{"id":103300,"date":"2017-09-19T13:29:44","date_gmt":"2017-09-19T13:29:44","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=103300"},"modified":"2017-10-06T08:45:13","modified_gmt":"2017-10-06T08:45:13","slug":"nemzeti-filharmonikus-zenekar-gro%ce%b2es-festspielhaus-ban-2","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/nemzeti-filharmonikus-zenekar-gro%ce%b2es-festspielhaus-ban-2\/","title":{"rendered":"The Hungarian National Philharmonic Orchestra in the Gro\u03b2es Festspielhaus"},"content":{"rendered":"","protected":false},"template":"","class_list":["post-103300","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":false,"excerpt":false},"en":{"title":true,"content":false,"excerpt":false}}},"acf":{"alcim":"","kiemelt_kep":null,"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20180118","esemeny_idopontja":"19.30","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87728,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}Grosses Festspielhaus{:}{:en}Grosses Festspielhaus{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"grosses-festspielhaus","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/grosses-festspielhaus\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Salzburg{:}{:en}Salzburg{:}","orszag":"{:hu}Ausztria{:}{:en}Austria{:}","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"kulfold","karmester":null,"hazigazda":null,"muvek":[{"ID":91715,"post_author":"1","post_date":"2016-09-08 08:57:55","post_date_gmt":"2016-09-08 08:57:55","post_content":"{:hu}
\r\n\r\nBeethoven (1770-1827) nyit\u00e1nya 1807-ben keletkezett, Heinrich Joseph von Collin Coriolan<\/em> c. dr\u00e1m\u00e1ja nyom\u00e1n. Coriolanus alakja t\u00f6bb r\u00f3mai t\u00f6rt\u00e9net\u00edr\u00f3 elbesz\u00e9l\u00e9sben is fennmaradt \u00e9s a nevezetes h\u0151s figur\u00e1ja Shakespeare-t is megihlette. Beethoven feltehet\u0151leg Plutarkhosz \u00e9letrajzai k\u00f6z\u00f6tt tal\u00e1lkozott t\u00f6rt\u00e9net\u00e9vel. Coriolanus b\u00e1tors\u00e1g\u00e1r\u00f3l, kiv\u00e9teles hadvez\u00e9ri \u00e9s sz\u00f3noki k\u00e9pess\u00e9geir\u0151l legend\u00e1k keringtek. \u00c1m a n\u00e9p nem szerette, mivel g\u0151g\u00f6s volt \u00e9s len\u00e9zte az egyszer\u0171 embereket. Sikerrel v\u00e9dte R\u00f3m\u00e1t ellens\u00e9geit\u0151l, \u00e1m a konzuli v\u00e1laszt\u00e1son m\u00e9gsem szavaztak neki bizalmat. A s\u00e9rtett Coriolanust m\u00e9g azzal is b\u00fcntett\u00e9k, hogy el\u0171zt\u00e9k R\u00f3m\u00e1b\u00f3l. A bossz\u00faval nem v\u00e1rt sok\u00e1ig, Corilanus sz\u00f6vetkezett egykori ellens\u00e9geivel \u00e9s R\u00f3ma ellen vezette \u0151ket. A k\u00f6rbez\u00e1rt v\u00e1ros k\u00f6veteket k\u00fcld\u00f6tt egykori hadvez\u00e9r\u00fckh\u00f6z, de Coriolanus hajthatatlannak mutatkozott: R\u00f3m\u00e1nak el kell pusztulnia. \u00c1m amikor feles\u00e9ge \u00e9s \u00e9desanyja k\u00e9rlelte, hogy k\u00edm\u00e9lje meg sz\u00fcl\u0151haz\u00e1j\u00e1t, Coriolanus k\u00f6t\u00e9lnek \u00e1llt. \u00c1m a visszal\u00e9p\u00e9s Coriolanus \u00e9let\u00e9be ker\u00fclt, a R\u00f3ma ellen vezetett n\u00e9p \u00e1rul\u00f3nak b\u00e9lyegezte \u00e9s haragj\u00e1ban meg\u00f6lte.\r\n\r\nCollin trag\u00e9di\u00e1ja egyetlen figur\u00e1ra, a f\u0151h\u0151sre koncentr\u00e1l, a cselekm\u00e9ny teljesen m\u00e1sodlagos. A sz\u00f6veg l\u00e9nyeg\u00e9ben Coriolanus t\u00e9pel\u0151d\u0151 monol\u00f3gjainak sorozat\u00e1b\u00f3l \u00e1ll. Saj\u00e1tos a t\u00f6rt\u00e9net befejez\u00e9se, Coriolanus \u00f6nkez\u00e9vel vet v\u00e9get \u00e9let\u00e9nek, hiszen \u00fagy \u00e9rzi, pillanatnyi meging\u00e1sa az \u00f6nmag\u00e1val v\u00edvott csata elveszt\u00e9se. Nincs megv\u00e1lt\u00e1s, nincs szabad\u00edt\u00f3 trombitafanf\u00e1r. A h\u0151s buk\u00e1s\u00e1t vizion\u00e1l\u00f3 Beethoven-partit\u00far\u00e1k k\u00f6z\u00fcl a Coriolanus-nyit\u00e1ny a legpesszimist\u00e1bb.\r\n\r\n \r\n\r\n<\/div>\r\n
<\/div>{:}{:en}

Beethoven (1770-0827) composed his overture in 1807, to Coriolan<\/i>, a drama by Heinrich Joseph von Colin. The composer\u2019s unwavering purposefulness in creating the form of his his music and the pronounced motives used in the work are reminescent of Sympony No. 5 composed in the same year, while his preoccupation with the idea of heroism that constitutes the basic theme of the overture bring to mind the Eroica Symphony. In a major article, Wagner underscored the significance of the composition that represents an important step in the direction of the symphonic poems by Liszt.<\/p>\r\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The figure of Coriolanus has come down to us in descriptions by several Roman writers of history and was also an inspiration for Shakespeare. Beethoven is assumed to have come across with it in Plutarch\u2019s Lives. The courage and exceptional abilities of Coriolanus as a military leader and orator were legendary. However, he was not liked because he was arrogant and looked down on common people. He defended Rome from its enemies, yet when he stood for consul, was not elected. And if that humiliation were not enough, he was also banished from Rome. As an act of revenge, Coriolanus than sided up with his enemies and lead them to victory against Rome. The beleaguered town sent envoys to its former military commander, but Coriolanus was relentless: Rome must perish. Only when his mother and wife approach him with pleadings does he relent.\u00a0 However, this change of mind cost him his life: he was killed for his betrayal by the people he had lead against Rome.<\/p>\r\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In his tragedy, Collin focuses on the central character, the plot is of secondary importance. The text is in fact a series of Coriolanus\u2019 monologues of ruminations. There is also a peculiar ending: the hero dies by his own hand tormented by regrets of having lost the battle with himself. There is no redemption, no flourish of trumpets with a message of salvation. Of all the Beethoven scores on the fall of a hero Coriolanus is certainly the most devoid of hope.<\/p>\r\n

<\/p>{:}","post_title":"{:hu}Coriolan-nyit\u00e1ny, op. 62{:}{:en}Coriolan Overture, op. 62{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"coriolan-nyitany-op-62","to_ping":"","pinged":"","post_modified":"2017-12-16 15:00:37","post_modified_gmt":"2017-12-16 15:00:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/coriolan-nyitany-op-62\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Beethoven"]},{"ID":103288,"post_author":"1","post_date":"2017-09-26 14:56:02","post_date_gmt":"2017-09-26 14:56:02","post_content":"","post_title":"{:hu}d-moll oboaverseny{:}{:en}Oboe concerto in D-minor{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"d-moll-oboaverseny","to_ping":"","pinged":"","post_modified":"2017-10-05 11:56:23","post_modified_gmt":"2017-10-05 11:56:23","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=103288","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Lebrun"]},{"ID":101513,"post_author":"3","post_date":"2017-05-30 06:34:08","post_date_gmt":"2017-05-30 06:34:08","post_content":"{:hu}A m\u00e1r h\u00e9t-nyolc \u00e9ves kor\u00e1t\u00f3l kompon\u00e1l\u00f3 Franz Schubert \u00e9let\u00e9ben meghat\u00e1roz\u00f3 szerepet j\u00e1tszott, hogy 11 \u00e9vesen felv\u00e9telt nyert a b\u00e9csi udvari k\u00e1polna k\u00f3rus\u00e1ba, s emellett a v\u00e1ros egyik legjobb iskol\u00e1j\u00e1ba, a Cs\u00e1sz\u00e1ri \u00e9s Kir\u00e1lyi V\u00e1rosi Konviktusba, ahol \u00f6t \u00e9vig tanult. \u00a0Ebben a kiv\u00e1l\u00f3 oktat\u00e1st biztos\u00edt\u00f3 int\u00e9zm\u00e9nyben a zen\u00e9nek is fontos szerep jutott: az iskola els\u0151rang\u00fa zenekar\u00e1ban Schubert heged\u0171sk\u00e9nt m\u00e1r kor\u00e1n megismerkedhetett Haydn, Mozart \u00e9s a fiatal Beethoven szimfonikus zen\u00e9j\u00e9vel. (Egy iskolat\u00e1rs\u00e1nak visszaeml\u00e9kez\u00e9se szerint k\u00fcl\u00f6n\u00f6sen Mozart \u201enagy\u201d g-moll szimf\u00f3ni\u00e1ja \u00e9s Beethoven 2. szimf\u00f3ni\u00e1ja tett r\u00e1 nagy hat\u00e1st.) Minden Schubertr\u0151l sz\u00f3l\u00f3 k\u00f6nyv hangs\u00falyozza, hogy a komponista els\u0151 hat szimf\u00f3ni\u00e1ja milyen sok sz\u00e1llal k\u00f6t\u0151dik a b\u00e9csi klasszika nagymestereinek st\u00edlus\u00e1hoz \u2013 s hogy ezzel egy\u00fctt m\u00e1r a legels\u0151 darabban megsz\u00f3lal az ekkor m\u00e9g csak 16 \u00e9ves szerz\u0151 egy\u00e9ni hangja is. \u201eSchubert ugyanazt a nyelvet besz\u00e9lte (m\u00e9ghozz\u00e1 nagyon meggy\u0151z\u0151en), mint \u0151k, de annyira m\u00e1st mondott ezen a nyelven, hogy ez a hat m\u0171 m\u00e9gis a fiatal zeneszerz\u0151re, \u00e9s csakis r\u00e1 jellemz\u0151.\u201d \u2013 \u00edrja egyik m\u00e9ltat\u00f3ja.\r\n\r\nAz 1816 \u00e1prilis\u00e1ban, 19 \u00e9vesen befejezett 4. szimf\u00f3nia saj\u00e1tkez\u0171 partit\u00far\u00e1j\u00e1ba Schubert csak k\u00e9s\u0151bb \u00edrta be a \u201eTragikus\u201d mell\u00e9knevet. Ez a mell\u00e9kn\u00e9v meglehet\u0151sen f\u00e9lrevezet\u0151: m\u00edg a m\u0171 k\u00e9ts\u00e9gtelen\u00fcl komolyabb, s helyenk\u00e9nt szenved\u00e9lyesebb hangv\u00e9tel\u0171, mint el\u0151dei, tragikusnak m\u00e9gsem nevezhet\u0151. Ez a szenved\u00e9ly nem Beethoven 5. szimf\u00f3ni\u00e1j\u00e1t, hanem sokkal ink\u00e1bb az 1770-es \u00e9vek els\u0151 fel\u00e9nek \u201eviharos\u201d irodalmi \u00e9s zenei \u00e1ramlat\u00e1t, a \u201eSturm und Drang\u201d-ot, Joseph Haydnnak \u00e9s kort\u00e1rsainak ekkor keletkezett szimf\u00f3ni\u00e1it id\u00e9zi fel, r\u00f6gt\u00f6n a nyit\u00f3t\u00e9tel gyors f\u0151t\u00e9m\u00e1j\u00e1ban. A t\u00e9tel lass\u00fa bevezet\u00e9se egyeseknek Mozart h\u00edres \u201eDissonanzen\u201d von\u00f3sn\u00e9gyes\u00e9nek els\u0151 \u00fctemeit, m\u00e1soknak Haydn Teremt\u00e9s<\/em> c\u00edm\u0171 orat\u00f3riuma szint\u00e9n c-mollban, eg\u00e9szen hasonl\u00f3an indul\u00f3 zenekari bevezet\u0151j\u00e9t juttatja esz\u00e9be. A gyors f\u0151t\u00e9ma hevess\u00e9g\u00e9vel dallamos, l\u00edrai, d\u00far mell\u00e9kt\u00e9ma kontraszt\u00e1l, s a visszat\u00e9r\u00e9sben a mell\u00e9kt\u00e9ma ut\u00e1n a zene m\u00e1r a t\u00e9tel v\u00e9g\u00e9ig d\u00farban marad. Az Andante t\u00e9telben a bens\u0151s\u00e9ges, beethoveni sz\u00e9ps\u00e9g\u0171 Asz-d\u00far kezd\u0151 dallammal egy el\u0151sz\u00f6r f-mollban, m\u00e1sodszor b-mollban megjelen\u0151, szinte groteszken sz\u00f6gletes t\u00e9ma \u00e1ll szemben. A 3. t\u00e9tel rendhagy\u00f3 m\u00f3don nem a c-moll alaphangnemben, hanem Esz-d\u00farban \u00e1ll. Schubert ugyan Men\u00fcettnek nevezi, de Allegro vivace temp\u00f3j\u00e1n\u00e1l \u00e9s karakter\u00e9n\u00e9l fogva m\u00e1r-m\u00e1r scherzo, amely r\u00f6gt\u00f6n a kezdet\u00e9n a h\u00e1rom negyedet k\u00e9t negyedd\u00e9 alak\u00edt\u00f3 hangs\u00falyoz\u00e1s\u00e1val lepi meg a hallgat\u00f3t. Itt a hangulati v\u00e1lt\u00e1st a finoman n\u00e9pies hangv\u00e9tel\u0171 dallamos k\u00f6z\u00e9pr\u00e9sz (tri\u00f3) hozza. Szon\u00e1ta-form\u00e1j\u00fa, nagy l\u00e9legzet\u0171, jelent\u0151s t\u00e9tel a finale: t\u00e1g teret bej\u00e1r\u00f3, mer\u00e9sz harm\u00f3niai terve, \u00e9p\u00edtkez\u00e9sm\u00f3dja \u00e9s zenei anyaga is egy\u00e9rtelm\u0171en a sz\u00fclet\u0151ben l\u00e9v\u0151 romantika jegyeit hordozza mag\u00e1n. Az egyetlen gesztusb\u00f3l kibontott f\u0151t\u00e9ma, a lend\u00fcletes \u00e1tvezet\u0151 r\u00e9sz, melynek zakatol\u00e1sa a d\u00far mell\u00e9kt\u00e9ma alatt is folytat\u00f3dik, s a diadalmas, szinte h\u0151si hangv\u00e9tel\u0171 z\u00e1r\u00f3t\u00e9ma egym\u00e1sut\u00e1nja a k\u00e9s\u0151bbi Schubert-szimf\u00f3ni\u00e1kat vet\u00edti el\u0151re. A visszat\u00e9r\u00e9s\u2013 mintha csak a m\u0171 mell\u00e9knev\u00e9t c\u00e1foln\u00e1 \u2013 m\u00e1r a kezdet\u00e9t\u0151l C-d\u00farban sz\u00f3lal meg.{:}{:en}The first six symphonies of Schubert have many ties to Haydn, Mozart and the young Beethoven, and yet they are in every way characteristically Schubertian works. Schubert, who was 19 when he completed the work in 1816, added the title \u201cTragic\u201d. This is rather misleading in that the fast main theme of the first movement is evocative of not Beethoven\u2019s Fifth Symphony, but rather. the \u201ctempestuous\u201d trend of the early 1770s, the \u201cSturm und Drang\u201d. The intimate starting melody of Beethovenian beauty in the A-flat-major Andante is contrasted with an almost grotesquely awkward minor theme, which appears twice. Schubert calls the third movement a minuet; however, it is more a scherzo if anything else on account of its tempo and character. Right at the start it surprises the listener by the accentuation converting 3\/4 time to 2\/4 time. The finale is a sweeping, important movement. Its extensive harmonic scheme and musical fabric clearly betrays the features of nascent Romanticism.\r\n\r\n {:}","post_title":"{:hu}IV. szimf\u00f3nia c-moll \"Tragikus\", D. 417{:}{:en}Symphony No. 4, C minor \u2019Tragic\u2019, D. 417{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"iv-szimfonia-c-moll-tragikus-d-417","to_ping":"","pinged":"","post_modified":"2017-12-16 15:06:41","post_modified_gmt":"2017-12-16 15:06:41","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101513","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Schubert"]}],"muvekrol_reszletesen":null,"kozr_szemelyek":[],"muveszekrol_reszletesen":null,"kozr_szemelyek_feluldefinialasa":"

Francois Leleux\u00a0<\/strong>sz\u00f3lista \u00e9s karmester<\/i><\/p>\n","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":""},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/103300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=103300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}