged":"","post_modified":"2019-04-16 11:31:52","post_modified_gmt":"2019-04-16 11:31:52","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/iv-szimfonia-b-dur-op-60\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":105852,"post_author":"1","post_date":"2018-03-26 08:32:55","post_date_gmt":"2018-03-26 08:32:55","post_content":"","post_title":"{:hu}Simon Trpceski{:}{:en}Simon Trpceski{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"simon-trpceski","to_ping":"","pinged":"","post_modified":"2018-03-26 08:32:55","post_modified_gmt":"2018-03-26 08:32:55","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=105852","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"3.500 Ft - 2.500 Ft","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/lukacs-ervin-berlet-1-vezenyel-hamar-zsolt-90109\/421673?event_disabler=274","elkeltek_a_jegyek":false,"youtube_id":"","old_id":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/105786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=105786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}