{"id":105784,"date":"2018-03-27T09:51:10","date_gmt":"2018-03-27T09:51:10","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=105784"},"modified":"2018-10-09T13:21:56","modified_gmt":"2018-10-09T13:21:56","slug":"nagy-zeneszerzok-koncertje","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/nagy-zeneszerzok-koncertje\/","title":{"rendered":"Concert of the Great Composers"},"content":{"rendered":"

Fabrice Bollon<\/strong> and Simon Trpceski, <\/strong>These two artists are popular figures on the international concert scene, and are both signed to major record labels. The same cannot be said for the Austrian conductor and composer Alexander von Zemlinsky (1871\u20131942), whose musical career did not meet with success. He may have written late-Romantic music with incredibly beautiful melodies, but von Zemlinsky found himself on the margins of musical history in his own lifetime. The words of his one-time pupil, Arnold Sch\u00f6nberg, were of little help (and perhaps made matters worse): “I always believed he was a great composer.” <\/em>Nor did he benefit from being among the group of Viennese musicians around Gustav Mahler, or his status as a major opera conductor, conducting the successful Vienna premieres of Salome and Tosca in 1900. The symphonic poem The Mermaid (Die Seejungfrau<\/em>) is based on the story of the Danish storyteller Hans Christian Anderson<\/a>‘s The Little Mermaid. After witnessing this performance by the Hungarian National Philharmonic, we sincerely hope many listeners will have new-found respect for this unjustly neglected composer.<\/p>\n","protected":false},"template":"","class_list":["post-105784","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Ferencsik season ticket 1","kiemelt_kep":{"ID":108092,"id":108092,"title":"Fabrice Bollon2_M. 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Liszt Ferenc t\u00e9r 8.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":107624,"post_author":"951582","post_date":"2018-06-13 09:35:21","post_date_gmt":"2018-06-13 09:35:21","post_content":"","post_title":"{:hu}Fabrice Bollon{:}{:en}Fabrice Bollon {:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"fabrice-bollon","to_ping":"","pinged":"","post_modified":"2018-06-13 09:35:21","post_modified_gmt":"2018-06-13 09:35:21","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=107624","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91348,"post_author":"1","post_date":"2016-09-08 08:57:50","post_date_gmt":"2016-09-08 08:57:50","post_content":"{:hu}

Els\u0151 zongoraverseny\u00e9nek bemutat\u00f3ja idej\u00e9n Johannes Brahms mind\u00f6ssze 26 \u00e9ves volt. A m\u0171 hossz\u00fa alkot\u00f3i folyamat eredm\u00e9nyek\u00e9nt sz\u00fcletett meg: cs\u00edr\u00e1ja egy az\u00f3ta elveszett k\u00e9tzongor\u00e1s szon\u00e1ta volt, amelyet a zeneszerz\u0151 1854-ben kompon\u00e1lt. Mivel \u00fagy \u00e9rezte, hogy a m\u0171 zenei anyaga helyenk\u00e9nt t\u00faln\u0151 a k\u00e9t zongora kifejez\u00e9si lehet\u0151s\u00e9gein, a szon\u00e1ta 1. t\u00e9tel\u00e9t r\u00f6gt\u00f6n elkezdte szimf\u00f3nia-t\u00e9tell\u00e9 \u00e1tdolgozni, \u00e1m ezzel sem volt el\u00e9gedett. V\u00e9g\u00fcl ez a zene, jelent\u0151sen \u00e1tform\u00e1lva, els\u0151 zongoraverseny\u00e9nek nyit\u00f3t\u00e9tel\u00e9ben tal\u00e1lta meg igazi hely\u00e9t. A zongoraverseny-t\u00e9tel els\u0151 v\u00e1ltozat\u00e1t a komponista 1856 \u0151sz\u00e9n elk\u00fcldte j\u00f3bar\u00e1tj\u00e1nak, Joachim J\u00f3zsef heged\u0171m\u0171v\u00e9sznek, az \u0151 javaslatai alapj\u00e1n \u00e1t\u00edrta, majd ism\u00e9t elk\u00fcldte Joachimnak… (m\u00e9g 1859-ben, a m\u0171 els\u0151 nyilv\u00e1nos el\u0151ad\u00e1sai ut\u00e1n is jav\u00edtgatott rajta). A fin\u00e1l\u00e9t 1857 v\u00e9g\u00e9n, a lass\u00fa t\u00e9telt pedig p\u00e1r h\u00e9ttel azut\u00e1n fejezte be – s ez a k\u00e9t t\u00e9tel is ugyanazt az utat j\u00e1rta be: Joachim, mint t\u00f6bbsz\u00f6ri k\u00fcls\u0151 kontroll, s \u00fajabb \u00e9s \u00fajabb jav\u00edt\u00e1sok. Ennyi gondos, apr\u00f3l\u00e9kos munka ut\u00e1n k\u00fcl\u00f6n\u00f6sen keser\u0171 csal\u00f3d\u00e1s lehetett az ifj\u00fa zeneszerz\u0151 sz\u00e1m\u00e1ra, hogy zongoraverseny\u00e9t kezdetben a k\u00f6z\u00f6ns\u00e9g \u00e9s a kritikusok r\u00e9sz\u00e9r\u0151l is teljes \u00e9rtetlens\u00e9g fogadta; 1859 janu\u00e1rj\u00e1ban, a lipcsei Gewandhaus-beli bemutat\u00f3n a m\u0171 egy\u00e9rtelm\u0171en megbukott. \u00c1m Brahms biztos volt benne, hogy v\u00e9g\u00fcl \u00e9rt\u0151 f\u00fclekre fog tal\u00e1lni, s az ut\u00f3kor \u0151t igazolta…<\/p>\n

A k\u00f6zel egy\u00f3r\u00e1s kompoz\u00edci\u00f3 fizikai \u00e9s intellektu\u00e1lis szempontb\u00f3l is nagy megterhel\u00e9st jelent minden zongoram\u0171v\u00e9sz sz\u00e1m\u00e1ra. Brahms robusztus zongorast\u00edlusa, zen\u00e9j\u00e9nek rendk\u00edv\u00fcli intenzit\u00e1sa k\u00fcl\u00f6nleges \u00e1ll\u00f3k\u00e9pess\u00e9get k\u00f6vetel – Robert Schumann \u00edrta m\u00e1r 1853-ban a szerz\u0151 fiatalkori szon\u00e1t\u00e1ir\u00f3l, hogy azok tulajdonk\u00e9ppen „rejtett szimf\u00f3ni\u00e1k”. A d-moll zongoraversenyt egyik elemz\u0151je, a mintegy 80 \u00e9vvel kor\u00e1bbi irodalmi \u00e9s zenei \u00e1ramlat szenved\u00e9lyes moll-kompoz\u00edci\u00f3ihoz hasonl\u00edtva „Sturm und Drang” m\u0171nek nevezi. Az impoz\u00e1ns nyit\u00f3t\u00e9tel szimfonikus m\u00e9ret\u0171 zenekari expoz\u00edci\u00f3j\u00e1val \u00e9s nagy karakterbeli kontrasztjaival t\u0171nik ki; a hosszan kitartott ped\u00e1lhang f\u00f6l\u00f6tt megsz\u00f3lal\u00f3 f\u0151t\u00e9m\u00e1j\u00e1nak szaggatott ritmik\u00e1ja Beethoven 9. szimf\u00f3ni\u00e1j\u00e1nak kezdet\u00e9t juttatja esz\u00fcnkbe. A viharos nyit\u00f3t\u00e9tel ut\u00e1n nagy kontrasztk\u00e9nt megsz\u00f3lal\u00f3 Adagi\u00f3t a zeneszerz\u0151 Clara Schumann „gyeng\u00e9d portr\u00e9j\u00e1nak” nevezte.(Brahms 1853 szeptember\u00e9ben ismerkedett meg a Schumann-h\u00e1zasp\u00e1rral, s egy f\u00e9l \u00e9vvel k\u00e9s\u0151bb, Robert Schumann ideg\u00f6sszeoml\u00e1sa, \u00f6ngyilkoss\u00e1gi k\u00eds\u00e9rlete \u00e9s az endenichi gy\u00f3gyint\u00e9zetbe k\u00f6lt\u00f6z\u00e9se ut\u00e1n visszat\u00e9rt D\u00fcsseldorfba a csal\u00e1dhoz, seg\u00edteni Clar\u00e1nak, s az id\u0151sebb p\u00e1lyat\u00e1rs 1756-ban bek\u00f6vetkezett hal\u00e1l\u00e1ig ott is maradt. Sz\u00e1m\u00e1ra feles\u00e9gk\u00e9nt, anyak\u00e9nt \u00e9s muzsikusk\u00e9nt is Clara testes\u00edtette meg az ide\u00e1lis n\u0151t.) A zongoraverseny szon\u00e1tarond\u00f3-fin\u00e1l\u00e9j\u00e1nak k\u00f6zvetlen modellje Beethoven c-moll koncertj\u00e9nek z\u00e1r\u00f3t\u00e9tele lehetett; a sok formai egyez\u00e9s mellett azonban ez a zene m\u00e9gis Brahms hangj\u00e1n sz\u00f3l, \u00e9s sz\u00e1mos egy\u00e9ni \u00f6tlettel is szolg\u00e1l – ilyen p\u00e9ld\u00e1ul a k\u00f6z\u00e9ps\u0151 epiz\u00f3d fugat\u00f3ja, vagy a t\u00e9tel v\u00e9gi nagy kadenci\u00e1t k\u00f6vet\u0151, k\u00e9tszeri temp\u00f3v\u00e1lt\u00e1ssal hatalmasra duzzasztott, hat\u00e1sos coda.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>{:}{:en}

Johannes Brahms composed his first piano concerto at a very young age, between 20 and 26. The almost one-hour work is both a physical and an intellectual challenge to any pianist; Brahms’s robust piano style, the intensity of his music calls for special stamina. Analysing the Piano Concerto in D minor, one critic compared it to the passionate minor-key compositions of the literary and musical movement from 80 years earlier, terming it a ‘Sturm und Drang’ work. The impressive opening movement stands out with its symphonic-scale orchestral exposition and great character contrasts; the jagged rhythm of the main theme on the extended pedal note is reminiscent of the beginning of Beethoven’s Ninth. Brahms calledthe contrastive Adagio following the stormy opening movement Clara Schumann’s ‘gentle portrait’. (Brahms had met the Schumanns in September 1853 and six months later, following Schumann’s nervous breakdown, suicide attempt and moving to the sanatorium at Endenich, he returned to the family in D\u00fcsseldorf to help Clara. He remained there until the death of his older colleague in 1756. To him Clara represented the ideal woman as a wife, mother and musician.) The sonata-rondo finale of the piano concertois thought to have been directly modelled on the closing movement of Beethoven’s Concerto in C minor.However, in spite of the many formal similarities, this music nevertheless speaks in Brahms’s voice and features numerous original ideas,such as the fugato in the middle episode as well as the effective,large-scale and coda with two changes of tempo,following the grand cadence.<\/p>\n

 <\/p>\n


\n <\/p>{:}","post_title":"{:hu}d-moll zongoraverseny, op. 15{:}{:en}Piano Concerto in D minor, Op. 15{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"d-moll-zongoraverseny-op-15","to_ping":"","pinged":"","post_modified":"2016-09-08 08:57:50","post_modified_gmt":"2016-09-08 08:57:50","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/d-moll-zongoraverseny-op-15\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Brahms"]},{"ID":105976,"post_author":"1","post_date":"2018-03-26 13:57:09","post_date_gmt":"2018-03-26 13:57:09","post_content":"A b\u00e9csi zeneszerz\u0151, Alexander Zemlinsky (1871-1942) A sell\u0151<\/em><\/strong> c\u00edm\u0171 szimfonikus k\u00f6ltem\u00e9nye a d\u00e1n mese\u00edr\u00f3 Hans Christian Andersen \u201eA kis hable\u00e1ny\u201d c\u00edm\u0171 elbesz\u00e9l\u00e9se alapj\u00e1n keletkezett. Maga a kompoz\u00edci\u00f3, hasonl\u00f3an Zemlinsky tan\u00edtv\u00e1nya \u00e9s majdani s\u00f3gora, Arnold Sch\u00f6nberg Pell\u00e9as \u00e9s M\u00e9lisande c\u00edm\u0171 szimfonikus k\u00f6ltem\u00e9ny\u00e9hez, egy kih\u00edv\u00e1sra adott v\u00e1laszul j\u00f6tt l\u00e9tre, \u00a0mindkett\u0151 1903-ban. K\u00e9t \u00e9vvel kor\u00e1bban, 1901. janu\u00e1r 23-\u00e1n Richard Strauss els\u0151 \u00edzben l\u00e9pett fel karmesterk\u00e9nt B\u00e9csben, a m\u00fcncheni Kaim zenekarral. A saj\u00e1t kompoz\u00edci\u00f3kb\u00f3l \u00f6ssze\u00e1ll\u00edtott m\u0171soron a Till Eulenspiegel vid\u00e1m cs\u00ednyjei mellett, H\u0151si \u00e9let c\u00edm\u0171 szimfonikus k\u00f6ltem\u00e9ny szerepelt, ut\u00f3bbi els\u0151 \u00edzben hangzott el osztr\u00e1k ter\u00fcleten. A korabeli besz\u00e1mol\u00f3k szerint \u201eeg\u00e9sz B\u00e9cs\u201d jelen volt a hangversenyen, Gustav Mahler mellett Zemlinsky \u00e9s Sch\u00f6nberg is.\u00a0 Az alapvet\u0151en pozit\u00edv v\u00e9lem\u00e9nyeket mindketten osztott\u00e1k, meg\u00e1llap\u00edtva, hogy a H\u0151si \u00e9let partit\u00far\u00e1ja \u201esz\u00e1mos \u00fajdons\u00e1got, \u00e9s csod\u00e1latra m\u00e9lt\u00f3t\u201d tartalmaz. Ennek k\u00f6vetkezt\u00e9ben elhat\u00e1rozt\u00e1k, hogy megt\u00f6rik Richard Straussnak a programzene ter\u00e9n kiv\u00edvott \u201ehegem\u00f3ni\u00e1j\u00e1t\u201d egy-egy \u00faj, hasonl\u00f3 szellem\u0171 programzenei alkot\u00e1ssal. P\u00e1rhuzamosan kezdtek hozz\u00e1 a kompon\u00e1l\u00e1shoz, \u00e9s folyamatosan kicser\u00e9lt\u00e9k egym\u00e1ssal tapasztalataikat. A t\u00e9mav\u00e1laszt\u00e1s mindkettej\u00fck eset\u00e9ben megfelelt elt\u00e9r\u0151 alkot\u00f3i habitusuknak. Zemlinsky v\u00e1laszt\u00e1sa az 1837-ben \u00edrt n\u00e9pszer\u0171 Andersen-mes\u00e9re, A kis hable\u00e1nyra esett, m\u00edg Sch\u00f6nberg a belga szimbolista k\u00f6lt\u0151, Maurice Materlinck 1893-ban bemutatott \u00f6tfelvon\u00e1sos sz\u00ednm\u0171ve, a Pell\u00e9as \u00e9s M\u00e9lisande mellett d\u00f6nt\u00f6tt, amelyet egy\u00e9bk\u00e9nt maga Richard Strauss aj\u00e1nlott figyelm\u00e9be. A munka megkezd\u00e9se el\u0151tt azonban mindk\u00e9t komponista beszerezte a H\u0151si \u00e9let partit\u00far\u00e1j\u00e1t, amelynek sokr\u00e9t\u0171 sz\u00f6v\u00e9sm\u00f3dj\u00e1t egyszeri koncert\u00e9lm\u00e9ny alapj\u00e1n nem lehetett volna megismerni.\r\n\r\nZemlinsky a Sell\u0151t eredetileg \u00e1tkompon\u00e1lt k\u00e9t r\u00e9szes m\u0171nek sz\u00e1nta, a k\u00f6vetkez\u0151 c\u00edmekkel: A tenger m\u00e9ly\u00e9n, A sell\u0151 az emberek vil\u00e1g\u00e1ban, A vihar, A herceg megment\u00e9se, valamint a Sell\u0151 v\u00e1gyakoz\u00e1sa, A viziboszork\u00e1ny birodalm\u00e1ban, A herceg menyegz\u0151je, A sell\u0151 hal\u00e1la. A m\u0171 hangneme egy\u00e9bk\u00e9nt a-moll, ami Zemlinsky \u201efekete\u201d hangneme volt. Egy Sch\u00f6nberghez \u00edrott level\u00e9ben a zeneszerz\u0151 ki is fejtette, hogy \u201eaz \u00faj szimfonikus k\u00f6ltem\u00e9ny egy \u201eHal\u00e1lszimf\u00f3ni\u00e1hoz\u201d egyengetn\u00e9 az utat\u201d, j\u00f3llehet v\u00e9g\u00fcl soha nem \u00edrt ilyen c\u00edmmel kompoz\u00edci\u00f3t.\r\n\r\nA zeneszerz\u0151 hamarosan felismerte, hogy az egyr\u00e9szes, z\u00e1rt forma nem felel meg mondanival\u00f3j\u00e1nak, ez\u00e9rt \u00fagy d\u00f6nt\u00f6tt, hogy a n\u00e9gy epiz\u00f3dot h\u00e1rom \u00f6n\u00e1ll\u00f3 t\u00e9telre osztja el, \u00e9s t\u00f6bbet vesz \u00e1t Andersen mes\u00e9j\u00e9b\u0151l, mint amennyit eredetileg elk\u00e9pzelt. A kompon\u00e1l\u00e1s el\u0151rehaladt\u00e1val azonban folyamatosan elszakadt a programszer\u0171 kerett\u0151l, egyre ink\u00e1bb szimfonikus hangulatok \u00e9s sz\u00ednek panor\u00e1m\u00e1j\u00e1v\u00e1 l\u00e1gy\u00edtva a t\u00f6rt\u00e9net k\u00f6rvonalait. Az els\u0151 t\u00e9telhez r\u00e9szletes programmagyar\u00e1zatot is \u00edrt, amelyet azut\u00e1n elvetett, t\u00f6bb m\u00e1s tiszt\u00e1n illusztrat\u00edv zenei r\u00e9szlettel egy\u00fctt. A program egyetlen megmaradt utal\u00e1sa az els\u0151 t\u00e9tel klarin\u00e9tsz\u00f3l\u00f3ja feletti \u201emint egy seg\u00e9lyki\u00e1lt\u00e1s\u201d el\u0151ad\u00f3i utas\u00edt\u00e1s. A m\u00e1sodik t\u00e9telben mind\u00f6ssze k\u00e9t r\u00f6vid alc\u00edmre szor\u00edtkozik a narr\u00e1ci\u00f3, m\u00edg a harmadik t\u00e9telben egy\u00e1ltal\u00e1n nem szerepelnek kulcsszavak. A l\u00e9nyeges v\u00e1ltoztat\u00e1sok ellen\u00e9re Sch\u00f6nberghez \u00edrt leveleiben Zemlinsky tov\u00e1bbra is szimfonikus k\u00f6ltem\u00e9nyk\u00e9nt hivatkozott a darabra. Az 1905. janu\u00e1r 25-i b\u00e9csi \u0151sbemutat\u00f3n \u2013 amelyen egy\u00e9bk\u00e9nt Sch\u00f6nberg Pell\u00e9as \u00e9s Melisande-ja is el\u0151sz\u00f6r sz\u00f3lalt meg -\u00a0 m\u00e1r a sokkal tal\u00e1l\u00f3bb \u201ezenekari fant\u00e1zia\u201d megjel\u00f6l\u00e9s szerepelt a m\u0171sorlapon.","post_title":"{:hu}A sell\u0151 \u2013 szimfonikus k\u00f6ltem\u00e9ny{:}{:en}The Mermaid \u2013 Symphonic Poem{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-sello-szimfonikus-koltemeny","to_ping":"","pinged":"","post_modified":"2018-10-09 13:25:03","post_modified_gmt":"2018-10-09 13:25:03","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=105976","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Zemlinsky"]}],"muvek_feluldefinialasa":false,"muvekrol_reszletesen":true,"is_muvekrol_reszletesen_en":false,"kozr_szemelyek":[{"ID":105852,"post_author":"1","post_date":"2018-03-26 08:32:55","post_date_gmt":"2018-03-26 08:32:55","post_content":"","post_title":"{:hu}Simon Trpceski{:}{:en}Simon Trpceski{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"simon-trpceski","to_ping":"","pinged":"","post_modified":"2018-03-26 08:32:55","post_modified_gmt":"2018-03-26 08:32:55","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=105852","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":null,"is_muveszekrol_reszletesen_en":false,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"6.000 Ft - 4.500 Ft - 3.000 Ft","jegyvasarlas_gomb":"https:\/\/nfz.jegy.hu\/program\/ferencsik-berlet-1-vezenyel-andrey-boreyko-90098\/421654?event_disabler=274","elkeltek_a_jegyek":false,"youtube_id":"","old_id":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/105784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=105784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}